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Movie Metropolis (309 KP) rated Sausage Party (2016) in Movies
Jun 11, 2019
Utterly Ridiculous
Just when Sharknado: the 4th Awakens made you think film-making couldn’t get any more ridiculous, a movie like Sausage Party comes along to remind you that Hollywood can always go that one step further to mind-boggling peculiarity.
Of course, that’s not always a bad thing, there have been countless weird and wacky films over the years that have gone on to become cult classics – look at Kick-Ass or even Pulp Fiction for examples of that. But for every Pulp Fiction there’s a Sharknado. So is Sausage Party good weird or as stale as a month-old bagel?
From the mind of Seth Rogen, Sausage Party is a strictly adults only animation that combines hugely offensive language and racial stereotypes with surprisingly meaningful religious undertones. And do you know what? It’s a breath of fresh air.
Life is good for all the food items that occupy the shelves at the local supermarket. Frank (Seth Rogen) the sausage, Brenda (Kristen Wiig) the hot dog bun, Teresa Taco and Sammy Bagel Jr. (Edward Norton) can’t wait to go home with a happy customer. Soon, their world comes crashing down as poor Frank learns the horrifying truth that he will eventually become a meal. After warning his pals about their similar fate, the panicked perishables devise a plan to escape from their human enemies.
Directors Conrad Vernon and Greg Tiernan take Rogen’s intriguing premise and inject a warmly familiar animation style, distancing itself just enough to make any comparisons simply inconceivable. Sausage Party is like nothing you will have ever seen.
The voice-acting is great too. Rogen plays his usual film staple – in sausage form – with the spicy Salma Hayek outdoing everyone else as a lustful taco. Kristen Wiig, Bill Hader, Michael Cera and Jonah Hill also lend their familiar voices to a hot-dog bun, a bottle of spirit and two other frankfurters respectively.
Elsewhere, the comedy, for the most part, hits the spot. As dreadful as it sounds, the racial stereotyping works incredibly well in food form. British tea, Mexican taco shells and German sauerkraut will have you rolling about the aisles with their outrageous vulgarity, but everyone needs to release their inner teenager once in a while.
Unfortunately, the films standout sequence has already been shown in the trailer – a side-splitting food-eye view of a normal kitchen, before every edible item is butchered; that poor Irish potato didn’t stand a chance. This is a real shame as the rest of the film doesn’t quite match up to the standard of that scene.
Nevertheless, there’ll be chuckles throughout as numerous celebrities are parodied in food form. One in particular, immortalised in chewing gum, is incredibly well thought out.
And that’s where Sausage Party succeeds the most. Underneath the polished animation and crude humour, this film is actually kind of clever. It tackles religion, war, race, sexuality and food waste very well indeed and that’s something the genre doesn’t ask for. It’s just unfortunate that it’s not quite as funny as the trailer would have you believe.
https://moviemetropolis.net/2016/09/03/utterly-ridiculous-sausage-party-review/
Of course, that’s not always a bad thing, there have been countless weird and wacky films over the years that have gone on to become cult classics – look at Kick-Ass or even Pulp Fiction for examples of that. But for every Pulp Fiction there’s a Sharknado. So is Sausage Party good weird or as stale as a month-old bagel?
From the mind of Seth Rogen, Sausage Party is a strictly adults only animation that combines hugely offensive language and racial stereotypes with surprisingly meaningful religious undertones. And do you know what? It’s a breath of fresh air.
Life is good for all the food items that occupy the shelves at the local supermarket. Frank (Seth Rogen) the sausage, Brenda (Kristen Wiig) the hot dog bun, Teresa Taco and Sammy Bagel Jr. (Edward Norton) can’t wait to go home with a happy customer. Soon, their world comes crashing down as poor Frank learns the horrifying truth that he will eventually become a meal. After warning his pals about their similar fate, the panicked perishables devise a plan to escape from their human enemies.
Directors Conrad Vernon and Greg Tiernan take Rogen’s intriguing premise and inject a warmly familiar animation style, distancing itself just enough to make any comparisons simply inconceivable. Sausage Party is like nothing you will have ever seen.
The voice-acting is great too. Rogen plays his usual film staple – in sausage form – with the spicy Salma Hayek outdoing everyone else as a lustful taco. Kristen Wiig, Bill Hader, Michael Cera and Jonah Hill also lend their familiar voices to a hot-dog bun, a bottle of spirit and two other frankfurters respectively.
Elsewhere, the comedy, for the most part, hits the spot. As dreadful as it sounds, the racial stereotyping works incredibly well in food form. British tea, Mexican taco shells and German sauerkraut will have you rolling about the aisles with their outrageous vulgarity, but everyone needs to release their inner teenager once in a while.
Unfortunately, the films standout sequence has already been shown in the trailer – a side-splitting food-eye view of a normal kitchen, before every edible item is butchered; that poor Irish potato didn’t stand a chance. This is a real shame as the rest of the film doesn’t quite match up to the standard of that scene.
Nevertheless, there’ll be chuckles throughout as numerous celebrities are parodied in food form. One in particular, immortalised in chewing gum, is incredibly well thought out.
And that’s where Sausage Party succeeds the most. Underneath the polished animation and crude humour, this film is actually kind of clever. It tackles religion, war, race, sexuality and food waste very well indeed and that’s something the genre doesn’t ask for. It’s just unfortunate that it’s not quite as funny as the trailer would have you believe.
https://moviemetropolis.net/2016/09/03/utterly-ridiculous-sausage-party-review/
Kristy H (1252 KP) rated The Girl Before in Books
Jan 21, 2018
Suspenseful and different novel
Two wounded women reeling from personal issues are looking for a new apartment. For Emma, she requires a safe place after being the victim of a break-in while her loyal boyfriend, Simon, was out. For Jane, it is a new place that holds no reminders of the baby she lost. For each woman, the house at One Folgate Street seems to offer exactly what they are looking for. It is designed by well-known architect, Edward Monkford, and comes with a set of rules created by the inscrutable man himself. In fact, to live at One Folgate Streets means signing off on over 200 rules, ranging from no books or personal mementos, to total tidiness, to agreeing to showing the house on architectural tours, to accepting to the intense technology that it comes with, including the house monitoring your well-being and moods. At first, the rules and clarity that come with One Folgate Street seem comforting to Emma and Jane. But as they spend more time in the house--and learn about its past, including its mysterious builder--they become terrifying and stifling.
THE GIRL BEFORE is a fascinating novel told solely from the point of view of Emma, One Folgate Street's previous tenant, and Jane, its current tenant. All activities are filtered through the lens of these two women. The novel effectively builds suspense with the parallel nature of the two women's stories, but it also can get a little repetitive at times (and sometimes a little confusing, as you have to remind yourself, mostly in the beginning, who is talking). The book starts off exciting, as you are drawn into both Emma and Jane's tales while they acclimate to the house and all the oddities it offers. The house itself almost becomes another character in the novel. It starts to drag a bit halfway through as you wonder what will happen in the next half (people living in a technologically advanced house can only be so exciting, right?). But then, suddenly, the novel takes some odd turns (there are some interesting sexual plot twists) and eventually grows quite interesting again with some psychological and thrilling revelations. Perhaps my favorite part about this book is that many of these developments truly surprised me, which isn't always easy to do in a thriller.
Overall, this is an interesting novel. It's certainly suspenseful and different. To enjoy it, you really have to set your disbelief aside at the actual conditions of living at One Folgate Street (no books, what?!) and accept that the two women are so broken (and perhaps broke, as the house apparently comes at a great discount) that they will go along with anything. It has a lot of varied plot threads and some of them aren't always fully explored or truly necessary, which can be a little frustrating. Still, the book truly surprised me with its twists and kept me entertained, with a deep desire to get to the end. Overall, 3.5+ stars.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review.
THE GIRL BEFORE is a fascinating novel told solely from the point of view of Emma, One Folgate Street's previous tenant, and Jane, its current tenant. All activities are filtered through the lens of these two women. The novel effectively builds suspense with the parallel nature of the two women's stories, but it also can get a little repetitive at times (and sometimes a little confusing, as you have to remind yourself, mostly in the beginning, who is talking). The book starts off exciting, as you are drawn into both Emma and Jane's tales while they acclimate to the house and all the oddities it offers. The house itself almost becomes another character in the novel. It starts to drag a bit halfway through as you wonder what will happen in the next half (people living in a technologically advanced house can only be so exciting, right?). But then, suddenly, the novel takes some odd turns (there are some interesting sexual plot twists) and eventually grows quite interesting again with some psychological and thrilling revelations. Perhaps my favorite part about this book is that many of these developments truly surprised me, which isn't always easy to do in a thriller.
Overall, this is an interesting novel. It's certainly suspenseful and different. To enjoy it, you really have to set your disbelief aside at the actual conditions of living at One Folgate Street (no books, what?!) and accept that the two women are so broken (and perhaps broke, as the house apparently comes at a great discount) that they will go along with anything. It has a lot of varied plot threads and some of them aren't always fully explored or truly necessary, which can be a little frustrating. Still, the book truly surprised me with its twists and kept me entertained, with a deep desire to get to the end. Overall, 3.5+ stars.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review.
Heather Cranmer (2721 KP) rated You May Now Kill the Bride (Return to Fear Street #1) in Books
Oct 9, 2018
The Plot (3 more)
The Characters
The Pacing
The World Building
R.L.Stine Does It Again!
I was a huge R.L. Stine fan back when I was in school. I was constantly reading every book I could read by R.L. Stine. I credit him with my love of horror books. Anyway, when I heard R.L. Stine was writing new Fear Street books, I had to read them! The first in this series is You May Now Kill the Bride. I absolutely loved it!
The pacing for You May Now Kill the Bride is fantastic! This book really was a page turner. I found myself not wanting to put it down. Each page had me hungry for me.
I really enjoyed the plot of You May Now Kill the Bride. Part of this story takes places in 1924 where we learn about the Fear/Goode curse. A Fear wedding takes place, but it really doesn't good as planned and tragedy ensues. The other part of the story takes place in present day. Another Fear wedding is about to take place, but it doesn't happen because the bride has gone missing. Will this Fear wedding end in tragedy as well? There were a few plot twists which I really enjoyed even if a couple of the plot twists were somewhat predictable. Even though You May Now Kill the Bride is part of a series, it can be read as a standalone. There were no cliffhangers at the end of the book, and all of my questions were answered.
R.L. Stine did an amazing job with the world building like always. I always felt like I was part of the story. Even though this is a work of fiction, everything felt real. I found myself even holding my breath at the most climactic parts of You May Now Kill the Bride.
I felt that all the characters in You May Now Kill the Bride were fleshed out very well. I enjoyed all the characters very much. My favorite character was Ruth-Ann. It was hard not to like her as I could really relate to her on a personal level. However, all the characters were interesting to read about even the minor characters. Most of the story is told in first person from Harmony's point of view. While I did find Harmony annoying right at first, I quickly ended up liking her.
Trigger warnings for You May Now Kill the Bride include magic, the occult, murder/death, and minor violence. There's also one scene where a character hurts their hand which isn't overly graphic, but those who are a bit squeamish may not like it too much. There's also another scene about a body being found after being found at the bottom of a cliff. The description isn't very graphic, but some may find it unsettling.
Overall, You May Now Kill the Bride was such a really good and quick read. The plot is fantastic, and the characters are written very well. Fans of R.L. Stine will truly love this story especially those that loved the original Fear Street series. I would definitely recommend You May Now Kill the Bride by R.L. Stine to everyone aged 15+. It was so good!
The pacing for You May Now Kill the Bride is fantastic! This book really was a page turner. I found myself not wanting to put it down. Each page had me hungry for me.
I really enjoyed the plot of You May Now Kill the Bride. Part of this story takes places in 1924 where we learn about the Fear/Goode curse. A Fear wedding takes place, but it really doesn't good as planned and tragedy ensues. The other part of the story takes place in present day. Another Fear wedding is about to take place, but it doesn't happen because the bride has gone missing. Will this Fear wedding end in tragedy as well? There were a few plot twists which I really enjoyed even if a couple of the plot twists were somewhat predictable. Even though You May Now Kill the Bride is part of a series, it can be read as a standalone. There were no cliffhangers at the end of the book, and all of my questions were answered.
R.L. Stine did an amazing job with the world building like always. I always felt like I was part of the story. Even though this is a work of fiction, everything felt real. I found myself even holding my breath at the most climactic parts of You May Now Kill the Bride.
I felt that all the characters in You May Now Kill the Bride were fleshed out very well. I enjoyed all the characters very much. My favorite character was Ruth-Ann. It was hard not to like her as I could really relate to her on a personal level. However, all the characters were interesting to read about even the minor characters. Most of the story is told in first person from Harmony's point of view. While I did find Harmony annoying right at first, I quickly ended up liking her.
Trigger warnings for You May Now Kill the Bride include magic, the occult, murder/death, and minor violence. There's also one scene where a character hurts their hand which isn't overly graphic, but those who are a bit squeamish may not like it too much. There's also another scene about a body being found after being found at the bottom of a cliff. The description isn't very graphic, but some may find it unsettling.
Overall, You May Now Kill the Bride was such a really good and quick read. The plot is fantastic, and the characters are written very well. Fans of R.L. Stine will truly love this story especially those that loved the original Fear Street series. I would definitely recommend You May Now Kill the Bride by R.L. Stine to everyone aged 15+. It was so good!
LilyLovesIndie (123 KP) rated Star of Bethlehem (Flowering, #1.6) in Books
Nov 5, 2018
I remember when I was first given this book, and I was very excited to get my hands on it. Then, when I actually started reading it, I relived that excitement as it really is wonderful. A tale of that fateful evening when you introduce your new partner to your parents for the first time. Always scary, always charged with lots of different emotions, and Daltry manages this brilliantly, hence the four star review!
I thoroughly enjoyed so many parts of this book. Perhaps the first thing I feel needs pointing out is how easy it is to read. I was given the earlier books in the series by the author (reviews will follow when I get a spare few moments!) but I went into this book ÔcoldÕ as it were, but I honestly couldnÕt have known there were earlier books. Daltry gives enough information about her characters to keep you involved if you are new to the series, but not too much to overwhelm you if you have already read them. Add to that a smooth pace and impeccable flow and you have, in a kindle sized nutshell, the perfect easy read for after a tough day in the classroom. I could dip in and out of this book to suit my schedule (a godsend Ð thankyou!) all without ever losing my thread of the characters or events.
Something else I really enjoyed was the relationship between Jack and Lily. TheyÕre both great characters, and their passion and love is so wonderful to read. ItÕs full of the trials and difficulties that you could expect in a real relationship, even down to the last tiny detail of the annoying ÔexÕ in the background. The sex scenes are well written and not too Ôin your faceÕ, taking a back seat (quite literally at times!) in the story telling which suits me perfectly. In addition, the emotions between them was all incredibly well written and very tangible throughout. This adds a lovely believability to the story and makes it that much more enjoyable and easy to read.
In addition, the family dynamic in LilyÕs life, contrasted with that of JackÕs is also fantastic. Although itÕs never made fully clear what has happened in JackÕs past, Daltry weaves the contrast between their families very carefully and without over-exaggerating it. LilyÕs family are a mad bunch, but they remind me of so many of my own family that I found it really easy to invest emotionally in the characters. To me, this is an important part of a story as, if done properly, it makes it a joy to read, and IÕm pleased to say that is exactly what Daltry managed.
In conclusion, although this story may be slightly on the shorter side, it had a lot of fantastic plot and plenty of great characters. The two viewpoints of Lily and Jack are woven with skill and detail throughout and the entire story was an absolute pleasure to read. Daltry is most definitely a talented author and one I am looking forward to reading more of in the near future!
Review first posted to Lily Loves Indie (ARC received with thanks) - http://lilylovesindie.co.uk/?p=272
I thoroughly enjoyed so many parts of this book. Perhaps the first thing I feel needs pointing out is how easy it is to read. I was given the earlier books in the series by the author (reviews will follow when I get a spare few moments!) but I went into this book ÔcoldÕ as it were, but I honestly couldnÕt have known there were earlier books. Daltry gives enough information about her characters to keep you involved if you are new to the series, but not too much to overwhelm you if you have already read them. Add to that a smooth pace and impeccable flow and you have, in a kindle sized nutshell, the perfect easy read for after a tough day in the classroom. I could dip in and out of this book to suit my schedule (a godsend Ð thankyou!) all without ever losing my thread of the characters or events.
Something else I really enjoyed was the relationship between Jack and Lily. TheyÕre both great characters, and their passion and love is so wonderful to read. ItÕs full of the trials and difficulties that you could expect in a real relationship, even down to the last tiny detail of the annoying ÔexÕ in the background. The sex scenes are well written and not too Ôin your faceÕ, taking a back seat (quite literally at times!) in the story telling which suits me perfectly. In addition, the emotions between them was all incredibly well written and very tangible throughout. This adds a lovely believability to the story and makes it that much more enjoyable and easy to read.
In addition, the family dynamic in LilyÕs life, contrasted with that of JackÕs is also fantastic. Although itÕs never made fully clear what has happened in JackÕs past, Daltry weaves the contrast between their families very carefully and without over-exaggerating it. LilyÕs family are a mad bunch, but they remind me of so many of my own family that I found it really easy to invest emotionally in the characters. To me, this is an important part of a story as, if done properly, it makes it a joy to read, and IÕm pleased to say that is exactly what Daltry managed.
In conclusion, although this story may be slightly on the shorter side, it had a lot of fantastic plot and plenty of great characters. The two viewpoints of Lily and Jack are woven with skill and detail throughout and the entire story was an absolute pleasure to read. Daltry is most definitely a talented author and one I am looking forward to reading more of in the near future!
Review first posted to Lily Loves Indie (ARC received with thanks) - http://lilylovesindie.co.uk/?p=272
Darren (1599 KP) rated A Cure For Wellness (2017) in Movies
Jun 20, 2019
Story: A Cure for Wellness starts young executive Lockhart (DeHaan) is sent to a remote wellness centre in Switzerland to bring the CEO Pembroke (Groener) back to help close a merge in New York. After being involved in a car accident Lockhart finds himself with a broken leg and now a patient of the Wellness Program.
Still searching for Pembroke, Lockhart makes a deal with the director Volmer (Issacs) to stay for a couple of days to finish up the treatment for Pembroke. In this time Lockhart meets a mysterious young woman Hannah (Goth) the only other young patient who he tries to unlock the secrets of the program, which will test his own sanity.
Thoughts on A Cure for Wellness
Characters/Performance – Lockhart is the driven ambitious young man who has nearly reach the peak of his career at such a young age, he is haunted by his past which does include his father’s suicide and his mother’s death, this leaves him alone but in search for answers once he becomes the latest patient in the program. Volmer is the director of the clinic, he constantly remains calm through any incidents that occur and does have his own motives for the clinic. Hannah is the mysterious young woman also in the clinic, she is the only young patient there and she is Volmer’s main project but we are left to wonder about her past.
Performance wise, Dane DeHaan is good in this leading role and you can clearly see why he is tipped for a great career. Jason Isaacs always makes for a good doctor figure and this is no exception, while Mia Goth continues to make a name for herself in these stranger roles.
Story – The story is filled with questions which always makes for a good story, I will have to point out that this is a long film nearing the 2 and half hour’s mark and even at that you can see how the pace can be questioned but it doesn’t feel long. We get a new look into the asylum genre which I feel is something we needed but the weakness is that we never hit the full levels of any of the genres involved.
Fantasy/Horror/Mystery – The fantasy elements of this film come from the world we are placed into, this also comes for the sci-fi side of everything too. The horror comes from see what happens within the walls which is quite shocking at times but the best use of the genres comes from the mystery element which keeps us guessing from start to finish as we simply don’t know where it will go.
Settings – With most of the film taking place in the clinic we find ourselves trapped just like Lockhart in a place which doesn’t have an escape because being there means you don’t want to leave.
Final Thoughts – This is one long mystery thriller that doesn’t stop you wanting to see where the film will go and then it will leave you shocked by the end.
Overall: A rewarding mystery thriller
https://moviesreview101.com/2017/06/02/movie-reviews-101-midnight-horror-a-cure-for-wellness-2017/
Still searching for Pembroke, Lockhart makes a deal with the director Volmer (Issacs) to stay for a couple of days to finish up the treatment for Pembroke. In this time Lockhart meets a mysterious young woman Hannah (Goth) the only other young patient who he tries to unlock the secrets of the program, which will test his own sanity.
Thoughts on A Cure for Wellness
Characters/Performance – Lockhart is the driven ambitious young man who has nearly reach the peak of his career at such a young age, he is haunted by his past which does include his father’s suicide and his mother’s death, this leaves him alone but in search for answers once he becomes the latest patient in the program. Volmer is the director of the clinic, he constantly remains calm through any incidents that occur and does have his own motives for the clinic. Hannah is the mysterious young woman also in the clinic, she is the only young patient there and she is Volmer’s main project but we are left to wonder about her past.
Performance wise, Dane DeHaan is good in this leading role and you can clearly see why he is tipped for a great career. Jason Isaacs always makes for a good doctor figure and this is no exception, while Mia Goth continues to make a name for herself in these stranger roles.
Story – The story is filled with questions which always makes for a good story, I will have to point out that this is a long film nearing the 2 and half hour’s mark and even at that you can see how the pace can be questioned but it doesn’t feel long. We get a new look into the asylum genre which I feel is something we needed but the weakness is that we never hit the full levels of any of the genres involved.
Fantasy/Horror/Mystery – The fantasy elements of this film come from the world we are placed into, this also comes for the sci-fi side of everything too. The horror comes from see what happens within the walls which is quite shocking at times but the best use of the genres comes from the mystery element which keeps us guessing from start to finish as we simply don’t know where it will go.
Settings – With most of the film taking place in the clinic we find ourselves trapped just like Lockhart in a place which doesn’t have an escape because being there means you don’t want to leave.
Final Thoughts – This is one long mystery thriller that doesn’t stop you wanting to see where the film will go and then it will leave you shocked by the end.
Overall: A rewarding mystery thriller
https://moviesreview101.com/2017/06/02/movie-reviews-101-midnight-horror-a-cure-for-wellness-2017/
Hazel (1853 KP) rated The Face in the Mountain in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review
The Face in the Mountain </i>is a children’s picture book written by Tolulope Okudolo as part of the publishing company <i>Magnifying Children’s Horizons</i> vision of developing a world in which children learn about and appreciate nature.
The story is set in the fictional world of Vomper Creek where there is always an abundance of natural activity – that is if tree elves, giants and fairies count as “natural”. Papa and Boma are the only giants living in this area and are responsible for making sure nature does everything it is supposed to do. In fact it was Papa who built the mountains in this region to begin with. However Papa is old, frail and tired after working for over two hundred years. He needs to sleep for a century to regain his energy, thus leaving Boma, at a mere seven years of age, to take on all the important tasks.
So begins the main part of the story: Boma is scared and convinced he is unable to remember Papa’s instructions and tries to hide from all his duties. Without his help nature will not be able to function properly. Inspired by an artist he spies in the woods, Boma carves his father’s face into the side of one of the mountains so that he can always see it. This makes him feel less alone and he is able to complete all his jobs to perfection.
The purpose of this book is to help children discover the inner workings of nature and recognize that many things are connected together. For example the wind is needed to blow the seeds into places where they can sprout, then the rain, sun and soil provide the nutrients the plant needs to grow.
At the end of the story is <i>A Children’s Guide to Natural Beings</i>. This is essentially a glossary of the mythical beings featured in the book. The only issue with this is that calling them “natural beings” implies that they are real whereas there is no concrete evidence of their existence. This could give children the wrong impression about the way nature works.
The final pages of the book include a list of learning activities and discussion questions. These could be attempted in schools, in book clubs or at home with parents as a way for children to experience nature for themselves and examine the meaning of the story and the ways in which they can relate it to their own lives.
Eric Scott Fisher beautifully illustrates the book with realistic drawings that are appropriate for children of all ages. Yet there is a slight publishing issue in that the illustrations and body text do not work together. In some instances the text is overlaid on a picture, which makes it difficult to read.
The reading age of this book is approximately seven to ten year olds however younger children will be able to understand it if it is read to them by an adult. The storyline is not that strong but hopefully its purpose – to educate children about nature – will shine through the narrative.
The Face in the Mountain </i>is a children’s picture book written by Tolulope Okudolo as part of the publishing company <i>Magnifying Children’s Horizons</i> vision of developing a world in which children learn about and appreciate nature.
The story is set in the fictional world of Vomper Creek where there is always an abundance of natural activity – that is if tree elves, giants and fairies count as “natural”. Papa and Boma are the only giants living in this area and are responsible for making sure nature does everything it is supposed to do. In fact it was Papa who built the mountains in this region to begin with. However Papa is old, frail and tired after working for over two hundred years. He needs to sleep for a century to regain his energy, thus leaving Boma, at a mere seven years of age, to take on all the important tasks.
So begins the main part of the story: Boma is scared and convinced he is unable to remember Papa’s instructions and tries to hide from all his duties. Without his help nature will not be able to function properly. Inspired by an artist he spies in the woods, Boma carves his father’s face into the side of one of the mountains so that he can always see it. This makes him feel less alone and he is able to complete all his jobs to perfection.
The purpose of this book is to help children discover the inner workings of nature and recognize that many things are connected together. For example the wind is needed to blow the seeds into places where they can sprout, then the rain, sun and soil provide the nutrients the plant needs to grow.
At the end of the story is <i>A Children’s Guide to Natural Beings</i>. This is essentially a glossary of the mythical beings featured in the book. The only issue with this is that calling them “natural beings” implies that they are real whereas there is no concrete evidence of their existence. This could give children the wrong impression about the way nature works.
The final pages of the book include a list of learning activities and discussion questions. These could be attempted in schools, in book clubs or at home with parents as a way for children to experience nature for themselves and examine the meaning of the story and the ways in which they can relate it to their own lives.
Eric Scott Fisher beautifully illustrates the book with realistic drawings that are appropriate for children of all ages. Yet there is a slight publishing issue in that the illustrations and body text do not work together. In some instances the text is overlaid on a picture, which makes it difficult to read.
The reading age of this book is approximately seven to ten year olds however younger children will be able to understand it if it is read to them by an adult. The storyline is not that strong but hopefully its purpose – to educate children about nature – will shine through the narrative.
Andy K (10823 KP) rated The Devil's Rejects (2005) in Movies
Oct 16, 2019
Chinese, Japanese, Dirty knees, look at these!
Shortly after the events of House of 1,000 Corpses, Sheriff Wydell and his band of deputies approach and surround the homestead occupied by everyone's favorite murderous, diabolical, psychotic family. Inside, lazy slumbering quickly turns to mounting a counter offensive when the family realizes what is about to happen. The ensuring shootout claims several victims before the aid of tear gas precedes a law enforcement home invasion. Unfortunately, only one family member is captured while Baby and Otis escape out the back. Baby calls their father, Captain Spaulding, to inform him of the pending doom on his way so he can meet up with them subsequently.
The two siblings arrive at a local motel only to perform their brand of debauchery on two couples and friends staying there. They are forced to be in constant fear for their lives whilst their kidnappers decide what to do with them while waiting on their matriarch. The torture endured by their victims is heinous, cruel and unnecessary, but is their way of life.
The law is tightly on their trail waiting for that lead which will lead them to the felons. This is growing personal for the sheriff as he discovers the "rejects" were responsible for the death of his brother. The sheriff decides to hire some disreputable men of his own to use whatever methods they can to acquire the location of his targets.
The inevitable stand off leaves other casualties and a position it will be difficult for the sheriff to return from. The "rejects" always seem to find a way to survive no matter their degree of peril.
This film takes a different direction than that of House of 1,000 Corpses. That film being more of a standard "teenagers wander into a house of horrors" situation, whereas this film feels more like a "Natural Born Killers" type.
The total lack of any sort of normal human decency for the family is truly revolting and is on display every time they interact with anyone including women and children. They even don't really like each other very much and are constantly arguing with one other; their visceral hatred always right on the edge of bubbling over.
The unspeakable cruelty they enact on their victims can seem excessive at times; however, if you have lived through the events of the first film, you know what you are getting into here. When they are attached to their motel guests, you are just waiting for the next moment of panic when their guests start to figure out exactly what type of monsters they are dealing with.
I loved the gritty look of the film along with the mostly 1970s classic rock soundtrack. The scenery and landscapes of the sparse countryside fit the film well as well.
Not too many sequels build or are as good or better than their predecessor, but this film could be one of those for sure.
The two siblings arrive at a local motel only to perform their brand of debauchery on two couples and friends staying there. They are forced to be in constant fear for their lives whilst their kidnappers decide what to do with them while waiting on their matriarch. The torture endured by their victims is heinous, cruel and unnecessary, but is their way of life.
The law is tightly on their trail waiting for that lead which will lead them to the felons. This is growing personal for the sheriff as he discovers the "rejects" were responsible for the death of his brother. The sheriff decides to hire some disreputable men of his own to use whatever methods they can to acquire the location of his targets.
The inevitable stand off leaves other casualties and a position it will be difficult for the sheriff to return from. The "rejects" always seem to find a way to survive no matter their degree of peril.
This film takes a different direction than that of House of 1,000 Corpses. That film being more of a standard "teenagers wander into a house of horrors" situation, whereas this film feels more like a "Natural Born Killers" type.
The total lack of any sort of normal human decency for the family is truly revolting and is on display every time they interact with anyone including women and children. They even don't really like each other very much and are constantly arguing with one other; their visceral hatred always right on the edge of bubbling over.
The unspeakable cruelty they enact on their victims can seem excessive at times; however, if you have lived through the events of the first film, you know what you are getting into here. When they are attached to their motel guests, you are just waiting for the next moment of panic when their guests start to figure out exactly what type of monsters they are dealing with.
I loved the gritty look of the film along with the mostly 1970s classic rock soundtrack. The scenery and landscapes of the sparse countryside fit the film well as well.
Not too many sequels build or are as good or better than their predecessor, but this film could be one of those for sure.
Andy K (10823 KP) rated Vertigo (1958) in Movies
Oct 20, 2019
An ex cop is asked to surveil the wife of a friend who seems to be exhibiting erratic behavior. Unfortunately, Scottie had to retire from active duty after an incident of vertigo caused the death of another officer. He takes the job and wanders with the woman as she visits an art gallery and cemetery among others. She inexplicably one day decides to hurl her body into San Francisco Bay and luckily he is there to retrieve her.
Once revived, Madeleine is no worse for wear, but does not remember the incident or the circumstances of her rescue at the hands of Scottie. They form a quick friendship that turns quickly into lust and a deepening feeling of obsession for Scottie. One day, they take a trip to Mission San Juan Bautista based on a nightmare vision described by Madeleine. She climbs the bell tower, but Scottie is unable to follow restrained by his vertigo and, unfortunately, has to just watch as she plunges to her death.
Afterwards, an investigation reveals Madeleine had been exhibiting irrational behavior which was the cause of her husband's concern in hiring Scottie, so her death is ruled a suicide. Scottie is distraught over the loss and takes consolation in his friend, Midge. On the mend, Scottie frequents locations Madeleine had visited previously hoping this would offer consolation to his grief. He meets a familiar, yet strange woman there.
Vertigo is usually not only considered Hitchcock's best film, but also on many critic lists as the greatest film of all time alongside Citizen Kane and Casablanca.
The movie does have a lot to admire including its complicated, intriguing screenplay which had smart discussions with its characters with lots of exposition given at various points challenging the audience to keep up. The film's situations are interesting and the plot keeps going at a vicious pace through the twists to the end.
I learned recently Hitchcock diva Vera Miles was initially cast for the role of Madeleine, but had to withdraw as she became pregnant before filming so Kim Novak replaced her. Due to several unforeseen delays, Miles had given birth and could've been available; however Hitchcock forged ahead with Novak anyways.
The harrowing initial scene where Scottie chases a random perpetrator across blackened rooftops only to stumble and discover his title affliction really sets the tone for the film both with the cinematography which is stunning and the blistering score at full pace.
Picking an absolute favorite Hitchcock movie has always been difficult for me. Vertigo would probably rank 3rd behind Psycho and The Birds, but still all masterpieces. I love the fact as in other Hitchcock classics, you think you know where the story is going, but he always keeps you guessing.
A magnificent performance by Jimmy Stewart as well. Well deserved of the praise he has gotten over the years for it. He is intense, charming and morose throughout the film which makes him electrifying to watch. His work with Hitchcock including Rope and Rear Window is among his best work.
A masterpiece.
Once revived, Madeleine is no worse for wear, but does not remember the incident or the circumstances of her rescue at the hands of Scottie. They form a quick friendship that turns quickly into lust and a deepening feeling of obsession for Scottie. One day, they take a trip to Mission San Juan Bautista based on a nightmare vision described by Madeleine. She climbs the bell tower, but Scottie is unable to follow restrained by his vertigo and, unfortunately, has to just watch as she plunges to her death.
Afterwards, an investigation reveals Madeleine had been exhibiting irrational behavior which was the cause of her husband's concern in hiring Scottie, so her death is ruled a suicide. Scottie is distraught over the loss and takes consolation in his friend, Midge. On the mend, Scottie frequents locations Madeleine had visited previously hoping this would offer consolation to his grief. He meets a familiar, yet strange woman there.
Vertigo is usually not only considered Hitchcock's best film, but also on many critic lists as the greatest film of all time alongside Citizen Kane and Casablanca.
The movie does have a lot to admire including its complicated, intriguing screenplay which had smart discussions with its characters with lots of exposition given at various points challenging the audience to keep up. The film's situations are interesting and the plot keeps going at a vicious pace through the twists to the end.
I learned recently Hitchcock diva Vera Miles was initially cast for the role of Madeleine, but had to withdraw as she became pregnant before filming so Kim Novak replaced her. Due to several unforeseen delays, Miles had given birth and could've been available; however Hitchcock forged ahead with Novak anyways.
The harrowing initial scene where Scottie chases a random perpetrator across blackened rooftops only to stumble and discover his title affliction really sets the tone for the film both with the cinematography which is stunning and the blistering score at full pace.
Picking an absolute favorite Hitchcock movie has always been difficult for me. Vertigo would probably rank 3rd behind Psycho and The Birds, but still all masterpieces. I love the fact as in other Hitchcock classics, you think you know where the story is going, but he always keeps you guessing.
A magnificent performance by Jimmy Stewart as well. Well deserved of the praise he has gotten over the years for it. He is intense, charming and morose throughout the film which makes him electrifying to watch. His work with Hitchcock including Rope and Rear Window is among his best work.
A masterpiece.
Darren (1599 KP) rated You Only Live Twice (1967) in Movies
Nov 7, 2019
Characters – James Bond has been gaining a lot of heat from his missions, now he must fake his own death to go underground. His latest mission takes him to Japan where he must uncover the truth about mission rockets, he is the same womaniser we know this being his biggest weakness, however we do learn how skilled he is when he can jump into any vehicle and know how to operate it and handle himself in any fight. Aki is the Bond girl here, she helps him around Tokyo meeting his connections and turning up just in time to rescue him from danger. Kissy is the fake wife that James must take while searching the island, could easily be considered one of the Bond girls in the movie. Blofeld is the cat stroking leader of SPECTRE Bond suspects he is involved and this will be the first meeting between the two.
Performances – Sean Connery is still good in this role, we continues to make this role the iconic on we all know and remember. Donald Pleasence in his role becomes the most iconic of all the Bond villains which is what we need this far into the franchise. When it comes to the Bond girls we get the beautiful women that don’t get too much to do other than to look great next to Bond.
Story – The story here follow James Bond on his latest mission after faking his death which takes him into battle against SPECTRE once again, by having a returning villainous threat is good for this franchise because we don’t need to keep establishing a new villain which does take time for any film, with the returning villain we can focus on Bond and just how difficult it is to keep his identity secret from the threats to the world. the story does follow the usual movements as we follow Bond meet allies, defeat enemies and save the world from potential world war three. This is one story that is the one I always remember with the final battle which happens to be my favourite for the whole franchise.
Action/Adventure – The action is mostly Bond battle enemies, be in hand to hand, helicopter to make shift helicopter, right down to the mass final battle which is one of the biggest in the franchise. The adventure does take Bond across the world again to Japan on his latest mission.
Settings – The film uses the settings well, we always see Bond in new locations and this takes him to Japan, the amount of small islands there helps add mystery to everything which is all we want as fans of the franchise.
Scene of the Movie – Base battle.
That Moment That Annoyed Me – She is sexiful, like this is a word.
Final Thoughts – This is easily one of my favourite Bond films, it is one I grew up watching the most, it does have flaws but we can’t help that, otherwise this is one you can enjoy and gets better as we go along.
Overall: One of the most fun Bond films.
Performances – Sean Connery is still good in this role, we continues to make this role the iconic on we all know and remember. Donald Pleasence in his role becomes the most iconic of all the Bond villains which is what we need this far into the franchise. When it comes to the Bond girls we get the beautiful women that don’t get too much to do other than to look great next to Bond.
Story – The story here follow James Bond on his latest mission after faking his death which takes him into battle against SPECTRE once again, by having a returning villainous threat is good for this franchise because we don’t need to keep establishing a new villain which does take time for any film, with the returning villain we can focus on Bond and just how difficult it is to keep his identity secret from the threats to the world. the story does follow the usual movements as we follow Bond meet allies, defeat enemies and save the world from potential world war three. This is one story that is the one I always remember with the final battle which happens to be my favourite for the whole franchise.
Action/Adventure – The action is mostly Bond battle enemies, be in hand to hand, helicopter to make shift helicopter, right down to the mass final battle which is one of the biggest in the franchise. The adventure does take Bond across the world again to Japan on his latest mission.
Settings – The film uses the settings well, we always see Bond in new locations and this takes him to Japan, the amount of small islands there helps add mystery to everything which is all we want as fans of the franchise.
Scene of the Movie – Base battle.
That Moment That Annoyed Me – She is sexiful, like this is a word.
Final Thoughts – This is easily one of my favourite Bond films, it is one I grew up watching the most, it does have flaws but we can’t help that, otherwise this is one you can enjoy and gets better as we go along.
Overall: One of the most fun Bond films.
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