Search
Mark @ Carstairs Considers (2072 KP) rated The Gun Also Rises in Books
Jan 30, 2019
Hunt for Hemingway Treasure
Sarah Winston has been hired to organize a book sale for Mrs. Belle Winthrop Granville, III, focusing on Belle's massive mystery collection. But sandwiched in between the Trixie Belden, Hardy Boys, Agatha Christie, and Ann Cleeves books, she finds what appears to be the Hemingway manuscripts that went miss from a train in Paris in the 1920's. Belle is just as shocked to see them as Sarah is. But a couple of hours later, Belle has been attacked, the manuscripts are missing, and someone is dead. What has Sarah stumbled into this time?
Once again, we are treated to a fabulous mystery that is more treasure hunt than strict cozy murder mystery. Not that I'm complaining in the slightest. The pace never slows down as we jump from one thing to another as Sarah tries to figure out what happened before her life spins even further out of control. We don't see as much of some of the series regulars, but we do get to see more of others, and I liked how relationships were growing here. Naturally, the book is filled with well-developed new characters. The mentions of various mystery books made me smile. The sub-plots involving the air force base were really well done and once again spotlighted some of the real issues those who sacrifice so much for this country go through, both those serving and their families. This is a strong entry in a series that keeps getting better.
Once again, we are treated to a fabulous mystery that is more treasure hunt than strict cozy murder mystery. Not that I'm complaining in the slightest. The pace never slows down as we jump from one thing to another as Sarah tries to figure out what happened before her life spins even further out of control. We don't see as much of some of the series regulars, but we do get to see more of others, and I liked how relationships were growing here. Naturally, the book is filled with well-developed new characters. The mentions of various mystery books made me smile. The sub-plots involving the air force base were really well done and once again spotlighted some of the real issues those who sacrifice so much for this country go through, both those serving and their families. This is a strong entry in a series that keeps getting better.
JT (287 KP) rated The Oxford Murders (2010) in Movies
Mar 10, 2020
From the first couple of scenes youโd half expect to see Inspector Morse and Lewis step out from behind one of the great pillars that surround Oxford University โ sadly that is not going to be the case here. The story itself could have been taken right out of an Agatha Christie novel but the subsequent plot gets mixed up like the mathematical equation it is trying to lay out.
John Hurt plays Arthur Seldom a university professor whose life revolves around mathematical equations and whether or not we can prove truth and probability. Martin (Elijah Wood) is a graduate over from America looking at using Seldom to help him with his thesis.
The pair get mixed up in an altogether different set of circumstances when they must work together to solve a series of murders based around mathematical symbols. The Oxford Murders falls some way short of delivering on any tension or drama, which is a real shame. The script is over complicated and there is no real time to develop the characters before we are thrown head first into the first murder.
All in all it seemed rushed together. More strangely was the choice of director; Spanish born รlex de la Iglesia who also wrote the screenplay. A background largely based around foreign film I find it odd that he should have any idea about the true reflections of historic Oxford. Maybe that is where amongst other things The Oxford Murders falls down. In the hands of a more traditional English director we may have had a better outcome.
John Hurt plays Arthur Seldom a university professor whose life revolves around mathematical equations and whether or not we can prove truth and probability. Martin (Elijah Wood) is a graduate over from America looking at using Seldom to help him with his thesis.
The pair get mixed up in an altogether different set of circumstances when they must work together to solve a series of murders based around mathematical symbols. The Oxford Murders falls some way short of delivering on any tension or drama, which is a real shame. The script is over complicated and there is no real time to develop the characters before we are thrown head first into the first murder.
All in all it seemed rushed together. More strangely was the choice of director; Spanish born รlex de la Iglesia who also wrote the screenplay. A background largely based around foreign film I find it odd that he should have any idea about the true reflections of historic Oxford. Maybe that is where amongst other things The Oxford Murders falls down. In the hands of a more traditional English director we may have had a better outcome.
The Writer's Garden: How Gardens Inspired Our Best-Loved Authors
Book
Great things happen in gardens. No one can doubt the importance of the garden in Roald Dahl's life...
The Mitford Murders
Book
'True and glorious indulgence. A dazzling example of a Golden Age mystery' Daisy Goodwin Lose...
mystery thriller
Murder at the Manor: Country House Mysteries
Book
The English country house is an iconic setting for some of the greatest British crime fiction. Short...
The Blood Card
Book
On the eve of the Queen's coronation, DI Stephens and Max Mephisto uncover an anarchist plot and a...
TE
The Executioner Weeps
David Coward and Frederic Dard
Book
Winner of the 1957 Grand prix de la litterature policiere It was fate that led her to step out in...
The claustrophobic setting (1 more)
The plot
Twists, turns, misdirection and murder
A murder mystery set on an oil rig with a skeleton staff couldn't possibly make an interesting TV series could it?
Surprisingly it works... The setting is perfect to make the tension greater, with the storm causing problems with power inside and making everything hazardous in the scenes out on the decks...
The crew distrust each other and don't get on, they have issues with the insurance assessor, the boss is about to lose control and its almost Christmas... Something has got to give....
I found it similar in feel (although obviously different) to Fortitude and is very much like a modern remake of a famous Agatha Christie novel (Which I won't mention the title of, as it could give the game away) although I'm sure it probably isn't actually based on it...
One criticism is, I think it was a little rushed in places and could probably have made a 8 or 10 episode series, and maybe explore some of the characters a little more, rather than cram it all into 6 Episodes...
I was going to rate the the ending as a good point and a bad point because I think it will divide people, for me it worked well, but I can see some people having issues with it (in my opinion) ... BUT, that is what makes a good story, something that causes debate......
I really recommend this as a series to slot in after finishing binge watching one long series and before starting another long show... 6 episodes about 45 min each, perfect for a lazy weekend...
Surprisingly it works... The setting is perfect to make the tension greater, with the storm causing problems with power inside and making everything hazardous in the scenes out on the decks...
The crew distrust each other and don't get on, they have issues with the insurance assessor, the boss is about to lose control and its almost Christmas... Something has got to give....
I found it similar in feel (although obviously different) to Fortitude and is very much like a modern remake of a famous Agatha Christie novel (Which I won't mention the title of, as it could give the game away) although I'm sure it probably isn't actually based on it...
One criticism is, I think it was a little rushed in places and could probably have made a 8 or 10 episode series, and maybe explore some of the characters a little more, rather than cram it all into 6 Episodes...
I was going to rate the the ending as a good point and a bad point because I think it will divide people, for me it worked well, but I can see some people having issues with it (in my opinion) ... BUT, that is what makes a good story, something that causes debate......
I really recommend this as a series to slot in after finishing binge watching one long series and before starting another long show... 6 episodes about 45 min each, perfect for a lazy weekend...
Night Trains: The Rise and Fall of the Sleeper
Book
Night trains have long fascinated us with the possibilities of their private sleeping compartments,...
LoganCrews (2861 KP) rated Identity (2003) in Movies
Sep 22, 2020 (Updated Nov 26, 2020)
"๐ ๐๐ข๐ฏ๐ฒ๐ถ๐ฆ๐ต ๐ฑ๐ฐ๐ต ๐ฑ๐ช๐ฆ?! ๐ ๐๐ข๐ฏ๐ฒ๐ถ๐ฆ๐ต ๐ฑ๐ฐ๐ต ๐ฑ๐ช๐ฆ!"
*or*
"๐๐ช๐ด๐ต๐ฆ๐ฏ ๐ต๐ฐ ๐ฎ๐ฆ, ๐ฅ๐ถ๐ฅ๐ฆ, ๐'๐ฎ ๐ฉ๐ข๐ท๐ช๐ฏ๐จ ๐ข ๐ณ๐ฆ๐ข๐ญ๐ญ๐บ ๐ง๐ถ๐ค๐ฌ๐ฆ๐ฅ-๐ถ๐ฑ, ๐ธ๐ฆ๐ต, ๐ฃ๐ข๐ฅ ๐ง๐ถ๐ค๐ฌ๐ช๐ฏ๐จ ๐ฅ๐ข๐บ."
True "What the fuck is going on? Huh? What..? Who?? ... wait what the fuck is that I- um, did they just? What the hell, but...where? Why? Uh, how?" cinema. This sort of exasperatingly looney, balls-planted-firmly-to-the-wall thriller with like 60 twists is sort of played these days - but I'd imagine that in its day it was quite revelatory. This was honestly a hoot and a holler but sadly its greatness is sunk by James Mangold - for the most part - being a hack who has no clue how to dramatize, have any definable mark as a director, or make inherently compelling things at all very compelling unless the studio has a firm grip on the project. His films mostly look like flat TV movies and play like no one behind the camera has much of a clue on what they're doing beyond maybe an introductory film guide on the back of a cereal box. This one isn't all that different either, but material with *this* low of a regard for any sense of subtlety or earthly realism and with a gleeful eagerness to throw all of its cards violently onto the table any chance it gets has a pass from me - especially when it's acted by a banging troupe of crackerjack character actors and reliable leads like this one. Really, really fun and sincerely manic - Agatha Christie meets a line of coke at a gas station bathroom. Plus the uninterrupted, heaping downpour is a helluva gimmick and it works where Mangold doesn't.
*or*
"๐๐ช๐ด๐ต๐ฆ๐ฏ ๐ต๐ฐ ๐ฎ๐ฆ, ๐ฅ๐ถ๐ฅ๐ฆ, ๐'๐ฎ ๐ฉ๐ข๐ท๐ช๐ฏ๐จ ๐ข ๐ณ๐ฆ๐ข๐ญ๐ญ๐บ ๐ง๐ถ๐ค๐ฌ๐ฆ๐ฅ-๐ถ๐ฑ, ๐ธ๐ฆ๐ต, ๐ฃ๐ข๐ฅ ๐ง๐ถ๐ค๐ฌ๐ช๐ฏ๐จ ๐ฅ๐ข๐บ."
True "What the fuck is going on? Huh? What..? Who?? ... wait what the fuck is that I- um, did they just? What the hell, but...where? Why? Uh, how?" cinema. This sort of exasperatingly looney, balls-planted-firmly-to-the-wall thriller with like 60 twists is sort of played these days - but I'd imagine that in its day it was quite revelatory. This was honestly a hoot and a holler but sadly its greatness is sunk by James Mangold - for the most part - being a hack who has no clue how to dramatize, have any definable mark as a director, or make inherently compelling things at all very compelling unless the studio has a firm grip on the project. His films mostly look like flat TV movies and play like no one behind the camera has much of a clue on what they're doing beyond maybe an introductory film guide on the back of a cereal box. This one isn't all that different either, but material with *this* low of a regard for any sense of subtlety or earthly realism and with a gleeful eagerness to throw all of its cards violently onto the table any chance it gets has a pass from me - especially when it's acted by a banging troupe of crackerjack character actors and reliable leads like this one. Really, really fun and sincerely manic - Agatha Christie meets a line of coke at a gas station bathroom. Plus the uninterrupted, heaping downpour is a helluva gimmick and it works where Mangold doesn't.