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The Chocolate Lady (94 KP) rated Murder in Belgravia (A Mayfair 100 Murder Mystery #1) in Books
Oct 5, 2020
This is a historical fiction mystery novel that takes place in England during the era of the Great War (WWII). As some of my readers know, I’ve been looking for good mystery books that will compare to those of the late, great Agatha Christie. Find out if “Murder in Belgravia,” Lynn Brittany’s first book in the Mayfair 100 Mystery Novels succeeded in filling the void that Christie left in my review here. https://tcl-bookreviews.com/2018/03/24/these-books-may-fare-well/
BookCritics (259 KP) rated Magpie Murders in Books
Jun 12, 2017
I recommend this to you if you’ve read quite some Agatha Christie and appreciate a crime novel inspired by her work. She is mentioned quite a lot in the book, so if you don’t know the author or don’t like her books, I think you’ll find this irritating.
Critic- Naty
Original Score: 3 out of 5
Read Review: https://natysbookshelf.wordpress.com/2017/06/11/review-magpie-murders-by-anthony-horowitz/#more-1687
Original Score: 3 out of 5
Read Review: https://natysbookshelf.wordpress.com/2017/06/11/review-magpie-murders-by-anthony-horowitz/#more-1687
The Stricken Land (20 KP) rated Murder on the Orient Express (2017) in Movies
Mar 2, 2018
Ponderous retelling of the Christie novel.
This update of Agatha Christie's famous whodunnit certainly looks the part, and the who's who cast certainly give it their all. But for all its visual splendour, the film fails to really engage and is let down by plodding pace and bloated run time. Akin to watching a beautiful piece of antique furniture for two and a half hours.
Becs (244 KP) rated The Murder of Roger Ackroyd (Hercule Poirot #4) in Books
Aug 4, 2019
Not my favorite novel
You can also find this review on my blog at bookingwayreads.wordpress.com
TRIGGER WARNINGS: death, murder, talk of suicide
Review:
The Murder of Roger Ackroyd follows detective Hercule Poirot as he investigates the murder of Roger Ackroyd. Ackroyd was murdered in his study that was locked, but not before he received a letter from the person that was blackmailing the widow he was having an affair with. This same widow was being blackmailed and rumors spread about her murdering her own husband. She ends up committing suicide because of these rumors and blackmailing.
King's Abbot is full of suspects but it's up to Hercule Poirot to figure out who is guilty of murdering Roger Ackroyd. He is aided by the village doctor and narrator of the story, James Sheppard and his sister, Caroline Sheppard.
I really wanted to love this novel, as it seemed really interesting. It didn't get interesting until the very ending and I wouldn't recommend reading this book first if you've never read an Agatha Christie novel. This was the first ever novel I've read by Agatha Christie and I'm just not really bothered to read any more novels by Agatha Christie.
The story was somewhat interesting, but the execution wasn't there. I wasn't able to guess the killer, so that was a fun little plot twist. But the ending came abruptly and the overall story lacked. It lacked that punch that most mysteries have. There was hardly any development and background for both the story and the characters.
I listened to the audiobook version of this so I wasn't sure if there wasn't any grammatical and/or spelling errors. The narrator was a bit monotone but was otherwise a decent speaker. I forced myself through this, when all I wanted to do was DNF it. It lacked, was confusing, and was rather boring. I did not enjoy this and was disappointed with the overall story.
"The things young women read nowadays and profess to enjoy positively frighten me."
TRIGGER WARNINGS: death, murder, talk of suicide
Review:
The Murder of Roger Ackroyd follows detective Hercule Poirot as he investigates the murder of Roger Ackroyd. Ackroyd was murdered in his study that was locked, but not before he received a letter from the person that was blackmailing the widow he was having an affair with. This same widow was being blackmailed and rumors spread about her murdering her own husband. She ends up committing suicide because of these rumors and blackmailing.
King's Abbot is full of suspects but it's up to Hercule Poirot to figure out who is guilty of murdering Roger Ackroyd. He is aided by the village doctor and narrator of the story, James Sheppard and his sister, Caroline Sheppard.
I really wanted to love this novel, as it seemed really interesting. It didn't get interesting until the very ending and I wouldn't recommend reading this book first if you've never read an Agatha Christie novel. This was the first ever novel I've read by Agatha Christie and I'm just not really bothered to read any more novels by Agatha Christie.
The story was somewhat interesting, but the execution wasn't there. I wasn't able to guess the killer, so that was a fun little plot twist. But the ending came abruptly and the overall story lacked. It lacked that punch that most mysteries have. There was hardly any development and background for both the story and the characters.
I listened to the audiobook version of this so I wasn't sure if there wasn't any grammatical and/or spelling errors. The narrator was a bit monotone but was otherwise a decent speaker. I forced myself through this, when all I wanted to do was DNF it. It lacked, was confusing, and was rather boring. I did not enjoy this and was disappointed with the overall story.
"The things young women read nowadays and profess to enjoy positively frighten me."
ClareR (5542 KP) rated The Christie Affair in Books
Apr 1, 2022
The Christie Affair is a reimagining of the real disappearance of Agatha Christie - I actually had to do a quick internet search to see if any of this novel was true. It’s not. Agatha Christie really did go missing for 11 days, though. Her husband really did leave her for another woman (I have no idea if she was younger). But I thoroughly enjoyed it nonetheless!
This novel tells the story from the point of view of the mistress. Nan O’Dea (Nancy Neele in real life) gives her version of events: who she is, her past, why she became Archie Christie’s mistress, and why she is destroying their marriage. It’s all compelling reading. She has her reasons, and you can see why she has done what she has - but is it true?
It was fascinating hearing the story from the mistress’ point of view, and I really enjoyed reading about Nan’s early years, even though they were tragic. We see her going to help on a family farm in Ireland as a teenager, and a stay at a convent, reminiscent of a Magdalen Laundry (not quite). Then she returns to London and tries to rebuild her life.
You can never be quite sure as the reader, whether Nan is really telling Agatha’s side of the story, or whether she’s making it up. She’s a thoroughly unreliable narrator - but I liked that. The characters were really well developed, and it was an exciting story. Recommended!
This novel tells the story from the point of view of the mistress. Nan O’Dea (Nancy Neele in real life) gives her version of events: who she is, her past, why she became Archie Christie’s mistress, and why she is destroying their marriage. It’s all compelling reading. She has her reasons, and you can see why she has done what she has - but is it true?
It was fascinating hearing the story from the mistress’ point of view, and I really enjoyed reading about Nan’s early years, even though they were tragic. We see her going to help on a family farm in Ireland as a teenager, and a stay at a convent, reminiscent of a Magdalen Laundry (not quite). Then she returns to London and tries to rebuild her life.
You can never be quite sure as the reader, whether Nan is really telling Agatha’s side of the story, or whether she’s making it up. She’s a thoroughly unreliable narrator - but I liked that. The characters were really well developed, and it was an exciting story. Recommended!
Fruit Bat (42 KP) rated The Strange Case of Caroline Maxwell in Books
Mar 1, 2018
Recommended reading "The Strange Case of Caroline Maxwell "Paperback – 12 Sep 2014 by Amanda Harvey Purse.
This book has all the ingredients that makes a great mystery novel. The question is what is there not to love history mixed with fiction, Sherlock Holmes, Jack the Ripper with a great references to Agatha Christie and a famous little Belgian detective.
Amanda's book deserves so much more then the twos reviews it has on Amazon .
The book is truly well researched and comes across as a great labour of love , I loved spotting the historical cases that where mixed among the fiction. If you have the opportunity to read this book I recommend you do it's not to be missed.
Amanda I loved this book from start to finish thank you for the opportunity to read it I hope to see more of this wonderful character
This book has all the ingredients that makes a great mystery novel. The question is what is there not to love history mixed with fiction, Sherlock Holmes, Jack the Ripper with a great references to Agatha Christie and a famous little Belgian detective.
Amanda's book deserves so much more then the twos reviews it has on Amazon .
The book is truly well researched and comes across as a great labour of love , I loved spotting the historical cases that where mixed among the fiction. If you have the opportunity to read this book I recommend you do it's not to be missed.
Amanda I loved this book from start to finish thank you for the opportunity to read it I hope to see more of this wonderful character
BankofMarquis (1832 KP) rated Death on the Nile (2022) in Movies
Mar 16, 2022
Well Done
The old adage “they don’t make movies like this anymore” is no truer than when one is speaking about large budget, big name cast murder mysteries and with what must surely be a disappointing box office for DEATH ON THE NILE, they just might not try again.
And that is too bad for the latest Kenneth Branagh Hercule Poirot mystery DEATH ON THE NILE with Branagh starring, again, as the great Agatha Christie Belgian Detective is the stuff that makes going to movies fun - big characters, major stars, gorgeous scenery and a plot that will keep one guessing until the end.
Branagh’s previous work as Director and star of MURDER OF THE ORIENT EXPRESS was a bit of a disappointment as it was gorgeous and well cast - but the pacing of the film dragged and Branagh decided, inexplicably, to add an action scene to a drawing room mystery.
In DEATH ON THE NILE, Branagh (who Directed this film from an screenplay by Michael Green who adapted the Agatha Christie novel), corrected these mistakes and the film moves along spritely with the actors chewing the scenery - but quickly - making this a very enjoyable movie-going experience.
Branagh, in his second go-around as Poirot, seems much more relaxed and comfortable with his character. This is, perhaps, because they add a backstory to Poirot, so he has much more to set his character upon. On the surface, purists of the the Agatha Christie character will blanche at the thought of adding a backstory, but I’ll be darned if it doesn’t work and adds a layer of depth to the character and the film that I wasn’t expecting.
The All-Star cast knows what type of film they are in - and what is expected of them - and they deliver. Gal Gadot, Armie Hammmer, Rose Leslie, Letitia Wright, Jennifer Saunders, Sophie Okonedo and, surprisingly, Russell Brand all shine brightly in their “moment” that their character gets with Poirot. Special notice needs to be made of Annette Bening’s performance. It was GREAT to see this wonderful actress get a role she could sink her teeth into.
As always, with this type of film, the settings and costumes take a prominent position and they do not disappoint. Cinematographer Haris Zambarloukos should be hired by the Egyptian Chamber of Commerce for he lovingly shows the sites along the Nile River (circa ‘1930’s) in a beautiful poetic way while the Costumes by Pago Delgado are gorgeous and ornate - without being over-the-top.
If you get a chance to see DEATH ON THE NILE on the big screen, do so, you will be well rewarded for your efforts - and just might help get another of these big budget, big star mysteries made. If not, make sure to check this film out when it starts streaming near you - it’s a ton of fun.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
And that is too bad for the latest Kenneth Branagh Hercule Poirot mystery DEATH ON THE NILE with Branagh starring, again, as the great Agatha Christie Belgian Detective is the stuff that makes going to movies fun - big characters, major stars, gorgeous scenery and a plot that will keep one guessing until the end.
Branagh’s previous work as Director and star of MURDER OF THE ORIENT EXPRESS was a bit of a disappointment as it was gorgeous and well cast - but the pacing of the film dragged and Branagh decided, inexplicably, to add an action scene to a drawing room mystery.
In DEATH ON THE NILE, Branagh (who Directed this film from an screenplay by Michael Green who adapted the Agatha Christie novel), corrected these mistakes and the film moves along spritely with the actors chewing the scenery - but quickly - making this a very enjoyable movie-going experience.
Branagh, in his second go-around as Poirot, seems much more relaxed and comfortable with his character. This is, perhaps, because they add a backstory to Poirot, so he has much more to set his character upon. On the surface, purists of the the Agatha Christie character will blanche at the thought of adding a backstory, but I’ll be darned if it doesn’t work and adds a layer of depth to the character and the film that I wasn’t expecting.
The All-Star cast knows what type of film they are in - and what is expected of them - and they deliver. Gal Gadot, Armie Hammmer, Rose Leslie, Letitia Wright, Jennifer Saunders, Sophie Okonedo and, surprisingly, Russell Brand all shine brightly in their “moment” that their character gets with Poirot. Special notice needs to be made of Annette Bening’s performance. It was GREAT to see this wonderful actress get a role she could sink her teeth into.
As always, with this type of film, the settings and costumes take a prominent position and they do not disappoint. Cinematographer Haris Zambarloukos should be hired by the Egyptian Chamber of Commerce for he lovingly shows the sites along the Nile River (circa ‘1930’s) in a beautiful poetic way while the Costumes by Pago Delgado are gorgeous and ornate - without being over-the-top.
If you get a chance to see DEATH ON THE NILE on the big screen, do so, you will be well rewarded for your efforts - and just might help get another of these big budget, big star mysteries made. If not, make sure to check this film out when it starts streaming near you - it’s a ton of fun.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
ClareR (5542 KP) rated The Death of Mrs Westaway in Books
Jul 6, 2018
You'll be on the edge of your seat!
Suspenseful. This is my first Ruth Ware novel, and it was definitely suspenseful. It reminded me a lot of the Agatha Christie films - a family shut away in a big old house with a mystery to solve. But this has a very modern edge to it. The house is still spooky though: I expected it to go full on James Herbert (it didn't)!
Hal gets a letter to tell her that she has come in to some money, after the death of a rich grandmother she has never known about. Up to this point, she has been living hand to mouth with loan sharks after her. She reads tarot cards on Brighton pier (not the good one). She goes to her grandmothers funeral and decides that she is going to try and 'blag' the money out of the will. She can't possibly be related to these people! This is where it gets very interesting and all twisty-turny.
Great characters and a great story. I didn't see the end coming at all!
Thanks to The Pigeonhole and the author for my copy of this book.
Hal gets a letter to tell her that she has come in to some money, after the death of a rich grandmother she has never known about. Up to this point, she has been living hand to mouth with loan sharks after her. She reads tarot cards on Brighton pier (not the good one). She goes to her grandmothers funeral and decides that she is going to try and 'blag' the money out of the will. She can't possibly be related to these people! This is where it gets very interesting and all twisty-turny.
Great characters and a great story. I didn't see the end coming at all!
Thanks to The Pigeonhole and the author for my copy of this book.
BankofMarquis (1832 KP) rated A haunting in Venice (2023) in Movies
Sep 30, 2023
Well Crafted
Famed Agatha Christie Belgian Sleuth Hercule Poirot is a familiar figure on the screen - both large and small. He has been played numerous times by numerous performers, each one riffing on the famed mustached Detective and his “little grey cells” and and any performer who takes on this character must bear the weight of those who played the role before him.
In A HAUNTING IN VENICE, Kenneth Branagh’s 3rd go around as Poirot, Branagh has finally shaken off the Ghosts of Poirot’s Past and has made the part his own.
Based on the 1969 novel by Agatha Christie, HALLOWE’EN PARTY, Branagh (who also directed the film) imbues horror elements and the macabre to the whoddunit detective genre - largely to positive results.
As stated above, Branagh has finally made this version of Hercule Poirot his own, giving the detective (who, at the beginning of this film/novel, is in self-imposed retirement) some self-doubt and self-retrospection which helps drive the story, plot and intrigue of the story.
Branagh has populated this murder-mystery with strong performers from recent Oscar-winner Michelle Yeoh (EVERYTHING, EVERYWHERE, ALL AT ONCE) to Jamie Dornan (Branagh’s BELFAST) to YELLOWSTONE’s Kelly Reilly. Each brings mystery and star power to their roles.
Special notice needs to be made of Comedienne Tina Fey who is tackling her first non-comedic role and largely sticks the landing. As a friend of the Detective from NYC, Fey more than holds her own in the many, many scenes she shares with Branagh. As is often the case with comediennes, there is more to be mined in Fey’s acting chops and here’s hoping she dives deeper into more serious roles.
Director Branagh smartly uses the setting and mood of this piece to craft a film experience that is eerie, spooky and claustrophobic. While it is being billed as a HORROR film, it is not. It is a tense, taught, macabre film, filled with fish-eye lens and blurred-focus shots, which makes the set design and cinematography complimentary to the story.
Which is important for this is, in the end, a drawing room murder-mystery and the audience’s enjoyment of this film will be in direct alignment with how the mystery plays out…and this mystery plays out well (enough). What it lacks in surprises, it more than makes up for in mood, atmosphere and character
And that makes for a very entertaining time at the Cinema.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis).
In A HAUNTING IN VENICE, Kenneth Branagh’s 3rd go around as Poirot, Branagh has finally shaken off the Ghosts of Poirot’s Past and has made the part his own.
Based on the 1969 novel by Agatha Christie, HALLOWE’EN PARTY, Branagh (who also directed the film) imbues horror elements and the macabre to the whoddunit detective genre - largely to positive results.
As stated above, Branagh has finally made this version of Hercule Poirot his own, giving the detective (who, at the beginning of this film/novel, is in self-imposed retirement) some self-doubt and self-retrospection which helps drive the story, plot and intrigue of the story.
Branagh has populated this murder-mystery with strong performers from recent Oscar-winner Michelle Yeoh (EVERYTHING, EVERYWHERE, ALL AT ONCE) to Jamie Dornan (Branagh’s BELFAST) to YELLOWSTONE’s Kelly Reilly. Each brings mystery and star power to their roles.
Special notice needs to be made of Comedienne Tina Fey who is tackling her first non-comedic role and largely sticks the landing. As a friend of the Detective from NYC, Fey more than holds her own in the many, many scenes she shares with Branagh. As is often the case with comediennes, there is more to be mined in Fey’s acting chops and here’s hoping she dives deeper into more serious roles.
Director Branagh smartly uses the setting and mood of this piece to craft a film experience that is eerie, spooky and claustrophobic. While it is being billed as a HORROR film, it is not. It is a tense, taught, macabre film, filled with fish-eye lens and blurred-focus shots, which makes the set design and cinematography complimentary to the story.
Which is important for this is, in the end, a drawing room murder-mystery and the audience’s enjoyment of this film will be in direct alignment with how the mystery plays out…and this mystery plays out well (enough). What it lacks in surprises, it more than makes up for in mood, atmosphere and character
And that makes for a very entertaining time at the Cinema.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis).
Deborah (162 KP) rated Sidney Chambers and the Shadow of Death in Books
Dec 19, 2018
First off, I expected this to be a novel, so when I got about 70 pages in and it seemed to be winding up the mystery, I was a bit confused. It's actually a series of 6 stories which are different mysteries that Cannon Sidney Chambers finds himself getting involved in. Also, except for the division into stories, there are no chapter breaks.
Of the six stories here, I thought that some worked better than others. The first ones were a little more genteel whereas the later ones, particularly perhaps the penultimate story, were a little more dark and disturbing.
I'm too young to remember this period, so I can't comment on how accurate it is, but I didn't feel that I got a really strong sense of the period. The geographical setting is mainly around Cambridge, with several jaunts up to London. Perhaps the author thought this was just the sort of thing to appeal to those readers of Agatha Christie, because the solutions to no less than three of her books are revealed here - good job I'd read them already....
Altogether, there's enough going on to sustain the interest and I see that the author is proposing a total of six volumes, taking us right up to the early 1980s.
Of the six stories here, I thought that some worked better than others. The first ones were a little more genteel whereas the later ones, particularly perhaps the penultimate story, were a little more dark and disturbing.
I'm too young to remember this period, so I can't comment on how accurate it is, but I didn't feel that I got a really strong sense of the period. The geographical setting is mainly around Cambridge, with several jaunts up to London. Perhaps the author thought this was just the sort of thing to appeal to those readers of Agatha Christie, because the solutions to no less than three of her books are revealed here - good job I'd read them already....
Altogether, there's enough going on to sustain the interest and I see that the author is proposing a total of six volumes, taking us right up to the early 1980s.