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Emma @ The Movies (1786 KP) rated The Sun Is Also A Star (2019) in Movies
Jun 20, 2020
At some point I may get bored of YA adaptations that throw two young people together with a bit of adversity. I'm not saying that this wasn't good but there are other typed of YA books out there that could be done.
After years living in the US, Natasha and her family are a day away from being deported back to Jamaica. She's determined to find a way to have them stay so instead of packing she's off to make one last attempt to stay in the city she loves.
Daniel is about to have the biggest interview of his life, his whole future is resting on it, but he throws all thoughts of it aside when he sees Natasha looking up in a crowd of people ignoring the world. She's a beautiful anomaly in his life and he needs to find her no matter the consequences.
Circumstances bring the two together and Daniel manages to convince her that even an hour with him could change their lives forever.
When I write it down like that the story doesn't sound quite so... magical? Man sees attractive young woman and attempts to stalk her... yeah, slightly creepy, but thankfully the film doesn't feel like that.
Nicola Yoon is two for two with her novels (the first being Everything, Everything) and we've got another lovely film in The Sun Is Also A Star. Of course it's yet another book I haven't read, if only there were a few more hours of leisure time in our lives.
Thinking back on this I find the timeline for the film a little confusing, which is strange considering you know that the majority happens over the space of two days. Perhaps it's because it's a little far fetched, perhaps it's also because they're constantly going from place to place and it seems like more than just a day's worth of activity.
Natasha is played by Yara Shahidi, the only thing I know her from recently is Black-ish, which I love. I had reservations about this casting, actors going from long-running shows into films doesn't always end well, partly because of the different acting style needed and partly from my side and being very familiar with their character. I shouldn't have worried, she does a great job with this role, and it's nice to see a character that doesn't have a typical backstory.
The same can be said for Daniel, played by Riverdale's Charles Melton. Watching his struggle with the path of his life is really interesting and I liked the small flashback to where everything was decided. If we ignore the creepiness of the couple's meeting then Daniel is a nice down to earth character and Melton strikes a nice balance between his home life and his actual life around people he knows.
Together they make a captivating couple on screen, and I like how they're each other's support even though they don't know that much about each other. They have great chemistry and that definitely boosted the enjoyment of the film.
I hardly made any notes when watching this, those that I did were about the nice use of voiceovers (that sounded very much like nature documentary), some good songs at the beginning, and then the intriguing and nice way they ended it. It's an enjoyable watch but I think it's come at the wrong end of the YA adaptation trend, everything is very similar despite having some individual charm.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/08/the-sun-is-also-star-movie-review.html
After years living in the US, Natasha and her family are a day away from being deported back to Jamaica. She's determined to find a way to have them stay so instead of packing she's off to make one last attempt to stay in the city she loves.
Daniel is about to have the biggest interview of his life, his whole future is resting on it, but he throws all thoughts of it aside when he sees Natasha looking up in a crowd of people ignoring the world. She's a beautiful anomaly in his life and he needs to find her no matter the consequences.
Circumstances bring the two together and Daniel manages to convince her that even an hour with him could change their lives forever.
When I write it down like that the story doesn't sound quite so... magical? Man sees attractive young woman and attempts to stalk her... yeah, slightly creepy, but thankfully the film doesn't feel like that.
Nicola Yoon is two for two with her novels (the first being Everything, Everything) and we've got another lovely film in The Sun Is Also A Star. Of course it's yet another book I haven't read, if only there were a few more hours of leisure time in our lives.
Thinking back on this I find the timeline for the film a little confusing, which is strange considering you know that the majority happens over the space of two days. Perhaps it's because it's a little far fetched, perhaps it's also because they're constantly going from place to place and it seems like more than just a day's worth of activity.
Natasha is played by Yara Shahidi, the only thing I know her from recently is Black-ish, which I love. I had reservations about this casting, actors going from long-running shows into films doesn't always end well, partly because of the different acting style needed and partly from my side and being very familiar with their character. I shouldn't have worried, she does a great job with this role, and it's nice to see a character that doesn't have a typical backstory.
The same can be said for Daniel, played by Riverdale's Charles Melton. Watching his struggle with the path of his life is really interesting and I liked the small flashback to where everything was decided. If we ignore the creepiness of the couple's meeting then Daniel is a nice down to earth character and Melton strikes a nice balance between his home life and his actual life around people he knows.
Together they make a captivating couple on screen, and I like how they're each other's support even though they don't know that much about each other. They have great chemistry and that definitely boosted the enjoyment of the film.
I hardly made any notes when watching this, those that I did were about the nice use of voiceovers (that sounded very much like nature documentary), some good songs at the beginning, and then the intriguing and nice way they ended it. It's an enjoyable watch but I think it's come at the wrong end of the YA adaptation trend, everything is very similar despite having some individual charm.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/08/the-sun-is-also-star-movie-review.html
Sarah (7800 KP) rated Finding Steve McQueen (2019) in Movies
Nov 3, 2020
Not much of a heist
Finding Steve McQueen is a heist drama centring around a young man who idolises Steve McQueen, and follows him as he joins a gang of thieves as they plot to steal millions from President Nixon’s secret funds. This is loosely based around a true story and is told from the point of view of the gang’s getaway driver Harry Barber, with his McQueen inspired locks and mannerisms.
The tale of the 1972 heist is recounted by Barber (Travis Fimmel) to his girlfriend Molly Murphy (Rachael Taylor) in 1980, after having been on the run from the FBI for 8 years. This starts out as though it could be a rather fun and lighthearted heist movie, but I’m afraid despite it’s short 90 minute run time, it feels rather drawn out and dull. Right from the get go, the cinematography, directing style and just general look of this film just doesn’t feel right. It feels like it has been made for tv, it has that rather cheap look about it and sadly the camera angles and character styling do nothing but reinforce this. The CGI, whilst infrequent, is very bad and you can spot the green screen scenes a mile off. Even the car chase scene is lacklustre and unimpressive. You can tell that this hasn’t had a lot of money thrown at it.
The performances too I’m afraid are also rather lacking, although a large part of this is likely down to the often dodgy script that seems to enjoy ramming 70s references down our throats whilst being completely unconvincing about every other aspect of the story. I haven’t see much of Travis Fimmel, so I’m not sure if his goofy persona in this is his acting style or in character, but either way it doesn’t always work. Rachael Taylor’s Molly seems out of place and rather unlikeable and it’s only Forest Whitaker as FBI Agent Howard Lambert who comes out unscathed, playing a rather aloof and unfazed agent on the tail of the gang following the heist.
The heist itself is really the main problem here. Instead of being a heist movie, this plays out like a romance with a little bit of heist thrown in, and not a very exciting one at that. There are some moments of intrigue and fun when you see how the gang pulled the heist off and later on how they got caught, but apart from this it’s probably one of the dullest heists I’ve ever seen. Aside from a decent soundtrack, there is very little excitement in this. The motive for the heist also seems rather fuzzy and far fetched. Even the romance seems forced and wavers between being very fake and unconvincing to rather cringeworthy and cliched.
There’s also the question of whether this movie succeeds in finding Steve McQueen, and whilst it is undoubtedly a homage to the man himself, it is not a very successful one. It references all the right things but unfortunately struggles to get close to the man himself and as heist movies go, it may have done itself a disservice by trying to liken itself to McQueen and his successes. Overall I’m afraid this is a rather dull heist film that even with a low budget could’ve been much better.
The tale of the 1972 heist is recounted by Barber (Travis Fimmel) to his girlfriend Molly Murphy (Rachael Taylor) in 1980, after having been on the run from the FBI for 8 years. This starts out as though it could be a rather fun and lighthearted heist movie, but I’m afraid despite it’s short 90 minute run time, it feels rather drawn out and dull. Right from the get go, the cinematography, directing style and just general look of this film just doesn’t feel right. It feels like it has been made for tv, it has that rather cheap look about it and sadly the camera angles and character styling do nothing but reinforce this. The CGI, whilst infrequent, is very bad and you can spot the green screen scenes a mile off. Even the car chase scene is lacklustre and unimpressive. You can tell that this hasn’t had a lot of money thrown at it.
The performances too I’m afraid are also rather lacking, although a large part of this is likely down to the often dodgy script that seems to enjoy ramming 70s references down our throats whilst being completely unconvincing about every other aspect of the story. I haven’t see much of Travis Fimmel, so I’m not sure if his goofy persona in this is his acting style or in character, but either way it doesn’t always work. Rachael Taylor’s Molly seems out of place and rather unlikeable and it’s only Forest Whitaker as FBI Agent Howard Lambert who comes out unscathed, playing a rather aloof and unfazed agent on the tail of the gang following the heist.
The heist itself is really the main problem here. Instead of being a heist movie, this plays out like a romance with a little bit of heist thrown in, and not a very exciting one at that. There are some moments of intrigue and fun when you see how the gang pulled the heist off and later on how they got caught, but apart from this it’s probably one of the dullest heists I’ve ever seen. Aside from a decent soundtrack, there is very little excitement in this. The motive for the heist also seems rather fuzzy and far fetched. Even the romance seems forced and wavers between being very fake and unconvincing to rather cringeworthy and cliched.
There’s also the question of whether this movie succeeds in finding Steve McQueen, and whilst it is undoubtedly a homage to the man himself, it is not a very successful one. It references all the right things but unfortunately struggles to get close to the man himself and as heist movies go, it may have done itself a disservice by trying to liken itself to McQueen and his successes. Overall I’m afraid this is a rather dull heist film that even with a low budget could’ve been much better.
Alex Kapranos recommended track Le Pastie de la Bourgeoisie (with Belle And Sebastian) by Belle & Sebastian in Push Barman to Open Old Wounds by Belle & Sebastian in Music (curated)
Sarah (7800 KP) rated Monty Python's Life of Brian (1979) in Movies
Mar 15, 2021
A classic
Film #16 on the 100 Movies Bucket List: Monty Python’s Life of Brian
Life of Brian (1979] is an old school comedy classic, and alongside Python’s take on the Holy Grail, were fairly revered comedies when I was growing up and I doubt there’s many people over a certain age that haven’t seen these films. Films like this are my favourite type of comedy, and I just wish they still made films similar today.
Life of Brian follows Brian (Graham Chapman), who was born on the same night one stable down from Jesus, yet has lived an entirely different life. Fed up of the Romans, Brian joins the People’s Front of Judea led by Reggie (John a Cleese), whose aim is to get the Romans out of Judea. After being caught infiltrating the palace and put in front of Pontius Pilate (Michael Palin), Brian escapes capture and in his bid to hide from the Romans, winds up relaying some of the teachings he learnt from Jesus. This spurs a crowd into thinking he is the next Messiah, leaving Brian to try and evade his followers as well as the Romans, with rather dire consequences.
This is the Pythons second proper feature film, following on from the hugely successful Holy Grail and their tv series, Flying Circus. Directed by Terry Jones, the purpose of Life of Brian was to lampoon and satirise the New Testament, and more specifically, to make fun of followers of mistaken religious figures. To be quite honest, I don’t think they could make comedy films like this anymore. This lampoon, satire style was fairly rife even up until the 90s (with the likes of Hot Shots and The Naked Gun sequels), but I think they’d struggle to make anything like this nowadays which is a great shame. The humour in this isn’t offensive at all, it’s intelligent and adult and whipsmart and wonderfully done. Admittedly there are a few scenes that may cause some offence purely because it was made when times were different over 40 years ago, but there’s also a lot in here that is surprisingly relevant even in today’s society – one scene where the People’s Front of Judea discuss women’s rights and a request from Stan to be known as Loretta is unexpectedly well done and respectful, albeit with a Python comedy edge. There are some genius works of comedy in this film too that have become cult favourites, from Palin’s depiction of Pontius Pilate with a speech impediment (“Stwike him centuwion, vewy wuffly!”) to Terry Jones’ mother crying out to Brian’s followers that “he’s not the Messiah, he’s a very naughty boy!”. Personally, Palin’s take on Pilate and all of his scenes are my favourite of the entire film.
This isn’t to say that Life of Brian is perfect. There are some scenes and acting that are maybe a little too pantomime-esque (even for a parody) and there are some jokes and scenes that don’t quite land - the alien scene (yes I did say “alien”) is one that jumps to mind. Because of this some scenes can seem rather drawn out if you don’t get the gag. Humour like this isn’t for everyone, although for me it’s my favourite kind. This is British comedy at its best and a shining example that humour doesn’t be crude to be funny. I mean who else other than the Monty Python troupe could pull off crucified men singing “Always Look on the Bright Side of Life”?
Life of Brian (1979] is an old school comedy classic, and alongside Python’s take on the Holy Grail, were fairly revered comedies when I was growing up and I doubt there’s many people over a certain age that haven’t seen these films. Films like this are my favourite type of comedy, and I just wish they still made films similar today.
Life of Brian follows Brian (Graham Chapman), who was born on the same night one stable down from Jesus, yet has lived an entirely different life. Fed up of the Romans, Brian joins the People’s Front of Judea led by Reggie (John a Cleese), whose aim is to get the Romans out of Judea. After being caught infiltrating the palace and put in front of Pontius Pilate (Michael Palin), Brian escapes capture and in his bid to hide from the Romans, winds up relaying some of the teachings he learnt from Jesus. This spurs a crowd into thinking he is the next Messiah, leaving Brian to try and evade his followers as well as the Romans, with rather dire consequences.
This is the Pythons second proper feature film, following on from the hugely successful Holy Grail and their tv series, Flying Circus. Directed by Terry Jones, the purpose of Life of Brian was to lampoon and satirise the New Testament, and more specifically, to make fun of followers of mistaken religious figures. To be quite honest, I don’t think they could make comedy films like this anymore. This lampoon, satire style was fairly rife even up until the 90s (with the likes of Hot Shots and The Naked Gun sequels), but I think they’d struggle to make anything like this nowadays which is a great shame. The humour in this isn’t offensive at all, it’s intelligent and adult and whipsmart and wonderfully done. Admittedly there are a few scenes that may cause some offence purely because it was made when times were different over 40 years ago, but there’s also a lot in here that is surprisingly relevant even in today’s society – one scene where the People’s Front of Judea discuss women’s rights and a request from Stan to be known as Loretta is unexpectedly well done and respectful, albeit with a Python comedy edge. There are some genius works of comedy in this film too that have become cult favourites, from Palin’s depiction of Pontius Pilate with a speech impediment (“Stwike him centuwion, vewy wuffly!”) to Terry Jones’ mother crying out to Brian’s followers that “he’s not the Messiah, he’s a very naughty boy!”. Personally, Palin’s take on Pilate and all of his scenes are my favourite of the entire film.
This isn’t to say that Life of Brian is perfect. There are some scenes and acting that are maybe a little too pantomime-esque (even for a parody) and there are some jokes and scenes that don’t quite land - the alien scene (yes I did say “alien”) is one that jumps to mind. Because of this some scenes can seem rather drawn out if you don’t get the gag. Humour like this isn’t for everyone, although for me it’s my favourite kind. This is British comedy at its best and a shining example that humour doesn’t be crude to be funny. I mean who else other than the Monty Python troupe could pull off crucified men singing “Always Look on the Bright Side of Life”?
