Search
Search results
JT (287 KP) rated RoboCop (2014) in Movies
Mar 17, 2020
Reboot taints the original's good name
If you’re going to remake one of the 80s most iconic action films you’ve got to do it with some balls. Sadly José Padilha dropped this particular ball, pretty spectacularly in fact, to give us a sorry remake and leave fans of the original baying for blood (something which was missing in this).
It’s a story that was disjointed, rushed and ill-conceived in every possible way, with a leading actor who was miscast and non-believable in the role he was trusted to uphold. Kinnaman is Alex Murphy a Detroit Detective whose ill-fated sting operation ends badly after his cover is blown leaving him high on the villains most wanted list.
In the background is OmniCorp a leading company in robot technology priding itself on making the world a safer place with drones and the all too familiar ED-209 looking to serve and protect. Lead by CEO Raymond Sellars (Michael Keaton) the initiative has not reached American soil due to Government legislation and a bill that prohibits the use of robots on the streets.
Needing a new way to reach the public, Sellars turns to Murphy as a part-man part machine creation to reach out and grab justice by the throat and give America the hope it longs for, and a hero to put their faith in. The PG-13 rating and lack of graphic violence is stark contrast to the original, while the action scenes might be slick and bolstered with nifty CGI it does little to hide the fact that there isn’t a drop of claret anywhere to be seen.
While not completely adhering to the original it nods in its direction a few times, but only because it has to appease the die-hard fan. Once Robocop is up and about after being resurrected under the watchful eye of Dr Dennett Norton (Gary Oldman) he goes on a quick hunt to bring the perpetrators who tried to have him killed to justice.
Unlike Clarence J. Boddicker, Antoine Vallon (Patrick Garrow) is only a bit part villain, hopelessly moving illegal guns around the city he’s duly finished off in one of the film’s more colourful action shoot outs. The film is comical but not in a good way when Murphy demands to see what is behind the suit you almost laugh and then hang your head that Padilha could have included and thought up such a ridiculous scene.
Supporting cast do little to add much either, Samuel L. Jackson waves his arms and shouts a lot like a current affairs news anchor that in some way pays homage to the cut to’s of the Casey Wong era. Abbie Cornish is shockingly bad, and Jackie Earle Haley as much so, all in all, a pity. Only Oldman provides any shinning light in something that was slumping before it had even made it halfway through.
Robocop continues his quest back into the Detroit Police department, where corruption is rife and all trailing back to OmniCorps big cheese in charge, culminating in a finale that does little to finish on a high note. Paul Verhoeven will be able to rest easy at night knowing that his 1987 classic will continue to live long in the memory of true Robocop fans, while its 2014 compatriot should be cast aside into the recycle bin.
It’s a story that was disjointed, rushed and ill-conceived in every possible way, with a leading actor who was miscast and non-believable in the role he was trusted to uphold. Kinnaman is Alex Murphy a Detroit Detective whose ill-fated sting operation ends badly after his cover is blown leaving him high on the villains most wanted list.
In the background is OmniCorp a leading company in robot technology priding itself on making the world a safer place with drones and the all too familiar ED-209 looking to serve and protect. Lead by CEO Raymond Sellars (Michael Keaton) the initiative has not reached American soil due to Government legislation and a bill that prohibits the use of robots on the streets.
Needing a new way to reach the public, Sellars turns to Murphy as a part-man part machine creation to reach out and grab justice by the throat and give America the hope it longs for, and a hero to put their faith in. The PG-13 rating and lack of graphic violence is stark contrast to the original, while the action scenes might be slick and bolstered with nifty CGI it does little to hide the fact that there isn’t a drop of claret anywhere to be seen.
While not completely adhering to the original it nods in its direction a few times, but only because it has to appease the die-hard fan. Once Robocop is up and about after being resurrected under the watchful eye of Dr Dennett Norton (Gary Oldman) he goes on a quick hunt to bring the perpetrators who tried to have him killed to justice.
Unlike Clarence J. Boddicker, Antoine Vallon (Patrick Garrow) is only a bit part villain, hopelessly moving illegal guns around the city he’s duly finished off in one of the film’s more colourful action shoot outs. The film is comical but not in a good way when Murphy demands to see what is behind the suit you almost laugh and then hang your head that Padilha could have included and thought up such a ridiculous scene.
Supporting cast do little to add much either, Samuel L. Jackson waves his arms and shouts a lot like a current affairs news anchor that in some way pays homage to the cut to’s of the Casey Wong era. Abbie Cornish is shockingly bad, and Jackie Earle Haley as much so, all in all, a pity. Only Oldman provides any shinning light in something that was slumping before it had even made it halfway through.
Robocop continues his quest back into the Detroit Police department, where corruption is rife and all trailing back to OmniCorps big cheese in charge, culminating in a finale that does little to finish on a high note. Paul Verhoeven will be able to rest easy at night knowing that his 1987 classic will continue to live long in the memory of true Robocop fans, while its 2014 compatriot should be cast aside into the recycle bin.
Darren (1599 KP) rated 8 Mile (2002) in Movies
Jun 20, 2019
Contains spoilers, click to show
Story: 8 Mile starts as we head to Detroit to follow Jimmy B-Rabbit Smith (Eminem) as along with his friends David ‘Future’ Porter (Phifer) Cheddar Bob (Jones), Sol George (Miller) are trying to make an impact in the raping world, this world is dominated by the black community though he does have the skills.
The world is filled with gangs that are out for control, Jimmy must deal with his mother Stephanie (Basinger) and her problems as well as meeting a new love in Alex (Murphy), we follow as he is desperate to get out of the town which has held back man before.
Thoughts on 8 Mile
Characters – Jimmy B-Rabbit Smith is a young man who aspires to be a rapper, he is from the wrong side of town in Detroit, where he is given a chance to prove himself in the underground rap battle world, where any wrong move could be his last move with the gangs around him. He has the close friends that will watch his back, while working a dead-end job for any money he can get. Stephanie Smith is the mother of Rabbit, she is dating an aggressive man around he sons age and struggling to pay the rent to keep the roof over her daughter’s head. She does try to do the best things but has her own personal demons holding her back. David is the closest friend to Jimmy, he offers him the chance he wants to reach the next level but also needs to be the one to stop him making the mistakes in his life. Alex is the new romance in Jimmy’s life, she dreams of leaving too, to become a model which helps the to connect on a level unlike what Jimmy is used to.
Performances – Eminem is strong in this leading role, there are a few moments where he does look lost, one second too long for fight sequences, but the emotional levels he shows good. Kim Basinger is good in her role which shows that we have the most experience from her. Mekhi Phifer continued his rise in the early 2000s with this performance where he shows his ability to blend into any film. the whole cast performers well through the film with talent that went onto bigger things.
Story – The story shows the struggles of a young man trying to break into the world of rapping in the mean streets of Detroit, he is from the wrong side of the town and the gangs are always dangerous. Seeing the struggles for everyday life is very interesting to see unfold, however I was expecting something different with more rap battles. If you are a fan of the underground rap scene this will be a story that you want to watch.
Music – The music in the film starts with a battle rap and I was expecting more as the song Lose yourself did win Best Oscar Song.
Settings – The film shows us just how difficult growing up in Detroit can be, we feel the tension and feeling of abandonment the city is feeling.
Scene of the Movie – Battle rap.
That Moment That Annoyed Me – Not enough rapping.
Final Thoughts – This is a look at the mean streets of Detroit in the battle rap world where every corner could be dangerous.
Overall: The rap world unfolded.
https://moviesreview101.com/2019/02/27/abc-film-challenge-oscar-nomination-8-mile-2002/
The world is filled with gangs that are out for control, Jimmy must deal with his mother Stephanie (Basinger) and her problems as well as meeting a new love in Alex (Murphy), we follow as he is desperate to get out of the town which has held back man before.
Thoughts on 8 Mile
Characters – Jimmy B-Rabbit Smith is a young man who aspires to be a rapper, he is from the wrong side of town in Detroit, where he is given a chance to prove himself in the underground rap battle world, where any wrong move could be his last move with the gangs around him. He has the close friends that will watch his back, while working a dead-end job for any money he can get. Stephanie Smith is the mother of Rabbit, she is dating an aggressive man around he sons age and struggling to pay the rent to keep the roof over her daughter’s head. She does try to do the best things but has her own personal demons holding her back. David is the closest friend to Jimmy, he offers him the chance he wants to reach the next level but also needs to be the one to stop him making the mistakes in his life. Alex is the new romance in Jimmy’s life, she dreams of leaving too, to become a model which helps the to connect on a level unlike what Jimmy is used to.
Performances – Eminem is strong in this leading role, there are a few moments where he does look lost, one second too long for fight sequences, but the emotional levels he shows good. Kim Basinger is good in her role which shows that we have the most experience from her. Mekhi Phifer continued his rise in the early 2000s with this performance where he shows his ability to blend into any film. the whole cast performers well through the film with talent that went onto bigger things.
Story – The story shows the struggles of a young man trying to break into the world of rapping in the mean streets of Detroit, he is from the wrong side of the town and the gangs are always dangerous. Seeing the struggles for everyday life is very interesting to see unfold, however I was expecting something different with more rap battles. If you are a fan of the underground rap scene this will be a story that you want to watch.
Music – The music in the film starts with a battle rap and I was expecting more as the song Lose yourself did win Best Oscar Song.
Settings – The film shows us just how difficult growing up in Detroit can be, we feel the tension and feeling of abandonment the city is feeling.
Scene of the Movie – Battle rap.
That Moment That Annoyed Me – Not enough rapping.
Final Thoughts – This is a look at the mean streets of Detroit in the battle rap world where every corner could be dangerous.
Overall: The rap world unfolded.
https://moviesreview101.com/2019/02/27/abc-film-challenge-oscar-nomination-8-mile-2002/
Gareth von Kallenbach (965 KP) rated The Commuter (2018) in Movies
Jun 19, 2019
Michael MacCauley (Liam Neeson) is a devoted husband, father, and provider who commutes by train every day for ten years to his New York office to provide for his family. Michael is facing big pressures as he has a son about to go to college and another ready to follow behind him. When Michael tells a client he lost his savings when the markets fell, he is leveraged deep and looking for help.
When his job is abruptly ended five years from retirement, Michael is unsure of how he will reveal the news to his wife. After a few drinks with his ex-partner Lt. Alex Murphy (Patrick Wilson), Michael opens up about his situation and how things seemed simpler at times when he was on the force.
On his way home, Michael has his phone stolen and is in time approached by a mysterious lady (Vera Farmiga), who gives him a hypothetical scenario which could be worth 100K to Michael.
Michael scoffs at the idea and then learns the offer is very serious and has very serious and deadly consequences to his family, fellow riders, and one mysterious and unknown passenger that Michael is tasked with finding before the train reaches its destination.
Under constant surveillance and unsure who he can trust, Michael is an a race against time to unravel the situation he finds himself in and needs every ounce of his wits and prior police experience to protect those he loves.
What follows is a fast paced, intense, but at times reaching film that does offer some excitement and thrills as long as you are willing to overlook various plot holes. The film moves briskly and has a good amount of intensity, but has plenty of holes that has you wondering why certain paths were and were not taken and requires leaps of faith to work.
The final act does become very “Hollywood” and detracts from a promising setup and the big twist was one that I saw coming a way off, but I often see twists in film early as that is simply how my mind works. The film could have been easily dismissed at times but the charismatic Neeson always holds your attention even when the material is thin.
In the end “The Commuter” is an entertaining film that delivers some fun thrills and suspense as long as you are willing to temper your expectations and overlook the issues.
http://sknr.net/2018/01/10/the-commuter/
When his job is abruptly ended five years from retirement, Michael is unsure of how he will reveal the news to his wife. After a few drinks with his ex-partner Lt. Alex Murphy (Patrick Wilson), Michael opens up about his situation and how things seemed simpler at times when he was on the force.
On his way home, Michael has his phone stolen and is in time approached by a mysterious lady (Vera Farmiga), who gives him a hypothetical scenario which could be worth 100K to Michael.
Michael scoffs at the idea and then learns the offer is very serious and has very serious and deadly consequences to his family, fellow riders, and one mysterious and unknown passenger that Michael is tasked with finding before the train reaches its destination.
Under constant surveillance and unsure who he can trust, Michael is an a race against time to unravel the situation he finds himself in and needs every ounce of his wits and prior police experience to protect those he loves.
What follows is a fast paced, intense, but at times reaching film that does offer some excitement and thrills as long as you are willing to overlook various plot holes. The film moves briskly and has a good amount of intensity, but has plenty of holes that has you wondering why certain paths were and were not taken and requires leaps of faith to work.
The final act does become very “Hollywood” and detracts from a promising setup and the big twist was one that I saw coming a way off, but I often see twists in film early as that is simply how my mind works. The film could have been easily dismissed at times but the charismatic Neeson always holds your attention even when the material is thin.
In the end “The Commuter” is an entertaining film that delivers some fun thrills and suspense as long as you are willing to temper your expectations and overlook the issues.
http://sknr.net/2018/01/10/the-commuter/
Emma @ The Movies (1786 KP) rated Anna (2019) in Movies
Jun 20, 2020
Appearances are deceiving, not only with our main character Anna but with the trailer for this film too. What I was expecting was Atomic Blonde, what I got was Atomic Blonde mixed with Red Sparrow but with none of the redeeming features of either.
I would normally at this point write a slightly expanded synopsis of the film, but reading back my notes even I can't remember (or work out) what happened at the beginning of the film.
This confusion is the one consistent thing throughout the whole film.
The TV shows Hustle and Leverage like to do the reveal where they show you a scene unfold and then play it back a little later showing you the truth behind what actually happened. Anna does this too, excessively. We jump around the timeline so much that eventually when you see the words "X months earlier" you just let out a resigned sigh.
I've been contemplating how the film would have played out if they'd don't it in a more traditional/chronological order. I'm not sure that there would have been enough to keep you interested in what was going on. It certainly would have left the ending surprise heavy with little to no pay off for your patience.
Anna looked to be a serious action-fest and in the trailer we see a well choreographed restaurant fight that I had particularly been looking forward to. The finished product was somehow incredibly dull and unengaging and I think that's entirely down to the music. In the trailer they picked an upbeat track and the action is cut to coincide with the punchy notes, it makes you react to what's happening. The music in the final cut does not contribute anything to what's going on at all. I've seen this happen previously with Kingsman: The Golden Circle, although in that case the scene wasn't hurt as much as here.
Luke Evans is the main Russian spy, Alex, he's strong and decisive. Cillian Murphy is the CIA agent, Lenny, he's abrasive and suspicious. Both characters are ultimately the same, but different. There's little to work out about either man or their relationship with Anna.
Anna is played by Sasha Luss, her only other acting credit is in Valerian and the City with a longer than necessary name (actual title of the film... I'm sure of it), I honestly wouldn't have recognised her from it. There's little that's memorable about her in this, which is worrying as the main character. The part was let down by the story, and while I'm sure she has the ability to do Anna justice I don't think anything here gave her the opportunity to try.
We're also treated to Helen Mirren, she is wonderful all the time, and this wasn't any different. I loved her performance in this as it was something a bit grittier, but I don't think her character and the script really aligned. She's shown as an astute spy and she picks up on the little details... unless it's essential to the plot that she doesn't.
Perhaps I'm being too harsh, but the promise of the trailer and the delivery of the film held very different things for the viewer. There are much better examples of this sort of film out there, it doesn't feel like it brings anything new to the table.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/07/anna-movie-review.html
I would normally at this point write a slightly expanded synopsis of the film, but reading back my notes even I can't remember (or work out) what happened at the beginning of the film.
This confusion is the one consistent thing throughout the whole film.
The TV shows Hustle and Leverage like to do the reveal where they show you a scene unfold and then play it back a little later showing you the truth behind what actually happened. Anna does this too, excessively. We jump around the timeline so much that eventually when you see the words "X months earlier" you just let out a resigned sigh.
I've been contemplating how the film would have played out if they'd don't it in a more traditional/chronological order. I'm not sure that there would have been enough to keep you interested in what was going on. It certainly would have left the ending surprise heavy with little to no pay off for your patience.
Anna looked to be a serious action-fest and in the trailer we see a well choreographed restaurant fight that I had particularly been looking forward to. The finished product was somehow incredibly dull and unengaging and I think that's entirely down to the music. In the trailer they picked an upbeat track and the action is cut to coincide with the punchy notes, it makes you react to what's happening. The music in the final cut does not contribute anything to what's going on at all. I've seen this happen previously with Kingsman: The Golden Circle, although in that case the scene wasn't hurt as much as here.
Luke Evans is the main Russian spy, Alex, he's strong and decisive. Cillian Murphy is the CIA agent, Lenny, he's abrasive and suspicious. Both characters are ultimately the same, but different. There's little to work out about either man or their relationship with Anna.
Anna is played by Sasha Luss, her only other acting credit is in Valerian and the City with a longer than necessary name (actual title of the film... I'm sure of it), I honestly wouldn't have recognised her from it. There's little that's memorable about her in this, which is worrying as the main character. The part was let down by the story, and while I'm sure she has the ability to do Anna justice I don't think anything here gave her the opportunity to try.
We're also treated to Helen Mirren, she is wonderful all the time, and this wasn't any different. I loved her performance in this as it was something a bit grittier, but I don't think her character and the script really aligned. She's shown as an astute spy and she picks up on the little details... unless it's essential to the plot that she doesn't.
Perhaps I'm being too harsh, but the promise of the trailer and the delivery of the film held very different things for the viewer. There are much better examples of this sort of film out there, it doesn't feel like it brings anything new to the table.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/07/anna-movie-review.html
Housewife of Horror (12 KP) rated Bad Dreams (1988) in Movies
Aug 25, 2018
Contains spoilers, click to show
Bad Dreams
Cast: Bruce Abbott (Re-Animator; Bride of Re-Animator); Jennifer Rubin (Nightmare on Elm Street 3: Dream Warriors)
Release date: April 8th 1988
Blu-ray release date: 23rd July 2018
Genre: Horror
Directed by: Andrew Fleming
Run time: 84 mins (approx)
'When Cynthia wakes up, she'll wish she were dead...'
Cynthia (Jennifer Rubin) wakes up from her coma after 13 years. She was the only survivor of a Jonestown-style suicide cult, a suicide-by-fire pact, instigated by Unity Fields cult leader Franklin Harris (Richard Lynch). We see in a later flashback that she began to retreat after the fire was started, she was just far enough away from the source of the resulting explosion that she lived, badly hurt, but alive.
When she wakes, she begins to have nightmarish visions of Harris, burnt and bloodied from the fire that destroyed all bar herself at Unity Fields.
Cynthia is inserted into a group therapy session, for borderline personality disorder treatment, run by Dr Alex Karmen (Bruce Abbott). Here she meets an eclectic bunch of individuals, including masochist Ralph (Dean Cameron), who takes an instant shine to Cynthia. The film is worth a watch for Dean Cameron's performance, he portrays a very likable psychotic patient perfectly.
The first of Dr Karmen's patients to die is Lana (E.G.Daily). an upset Cynthia has a flashback/vision of herself being baptized into the cult of Unity fields, a vision that takes a dark twist when Harris begins holding her underwater, forcing her under until she drowns, Cynthia horrified, realizes this is actually Lana. Afterwards, with Lana's body below him, Harris turns to Cynthia and says "I warned you Cynthia, I warned you someone else would take your place". Cynthia then 'wakes up' and hears a scream. Running into the pool room, she is confronted with the lifeless body of Lana, who has drowned in the pool - much like in her vision.
Each of the group continue to meet their end, one by one, by Harris (or so it would seem). Cynthia continues to have horrendous visions of him, his face all burnt up from the fire, and then the next person meets a grisly demise. She is convinced it's Harris, she is convinced he has returned to take her, and is punishing her and those around her for fleeing the fire.
This is a very well acted, intense and thought provoking film. It doesn't rely on gore and shocks to garner reaction, it relies primarily on the interactions and relationships of the characters, as well as the increasing tension and fear within Cynthia and the remaining patients of Dr Karmen. I particularly enjoyed the relationship between Cynthia and Dr Karmen, Bruce Abbot portrays a very sweet and empathetic character, who cares a great deal about his patients, especially Cynthia who he bonds with closely.
I very much enjoyed the end twist of the film, up on a rooftop, when we are shocked to find out that it is actually Karmen's superior, Dr Berrisford, who has been dosing the patients with psychogenic drugs to make the patients unstable and suicidal. All this just to corroborate his research - makes you wonder how much of this actually goes on in institutions. Karmen had suspected something was amiss with Berrisford for a while, and he confronts him after he sends Cynthia to isolation - "you want this, you want her on the edge, you've wanted this from the beginning".
We are then left to decide for ourselves whether Cynthia's visions of Harris and the resulting deaths of the patients were actually suicides caused by Dr Berrisford's drug cocktails, or was Harris actually there, was he he really tormenting Cynthia and murdering everyone around her in a twisted revenge for her survival.
Special Features:
Duel format collectors edition includes the High Definition Blu-ray (1080p) and the Standard Definition DVD version of the movie.
Interview with director Andrew Fleming.
Interview with actress Jennifer.
Interview with Spencer Murphy - Bad Dreams fan and University Lecturer.
Audio commentary with Nathaniel Thompson and Tim Greer (Mondo-Digital.com).
Theatrical trailer.
Reversible sleeve with alternate artwork.
The blu-ray includes a booklet from 88 Films, looking back at the 30 essential North American slasher movies from 1960-89.
I love this film, I'm extremely impressed with the Blu-ray from 88 Films' Slash Classics Collection.
Great special features, well worth a watch and a listen.
5/5 for the film and 3/5 for the features (A Bruce Abbott interview would have made it perfect)
If you haven't seen this, give it a watch, it's a horror classic!!
Lesley-Ann, the Housewife of Horror
Cast: Bruce Abbott (Re-Animator; Bride of Re-Animator); Jennifer Rubin (Nightmare on Elm Street 3: Dream Warriors)
Release date: April 8th 1988
Blu-ray release date: 23rd July 2018
Genre: Horror
Directed by: Andrew Fleming
Run time: 84 mins (approx)
'When Cynthia wakes up, she'll wish she were dead...'
Cynthia (Jennifer Rubin) wakes up from her coma after 13 years. She was the only survivor of a Jonestown-style suicide cult, a suicide-by-fire pact, instigated by Unity Fields cult leader Franklin Harris (Richard Lynch). We see in a later flashback that she began to retreat after the fire was started, she was just far enough away from the source of the resulting explosion that she lived, badly hurt, but alive.
When she wakes, she begins to have nightmarish visions of Harris, burnt and bloodied from the fire that destroyed all bar herself at Unity Fields.
Cynthia is inserted into a group therapy session, for borderline personality disorder treatment, run by Dr Alex Karmen (Bruce Abbott). Here she meets an eclectic bunch of individuals, including masochist Ralph (Dean Cameron), who takes an instant shine to Cynthia. The film is worth a watch for Dean Cameron's performance, he portrays a very likable psychotic patient perfectly.
The first of Dr Karmen's patients to die is Lana (E.G.Daily). an upset Cynthia has a flashback/vision of herself being baptized into the cult of Unity fields, a vision that takes a dark twist when Harris begins holding her underwater, forcing her under until she drowns, Cynthia horrified, realizes this is actually Lana. Afterwards, with Lana's body below him, Harris turns to Cynthia and says "I warned you Cynthia, I warned you someone else would take your place". Cynthia then 'wakes up' and hears a scream. Running into the pool room, she is confronted with the lifeless body of Lana, who has drowned in the pool - much like in her vision.
Each of the group continue to meet their end, one by one, by Harris (or so it would seem). Cynthia continues to have horrendous visions of him, his face all burnt up from the fire, and then the next person meets a grisly demise. She is convinced it's Harris, she is convinced he has returned to take her, and is punishing her and those around her for fleeing the fire.
This is a very well acted, intense and thought provoking film. It doesn't rely on gore and shocks to garner reaction, it relies primarily on the interactions and relationships of the characters, as well as the increasing tension and fear within Cynthia and the remaining patients of Dr Karmen. I particularly enjoyed the relationship between Cynthia and Dr Karmen, Bruce Abbot portrays a very sweet and empathetic character, who cares a great deal about his patients, especially Cynthia who he bonds with closely.
I very much enjoyed the end twist of the film, up on a rooftop, when we are shocked to find out that it is actually Karmen's superior, Dr Berrisford, who has been dosing the patients with psychogenic drugs to make the patients unstable and suicidal. All this just to corroborate his research - makes you wonder how much of this actually goes on in institutions. Karmen had suspected something was amiss with Berrisford for a while, and he confronts him after he sends Cynthia to isolation - "you want this, you want her on the edge, you've wanted this from the beginning".
We are then left to decide for ourselves whether Cynthia's visions of Harris and the resulting deaths of the patients were actually suicides caused by Dr Berrisford's drug cocktails, or was Harris actually there, was he he really tormenting Cynthia and murdering everyone around her in a twisted revenge for her survival.
Special Features:
Duel format collectors edition includes the High Definition Blu-ray (1080p) and the Standard Definition DVD version of the movie.
Interview with director Andrew Fleming.
Interview with actress Jennifer.
Interview with Spencer Murphy - Bad Dreams fan and University Lecturer.
Audio commentary with Nathaniel Thompson and Tim Greer (Mondo-Digital.com).
Theatrical trailer.
Reversible sleeve with alternate artwork.
The blu-ray includes a booklet from 88 Films, looking back at the 30 essential North American slasher movies from 1960-89.
I love this film, I'm extremely impressed with the Blu-ray from 88 Films' Slash Classics Collection.
Great special features, well worth a watch and a listen.
5/5 for the film and 3/5 for the features (A Bruce Abbott interview would have made it perfect)
If you haven't seen this, give it a watch, it's a horror classic!!
Lesley-Ann, the Housewife of Horror