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Chris Sawin (602 KP) rated Martyrs (2008) in Movies
Jun 20, 2019 (Updated Jun 22, 2019)
As a young girl, Lucie was able to escape certain death as she was held captive and tortured onto the brink of death. Now, fifteen years later, she seeks revenge on those who hurt her emotionally, physically, and mentally. The only person she's ever been close to is, her friend, Anna. As Lucie leaves a path of destruction and mayhem on her quest for revenge, Anna is dragged along to help pick up the pieces. In an odd twist, Lucie is haunted by a woman whose sole purpose is to hurt her, but only shows up after Lucie unleashes all of her built up pain and anger. Anna begins to question Lucie's sanity as things take a turn for the worst. That is until Anna discovers the chained up woman in the basement...
Martyrs wasn't really what I was expecting at all. I was expecting something along the lines of Haute Tension and À l'intérieur since it's classified as a French horror film. I was left with something completely different as Martyrs tends to be on a level all on its own. It is extremely brutal. I've heard it is more along the lines of Irréversible, but since I haven't seen that I can't really elaborate on it. It left with me with the same feeling The Girl Next Door did. This uneasiness that made me question sitting through the movie again anytime soon. Yet, at the same time, not many horror films are capable of making me feel this way. So I'm not really sure if I should view this as a flaw or a virtue. It also reminded me of Hostel, at times, especially the closing act of the film. Before people grown or anything, let me explain. It reminds me of Hostel if it was done correctly and focused on young girls the entire time. For me, Hostel had an excellent idea but was executed the wrong way. Martyrs pretty much brought what I had in mind for that film to life and did it better. Martyrs is definitely its own film, but its influences and/or homages seem to stick out like a sore thumb to someone who watches a lot of films and/or reviews them.
On first viewing, I can't really say if I liked why this was being done to these girls. It is explained and as it makes sense on one hand, it seems a bit farfetched on the other. It may grow on me during repeat viewings, but it didn't really sit well with me this particular time. The brutality in the film isn't always what is shown on screen either. There's a scene where this bulky guy is beating the snot out of this girl; just punching her in the face repeatedly as hard as he can. You can't really see the damage he's doing to her, but you can hear it and you can tell he's giving her quite a beating. During one of the more gruesome parts, the sound almost completely fades away and the shot relies completely on the girl's facial expressions as you see her begin to shake. As disturbing as it was, it was interesting seeing anguish portrayed a bit differently as the film went on.
Martyrs definitely delivers in more than one department. Those who are looking for another sick, twisted, and brutal French horror film won't be disappointed and let's just say the film lives up to the meaning of its title. Be advised that this is on the same brutality level as High Tension and there are plenty of scenes to cringe to and scream at in this film.
Martyrs wasn't really what I was expecting at all. I was expecting something along the lines of Haute Tension and À l'intérieur since it's classified as a French horror film. I was left with something completely different as Martyrs tends to be on a level all on its own. It is extremely brutal. I've heard it is more along the lines of Irréversible, but since I haven't seen that I can't really elaborate on it. It left with me with the same feeling The Girl Next Door did. This uneasiness that made me question sitting through the movie again anytime soon. Yet, at the same time, not many horror films are capable of making me feel this way. So I'm not really sure if I should view this as a flaw or a virtue. It also reminded me of Hostel, at times, especially the closing act of the film. Before people grown or anything, let me explain. It reminds me of Hostel if it was done correctly and focused on young girls the entire time. For me, Hostel had an excellent idea but was executed the wrong way. Martyrs pretty much brought what I had in mind for that film to life and did it better. Martyrs is definitely its own film, but its influences and/or homages seem to stick out like a sore thumb to someone who watches a lot of films and/or reviews them.
On first viewing, I can't really say if I liked why this was being done to these girls. It is explained and as it makes sense on one hand, it seems a bit farfetched on the other. It may grow on me during repeat viewings, but it didn't really sit well with me this particular time. The brutality in the film isn't always what is shown on screen either. There's a scene where this bulky guy is beating the snot out of this girl; just punching her in the face repeatedly as hard as he can. You can't really see the damage he's doing to her, but you can hear it and you can tell he's giving her quite a beating. During one of the more gruesome parts, the sound almost completely fades away and the shot relies completely on the girl's facial expressions as you see her begin to shake. As disturbing as it was, it was interesting seeing anguish portrayed a bit differently as the film went on.
Martyrs definitely delivers in more than one department. Those who are looking for another sick, twisted, and brutal French horror film won't be disappointed and let's just say the film lives up to the meaning of its title. Be advised that this is on the same brutality level as High Tension and there are plenty of scenes to cringe to and scream at in this film.
Lucy Buglass (45 KP) rated The Disaster Artist (2017) in Movies
Jun 20, 2019
“Ha ha ha! What a film, Mark!”
I was first introduced to The Room during a college Film Studies lecture as a perfect example of how not to make a film. Everything about it was atrocious, but I also found it weirdly compelling. Since then, I’ve made a real effort to follow everything relating to Tommy Wiseau and this bizarre film of his. It’s become a cult classic in recent years, drawing a crowd of dedicated fans to the Prince Charles Cinema in Leicester Square for monthly screenings, and Q&A’s with cast members. When I found out that James Franco was creating a film adaptation of Greg Sestero’s novel The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made, I was so excited!
I was lucky enough to see the film during its opening weekend at the Prince Charles Cinema, which actually made my experience even better. Being around a crowd of The Room fans who knew the film like the back of their hand was hilarious, because they recited familiar quotes along with James Franco, and it was clear the entire audience was having a blast from start to finish. I honestly can’t remember the last time I laughed this much at a film. Everyone involved made a real effort to recreate the scenes that we know and love, whilst giving us a glimpse into what life on that film set was really like. It’s possible to forget that you’re watching The Disaster Artist and not The Room at times, because the performances are so spot on.
Once again, James Franco’s ability to take a real life person and bring them to life on a screen shone through. I always refer to his performance as Aron Ralston in 127 Hours as one of his best, but his portrayal of Tommy Wiseau certainly comes a close second. He nails the mannerisms, the accent, and that weird laugh that Wiseau has become well known for. You can tell he has dedicated a lot of time and effort to the project, and it’s paid off. Praise must also be given to the rest of the cast for perfectly emulating the characters. Josh Hutcherson as Denny was amazing; even when he was just sitting there that ridiculous wig was enough to make the audience cry with laughter, and Seth Rogen’s script supervisor character delivers these amazing one liners that show his frustration at Tommy’s ridiculous ideas.
Whilst clearly hilarious, this film is not without its fair share of tragedy, mainly around Dave Franco’s character Greg Sestero. His friendship with Tommy required him to make huge, unimaginable sacrifices both professionally and personally, ultimately causing a rift between the two. Greg is a classic example of a man chasing the allure of fame, and failing miserably. You can’t help but sympathise with him as he tries his best to keep those around him happy whilst trying to attain life changing career goals. The film also shows a darker side to Tommy Wiseau, as he treats the cast and crew around him very badly. He’s so wrapped up in bringing The Room, his “real Hollywood movie”, to life that he neglects the needs of those around him. There are some highly charged emotional moments in this film, which are perfectly balanced with the comedic moments. Without these serious scenes, the film just wouldn’t have been the same.
The Disaster Artist is a must-watch for fans of The Room, and those who want to learn more about the utter chaos that happened on set. It’s funny, intense, emotional and a one of a kind experience from start to finish. Make sure you sit tight until after the credits too, as there’s an extra scene that you don’t want to miss!
https://lucygoestohollywood.com/2017/12/04/ha-ha-ha-what-a-film-mark-a-review-of-the-disaster-artist/
I was lucky enough to see the film during its opening weekend at the Prince Charles Cinema, which actually made my experience even better. Being around a crowd of The Room fans who knew the film like the back of their hand was hilarious, because they recited familiar quotes along with James Franco, and it was clear the entire audience was having a blast from start to finish. I honestly can’t remember the last time I laughed this much at a film. Everyone involved made a real effort to recreate the scenes that we know and love, whilst giving us a glimpse into what life on that film set was really like. It’s possible to forget that you’re watching The Disaster Artist and not The Room at times, because the performances are so spot on.
Once again, James Franco’s ability to take a real life person and bring them to life on a screen shone through. I always refer to his performance as Aron Ralston in 127 Hours as one of his best, but his portrayal of Tommy Wiseau certainly comes a close second. He nails the mannerisms, the accent, and that weird laugh that Wiseau has become well known for. You can tell he has dedicated a lot of time and effort to the project, and it’s paid off. Praise must also be given to the rest of the cast for perfectly emulating the characters. Josh Hutcherson as Denny was amazing; even when he was just sitting there that ridiculous wig was enough to make the audience cry with laughter, and Seth Rogen’s script supervisor character delivers these amazing one liners that show his frustration at Tommy’s ridiculous ideas.
Whilst clearly hilarious, this film is not without its fair share of tragedy, mainly around Dave Franco’s character Greg Sestero. His friendship with Tommy required him to make huge, unimaginable sacrifices both professionally and personally, ultimately causing a rift between the two. Greg is a classic example of a man chasing the allure of fame, and failing miserably. You can’t help but sympathise with him as he tries his best to keep those around him happy whilst trying to attain life changing career goals. The film also shows a darker side to Tommy Wiseau, as he treats the cast and crew around him very badly. He’s so wrapped up in bringing The Room, his “real Hollywood movie”, to life that he neglects the needs of those around him. There are some highly charged emotional moments in this film, which are perfectly balanced with the comedic moments. Without these serious scenes, the film just wouldn’t have been the same.
The Disaster Artist is a must-watch for fans of The Room, and those who want to learn more about the utter chaos that happened on set. It’s funny, intense, emotional and a one of a kind experience from start to finish. Make sure you sit tight until after the credits too, as there’s an extra scene that you don’t want to miss!
https://lucygoestohollywood.com/2017/12/04/ha-ha-ha-what-a-film-mark-a-review-of-the-disaster-artist/
Lucy Buglass (45 KP) rated Welcome Home (2018) in Movies
Jun 20, 2019
The holiday from hell
We’ve all had holidays that didn’t go according to plan, but George Ratliff’s new thriller takes this idea to a whole new level. Welcome Home follows couple Cassie and Bryan as they travel to Italy together. They’ve rented a secluded, spacious home for a few days, so they can spend some quality time together. So far, so simple. However, it’s soon revealed that they’ve been having relationship problems due to Cassie having a drunken one night stand. It’s clear that this isn’t going to be an easy trip for them, and that’s before we meet the real threat.
Aaron Paul and Emily Ratajkowski are great in the lead roles. They feel like your everyday, plausible couple who are simply trying to repair their relationship. I found myself rooting for them and hoping they could reconnect throughout. Despite the slow pacing in places, I did genuinely care about them as characters. Without the strength of their acting, I think this film might have struggled in places as some of it seemed to drag or could’ve easily been cut out. Welcome Home does have similarities to the 2008 film The Strangers, in which see a strained relationship set within a secluded summer home, with the couple being terrorised by masked murderers.
This film’s antagonist, Frederico, is less ambiguous than that, and instead spends time with the couple and tries to befriend them in order to gain their trust. Cassie is a lot more receptive to this than Bryan, who is distrustful of Frederico after he brought Cassie back to the house when she sprained her ankle whilst running. He believes something else is going on, based on the one night stand. At first they believe he’s a neighbour, so nothing really seems out of the ordinary. Then, it starts to get weird. He says some strange things and starts showing up uninvited, even running into them on the street and deciding to turn up to the house to cook dinner.
Every second that Frederico’s on the screen is an uncomfortable one, and you know he’s not the innocent person he’s pretending to be. It’s only a matter of time before his true intentions are revealed to the couple, putting them both in danger. Italian actor Riccardo Scamarcio really blew me away in this film and I’m excited to see more from him.
Although it takes a while to get going, the second and third act of Welcome Home is a tense and unnerving experience. Frederico goes from friendly, helpful neighbour to a creepy psychopath very quickly, and it turns out he has very dark intentions for the couple. He spends the film manipulating them and turning them against each other. I won’t spoil it for you, but it turns this couple’s holiday into a complete nightmare. I did quite like the big reveal at the end, though it seems a little far-fetched it’s not beyond the realms of possibility given the digital age that we live in. This fact is emphasised by the voyeuristic nature of the camera, how we’re always peeking around doors or watching things we shouldn’t be.
I have seen stronger thrillers with better pacing, but Welcome Home is certainly an entertaining watch if you’re looking for a new, exciting story with a strong cast list. It puts a fun twist on your classic home invasion horror, with a charming, magnetic antagonist to really lure you in. I’d recommend giving it a go if you get the opportunity, as it’s worth it for the characters and the ending.
https://lucygoestohollywood.com/2018/11/13/the-holiday-from-hell-a-review-of-welcome-home/
Aaron Paul and Emily Ratajkowski are great in the lead roles. They feel like your everyday, plausible couple who are simply trying to repair their relationship. I found myself rooting for them and hoping they could reconnect throughout. Despite the slow pacing in places, I did genuinely care about them as characters. Without the strength of their acting, I think this film might have struggled in places as some of it seemed to drag or could’ve easily been cut out. Welcome Home does have similarities to the 2008 film The Strangers, in which see a strained relationship set within a secluded summer home, with the couple being terrorised by masked murderers.
This film’s antagonist, Frederico, is less ambiguous than that, and instead spends time with the couple and tries to befriend them in order to gain their trust. Cassie is a lot more receptive to this than Bryan, who is distrustful of Frederico after he brought Cassie back to the house when she sprained her ankle whilst running. He believes something else is going on, based on the one night stand. At first they believe he’s a neighbour, so nothing really seems out of the ordinary. Then, it starts to get weird. He says some strange things and starts showing up uninvited, even running into them on the street and deciding to turn up to the house to cook dinner.
Every second that Frederico’s on the screen is an uncomfortable one, and you know he’s not the innocent person he’s pretending to be. It’s only a matter of time before his true intentions are revealed to the couple, putting them both in danger. Italian actor Riccardo Scamarcio really blew me away in this film and I’m excited to see more from him.
Although it takes a while to get going, the second and third act of Welcome Home is a tense and unnerving experience. Frederico goes from friendly, helpful neighbour to a creepy psychopath very quickly, and it turns out he has very dark intentions for the couple. He spends the film manipulating them and turning them against each other. I won’t spoil it for you, but it turns this couple’s holiday into a complete nightmare. I did quite like the big reveal at the end, though it seems a little far-fetched it’s not beyond the realms of possibility given the digital age that we live in. This fact is emphasised by the voyeuristic nature of the camera, how we’re always peeking around doors or watching things we shouldn’t be.
I have seen stronger thrillers with better pacing, but Welcome Home is certainly an entertaining watch if you’re looking for a new, exciting story with a strong cast list. It puts a fun twist on your classic home invasion horror, with a charming, magnetic antagonist to really lure you in. I’d recommend giving it a go if you get the opportunity, as it’s worth it for the characters and the ending.
https://lucygoestohollywood.com/2018/11/13/the-holiday-from-hell-a-review-of-welcome-home/
Darren (1599 KP) rated 8MM 2 (2005) in Movies
Jun 20, 2019
Story: 8MM 2 starts as we meet young lawyer David (Schaech and his future wife Tish (Heuring) in Budapest. While on their trip away the couple end up having a steamy threesome with Risa (Gorog) helping both of their needs in the bedroom. David finds himself having to impress Tish’s father Ambassador Harrington (Davison) while his other daughter Lynn (Benz) has already settled down.
When the couple receive photos of their threesome they try to figure out who took them leading them into the sexual underworld in Hungry. While trying to clean up the blackmailing the two find themselves being approached from all angles as they try to keep any political career undercover.
8MM 2 is a film with one of the most miss-leading titles in film history, it is advertised as a sequel to 8MM starring Nicolas Cage which is about going into the underworld of sex. This is a boring political drama cover up after a daughter and her fiancée end up in a sex tape and get blackmailed. Nothing about this makes any sense for it to be a sequel but only uses the name because of the standard below average story. to make matters worse this might as well just be a softcore film because you can pretty much guarantee there is more time when the women are naked more than actually clothed.
Actor Review
Johnathon Schaech: David is the young lawyer entering into a powerful family as he tries to rise up the ranks in the Hungarian Embassy. When he has a steamy threesome with his wife to be and a strange woman he finds himself having to go into the world of pornography to uncover the people trying to blackmail him. Johnathon is solid but basic in this role.
Lori Heuring: Tish is the wife to be for David, her father is the Ambassador making her have a high profile name in social circles. She ends up having to follow David into the underworld of the sex industry to find the tape from their night. Lori is solid in this role without being special.
Bruce Davison: Ambassador Harrington is the father of Tish he is highly respected and the night the two have together could find themselves being responsible for a problem in his career. Bruce gives us a very basic supporting performance that we just don’t see enough.
Julie Benz: Lynn is the sister of Tish that is the older one of the two who always wants to protect her younger sister. Julie is wasted in this supporting role.
Support Cast: 8MM 2 has a basic supporting cast where nearly all the female cast are naked with most not really having much going on.
Director Review: J.S. Cardone – J.S. really doesn’t give us a worthy sequel that lacks any of the important parts needed.
Mystery: 8MM 2 doesn’t really offer us a mystery because we don’t see what the big mystery is.
Thriller: 8MM 2 doesn’t keep us on edge at all.
Settings: 8MM 2 is set in Hungary without being anything special.
Special Effects: 8MM 2 has basic effects when needed but nothing fancy.
Suggestion: 8MM 2 is one just to avoid really because it is terrible. (Avoid)
Best Part: Final Twist.
Worst Part: Pointless amount of nudity.
Believability: No
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Runtime: 1 Hour 46 Minutes
Tagline: From The Last Kiss To The Last Breath… From The First Kiss To The Last Breath.
Trivia: Much of the sex depicted is actual not simulated.
Overall: Dreadful sequel that really doesn’t work.
https://moviesreview101.com/2016/06/12/franchise-weekend-8mm-2-2005/
When the couple receive photos of their threesome they try to figure out who took them leading them into the sexual underworld in Hungry. While trying to clean up the blackmailing the two find themselves being approached from all angles as they try to keep any political career undercover.
8MM 2 is a film with one of the most miss-leading titles in film history, it is advertised as a sequel to 8MM starring Nicolas Cage which is about going into the underworld of sex. This is a boring political drama cover up after a daughter and her fiancée end up in a sex tape and get blackmailed. Nothing about this makes any sense for it to be a sequel but only uses the name because of the standard below average story. to make matters worse this might as well just be a softcore film because you can pretty much guarantee there is more time when the women are naked more than actually clothed.
Actor Review
Johnathon Schaech: David is the young lawyer entering into a powerful family as he tries to rise up the ranks in the Hungarian Embassy. When he has a steamy threesome with his wife to be and a strange woman he finds himself having to go into the world of pornography to uncover the people trying to blackmail him. Johnathon is solid but basic in this role.
Lori Heuring: Tish is the wife to be for David, her father is the Ambassador making her have a high profile name in social circles. She ends up having to follow David into the underworld of the sex industry to find the tape from their night. Lori is solid in this role without being special.
Bruce Davison: Ambassador Harrington is the father of Tish he is highly respected and the night the two have together could find themselves being responsible for a problem in his career. Bruce gives us a very basic supporting performance that we just don’t see enough.
Julie Benz: Lynn is the sister of Tish that is the older one of the two who always wants to protect her younger sister. Julie is wasted in this supporting role.
Support Cast: 8MM 2 has a basic supporting cast where nearly all the female cast are naked with most not really having much going on.
Director Review: J.S. Cardone – J.S. really doesn’t give us a worthy sequel that lacks any of the important parts needed.
Mystery: 8MM 2 doesn’t really offer us a mystery because we don’t see what the big mystery is.
Thriller: 8MM 2 doesn’t keep us on edge at all.
Settings: 8MM 2 is set in Hungary without being anything special.
Special Effects: 8MM 2 has basic effects when needed but nothing fancy.
Suggestion: 8MM 2 is one just to avoid really because it is terrible. (Avoid)
Best Part: Final Twist.
Worst Part: Pointless amount of nudity.
Believability: No
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Runtime: 1 Hour 46 Minutes
Tagline: From The Last Kiss To The Last Breath… From The First Kiss To The Last Breath.
Trivia: Much of the sex depicted is actual not simulated.
Overall: Dreadful sequel that really doesn’t work.
https://moviesreview101.com/2016/06/12/franchise-weekend-8mm-2-2005/
Darren (1599 KP) rated American Assassin (2017) in Movies
Jun 20, 2019
Story: American Assassin starts as normal American Mitch Rapp (O’Brien) sees his fiancée gunned down by terrorists and himself left for dead, 18 months later he has trained himself to eliminate the men responsible but little does he know that CIA agent Irene Kennedy (Lathan) has been watching his action.
When Kennedy arranges to save Mitch from a certain death, she recruits him for a special section of the CIA working under Stan Hurley (Keaton) who trains agents to go undercover but if caught or killed no one will come for them.
The first mission is to locate nuclear weapon components before former agent Ghost (Kitsch) can use or sell them giving somebody in the world a nuclear bomb that can wipe out millions.
Thoughts on American Assassin
Characters – Mitch Rapp is an American that loses everything at the hands of terrorists, he learns combat and language skills to go undercover in the terrorist cell for revenge, he gets recruited by the CIA where he must learn discipline but this is where he struggles because he always wants to go after the criminal. This character does feel like a young Jack Bauer because of his rule breaking attitude for the right reasons. Stan Hurley is the off the grid trainer who takes Mitch as part of his unit, he gets tired of the Mitch’s lack of discipline but knows he needs him to capture his former student. Irene Kennedy is the deputy director of the CIA, she sees the potential in Mitch forcing Hurley to take him on, but also falls into the standard CIA director figure that will risk their reputation to prove others wrong. Ghost is the former trainee of Hurley that is using all the skills gained to stay one step ahead of him while collecting the nuclear components.
Performances – Dylan O’Brien is an actor that got into the young adult films but this role showed an adult character, showing he could go onto action films without looking like the complete actions star. Michael Keaton looks like he did enjoy the mentoring role while also getting the action role he isn’t known for. Sanaa Lathan is good in her role even if the character is very generic. Taylor Kitsch does seem to be on the recovering his career tour showing everyone just how talented he is in the villainous role.
Story – The story does play out like an origin story for Mitch Rapp in the CIA, we see what motivated him to accept the offer, we see what makes him different from other potential agents. We have the standard level of threat, potential nuclear weapon and a story of needing to learn discipline to become a top agent while keeping his unique traits. This is an easy to watch but could easily be an over the top pilot for a television show.
Action/Thriller – The action starts out brutal with the terrorist attack, we also fall into the car chases, fights and shoot outs which are fun to watch, the final action sequences is just popcorn wow.
Settings – The settings take us on a tour of Europe which is fine and is giving us an iconic location moment, which is easy to locate for us.
Special Effects – The effects in the opening sequence are brutal but then it just becomes by the book stuff.
Scene of the Movie – Speed Boat fight.
That Moment That Annoyed Me – While it started with violent level, it did turn into Jack Bauer origin feeling.
Chances of Sequel: Easily could have one.
Post Credits Scene: No
Final Thoughts – This is an action film that is fun but not one of the greatest of the year.
Overall: Fun action packed blast.
https://moviesreview101.com/2017/09/17/american-assassin-2017/
When Kennedy arranges to save Mitch from a certain death, she recruits him for a special section of the CIA working under Stan Hurley (Keaton) who trains agents to go undercover but if caught or killed no one will come for them.
The first mission is to locate nuclear weapon components before former agent Ghost (Kitsch) can use or sell them giving somebody in the world a nuclear bomb that can wipe out millions.
Thoughts on American Assassin
Characters – Mitch Rapp is an American that loses everything at the hands of terrorists, he learns combat and language skills to go undercover in the terrorist cell for revenge, he gets recruited by the CIA where he must learn discipline but this is where he struggles because he always wants to go after the criminal. This character does feel like a young Jack Bauer because of his rule breaking attitude for the right reasons. Stan Hurley is the off the grid trainer who takes Mitch as part of his unit, he gets tired of the Mitch’s lack of discipline but knows he needs him to capture his former student. Irene Kennedy is the deputy director of the CIA, she sees the potential in Mitch forcing Hurley to take him on, but also falls into the standard CIA director figure that will risk their reputation to prove others wrong. Ghost is the former trainee of Hurley that is using all the skills gained to stay one step ahead of him while collecting the nuclear components.
Performances – Dylan O’Brien is an actor that got into the young adult films but this role showed an adult character, showing he could go onto action films without looking like the complete actions star. Michael Keaton looks like he did enjoy the mentoring role while also getting the action role he isn’t known for. Sanaa Lathan is good in her role even if the character is very generic. Taylor Kitsch does seem to be on the recovering his career tour showing everyone just how talented he is in the villainous role.
Story – The story does play out like an origin story for Mitch Rapp in the CIA, we see what motivated him to accept the offer, we see what makes him different from other potential agents. We have the standard level of threat, potential nuclear weapon and a story of needing to learn discipline to become a top agent while keeping his unique traits. This is an easy to watch but could easily be an over the top pilot for a television show.
Action/Thriller – The action starts out brutal with the terrorist attack, we also fall into the car chases, fights and shoot outs which are fun to watch, the final action sequences is just popcorn wow.
Settings – The settings take us on a tour of Europe which is fine and is giving us an iconic location moment, which is easy to locate for us.
Special Effects – The effects in the opening sequence are brutal but then it just becomes by the book stuff.
Scene of the Movie – Speed Boat fight.
That Moment That Annoyed Me – While it started with violent level, it did turn into Jack Bauer origin feeling.
Chances of Sequel: Easily could have one.
Post Credits Scene: No
Final Thoughts – This is an action film that is fun but not one of the greatest of the year.
Overall: Fun action packed blast.
https://moviesreview101.com/2017/09/17/american-assassin-2017/
Hazel (1853 KP) rated How to Date Dead Guys (The Witch`s Handbook #1) in Books
Dec 14, 2018
<i>This eBook was provided by the author in exchange for an honest review
How To Date Dead Guys </i>is the first novel in the paranormal series <i>The Witches Handbook </i>by the author Ann. M Noser. The protagonist, Emma, is introduced to the reader as a shy, introverted student whose negative experience with bullying during high school still greatly affects her despite now being a sophomore at University of Wisconsin-Eau Claire. Against her wishes, Emma is forced to attend a party by her roommate Chrissy, a girl who is the complete opposite in personality. Whilst trying to keep out of the way of the partying students, Emma starts talking to Mike, a boy she has a crush on. From this point onwards Emma’s life changes dramatically, although in ways she had never previously imagined.
After a devastating accident leaving Mike dead and Emma feeling guilty, Emma decides to take drastic action with the help of a book she finds called <i>Book of Shadows</i>. Using instructions from the book Emma recites a spell believing she can raise Mike from the dead. However this has disastrous consequences. Instead of being reunited with Mike, Emma finds herself face to face with a different guy, one who died a few months previously. Feeling responsible, Emma tries to help this resurrected body but she soon learns she got more than she bargained for.
<i>How To Date Dead Guys</i> is both hilarious and moving. The shock of Mike’s death makes the reader feel sorry for Emma, a lovely girl who does not deserve this heartache. Initially there is a sense of foreboding when she begins to dabble in witchcraft however the outcome results in some amusing situations.
Initially the storyline was not completely clear, which made understanding the purpose of the various scenarios a little confusing. However, Emma was also confused during this time, thus it makes sense for the reader to be also. It soon becomes clear why a different person was brought back to life rather than Mike, causing the story to take a more heart-warming direction.
Emma is a character that many introverts will relate to. Growing up being bullied has left her feeling that she is not good enough at anything. She has barely any friends, rarely goes out and is scared to talk to anyone new. Ironically raising the dead changes Emma for the better. Being in a situation where she has no choice but to deal with the consequences, Emma becomes more confident in herself. Although she believes she is still the same shy girl she was to begin with, hanging around with the dead forces her to see that she has changed and that she is no longer the weak person she always thought herself to be.
Emma’s character development is one of the best parts of the entire novel. Many young adult or new adult stories use romance and reliance on a male “hero” to save the girl from her introverted life style. Although romance was somewhat involved, this was not the case with Emma. Emma changed because she had to, because of circumstances she accidently created and felt she needed to put right. Emma’s confidence is not a result of influence from anyone else and proves that people can survive by themselves and become the person they wish to be.
Overall I enjoyed reading <i>How To Date Dead Guys</i>. Admittedly the beginning of the book felt like a few different stories crammed together, but once the plot was established it became exciting to discover what would happen next. Although listed as a New Adult book, the content is suitable for readers in their teens as well.
How To Date Dead Guys </i>is the first novel in the paranormal series <i>The Witches Handbook </i>by the author Ann. M Noser. The protagonist, Emma, is introduced to the reader as a shy, introverted student whose negative experience with bullying during high school still greatly affects her despite now being a sophomore at University of Wisconsin-Eau Claire. Against her wishes, Emma is forced to attend a party by her roommate Chrissy, a girl who is the complete opposite in personality. Whilst trying to keep out of the way of the partying students, Emma starts talking to Mike, a boy she has a crush on. From this point onwards Emma’s life changes dramatically, although in ways she had never previously imagined.
After a devastating accident leaving Mike dead and Emma feeling guilty, Emma decides to take drastic action with the help of a book she finds called <i>Book of Shadows</i>. Using instructions from the book Emma recites a spell believing she can raise Mike from the dead. However this has disastrous consequences. Instead of being reunited with Mike, Emma finds herself face to face with a different guy, one who died a few months previously. Feeling responsible, Emma tries to help this resurrected body but she soon learns she got more than she bargained for.
<i>How To Date Dead Guys</i> is both hilarious and moving. The shock of Mike’s death makes the reader feel sorry for Emma, a lovely girl who does not deserve this heartache. Initially there is a sense of foreboding when she begins to dabble in witchcraft however the outcome results in some amusing situations.
Initially the storyline was not completely clear, which made understanding the purpose of the various scenarios a little confusing. However, Emma was also confused during this time, thus it makes sense for the reader to be also. It soon becomes clear why a different person was brought back to life rather than Mike, causing the story to take a more heart-warming direction.
Emma is a character that many introverts will relate to. Growing up being bullied has left her feeling that she is not good enough at anything. She has barely any friends, rarely goes out and is scared to talk to anyone new. Ironically raising the dead changes Emma for the better. Being in a situation where she has no choice but to deal with the consequences, Emma becomes more confident in herself. Although she believes she is still the same shy girl she was to begin with, hanging around with the dead forces her to see that she has changed and that she is no longer the weak person she always thought herself to be.
Emma’s character development is one of the best parts of the entire novel. Many young adult or new adult stories use romance and reliance on a male “hero” to save the girl from her introverted life style. Although romance was somewhat involved, this was not the case with Emma. Emma changed because she had to, because of circumstances she accidently created and felt she needed to put right. Emma’s confidence is not a result of influence from anyone else and proves that people can survive by themselves and become the person they wish to be.
Overall I enjoyed reading <i>How To Date Dead Guys</i>. Admittedly the beginning of the book felt like a few different stories crammed together, but once the plot was established it became exciting to discover what would happen next. Although listed as a New Adult book, the content is suitable for readers in their teens as well.
Hazel (1853 KP) rated A Robot in the Garden in Books
Dec 14, 2018
<i>This ebook was provided by the publisher via NetGalley in exchange for an honest review </i>
What would you do if you found a robot in your garden? That is exactly what, as the title suggests, 34-year-old Ben has to answer on making this discovery early one September morning. Set in the near future where many people have androids in their houses to do the chores they do not wish to do, finding a robot is not a completely unsettling event. What is unusual, however, is that this particular robot is the opposite of the modern, shiny models: he appears to be a mishmash of Japanese fine art and something you would find on a scrap heap.
As Ben discovers, the robot, named Tang is broken and is in need of urgent care and repair. Ben becomes obsessed with trying to pry information out of the robot as to where he came from and to whom he belongs to. Bringing Tang into the house is the last straw for his wife, Amy, who after letting him know all his faults – unemployment, never achieved anything – walks out on him. Now alone, with no one else to worry about, Ben is determined to locate Tang’s creator and save the robot’s life.
What continues is a wild goose chase across America and over to Asia as the strange pairing – human and robot – follows hints and clues that could help them reach their destination. Along the way Ben gets to know Tang and learns to love him in the same way a father loves a child. No matter what mischief Tang gets himself into, Ben is always there to fix the situation. The only thing he cannot fix is Tang’s internal parts, and time is running out.
Initially the story was about a man who wanted to prove he could achieve something to show his sister and his, now, ex-wife that they were wrong about him. However later on in the novel Ben realizes he is changing for himself, not for anyone else, and the person – or robot – that has helped him to achieve this is Tang. On the other hand it is also a humorous tale that explores a character that is unable to connect to the world around him. Tang is like a human toddler who needs constant care and attention, and is fascinated by everything around him. With Ben’s love and attention he proves to the world that he is much more than a rusty metal box.
<i>A Robot in the Garden</i> is a gem of a novel that is guaranteed to make the reader laugh. It is also touching and emotionally engaging, with both heartwarming and heart wrenching moments. Deborah Install has created an accurate representation of a character that has no understanding of the happenings in the world around it, basing many hilarious instances on those of her young son.
Whilst reading this book I could not help but compare it to the film <i>Short Circuit</i> (1986) in which a robot is electrocuted and gains human intelligence. I kept picturing the storyline of <i>A Robot in the Garden</i> in my head and thinking up ways it could be portrayed on screen. Whether there are plans to make it into a film I have no idea, but I am sure it would make prize-winning picture.
Do not be put off by its science fiction classification; <i>A Robot in the Garden</i> is no <i>War of the Worlds</i> or <i>Doctor Who</i> type of story. Instead it is a brilliant piece if fiction suitable for all adults. Those with children will laugh at the similarities between Tang and their offspring, whereas those without will sympathise with Ben’s struggles to keep the robot under control. All in all a great novel.
What would you do if you found a robot in your garden? That is exactly what, as the title suggests, 34-year-old Ben has to answer on making this discovery early one September morning. Set in the near future where many people have androids in their houses to do the chores they do not wish to do, finding a robot is not a completely unsettling event. What is unusual, however, is that this particular robot is the opposite of the modern, shiny models: he appears to be a mishmash of Japanese fine art and something you would find on a scrap heap.
As Ben discovers, the robot, named Tang is broken and is in need of urgent care and repair. Ben becomes obsessed with trying to pry information out of the robot as to where he came from and to whom he belongs to. Bringing Tang into the house is the last straw for his wife, Amy, who after letting him know all his faults – unemployment, never achieved anything – walks out on him. Now alone, with no one else to worry about, Ben is determined to locate Tang’s creator and save the robot’s life.
What continues is a wild goose chase across America and over to Asia as the strange pairing – human and robot – follows hints and clues that could help them reach their destination. Along the way Ben gets to know Tang and learns to love him in the same way a father loves a child. No matter what mischief Tang gets himself into, Ben is always there to fix the situation. The only thing he cannot fix is Tang’s internal parts, and time is running out.
Initially the story was about a man who wanted to prove he could achieve something to show his sister and his, now, ex-wife that they were wrong about him. However later on in the novel Ben realizes he is changing for himself, not for anyone else, and the person – or robot – that has helped him to achieve this is Tang. On the other hand it is also a humorous tale that explores a character that is unable to connect to the world around him. Tang is like a human toddler who needs constant care and attention, and is fascinated by everything around him. With Ben’s love and attention he proves to the world that he is much more than a rusty metal box.
<i>A Robot in the Garden</i> is a gem of a novel that is guaranteed to make the reader laugh. It is also touching and emotionally engaging, with both heartwarming and heart wrenching moments. Deborah Install has created an accurate representation of a character that has no understanding of the happenings in the world around it, basing many hilarious instances on those of her young son.
Whilst reading this book I could not help but compare it to the film <i>Short Circuit</i> (1986) in which a robot is electrocuted and gains human intelligence. I kept picturing the storyline of <i>A Robot in the Garden</i> in my head and thinking up ways it could be portrayed on screen. Whether there are plans to make it into a film I have no idea, but I am sure it would make prize-winning picture.
Do not be put off by its science fiction classification; <i>A Robot in the Garden</i> is no <i>War of the Worlds</i> or <i>Doctor Who</i> type of story. Instead it is a brilliant piece if fiction suitable for all adults. Those with children will laugh at the similarities between Tang and their offspring, whereas those without will sympathise with Ben’s struggles to keep the robot under control. All in all a great novel.
Phillip McSween (751 KP) rated Green Book (2018) in Movies
Dec 23, 2018
Phenomenal
Sometimes a solid film can catch you off guard. Blockbusters, Marvel films, anything Disney, those are the ones you expect to succeed and most times they do. However, sometimes films come along that aren’t highly publicized that gives you a glimpse of its potential in a trailer you never even would have seen had you not gone to see a certain movie. Enter Green Book, the story of famous black pianist Dr. Don Shirley (Mahershala Ali) and his decision to embark on a tour in the deep south accompanied by his driver and protector, an American-Italian man named Tony Lip (Viggo Mortensen).
Acting: 10
You can tell someone is killing at their job as an actor in a movie when you don’t even recognize them. Viggo Mortensen is out of this world amazing in his performance as Tony. He’s tough as nails, but you can see his softer side coming forth as the movie progresses. He and Mahershala Ali have a phenomenal chemistry that carries the story and entertains you from start to finish. They make you feel as if they’re actually becoming the best of friends as their worlds collide. I loved the intensity of some of their scenes and how they could turn on a dime and bring you a little laughter. Also, not-so-small shout out to Linda Cardellini who plays Lip’s wife Dolores as her performance was extremely solid as well.
Beginning: 10
Characters: 10
Tony Lip is easily one of my favorite characters in any 2018 movie this year. He is the typical gruff male and the stereotypical American-Italian type, but it’s eye-opening and fun to watch a character like that in a setting that’s not a mafia movie. His progression is what makes him great, or adds to his greatness rather. I couldn’t imagine coming across a guy like Tony Lip and not liking him after five minutes of meeting him.
I don’t want to downplay Don Shirley’s character, although Lip does steal the show. Shirley is one we can learn from, a guy that fights through adversity and is determined to win at all costs. He is a lost soul that drowns himself in the highs and lows of alcohol and music. You pity him and you cheer for him at the same time.
Cinematography/Visuals: 9
I am always impressed with period pieces and how they are able to capture regions so well. There is such a great depiction here of the northeast vs. the deep south that transports you easily from one region to the next. One minute you’re on a bustling street in the middle of New York and the next you’re on country road surrounded by trees being taken to a backwoods gas station. Just thinking about it even now made me add another point on. I also loved the stark contrast between the beautiful venues where Shirley would play and the grimy hotels he had to stay in because of the color of his skin. It was a major eye-opener and a punch to the gut when you see it on screen.
Conflict: 10
Genre: 8
Memorability: 10
Great choice on the title as it alone helps the film to stand out. You will understand when you see it, trust me. Overall Green Book is a beautiful tale that ultimately breaks stereotypes and spin things in a different light we don’t quite expect. I loved how there were a number of scenes that were not only funny, but touching at the same time.
Pace: 10
Plot: 10
Resolution: 10
Slightly cheesy, slightly unrealistic. I don’t care. To me, it was a fitting ending to an overall solid story. It’s got my seal of approval.
Overall: 97
I love when unexpected gems hit me in the face like Green Book. Go see this film. You will not be disappointed.
Acting: 10
You can tell someone is killing at their job as an actor in a movie when you don’t even recognize them. Viggo Mortensen is out of this world amazing in his performance as Tony. He’s tough as nails, but you can see his softer side coming forth as the movie progresses. He and Mahershala Ali have a phenomenal chemistry that carries the story and entertains you from start to finish. They make you feel as if they’re actually becoming the best of friends as their worlds collide. I loved the intensity of some of their scenes and how they could turn on a dime and bring you a little laughter. Also, not-so-small shout out to Linda Cardellini who plays Lip’s wife Dolores as her performance was extremely solid as well.
Beginning: 10
Characters: 10
Tony Lip is easily one of my favorite characters in any 2018 movie this year. He is the typical gruff male and the stereotypical American-Italian type, but it’s eye-opening and fun to watch a character like that in a setting that’s not a mafia movie. His progression is what makes him great, or adds to his greatness rather. I couldn’t imagine coming across a guy like Tony Lip and not liking him after five minutes of meeting him.
I don’t want to downplay Don Shirley’s character, although Lip does steal the show. Shirley is one we can learn from, a guy that fights through adversity and is determined to win at all costs. He is a lost soul that drowns himself in the highs and lows of alcohol and music. You pity him and you cheer for him at the same time.
Cinematography/Visuals: 9
I am always impressed with period pieces and how they are able to capture regions so well. There is such a great depiction here of the northeast vs. the deep south that transports you easily from one region to the next. One minute you’re on a bustling street in the middle of New York and the next you’re on country road surrounded by trees being taken to a backwoods gas station. Just thinking about it even now made me add another point on. I also loved the stark contrast between the beautiful venues where Shirley would play and the grimy hotels he had to stay in because of the color of his skin. It was a major eye-opener and a punch to the gut when you see it on screen.
Conflict: 10
Genre: 8
Memorability: 10
Great choice on the title as it alone helps the film to stand out. You will understand when you see it, trust me. Overall Green Book is a beautiful tale that ultimately breaks stereotypes and spin things in a different light we don’t quite expect. I loved how there were a number of scenes that were not only funny, but touching at the same time.
Pace: 10
Plot: 10
Resolution: 10
Slightly cheesy, slightly unrealistic. I don’t care. To me, it was a fitting ending to an overall solid story. It’s got my seal of approval.
Overall: 97
I love when unexpected gems hit me in the face like Green Book. Go see this film. You will not be disappointed.
Gareth von Kallenbach (980 KP) rated Leatherheads (2008) in Movies
Aug 14, 2019
The movie opens with John Krasinski’s character, “Carter Rutherford”, playing college-level football for Princeton at a bleacher-groaning, over-packed game chock full of screaming patrons and die-hard fans. The kid is a golden-child, a war hero, and the nation’s most promising young athlete in the good old year of 1925. Carter is dynamic, attractive, and exactly what the country needs at a time of World War I. It is little wonder his face plasters billboards across town, that his name is uttered with awe and adoration. In truth, how could you not? The kid had, after all, single-handedly forced a contingent of German soldiers to surrender without even shooting one bullet.
Cut to George Clooney’s character, the aging “Dodge Connelly”, playing pro-football in mire-like conditions; his audience a tangle of bored fans and uninspired locals. It is a far cry from the opulent circumstance of college-level football. Men, bedraggled and sweating under the promise of returning to work at the mines and fields if their football dreams go under, play with reckless abandon and forgotten morals in hopes of winning that next game. Yet, as fate will go, the Bulldogs lose their sponsorship and the team goes under, forcing men to return to their day-jobs and leaving Dodge without a future. The man has no marketable skills, no trade. He is a football player and is determined to see his team back in the game.
Of course, that isn’t the only bit of chaos. There has to be a girl; there is always a girl involved in stories like these. Enter Renée Zellweger’s character, the vivacious and equally tenacious “Lexie Littleton” – a news reporter for the Tribune. Lexie is on a mission to expose Carter Rutherford and get to the bottom of his infamous war story. It comes to no surprise that when Lexie and Dodge meet in a hotel lobby awaiting the arrival of Carter Rutherford and his manager, “CC Frazier” (played by Jonathan Pryce), that sparks immediately fly between them. Dodge has a proposal for CC and Carter: have Carter take a leave of absence from Princeton to play pro-football for the Bulldogs, thus saving pro-football and paying Carter for his efforts. Naturally, CC wants a cut from the profits and finds a way to do so to accommodate his own needs. Dodge, without any other alternative, agrees.
Meanwhile, Lexie is working her magic on Carter to try and weasel the true story out of him as best she can. Try as she might she cannot ignore Dodge, no matter how acid her tongue wags in his direction. In the end, Lexie gets her story yet realizes she must decide between exposing the truth or letting America bask in the glory of its self-proclaimed war-hero.
In review, there is a true chemistry between all of the main characters and both Zellweger and Clooney do a good job of conveying the vehement (and callous) emotion between Lexie and Dodge. However, no matter how funny the banter becomes between these three main characters or how well the scene plugs along, in the end the movie comes off as a passable but by no means memorable. Betimes it seems to stretch on and on and more then once I found myself looking at my clock. In truth, the movie didn’t need to be nearly two hours long. It felt two hours long which is never a good thing, especially when we’re talking about theatre seats.
That said, I thought the movie was a cute and enjoyable comedy. It won’t crack your funny bone but it will certainly tickle it more then once. All in all I give it 3.5 out of 5. It succeeded in making me laugh and did keep me entertained. Above all, I’m sure many will find it enjoyable to some extent.
Cut to George Clooney’s character, the aging “Dodge Connelly”, playing pro-football in mire-like conditions; his audience a tangle of bored fans and uninspired locals. It is a far cry from the opulent circumstance of college-level football. Men, bedraggled and sweating under the promise of returning to work at the mines and fields if their football dreams go under, play with reckless abandon and forgotten morals in hopes of winning that next game. Yet, as fate will go, the Bulldogs lose their sponsorship and the team goes under, forcing men to return to their day-jobs and leaving Dodge without a future. The man has no marketable skills, no trade. He is a football player and is determined to see his team back in the game.
Of course, that isn’t the only bit of chaos. There has to be a girl; there is always a girl involved in stories like these. Enter Renée Zellweger’s character, the vivacious and equally tenacious “Lexie Littleton” – a news reporter for the Tribune. Lexie is on a mission to expose Carter Rutherford and get to the bottom of his infamous war story. It comes to no surprise that when Lexie and Dodge meet in a hotel lobby awaiting the arrival of Carter Rutherford and his manager, “CC Frazier” (played by Jonathan Pryce), that sparks immediately fly between them. Dodge has a proposal for CC and Carter: have Carter take a leave of absence from Princeton to play pro-football for the Bulldogs, thus saving pro-football and paying Carter for his efforts. Naturally, CC wants a cut from the profits and finds a way to do so to accommodate his own needs. Dodge, without any other alternative, agrees.
Meanwhile, Lexie is working her magic on Carter to try and weasel the true story out of him as best she can. Try as she might she cannot ignore Dodge, no matter how acid her tongue wags in his direction. In the end, Lexie gets her story yet realizes she must decide between exposing the truth or letting America bask in the glory of its self-proclaimed war-hero.
In review, there is a true chemistry between all of the main characters and both Zellweger and Clooney do a good job of conveying the vehement (and callous) emotion between Lexie and Dodge. However, no matter how funny the banter becomes between these three main characters or how well the scene plugs along, in the end the movie comes off as a passable but by no means memorable. Betimes it seems to stretch on and on and more then once I found myself looking at my clock. In truth, the movie didn’t need to be nearly two hours long. It felt two hours long which is never a good thing, especially when we’re talking about theatre seats.
That said, I thought the movie was a cute and enjoyable comedy. It won’t crack your funny bone but it will certainly tickle it more then once. All in all I give it 3.5 out of 5. It succeeded in making me laugh and did keep me entertained. Above all, I’m sure many will find it enjoyable to some extent.
Mothergamer (1546 KP) rated Yakuza Kiwami SteelBook Edition in Video Games
Jun 21, 2019
I had never played any of the Yakuza games, but I had always been curious about them so when Yakuza Kiwami was one of the free games offered up with my Playstation Plus I picked it up. The introduction at the beginning of the story is interesting and I really liked Kazuma Kiryu because of his sense of honor and doing his best to protect his friends. I was glad to see that there are a range of difficulty settings in the game options and went with easy so I could get a feel for the game and just enjoy the story.
The story begins with Kiryu taking the fall for a friend and emerging from prison ten years later. This opens up a small tutorial for how the game controls work. Exploration and level grinding are a big part of Yakuza Kiwami as you progress in the main story and there are side quests as well. The night life of Tokyo is vibrant and colorful in the game adding to the atmosphere. I found myself stopping often just to look around at all the different things.
This wouldn't be Yakuza without the brawls of course and there are many. Often gangs roaming the streets will pick fights with Kiryu and this is where the game really shines. The fights are fun and being able to switch between Kiryu's four fighting styles; brawler, rush, and beast give you a feel for the fighting mechanics while feeling that raw criminal underworld vibe. However, there are times where the game fails to give you an idea about which fighting style works best and how they differ from each other. I did a lot of trial and error with many fights because of this. That didn't make the game any less fun for me though and successfully winning a fight felt great.
There is one thing that really bugged me about the game and that is all the fights with the character Majima. While I understood that Kiryu being forced to fight Majima was a way to get him back to his original top tier fighting shape after his long stint in prison, I felt incredibly annoyed at how often Majima turned up demanding a brawl especially when I was trying to get somewhere in the story. I did not want to have a constant detour of fighting him and yet he kept popping up everywhere. Majimi is an interesting character don't get me wrong, but I found these fights tedious. Of course the reward for all these fights is it unlocks Kiryu's dragon fighting form which is great, but the irritation of Majima fights sucked a bit of fun out of the game for me.
I enjoyed the story for Yakuza Kiwami a lot because I liked Kiryu and was invested in his journey. There are a lot of flashbacks explaining what happened to certain characters and shines a light on how they came to be where they are in the present. Sometimes the story feels a little slow in places, but it is well thought out and well done. Where it really stands out is with the intrigue and drama with plot reveals that give amazing cinematic cutscenes that feel like you're watching a movie. Overall the game is great and while it's not necessarily a long game, there is plenty to do with the side quests, mini games, and exploration of the city. Once you finish the game, you can also try new game plus which carries over all your learned abilities, mini games, and side quest stories. Yakuza Kiwami was a lot of fun for me to play and I'm glad I checked it out. Thanks for reading, see you at the next adventure!
The story begins with Kiryu taking the fall for a friend and emerging from prison ten years later. This opens up a small tutorial for how the game controls work. Exploration and level grinding are a big part of Yakuza Kiwami as you progress in the main story and there are side quests as well. The night life of Tokyo is vibrant and colorful in the game adding to the atmosphere. I found myself stopping often just to look around at all the different things.
This wouldn't be Yakuza without the brawls of course and there are many. Often gangs roaming the streets will pick fights with Kiryu and this is where the game really shines. The fights are fun and being able to switch between Kiryu's four fighting styles; brawler, rush, and beast give you a feel for the fighting mechanics while feeling that raw criminal underworld vibe. However, there are times where the game fails to give you an idea about which fighting style works best and how they differ from each other. I did a lot of trial and error with many fights because of this. That didn't make the game any less fun for me though and successfully winning a fight felt great.
There is one thing that really bugged me about the game and that is all the fights with the character Majima. While I understood that Kiryu being forced to fight Majima was a way to get him back to his original top tier fighting shape after his long stint in prison, I felt incredibly annoyed at how often Majima turned up demanding a brawl especially when I was trying to get somewhere in the story. I did not want to have a constant detour of fighting him and yet he kept popping up everywhere. Majimi is an interesting character don't get me wrong, but I found these fights tedious. Of course the reward for all these fights is it unlocks Kiryu's dragon fighting form which is great, but the irritation of Majima fights sucked a bit of fun out of the game for me.
I enjoyed the story for Yakuza Kiwami a lot because I liked Kiryu and was invested in his journey. There are a lot of flashbacks explaining what happened to certain characters and shines a light on how they came to be where they are in the present. Sometimes the story feels a little slow in places, but it is well thought out and well done. Where it really stands out is with the intrigue and drama with plot reveals that give amazing cinematic cutscenes that feel like you're watching a movie. Overall the game is great and while it's not necessarily a long game, there is plenty to do with the side quests, mini games, and exploration of the city. Once you finish the game, you can also try new game plus which carries over all your learned abilities, mini games, and side quest stories. Yakuza Kiwami was a lot of fun for me to play and I'm glad I checked it out. Thanks for reading, see you at the next adventure!