"I have that shit, I love Southern rap. For whatever reason that just connects with me. I’m like, ‘Yes, no, mama does make crack like this.’ That makes the most sense to me. I’m just a little white kid growing up in the suburbs and I’m like, ‘Yes, mama makes crack likes this.’ ‘What’s that, Adam?’ ‘Nevermind, mom.’ “Basically, I feel like when I started smoking weed and drinking beer, I fell in love with every album. Every album is between 98 and 2003, it’s a real turning point in my life.”"

"This is my favourite album ever. I spent the end of my teenage years and my early twenties listening to old music – rockabilly music, stuff like that. Then I discovered folk music when I was 25, and that led me to Dylan. He totally blew me away with this. It’s like the great album from the second period, y’know? He did that first run of albums in the Sixties, then he started doing his less troublesome albums – and out of that comes Blood On The Tracks. It’s his masterpiece"

"The climax. The euphoria that comes from that intro. You know everything's going to be OK. You can feel they've gone through this hell, and they've arrived at this place that didn't really do them any good. They broke up, but it's a massively positive song, and it's absolutely fantastic. People say they didn't fulfil their potential - Keith Richards says bands don't stay together long enough - but really? They didn't have to. That one album is up there with Never Mind The Bollocks, with with any classic debut album. It's up there. Totally.""