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Gareth von Kallenbach (971 KP) rated Limitless (2011) in Movies
Aug 7, 2019
After years of hearing women saying this I can now agree that Bradley Cooper does indeed have beautiful eyes. If you don’t believe me go see his new movie Limitless based on the 2001 novel The Dark Fields by Alan Glynn. The movie has so many close-ups of Bradley’s face that you find yourself staring into these blue orbs of beauty, approximately 6 feet across, that utterly mesmerize you and take you to a peaceful place where mice, cats and dogs get along.
But enough about his incredibly enchanting eyes let’s talk about the movie.
The thriller Limitless is about an unemployed struggling writer Eddie Morra (Bradley Cooper) who, after being dumped by his girlfriend Lindy (Abbie Cornish), bumps into his ex-brother-in-law Vernon (Johnny Whitworth). After talking over a few beers, Vernon realizes that Eddie needs help and gives him one pill of a supposedly FDA-approved, soon-to-be-released brain boosting drug called NZT. Eddie is skeptical but upon returning to his apartment building he tries the pill. And. It. Is. Awesome!
The drug allows a person to access every bit of information locked away in their brain. It gets all the neurons in their brain kicked into high gear, allows them to learn anything very quickly, makes a person more focused, perceptive, confident, driven and gives them a boost of energy. So when Eddie takes the NZT pill (close up) he helps his landlord’s attractive wife write her term paper, sleeps with her, cleans his apartment (close up) and writes a good chunk of his book for his publisher (close up). The next morning he is back to his normal self, so he goes to Vernon for more pills, events happen and Eddie ends up with a lot more pills plus a large sum of money.
With the help of NZT he begins to turn his life around. He finishes his book, gets in shape, gets a haircut, still not clean-shaven though (don’t look at the stubble, look at his eyes), learns new things, makes new friends, has lots of nooky (because women dig smart guys), travels and multiple close ups. But soon he realizes that he wants to do something meaningful with his life. As he works to achieve his dream and also get back with his ex-girlfriend, he crosses paths with a mysterious man, Russian mobster Gennady (Andrew Howard), shifty lawyers, police, corporate fat cats like Carl Van Loon (Robert De Niro), gets more random close ups and soon starts running out of pills. Will he do something meaningful with his life? Will he jump off of a building? Can his dreamy eyes get any bluer?
Right from the start the movie grabs your attention by throwing you into the action (and blue eyes) and it gently holds it in a soft blue embrace until the end. The movie has an intelligent and, at the appropriate times, humorous dialogue that flowed very smoothly and naturally. Robert De Niro and Bradley Cooper definitely brought their A game (Bradley’s eyes A+) and their on-screen chemistry is one of the best I have seen. Both Abbie Cornish and Andrew Howard were great throughout the film but each of them had their own individual scenes where they really shined. There are some plot holes but they do not detract from this very enjoyable film.
But enough about his incredibly enchanting eyes let’s talk about the movie.
The thriller Limitless is about an unemployed struggling writer Eddie Morra (Bradley Cooper) who, after being dumped by his girlfriend Lindy (Abbie Cornish), bumps into his ex-brother-in-law Vernon (Johnny Whitworth). After talking over a few beers, Vernon realizes that Eddie needs help and gives him one pill of a supposedly FDA-approved, soon-to-be-released brain boosting drug called NZT. Eddie is skeptical but upon returning to his apartment building he tries the pill. And. It. Is. Awesome!
The drug allows a person to access every bit of information locked away in their brain. It gets all the neurons in their brain kicked into high gear, allows them to learn anything very quickly, makes a person more focused, perceptive, confident, driven and gives them a boost of energy. So when Eddie takes the NZT pill (close up) he helps his landlord’s attractive wife write her term paper, sleeps with her, cleans his apartment (close up) and writes a good chunk of his book for his publisher (close up). The next morning he is back to his normal self, so he goes to Vernon for more pills, events happen and Eddie ends up with a lot more pills plus a large sum of money.
With the help of NZT he begins to turn his life around. He finishes his book, gets in shape, gets a haircut, still not clean-shaven though (don’t look at the stubble, look at his eyes), learns new things, makes new friends, has lots of nooky (because women dig smart guys), travels and multiple close ups. But soon he realizes that he wants to do something meaningful with his life. As he works to achieve his dream and also get back with his ex-girlfriend, he crosses paths with a mysterious man, Russian mobster Gennady (Andrew Howard), shifty lawyers, police, corporate fat cats like Carl Van Loon (Robert De Niro), gets more random close ups and soon starts running out of pills. Will he do something meaningful with his life? Will he jump off of a building? Can his dreamy eyes get any bluer?
Right from the start the movie grabs your attention by throwing you into the action (and blue eyes) and it gently holds it in a soft blue embrace until the end. The movie has an intelligent and, at the appropriate times, humorous dialogue that flowed very smoothly and naturally. Robert De Niro and Bradley Cooper definitely brought their A game (Bradley’s eyes A+) and their on-screen chemistry is one of the best I have seen. Both Abbie Cornish and Andrew Howard were great throughout the film but each of them had their own individual scenes where they really shined. There are some plot holes but they do not detract from this very enjoyable film.
Phillip McSween (751 KP) rated The Cook, the Thief, His Wife, and Her Lover (1989) in Movies
Jan 29, 2019
Intriguing Movie
A woman begins a torrid romance of infidelity and tries to keep it from her nefarious husband.
Acting: 10
There is a reason Helen Mirren is one of my favorite actresses. She can be vulnerable and powerful all in the same breath. She makes you sympathize with her character and champion for her to win. She plays Georgina, the wife of a thug. She hates her life and is longing for more. The way she expresses that longing is done in subtle fashion, yet you can feel exactly what she is feeling. There are a number of strong performances in the film, but none quite as strong as hers.
Beginning: 1
I couldn’t tell up from down when the movie started. I didn’t know what to think, who to hate, or who to root for. That all eventually became clear, but the beginning was very muddled and had me losing hope that the movie could be good. Good thing there’s more to this film than the first ten minutes.
Characters: 7
The title, of course, gives away the characters that dominate the story. Each character carries their own weight and adds a different value to the story. Outside of Georgina, I enjoyed watching Alan Howard act out his role of Michael the Lover. He has an air of ignorance with a touch of nobility. He’s a good guy that enjoys being alone, not realizing that he is looking for someone special in his life. That is, until he meets Georgina who turns his life upside down. The interactions between the two provide for a number of great scenes. And, no, I’m not just referring to the sex, although there are some steamy scenes.
Cinematography/Visuals: 10
Conflict: 8
Genre: 8
Definitely not the best drama I’ve seen, but hands-down, one of the most unique. I can honestly say I’ve never seen anything quite like this movie. It’s different for a lot of reasons, but mainly in the way the film is shot which helps push the overall tone. It shines with a special kind of flare that sticks in your memory.
Memorability: 8
Pace: 5
Plot: 10
Unique story with an interesting twist. I appreciate when movies try and do something different, and that’s where (insert long title here) succeeds. It’s a gut-wrenching love story told with conviction and passion.
Resolution: 10
Can’t talk about this movie without talking about that ending. Wow, what an ending! Didn’t see it coming in the least. It was both unbelievable and gratifying at the same time. If you haven’t heard of or seen this movie, I won’t ruin it for you. I’ll just say prepare to be pleasantly shocked.
Overall: 77
A stronger beginning and a quicker pace could have made this movie excellent, but it’s still solid enough for a one-time watch. I can guarantee you The Cook, the Thief, His Wife, and Her Lover will be unlike anything you’ve ever seen before.
Acting: 10
There is a reason Helen Mirren is one of my favorite actresses. She can be vulnerable and powerful all in the same breath. She makes you sympathize with her character and champion for her to win. She plays Georgina, the wife of a thug. She hates her life and is longing for more. The way she expresses that longing is done in subtle fashion, yet you can feel exactly what she is feeling. There are a number of strong performances in the film, but none quite as strong as hers.
Beginning: 1
I couldn’t tell up from down when the movie started. I didn’t know what to think, who to hate, or who to root for. That all eventually became clear, but the beginning was very muddled and had me losing hope that the movie could be good. Good thing there’s more to this film than the first ten minutes.
Characters: 7
The title, of course, gives away the characters that dominate the story. Each character carries their own weight and adds a different value to the story. Outside of Georgina, I enjoyed watching Alan Howard act out his role of Michael the Lover. He has an air of ignorance with a touch of nobility. He’s a good guy that enjoys being alone, not realizing that he is looking for someone special in his life. That is, until he meets Georgina who turns his life upside down. The interactions between the two provide for a number of great scenes. And, no, I’m not just referring to the sex, although there are some steamy scenes.
Cinematography/Visuals: 10
Conflict: 8
Genre: 8
Definitely not the best drama I’ve seen, but hands-down, one of the most unique. I can honestly say I’ve never seen anything quite like this movie. It’s different for a lot of reasons, but mainly in the way the film is shot which helps push the overall tone. It shines with a special kind of flare that sticks in your memory.
Memorability: 8
Pace: 5
Plot: 10
Unique story with an interesting twist. I appreciate when movies try and do something different, and that’s where (insert long title here) succeeds. It’s a gut-wrenching love story told with conviction and passion.
Resolution: 10
Can’t talk about this movie without talking about that ending. Wow, what an ending! Didn’t see it coming in the least. It was both unbelievable and gratifying at the same time. If you haven’t heard of or seen this movie, I won’t ruin it for you. I’ll just say prepare to be pleasantly shocked.
Overall: 77
A stronger beginning and a quicker pace could have made this movie excellent, but it’s still solid enough for a one-time watch. I can guarantee you The Cook, the Thief, His Wife, and Her Lover will be unlike anything you’ve ever seen before.
Gareth von Kallenbach (971 KP) rated Beauty and the Beast (2017) in Movies
Jul 12, 2019
Whenever I was asked who my favorite Disney prince was, I’d answer, without hesitation, “The Beast.”
Friends would look at me askance and ask, “The Beast? Really?”
And I’d simply reply, “Have you not seen his library?”
I also claim Belle as my favorite Disney princess. As a bookworm, Beauty and the Beast gave me a princess I could relate to. Sure, I had just graduated from high school the year before the animated film – not really the demographic Disney was catering to. But when I first watched Belle’s introductory scene, as she made her way through the village with her nose buried in a book while the townfolk sang of her “odd” behavior, I felt l the corners of my lips rise on their own, in a smile of recognition.
Sure, it also may have been because of the clever lyrics of the late Howard Ashman and the wondrous melodies of Alan Menken in that first song alone, but Belle quickly me over not only with her joy for stories and spirit of adventure, but also with her brave spirit.
Beauty and the Beast is a fairy tale told many times over and Disney’s live-action version follows the animated classic closely with some variation and additional scenes and few more songs. Like the animated film, it’s sweepingly romantic and just as enchanting. What the audience may struggle with is that Emma Watson’s Belle is not as…well, animated as the animated Belle. She brings a solemnity to the role, and as singing talent goes, while she is no Paige O’Hara, she can sing.
Luke Evans makes a menacingly handsome Gaston and his big number, with his sidekick LeFou (Josh Gad) is an entertaining high point that cements Gaston’s position as my favorite villain. Dan Stevens brought a bit more humanity to Beast, and with a heartbreaking song of his own, his despair is more keenly felt in this movie. But I have to admit, I prefer Josh Groban’s version of Beast’s solo, which you do get to hear if you sit through the credits.
Lumière the candelabra and Cogsworth the clock were brought to life with great voice work Ewan McGregor and Ian McKellen, respectively. Emma Thompson voiced Mrs. Potts perfectly. I don’t know if it was her voice, the theme song or the ballroom dance scene that provoked an overwhelming sense of nostalgia, but the captivating combination literally brought tears to my eyes. Kevin Kline, who played Belle’s father, Maurice, Stanley Tucci, and Broadway great Audra McDonald round out a solid supporting cast.
As a huge fan of the 1991 Beauty and the Beast, I didn’t believe a live-action version could improve on the beloved, timeless classic. But just like with the animated film, it was truly the songs that made the movie, and the music does it again for the live-action film, making it a memorable, magical treat for young and old alike.
Friends would look at me askance and ask, “The Beast? Really?”
And I’d simply reply, “Have you not seen his library?”
I also claim Belle as my favorite Disney princess. As a bookworm, Beauty and the Beast gave me a princess I could relate to. Sure, I had just graduated from high school the year before the animated film – not really the demographic Disney was catering to. But when I first watched Belle’s introductory scene, as she made her way through the village with her nose buried in a book while the townfolk sang of her “odd” behavior, I felt l the corners of my lips rise on their own, in a smile of recognition.
Sure, it also may have been because of the clever lyrics of the late Howard Ashman and the wondrous melodies of Alan Menken in that first song alone, but Belle quickly me over not only with her joy for stories and spirit of adventure, but also with her brave spirit.
Beauty and the Beast is a fairy tale told many times over and Disney’s live-action version follows the animated classic closely with some variation and additional scenes and few more songs. Like the animated film, it’s sweepingly romantic and just as enchanting. What the audience may struggle with is that Emma Watson’s Belle is not as…well, animated as the animated Belle. She brings a solemnity to the role, and as singing talent goes, while she is no Paige O’Hara, she can sing.
Luke Evans makes a menacingly handsome Gaston and his big number, with his sidekick LeFou (Josh Gad) is an entertaining high point that cements Gaston’s position as my favorite villain. Dan Stevens brought a bit more humanity to Beast, and with a heartbreaking song of his own, his despair is more keenly felt in this movie. But I have to admit, I prefer Josh Groban’s version of Beast’s solo, which you do get to hear if you sit through the credits.
Lumière the candelabra and Cogsworth the clock were brought to life with great voice work Ewan McGregor and Ian McKellen, respectively. Emma Thompson voiced Mrs. Potts perfectly. I don’t know if it was her voice, the theme song or the ballroom dance scene that provoked an overwhelming sense of nostalgia, but the captivating combination literally brought tears to my eyes. Kevin Kline, who played Belle’s father, Maurice, Stanley Tucci, and Broadway great Audra McDonald round out a solid supporting cast.
As a huge fan of the 1991 Beauty and the Beast, I didn’t believe a live-action version could improve on the beloved, timeless classic. But just like with the animated film, it was truly the songs that made the movie, and the music does it again for the live-action film, making it a memorable, magical treat for young and old alike.
Gareth von Kallenbach (971 KP) rated Jurassic World: Dominion (2022) in Movies
Jun 8, 2022
After having the film halted and its release delayed by the Pandemic, “Jurassic World: Dominion” has finally arrived and closes out the new trilogy in a spectacle of action and visual splendor.
Picking up a few years after the events of “Jurassic World: Fallen Kingdom”, the dinosaurs have escaped into the wild and now mingle with and at times endanger society.
A multi-national company has been leading the way with a reserve to study the animals and their quirky leader Lewis Dodgson (Campbell Scott), promises the goal is to discover medicines that will benefit all of society.
At the same time, various concerns have arisen such as gigantic Locust swarms that threaten the food supply and activist Ellie Sattler (Laura Dern) is convinced that Dodgson and his company are behind it. Desperate to find answers, she seeks the help of Dr. Alan Grant (Sam Neill) and Dr. Ian Malcom (Jeff Goldblum) to get to the bottom of the mystery.
Owen Grady (Chris Pratt), and Claire Dearing (Bryce Dallas Howard), find their lives disrupted by the poaching of a unique dinosaur and a genetically unique young girl named Maisie (Isabella Sermon) and this puts them on a path to recover them both which takes them into the illegal world of dinosaur sales and on a collision course with Ellie and her team.
The old and new cast faces numerous dangers along the way before they unite for a rousing final act which effectively combines the original and new trilogy and cast very well.
Director Colin Trevorrow takes his time getting the story up to speed as the early part of the film is heavy on characters and set up before getting to the action but once it starts, there is an endless parade of dinosaurs old and new to endanger the cast and keep the tension moving.
While people may be able to find fault with elements of the plot, pacing, and dialogue, the cast is very effective and it is nice to see the cast from the original series being given a much larger role and how elements from the first film are addressed which have been a point of debate for fans.
The visuals are impressive and there is no end of snarling, biting, and deadly creatures mixed in with favorites old and new while people may want more depth or variation, the creatures are the focal point of the story and the film provides plenty of what fans have come to expect.
The formula of gathering the cast and endangering them with an array of dinosaurs does not change much aside from the locales and creatures involved but fans of the series know what they are getting and “Jurassic World: Dominion” gives fans what they expect and does it well.
DeWanda Wise and Mamoudou Athie are nice additions to the cast and Isabella Sermon appears to be a breakout star in the making. It will be interesting to see how long Universal waits before returning the franchise to cinemas as they have mentioned taking a break following this film, hopefully, it will not be as long as the break between “Jurassic Park 3”, and “Jurassic World” as it will be interesting to see what the next summer event film in the series will offer.
4 stars out of 5.
Picking up a few years after the events of “Jurassic World: Fallen Kingdom”, the dinosaurs have escaped into the wild and now mingle with and at times endanger society.
A multi-national company has been leading the way with a reserve to study the animals and their quirky leader Lewis Dodgson (Campbell Scott), promises the goal is to discover medicines that will benefit all of society.
At the same time, various concerns have arisen such as gigantic Locust swarms that threaten the food supply and activist Ellie Sattler (Laura Dern) is convinced that Dodgson and his company are behind it. Desperate to find answers, she seeks the help of Dr. Alan Grant (Sam Neill) and Dr. Ian Malcom (Jeff Goldblum) to get to the bottom of the mystery.
Owen Grady (Chris Pratt), and Claire Dearing (Bryce Dallas Howard), find their lives disrupted by the poaching of a unique dinosaur and a genetically unique young girl named Maisie (Isabella Sermon) and this puts them on a path to recover them both which takes them into the illegal world of dinosaur sales and on a collision course with Ellie and her team.
The old and new cast faces numerous dangers along the way before they unite for a rousing final act which effectively combines the original and new trilogy and cast very well.
Director Colin Trevorrow takes his time getting the story up to speed as the early part of the film is heavy on characters and set up before getting to the action but once it starts, there is an endless parade of dinosaurs old and new to endanger the cast and keep the tension moving.
While people may be able to find fault with elements of the plot, pacing, and dialogue, the cast is very effective and it is nice to see the cast from the original series being given a much larger role and how elements from the first film are addressed which have been a point of debate for fans.
The visuals are impressive and there is no end of snarling, biting, and deadly creatures mixed in with favorites old and new while people may want more depth or variation, the creatures are the focal point of the story and the film provides plenty of what fans have come to expect.
The formula of gathering the cast and endangering them with an array of dinosaurs does not change much aside from the locales and creatures involved but fans of the series know what they are getting and “Jurassic World: Dominion” gives fans what they expect and does it well.
DeWanda Wise and Mamoudou Athie are nice additions to the cast and Isabella Sermon appears to be a breakout star in the making. It will be interesting to see how long Universal waits before returning the franchise to cinemas as they have mentioned taking a break following this film, hopefully, it will not be as long as the break between “Jurassic Park 3”, and “Jurassic World” as it will be interesting to see what the next summer event film in the series will offer.
4 stars out of 5.
Chris Sawin (602 KP) rated Jurassic World: Dominion (2022) in Movies
Jun 16, 2022
The Therizinosaurus and Pyroraptor sequences. (2 more)
The final dinosaur battle.
Jeff Goldblum
No chemistry between the cast. (2 more)
Not enough dinosaurs.
Human drama overshadows anything remotely dinosaur related.
You Can't Squeeze Gold From a Dried Up Fossil
Four years after the events of Jurassic World: Fallen Kingdom, dinosaurs now roam free and are a part of everyday life. Claire Dearing (Bryce Dallas Howard) and Owen Grady (Chris Pratt) have been taking care of Maisie Lockwood (Isabella Sermon) while living in a cabin deep within the Sierra Nevada mountains. Biosyn Genetics now utilizes the dinosaurs as a means to try to cure the world’s most devastating diseases.
Maisie’s unique clone DNA is suddenly the world’s only hope for surviving against a swarm of de-extinct giant locusts that is growing in number, spreading from continent to continent, and attacking the source of the world’s food supply. Biosyn kidnaps Maisie along with Beta; the offspring of Blue, the velociraptor Owen trained, who reproduced Beta asexually. Meanwhile, with the help of Dr. Ian Malcolm (Jeff Goldblum), Dr. Ellie Sattler (Laura Dern) recruits Dr. Alan Grant (Sam Neill) to break into Biosyn in an attempt to prove that they are the ones responsible for the giant locusts.
The big drawing point of Jurassic World Dominion is that not only is it the first time Jeff Goldblum, Laura Dern, and Sam Neill have been together in a Jurassic Park film since the original, but you get to see them interact with the main characters of the Jurassic World films. The problem is that it wasn’t worth the wait. The highlight of the Jurassic Park films are the dinosaurs and it seems like Dominion purposely keeps its audience away from what they came to see for the majority of the film. To make matters worse, all of the human interactions fall flat. What little comedic humor the film tries to provide is met with blank stares and there seems to be more time spent talking about relationships between characters, teenager woes, and villainous characters who have suddenly turned a new leaf over actual dinosaur goodness.
Why anyone decided that Owen’s trademark pose of his arm being extended with his palm being the only defense between them and a wild dinosaur mauling them to death is beyond anyone’s comprehension. It’s done so often here and what’s even more frustrating is that it works every time. The film throws in these sappy and melodramatic excursions that simply aren’t worth the hassle. Claire and Owen attempting to be parents is excruciating and the way this film has decided to force Ellie Sattler and Alan Grant into an awkward, romantic fling is more uncomfortable than it is satisfying.
The film does offer a few highlights, but not nearly enough amongst its close to 150-minute runtime. The motorcycle chase in Malta is the film’s most entertaining action sequence and the pyroraptor scene on top of the ice is also incredibly thrilling. The three-way dinosaur battle during the finale of the film is cool, but it feels like it’s been done previously. As the Jurassic Park and Jurassic World films progressed, they seemed to always try to be topping the T. Rex and yet were never really able to.
Dominion includes the Giganotosaurus; an apex predator that is bigger and meaner than the T. Rex. The finale sees the T.Rex battling the Giganotosaurus with the help of a Therizinosaurus. Earlier in the film, the Therizinosaurus and its long, sharp, finger-like appendages provide the only nod to horror and classic monster movies Dominion provides as it stalks Claire in the jungle near the main Biosyn facility.
The film spends a lot of time focusing on human drama that you don’t care about. Claire and Owen bounce around the world as they try to find Maisie. They’re taken to an underground dinosaur fighting ring by Barry Sembène (Omar Sy), who now works for the CIA. They go on a wild goose chase as they trail behind Rainn Delacourt (Scott Haze), the man who kidnapped Maisie, and then Soyona Santos (Dichen Lachman), a dinosaur smuggler that has a direct line to Biosyn.
What’s disappointing is more of the film could have been devoted to Santos and the dinosaur black market since they are two of the most interesting aspects of the film. Dominion tries to make up for it by making pilot Kayla Watts (DeWanda Wise) the most intriguing new character, but her inclusion feels like it’s too little too late.
With Jurassic World Dominion, a Jurassic World film where dinosaurs are now free and interacting with the modern world shouldn’t feel this longwinded or this tiresome. There are a few action sequences that are worthwhile and Jeff Goldblum has a few great one-liners (“You made a promise to a dinosaur?”), but the film is a monumental disappointment overall.
The film has already made over $415 million at the worldwide box office, so the interest in the franchise is still there. But the chemistry between the cast is almost non-existent and it feels like the film is running on fumes as it tries to offer something new from what is otherwise dried up fossil fuel. If the Jurassic Park/Jurassic World franchise is to continue, it desperately needs to go in a refreshing and unseen direction. Now that all of the nostalgia is out of the way, fans deserve a refreshing and unique adventure over what is otherwise a glorified rehash.
Maisie’s unique clone DNA is suddenly the world’s only hope for surviving against a swarm of de-extinct giant locusts that is growing in number, spreading from continent to continent, and attacking the source of the world’s food supply. Biosyn kidnaps Maisie along with Beta; the offspring of Blue, the velociraptor Owen trained, who reproduced Beta asexually. Meanwhile, with the help of Dr. Ian Malcolm (Jeff Goldblum), Dr. Ellie Sattler (Laura Dern) recruits Dr. Alan Grant (Sam Neill) to break into Biosyn in an attempt to prove that they are the ones responsible for the giant locusts.
The big drawing point of Jurassic World Dominion is that not only is it the first time Jeff Goldblum, Laura Dern, and Sam Neill have been together in a Jurassic Park film since the original, but you get to see them interact with the main characters of the Jurassic World films. The problem is that it wasn’t worth the wait. The highlight of the Jurassic Park films are the dinosaurs and it seems like Dominion purposely keeps its audience away from what they came to see for the majority of the film. To make matters worse, all of the human interactions fall flat. What little comedic humor the film tries to provide is met with blank stares and there seems to be more time spent talking about relationships between characters, teenager woes, and villainous characters who have suddenly turned a new leaf over actual dinosaur goodness.
Why anyone decided that Owen’s trademark pose of his arm being extended with his palm being the only defense between them and a wild dinosaur mauling them to death is beyond anyone’s comprehension. It’s done so often here and what’s even more frustrating is that it works every time. The film throws in these sappy and melodramatic excursions that simply aren’t worth the hassle. Claire and Owen attempting to be parents is excruciating and the way this film has decided to force Ellie Sattler and Alan Grant into an awkward, romantic fling is more uncomfortable than it is satisfying.
The film does offer a few highlights, but not nearly enough amongst its close to 150-minute runtime. The motorcycle chase in Malta is the film’s most entertaining action sequence and the pyroraptor scene on top of the ice is also incredibly thrilling. The three-way dinosaur battle during the finale of the film is cool, but it feels like it’s been done previously. As the Jurassic Park and Jurassic World films progressed, they seemed to always try to be topping the T. Rex and yet were never really able to.
Dominion includes the Giganotosaurus; an apex predator that is bigger and meaner than the T. Rex. The finale sees the T.Rex battling the Giganotosaurus with the help of a Therizinosaurus. Earlier in the film, the Therizinosaurus and its long, sharp, finger-like appendages provide the only nod to horror and classic monster movies Dominion provides as it stalks Claire in the jungle near the main Biosyn facility.
The film spends a lot of time focusing on human drama that you don’t care about. Claire and Owen bounce around the world as they try to find Maisie. They’re taken to an underground dinosaur fighting ring by Barry Sembène (Omar Sy), who now works for the CIA. They go on a wild goose chase as they trail behind Rainn Delacourt (Scott Haze), the man who kidnapped Maisie, and then Soyona Santos (Dichen Lachman), a dinosaur smuggler that has a direct line to Biosyn.
What’s disappointing is more of the film could have been devoted to Santos and the dinosaur black market since they are two of the most interesting aspects of the film. Dominion tries to make up for it by making pilot Kayla Watts (DeWanda Wise) the most intriguing new character, but her inclusion feels like it’s too little too late.
With Jurassic World Dominion, a Jurassic World film where dinosaurs are now free and interacting with the modern world shouldn’t feel this longwinded or this tiresome. There are a few action sequences that are worthwhile and Jeff Goldblum has a few great one-liners (“You made a promise to a dinosaur?”), but the film is a monumental disappointment overall.
The film has already made over $415 million at the worldwide box office, so the interest in the franchise is still there. But the chemistry between the cast is almost non-existent and it feels like the film is running on fumes as it tries to offer something new from what is otherwise dried up fossil fuel. If the Jurassic Park/Jurassic World franchise is to continue, it desperately needs to go in a refreshing and unseen direction. Now that all of the nostalgia is out of the way, fans deserve a refreshing and unique adventure over what is otherwise a glorified rehash.