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Merissa (11646 KP) rated The Problem (Single Dad Support Group #1) in Books
Feb 5, 2019
The Problem (Single Dad Support Group #1) by Piper Scott
The Problem is the first book in the Single Dad Support Group series, and we start of with Laurence and Alex. Laurence is a member of the group, dad to sixteen-year-old Matthew. Alex is friends with one of the members, but doesn't know much about it INCLUDING the members. Alex and Laurence meet at an exhibition showing Alex's work. Sparks fly, and colours light up Alex's world.
I loved this foray into an Omegaverse different from others I have read. There was no shifting, no wolves, just Alphas and Omegas. The explanation of Alex's synesthesia was done in a way that was helpful, without it seeming as just a piece of information! It formed part of the story, integral to Alex, and that was just perfect. His own realisation of what the colours meant was was of the best scenes for me.
This was hot and steamy, with a dash of Daddy kink; plenty of laughs; some heartbreak and confusion; and lots of hints about what and who will come in the next book. I can't wait. This was well written, with no editing or grammatical errors that I noticed. I thoroughly enjoyed every word, and I will be reading more in this series!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
I loved this foray into an Omegaverse different from others I have read. There was no shifting, no wolves, just Alphas and Omegas. The explanation of Alex's synesthesia was done in a way that was helpful, without it seeming as just a piece of information! It formed part of the story, integral to Alex, and that was just perfect. His own realisation of what the colours meant was was of the best scenes for me.
This was hot and steamy, with a dash of Daddy kink; plenty of laughs; some heartbreak and confusion; and lots of hints about what and who will come in the next book. I can't wait. This was well written, with no editing or grammatical errors that I noticed. I thoroughly enjoyed every word, and I will be reading more in this series!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Alice (12 KP) rated Twist (Dive Bar, #2) in Books
Jul 3, 2018
This review can be found on my blog <a href="https://raptureinbooks.com/2017/03/13/arc-review-twist-by-kylie-scott/">here</a href>
<i>I received an ARC copy of this book from the publisher in exchange for an honest review</i>
Twist is the second instalment in the Dive Bar series from Kylie Scott and it was much better than the first one Dirty. Twist follows Joe Collins and Alex Parks (a new character that we’re introduced to in this book) as they right their wrongs – or rather, Joe rights his wrong and Alex does her utmost to make things hard for him.
The story begins with Alex Parks appearing at the Dive Bar on a random to meet Eric Collins, Joe’s brother. It appears that judging from the beginning of the book that Eric and Alex have been conversing via online dating for a while before she takes a leap of faith and goes to meet Eric for his birthday.
Disaster.
But this was expected, as to be fair, there wouldn’t be a book if there wasn’t at least one disaster to be fixed!
What follows is one of the best written contemporary novels I’ve read in a long time; there was plenty of humour and drama, characters to fall in love with and a storyline of catfish proportions. There was a perfect balance between the two main characters and the secondary characters with little friction but with a quick & wicked sense of camaraderie between all the Dive Bar and Alex.
You know how a book is generally considered good when part of the plot gives you a sucker punch to the gut like no other? Twist had this and it had it in spades. I was already feeling poorly and receiving this ARC made my week; that one section though. Kylie – no word of a lie, brought a little tear to my eye. Such a hard hitting side arc.
At first I was a little off put by Alex as she seemed really uncomfortable in the situation but as the story progressed Kylie explained the whys and wherefores and it made her reactions to certain things make all the more sense. Joe was just as mysteriously bearded as he was in Dirty and it was lovely to see the other side to Joe that we see in this book.
It was a little shorter than I expected – length wise – but it was incredibly fast paced and before I knew it I’d blasted through 20% in under 15 minutes which is another sure fire sign of a great book.
Kylie’s writing has done nothing but improve over the course of her books and another great part about Twist? The Stage Dive boys & girls were back in town! The ending was perfect and I mean that in all the ways. I need the next book Chaser ASAP.
It’s hard reviewing this book without giving away any crucial details.
<i>I received an ARC copy of this book from the publisher in exchange for an honest review</i>
Twist is the second instalment in the Dive Bar series from Kylie Scott and it was much better than the first one Dirty. Twist follows Joe Collins and Alex Parks (a new character that we’re introduced to in this book) as they right their wrongs – or rather, Joe rights his wrong and Alex does her utmost to make things hard for him.
The story begins with Alex Parks appearing at the Dive Bar on a random to meet Eric Collins, Joe’s brother. It appears that judging from the beginning of the book that Eric and Alex have been conversing via online dating for a while before she takes a leap of faith and goes to meet Eric for his birthday.
Disaster.
But this was expected, as to be fair, there wouldn’t be a book if there wasn’t at least one disaster to be fixed!
What follows is one of the best written contemporary novels I’ve read in a long time; there was plenty of humour and drama, characters to fall in love with and a storyline of catfish proportions. There was a perfect balance between the two main characters and the secondary characters with little friction but with a quick & wicked sense of camaraderie between all the Dive Bar and Alex.
You know how a book is generally considered good when part of the plot gives you a sucker punch to the gut like no other? Twist had this and it had it in spades. I was already feeling poorly and receiving this ARC made my week; that one section though. Kylie – no word of a lie, brought a little tear to my eye. Such a hard hitting side arc.
At first I was a little off put by Alex as she seemed really uncomfortable in the situation but as the story progressed Kylie explained the whys and wherefores and it made her reactions to certain things make all the more sense. Joe was just as mysteriously bearded as he was in Dirty and it was lovely to see the other side to Joe that we see in this book.
It was a little shorter than I expected – length wise – but it was incredibly fast paced and before I knew it I’d blasted through 20% in under 15 minutes which is another sure fire sign of a great book.
Kylie’s writing has done nothing but improve over the course of her books and another great part about Twist? The Stage Dive boys & girls were back in town! The ending was perfect and I mean that in all the ways. I need the next book Chaser ASAP.
It’s hard reviewing this book without giving away any crucial details.
Heather Cranmer (2721 KP) created a post
Oct 4, 2020
Lee (2222 KP) rated The House (2017) in Movies
Jul 14, 2017
Worst movie I've seen in a very, very long time
Usually when I review comedies I start off by complaining about how disappointing they tend to be these days. Sometimes they manage to prove me wrong (Bad Moms), sometimes they’re not quite as bad as I was expecting (Baywatch). The last time I was seriously annoyed about how bad a comedy was it was Office Christmas Party, but even then that managed to raise a laugh or two. The House though, well that goes way beyond that, taking it to a whole other level by having absolutely no laughs in it at all!
Will Ferrell is Scott, Amy Poehler is his wife Kate. When their daughter Alex gets into the university she wanted, they’re over the moon. Especially as the town runs some kind of scholarship program, paying for one lucky students education each year. This years lucky recipient is due to be Alex but when sleazy city councilman Bob decides to cancel the program in favour of building a huge pool for the town, Scott and Kate need to come up with another way of raising the money. Recently divorced neighbour Frank has a big empty house and between them they hit upon the idea of building a casino in his home, somewhere for the locals to come and spend all their money. Things go well for a while, then things get way out of hand. Cue the opportunity for some riotous, hilarious humour…
Only there’s none of that. It’s riotous, but this is just such a lazily written movie that the humour is non-existent. Featuring a date rape ‘gag’ within the first five minutes(?!) it just gets progressively worse from there. Pointless, nonsensical playground style bickering, name calling and random violence feature heavily throughout in a scatter-gun attempt at trying to raise a laugh. All of this ends up coming across as either poorly written, badly improvised, or both. Even the editing is a total disaster – in one scene Amy Poehler has a guy standing right behind her, cut to another camera and he’s gone, cut back and he’s there again, cut back and he’s gone!
The biggest disappointment about this is the complete waste of talent. Admittedly, Will Ferrell is on a downward spiral anyway since his Anchorman days and the brilliant Step Brothers, but you’d still expect more from him than this. One of my favourite TV shows, Parks and Recreation, stars Amy Poehler as the hilarious Leslie Knope, so I’d expect way more from her too. Even her movie roles haven’t been too bad so far. I guess it just proves that if you’ve got a seriously dud script on your hands, there isn’t really much that anyone can do to fix it. This isn’t just a bad comedy, it’s a bad, bad movie.
Will Ferrell is Scott, Amy Poehler is his wife Kate. When their daughter Alex gets into the university she wanted, they’re over the moon. Especially as the town runs some kind of scholarship program, paying for one lucky students education each year. This years lucky recipient is due to be Alex but when sleazy city councilman Bob decides to cancel the program in favour of building a huge pool for the town, Scott and Kate need to come up with another way of raising the money. Recently divorced neighbour Frank has a big empty house and between them they hit upon the idea of building a casino in his home, somewhere for the locals to come and spend all their money. Things go well for a while, then things get way out of hand. Cue the opportunity for some riotous, hilarious humour…
Only there’s none of that. It’s riotous, but this is just such a lazily written movie that the humour is non-existent. Featuring a date rape ‘gag’ within the first five minutes(?!) it just gets progressively worse from there. Pointless, nonsensical playground style bickering, name calling and random violence feature heavily throughout in a scatter-gun attempt at trying to raise a laugh. All of this ends up coming across as either poorly written, badly improvised, or both. Even the editing is a total disaster – in one scene Amy Poehler has a guy standing right behind her, cut to another camera and he’s gone, cut back and he’s there again, cut back and he’s gone!
The biggest disappointment about this is the complete waste of talent. Admittedly, Will Ferrell is on a downward spiral anyway since his Anchorman days and the brilliant Step Brothers, but you’d still expect more from him than this. One of my favourite TV shows, Parks and Recreation, stars Amy Poehler as the hilarious Leslie Knope, so I’d expect way more from her too. Even her movie roles haven’t been too bad so far. I guess it just proves that if you’ve got a seriously dud script on your hands, there isn’t really much that anyone can do to fix it. This isn’t just a bad comedy, it’s a bad, bad movie.
Heather Cranmer (2721 KP) created a post
May 27, 2021
Bob Mann (459 KP) rated The Last Duel (2021) in Movies
Oct 28, 2021
Three nuanced perspectives on a winter’s tale.
In Ridley Scott’s new movie “The Last Duel” we are in the late 14th century in France. And – apart from in one scene – it appears to be perpetual winter!
Plot Summary:
Widowed Jean de Carrouges (Matt Damon) is a battle-hardened warrior, loyal to King Charles VI of France (Alex Lawther). He is becoming progressively estranged from his one-time friend Jacques Le Gris (Adam Driver), a personal favourite of Normandy ruler Pierre d’Alençon (Ben Affleck).
But Carrouges’ lovely new wife Marguerite (Jodie Comer) accuses Le Gris of a terrible crime. But who is telling the truth? Only God can decide, as Carrouges and Le Gris must duel to the death.
Certification:
US: R. UK: 18.
Talent:
Starring: Jodie Comer, Matt Damon, Adam Driver, Ben Affleck.
Directed by: Ridley Scott.
Written by: Matt Damon, Ben Affleck and Nicole Holofcener.
“The Last Duel” Review: Positives:
It’s an intriguing script – the first collaboration between Damon and Affleck since their Oscar-winning “Good Will Hunting” from 25 years ago. It presents 3 different versions of “the truth” from three different perspectives. (One of these – Marguerite’s version – is suggested as being the ‘actual’ truth through a clever delayed fade of the chapter title). Many of the same scenes are repeated in each variant: sometimes with obvious differences in fact; sometimes with the slightest nuance of tone or expression; and sometimes with no change to the visuals, but with the benefit of hearing the dialogue being spoken. Very clever.
“Killing Eve”‘s Jodie Comer is just brilliant here. She is the master of nuanced expression, and she genuinely deserves an Oscar nomination for this work. Combined with her great and fun role in the surprise summer hit “Free Guy“, Comer is surely on a path to movie acting greatness.
Damon, Driver and Affleck also have great fun with their roles: they are all eminently watchable and this is a study in acting greatness. But I particularly loved Alex Lawther’s turn as the king: all excitable childish power in the body of a young adult.
Battle scenes and the final duel are delivered in visceral nature reminiscent of Ridley Scott’s famous battle and arena scenes in “Gladiator”.
Excellent production design and special effects on show here. Another Oscar nomination perhaps? The movie was filmed in the Dordogne region of France and also – after a 2020 Covid lockdown – in Ireland.
Negatives:
At two and a half hours it’s another long film (is October 2021 designated long film month??). And although the nuances between the different versions of reality are fascinating, there’s a degree of tedium involved in rehashing the same scenes (in some cases) for the third time. Arguably I think a few of these re-versions could have been omitted to reduce the bladder-testing run time.
Summary Thoughts on “The Last Duel”
This is Ridley Scott back on top form again. I found this a gripping watch. As the film opens, we are teased with the start of the ‘boss level’ duel between Damon and Driver. But these final dramatic scenes are the emotional lynchpin of the movie since only then do you understand the background and the ramifications of the fight.
Evidently, 14th Century France was NOT a great time for sexual equality. Women were merely chattels, denied not only fair play and self-determination, but also the bedroom niceties of foreplay and, in most cases, orgasms. As the story was based on real events, the courage and determination of Marguerite of Carrouges were extraordinary. And Jodie Comer’s portrayal of her wonderfully demonstrates, yet again, why she is the UK’s most exciting acting export for many years.
Plot Summary:
Widowed Jean de Carrouges (Matt Damon) is a battle-hardened warrior, loyal to King Charles VI of France (Alex Lawther). He is becoming progressively estranged from his one-time friend Jacques Le Gris (Adam Driver), a personal favourite of Normandy ruler Pierre d’Alençon (Ben Affleck).
But Carrouges’ lovely new wife Marguerite (Jodie Comer) accuses Le Gris of a terrible crime. But who is telling the truth? Only God can decide, as Carrouges and Le Gris must duel to the death.
Certification:
US: R. UK: 18.
Talent:
Starring: Jodie Comer, Matt Damon, Adam Driver, Ben Affleck.
Directed by: Ridley Scott.
Written by: Matt Damon, Ben Affleck and Nicole Holofcener.
“The Last Duel” Review: Positives:
It’s an intriguing script – the first collaboration between Damon and Affleck since their Oscar-winning “Good Will Hunting” from 25 years ago. It presents 3 different versions of “the truth” from three different perspectives. (One of these – Marguerite’s version – is suggested as being the ‘actual’ truth through a clever delayed fade of the chapter title). Many of the same scenes are repeated in each variant: sometimes with obvious differences in fact; sometimes with the slightest nuance of tone or expression; and sometimes with no change to the visuals, but with the benefit of hearing the dialogue being spoken. Very clever.
“Killing Eve”‘s Jodie Comer is just brilliant here. She is the master of nuanced expression, and she genuinely deserves an Oscar nomination for this work. Combined with her great and fun role in the surprise summer hit “Free Guy“, Comer is surely on a path to movie acting greatness.
Damon, Driver and Affleck also have great fun with their roles: they are all eminently watchable and this is a study in acting greatness. But I particularly loved Alex Lawther’s turn as the king: all excitable childish power in the body of a young adult.
Battle scenes and the final duel are delivered in visceral nature reminiscent of Ridley Scott’s famous battle and arena scenes in “Gladiator”.
Excellent production design and special effects on show here. Another Oscar nomination perhaps? The movie was filmed in the Dordogne region of France and also – after a 2020 Covid lockdown – in Ireland.
Negatives:
At two and a half hours it’s another long film (is October 2021 designated long film month??). And although the nuances between the different versions of reality are fascinating, there’s a degree of tedium involved in rehashing the same scenes (in some cases) for the third time. Arguably I think a few of these re-versions could have been omitted to reduce the bladder-testing run time.
Summary Thoughts on “The Last Duel”
This is Ridley Scott back on top form again. I found this a gripping watch. As the film opens, we are teased with the start of the ‘boss level’ duel between Damon and Driver. But these final dramatic scenes are the emotional lynchpin of the movie since only then do you understand the background and the ramifications of the fight.
Evidently, 14th Century France was NOT a great time for sexual equality. Women were merely chattels, denied not only fair play and self-determination, but also the bedroom niceties of foreplay and, in most cases, orgasms. As the story was based on real events, the courage and determination of Marguerite of Carrouges were extraordinary. And Jodie Comer’s portrayal of her wonderfully demonstrates, yet again, why she is the UK’s most exciting acting export for many years.
Gareth von Kallenbach (965 KP) rated The Overnight (2015) in Movies
Aug 6, 2019
In the mood for a quickie? Patrick Brice’s “The Overnight” is just that – a short in length, long in substance cinematic romp.
The film follows a laid back, somewhat boring Seattle couple, Alex (Adam Scott) and Emily (Taylor Schilling), who have just relocated to LA. As young parents they seem to be doing everything the “normal” way. They work hard, dote on their little boy, and their love life is rushed.
One afternoon while taking their son to the park, they have a chance meeting with, Kurt (Jason Schwartzman) and Charlotte (Judith Godrèche), an eccentric LA couple who have a son about the same age.
The two couples decide to get together again for a play date at Kurt and Charlotte’s house. Once the kids are put to bed by Kurt’s unique method of melodic keyboard playing, the adults decide to have a play date of their own.
At first the film seems to center on the mundane expectation of how life should be. A strategic starting point for the plot, as it develops into a raw and titillating experience.
Increasingly throughout the evening their blood alcohol levels rise and inhibitions wane, until the night turns into somewhat of a kinky party. Far from smooth and seductive, the interplay between the characters is uncomfortable and ridiculously funny.
The comedic style is unabashedly salacious. For example, at one point Kurt shares his unique paintings. They are the type one would expect to find somewhere like LA’s art scene. If you stare long enough into one, you realize they are all portraits of anuses – beautiful, colorful ass portraits.
The short length of the film in combination with a quick witted comedic style makes for a great date movie. It is both sensual and awkward, much like first dates can be. It will be an effective ice breaker, because it is sure to be the most awkward thing occurring in that moment.
People tend to lock themselves into boundaries which may not serve their best interest, simply because they believe that is how society works. This film pushes & explores those boundaries in a brilliantly humorous way without turning into a cheesy romantic comedy.
I give “The Overnight” 4.5 out of 5 stars
The film follows a laid back, somewhat boring Seattle couple, Alex (Adam Scott) and Emily (Taylor Schilling), who have just relocated to LA. As young parents they seem to be doing everything the “normal” way. They work hard, dote on their little boy, and their love life is rushed.
One afternoon while taking their son to the park, they have a chance meeting with, Kurt (Jason Schwartzman) and Charlotte (Judith Godrèche), an eccentric LA couple who have a son about the same age.
The two couples decide to get together again for a play date at Kurt and Charlotte’s house. Once the kids are put to bed by Kurt’s unique method of melodic keyboard playing, the adults decide to have a play date of their own.
At first the film seems to center on the mundane expectation of how life should be. A strategic starting point for the plot, as it develops into a raw and titillating experience.
Increasingly throughout the evening their blood alcohol levels rise and inhibitions wane, until the night turns into somewhat of a kinky party. Far from smooth and seductive, the interplay between the characters is uncomfortable and ridiculously funny.
The comedic style is unabashedly salacious. For example, at one point Kurt shares his unique paintings. They are the type one would expect to find somewhere like LA’s art scene. If you stare long enough into one, you realize they are all portraits of anuses – beautiful, colorful ass portraits.
The short length of the film in combination with a quick witted comedic style makes for a great date movie. It is both sensual and awkward, much like first dates can be. It will be an effective ice breaker, because it is sure to be the most awkward thing occurring in that moment.
People tend to lock themselves into boundaries which may not serve their best interest, simply because they believe that is how society works. This film pushes & explores those boundaries in a brilliantly humorous way without turning into a cheesy romantic comedy.
I give “The Overnight” 4.5 out of 5 stars
Ivana A. | Diary of Difference (1171 KP) rated Wonder Woman: Her Greatest Battles in Books
Aug 21, 2018
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
<img src="https://gipostcards.files.wordpress.com/2018/08/book-review-1.png"/>;
This is my first graphic novel, and I did enjoy the art in it! This book contains the greatest battles of Wonder Woman. It is a compilation of seven comic book scenes, all sharing a different battle of Wonder Woman, and a different kind of art.. But even though I enjoyed the art, as a first one, this didn’t make me happy.
The stories are put in this compilation chronologically by when they were made, starting from a scene that was made in 1987, until the last one, which was made in 2013. I will give a brief comment on all of them - in order:
<b>‘’Power Play’’ from Wonder Woman #6 (1987)
<i>Plot & Pencils: George Perez, Script: Len Wein, Inks: Bruce Patterson, Colors: Tatjana Wood, Letters: John Costanza, Cover: George Perez</i></b>
The first story is a scene where Diana is fighting the god of war - Ares. As a first one, it is not the best descriptive piece of information - so for a person that haven’t heard about Wonder Woman before, this one won’t be of any use. I also didn’t quite enjoy the art in this one.
<b><i>‘’And for the first time in his immortal existence, the war-god weeps… for, without those alive to worship him, Ares’ power swiftly wanes…’’</i></b>
<b>‘’In The Forest Of The Night’’ from Wonder Woman #119 (1997)
<i>Story & Art: John Byrne; Colors: Patricia Mulvihill; Cover: Jose Luis Garcia-Lopez</i></b>
In this scene, Diana is on a mission to save officer Michael P. Schorr of the G.C.P.D. from the cheetah that used to be Barbara Minerva. Diana manages to convince Barbara to win the battle with herself and become human again. Even though I didn’t quite enjoy the art - I did enjoy the story itself. It was a great lesson of fighting for who you are within, and winning battles with yourself and not surrendering to anything that might be in your way. We also get to have a little sneak-peak of how Wonder Woman started existing in the first place.
<b><i>‘’Yes, Mike, it is not widely known, but I was not born as mortals are, my mother sculpted a baby from the clay of Themyscira and the Gods themselves breathed life into that clay. ‘’</i></b>
<img src="https://gipostcards.files.wordpress.com/2018/08/book-cover-4.png"/>;
<b>‘’Stoned: Conclusion’’ from Wonder Woman #210 (2005)
<i>Script: Greg Rucka; Pencils: Drew Johnson; Inks: Ray Snyder; Colors: Richard & Tanya Horie; Letters: Todd Klein; Cover: J.G. Jones</i></b>
This one is a gladiator battle between Wonder Woman and Medusa. I really enjoyed this one, the art was amazing and we even get a few scenes with Circe-witch on it. I love how Wonder Woman is presented to be smart and the sacrifice that she made was very brave. Such a powerful story! Amazing!
<b>‘’Sacrifice: Part four’’ from Wonder Woman #219 (2005)
<i>Scripts: Greg Rucka; Pencils:Rags Morales, David Lopez, Tom Derenick, Georges Jeanty & Karl Kerschl; Inks: Mark Propst, BIT, Dexter Vines, Bob Petrecca & Nelson; Colors: Richard & Tanya Horie; Letters: Todd Klein; Cover: J.G. Jones</i></b>
Superman has been brainwashed and wants to kill Diana. Not much happens apart from Wonder Woman and Superman fighting. I didn’t like this one, only because of one quote that says:
<b><i>‘’You’ll forgive me for saying it, princess, but you look good on your knees…’’</i></b>
<b>‘’A Murder Of Crows: Part Two - Throwdown’’ from Wonder Woman #41 (2010)
<i>Script: Gail Simone; Pencils: Chris Batista & Fernando Dagnino; Inks: Doug Hazlewood & Raul Fernandez; Colors: Brad Anderson; Letters: Travis Lanham; Cover: Aaron Lopresti</i></b>
Even though the beginning features Achilles and Patroclus, after a page or two we don’t see them anymore, and I am standing like… what’s the point in mentioning them in the first place then? This piece of art contains a battle between Power Girl and Wonder Woman, and how Power Girl can never be like Wonder Woman, unless, of course, she has no other choice.
I liked this one, maybe the most, even though the art was just average.
<b>‘’Justice League: Part Three’’ from Justice League #3 (2011)
<i>Script: Geoff Johns; Pencils: Jim Lee; Inks: Scott Williams; Colors: Alex Sinclair, HI-FI & Gabe Ettaeb; Letters: Pat Brosseau; Cover: Jim Lee, Scott Williams & Alex Sinclair</i></b>
This piece of art was different than anything else in this book. We see a lot of famous heroes fight, like Superman, Batman, Green Lantern, Aquaman, and of course, Wonder Woman. The art is really colourful, which I enjoyed, but the story was confusing. See, it started from the middle of a comic book, and then ended unfinished. It only covered the part where Wonder Woman appears, but it confused me and I didn’t enjoy the story as much. Again, I didn’t like the way how they express themselves to a woman. They see Wonder Woman and they call dibs on her. Really?
<b>‘’Goddown’’ from Wonder Woman #23 (2013)
<i>Script: Brian Azzarello; Art: Cliff Chiang; Colors: Matthew Wilson; Letters: Jared K. Fletcher; Cover: Cliff Chiang </i></b>
A very confusing chapter, and I didn’t enjoy it at all. It was about Hera and her children, and Wonder Woman protecting them. Even though this is the newest made, it didn’t seem like it, and the art seemed old-style.
Overall, I didn’t enjoy it as much, and it wouldn’t be something I’d choose in the future. I’d rather go with a proper beginning-to-end story rather than a compilation next time.
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<img src="https://gipostcards.files.wordpress.com/2018/08/book-review-1.png"/>;
This is my first graphic novel, and I did enjoy the art in it! This book contains the greatest battles of Wonder Woman. It is a compilation of seven comic book scenes, all sharing a different battle of Wonder Woman, and a different kind of art.. But even though I enjoyed the art, as a first one, this didn’t make me happy.
The stories are put in this compilation chronologically by when they were made, starting from a scene that was made in 1987, until the last one, which was made in 2013. I will give a brief comment on all of them - in order:
<b>‘’Power Play’’ from Wonder Woman #6 (1987)
<i>Plot & Pencils: George Perez, Script: Len Wein, Inks: Bruce Patterson, Colors: Tatjana Wood, Letters: John Costanza, Cover: George Perez</i></b>
The first story is a scene where Diana is fighting the god of war - Ares. As a first one, it is not the best descriptive piece of information - so for a person that haven’t heard about Wonder Woman before, this one won’t be of any use. I also didn’t quite enjoy the art in this one.
<b><i>‘’And for the first time in his immortal existence, the war-god weeps… for, without those alive to worship him, Ares’ power swiftly wanes…’’</i></b>
<b>‘’In The Forest Of The Night’’ from Wonder Woman #119 (1997)
<i>Story & Art: John Byrne; Colors: Patricia Mulvihill; Cover: Jose Luis Garcia-Lopez</i></b>
In this scene, Diana is on a mission to save officer Michael P. Schorr of the G.C.P.D. from the cheetah that used to be Barbara Minerva. Diana manages to convince Barbara to win the battle with herself and become human again. Even though I didn’t quite enjoy the art - I did enjoy the story itself. It was a great lesson of fighting for who you are within, and winning battles with yourself and not surrendering to anything that might be in your way. We also get to have a little sneak-peak of how Wonder Woman started existing in the first place.
<b><i>‘’Yes, Mike, it is not widely known, but I was not born as mortals are, my mother sculpted a baby from the clay of Themyscira and the Gods themselves breathed life into that clay. ‘’</i></b>
<img src="https://gipostcards.files.wordpress.com/2018/08/book-cover-4.png"/>;
<b>‘’Stoned: Conclusion’’ from Wonder Woman #210 (2005)
<i>Script: Greg Rucka; Pencils: Drew Johnson; Inks: Ray Snyder; Colors: Richard & Tanya Horie; Letters: Todd Klein; Cover: J.G. Jones</i></b>
This one is a gladiator battle between Wonder Woman and Medusa. I really enjoyed this one, the art was amazing and we even get a few scenes with Circe-witch on it. I love how Wonder Woman is presented to be smart and the sacrifice that she made was very brave. Such a powerful story! Amazing!
<b>‘’Sacrifice: Part four’’ from Wonder Woman #219 (2005)
<i>Scripts: Greg Rucka; Pencils:Rags Morales, David Lopez, Tom Derenick, Georges Jeanty & Karl Kerschl; Inks: Mark Propst, BIT, Dexter Vines, Bob Petrecca & Nelson; Colors: Richard & Tanya Horie; Letters: Todd Klein; Cover: J.G. Jones</i></b>
Superman has been brainwashed and wants to kill Diana. Not much happens apart from Wonder Woman and Superman fighting. I didn’t like this one, only because of one quote that says:
<b><i>‘’You’ll forgive me for saying it, princess, but you look good on your knees…’’</i></b>
<b>‘’A Murder Of Crows: Part Two - Throwdown’’ from Wonder Woman #41 (2010)
<i>Script: Gail Simone; Pencils: Chris Batista & Fernando Dagnino; Inks: Doug Hazlewood & Raul Fernandez; Colors: Brad Anderson; Letters: Travis Lanham; Cover: Aaron Lopresti</i></b>
Even though the beginning features Achilles and Patroclus, after a page or two we don’t see them anymore, and I am standing like… what’s the point in mentioning them in the first place then? This piece of art contains a battle between Power Girl and Wonder Woman, and how Power Girl can never be like Wonder Woman, unless, of course, she has no other choice.
I liked this one, maybe the most, even though the art was just average.
<b>‘’Justice League: Part Three’’ from Justice League #3 (2011)
<i>Script: Geoff Johns; Pencils: Jim Lee; Inks: Scott Williams; Colors: Alex Sinclair, HI-FI & Gabe Ettaeb; Letters: Pat Brosseau; Cover: Jim Lee, Scott Williams & Alex Sinclair</i></b>
This piece of art was different than anything else in this book. We see a lot of famous heroes fight, like Superman, Batman, Green Lantern, Aquaman, and of course, Wonder Woman. The art is really colourful, which I enjoyed, but the story was confusing. See, it started from the middle of a comic book, and then ended unfinished. It only covered the part where Wonder Woman appears, but it confused me and I didn’t enjoy the story as much. Again, I didn’t like the way how they express themselves to a woman. They see Wonder Woman and they call dibs on her. Really?
<b>‘’Goddown’’ from Wonder Woman #23 (2013)
<i>Script: Brian Azzarello; Art: Cliff Chiang; Colors: Matthew Wilson; Letters: Jared K. Fletcher; Cover: Cliff Chiang </i></b>
A very confusing chapter, and I didn’t enjoy it at all. It was about Hera and her children, and Wonder Woman protecting them. Even though this is the newest made, it didn’t seem like it, and the art seemed old-style.
Overall, I didn’t enjoy it as much, and it wouldn’t be something I’d choose in the future. I’d rather go with a proper beginning-to-end story rather than a compilation next time.
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Gareth von Kallenbach (965 KP) rated What to Expect When You're Expecting (2012) in Movies
Aug 7, 2019
First off, a disclaimer: I have not read the book What to Expect When You’re Expecting; nor do I have any kids of my own. That being said….
This film shows you five different stories that are not all connected, but they do intersect each other’s paths several times. The stories follow different scenarios that you can expect when you, as a couple, are expecting a baby. These five stories are the easy pregnancy, the difficult on the woman’s body pregnancy, the difficult on the relationship pregnancy, the miscarriage and the adoption.
The film has a stellar lineup for the cast. Cameron Diaz (There’s Something About Mary, Bad Teacher) plays celebrity Jules who is on a Dancing-with-the-Stars-esque show, who ends up in a relationship with her dance partner Evan, played by Matthew Morrison (Glee, Music and Lyrics). Elizabeth Banks (Zack and Miri, The Hunger Games) is Wendy, the owner of a baby store and author of a baby’s book who has been desperately trying to get pregnant with her husband Gary played by Ben Falcone (Bridesmaids). Anna Kendrick (Scott Pilgrim vs. The World, Up In The Air) is Rosie, the owner of a food truck who has a one-night stand with high school crush Marco, played by Chace Crawford (The Covenant, Gossip Girl). Jennifer Lopez (American Idol, Out of Sight) is Holly, a photographer who is attempting to go the Brangelina route by adopting a baby from Ethiopia with her husband Alex, played by Rodrigo Santoro (300, I Love You Phillip Morris). Lastly, we have Skyler who is portrayed by Brooklyn Decker (Just Go With It, Battleship). She is a stay-at-home wife married to retired NASCAR driver Ramsey, who is played by Dennis Quaid (The Day After Tomorrow, Vantage Point).
Aside from the main cast, there is also a great supporting cast with the likes of Chris Rock (Grown Ups, Death At A Funeral), Joe Manganiello (True Blood), Thomas Lennon (Reno 911, I Love You, Man), Rebel Wilson (Bridesmaids) and many more.
Based on the trailers for What to Expect When You’re Expecting, the movie looked to be a very promising comedy. I am sad to say, I was very disappointed. The trailers make it look like “The Dudes Group” is a main focus of the story, but it is only a reprieve from the main story lines. This is a shame because for me, “The Dudes Group” had the funniest moments in the movie. The rest of the film, while heart-warming at moments, seemed to lack any real attempt to make a connection with the audience. To me, the relationships just seemed unreal.
This is not to say that there are not those out there who will not enjoy the film. The ladies behind me in the theatre seemed to be laughing the whole time, but it just wasn’t my cup of tea. I once heard my editor (Gareth Von Kallenbach) say that this was a great idea, but it may have been better presented as a TV show. I have to say that I agree whole-heartedly. It would have made a great weekly sitcom, probably with the series centered on “The Dudes Group” (as I said, funniest moments in the movies). But it looks like there may be something along these lines on the horizon any way with the upcoming NBC comedy: Guys With Kids.
This film shows you five different stories that are not all connected, but they do intersect each other’s paths several times. The stories follow different scenarios that you can expect when you, as a couple, are expecting a baby. These five stories are the easy pregnancy, the difficult on the woman’s body pregnancy, the difficult on the relationship pregnancy, the miscarriage and the adoption.
The film has a stellar lineup for the cast. Cameron Diaz (There’s Something About Mary, Bad Teacher) plays celebrity Jules who is on a Dancing-with-the-Stars-esque show, who ends up in a relationship with her dance partner Evan, played by Matthew Morrison (Glee, Music and Lyrics). Elizabeth Banks (Zack and Miri, The Hunger Games) is Wendy, the owner of a baby store and author of a baby’s book who has been desperately trying to get pregnant with her husband Gary played by Ben Falcone (Bridesmaids). Anna Kendrick (Scott Pilgrim vs. The World, Up In The Air) is Rosie, the owner of a food truck who has a one-night stand with high school crush Marco, played by Chace Crawford (The Covenant, Gossip Girl). Jennifer Lopez (American Idol, Out of Sight) is Holly, a photographer who is attempting to go the Brangelina route by adopting a baby from Ethiopia with her husband Alex, played by Rodrigo Santoro (300, I Love You Phillip Morris). Lastly, we have Skyler who is portrayed by Brooklyn Decker (Just Go With It, Battleship). She is a stay-at-home wife married to retired NASCAR driver Ramsey, who is played by Dennis Quaid (The Day After Tomorrow, Vantage Point).
Aside from the main cast, there is also a great supporting cast with the likes of Chris Rock (Grown Ups, Death At A Funeral), Joe Manganiello (True Blood), Thomas Lennon (Reno 911, I Love You, Man), Rebel Wilson (Bridesmaids) and many more.
Based on the trailers for What to Expect When You’re Expecting, the movie looked to be a very promising comedy. I am sad to say, I was very disappointed. The trailers make it look like “The Dudes Group” is a main focus of the story, but it is only a reprieve from the main story lines. This is a shame because for me, “The Dudes Group” had the funniest moments in the movie. The rest of the film, while heart-warming at moments, seemed to lack any real attempt to make a connection with the audience. To me, the relationships just seemed unreal.
This is not to say that there are not those out there who will not enjoy the film. The ladies behind me in the theatre seemed to be laughing the whole time, but it just wasn’t my cup of tea. I once heard my editor (Gareth Von Kallenbach) say that this was a great idea, but it may have been better presented as a TV show. I have to say that I agree whole-heartedly. It would have made a great weekly sitcom, probably with the series centered on “The Dudes Group” (as I said, funniest moments in the movies). But it looks like there may be something along these lines on the horizon any way with the upcoming NBC comedy: Guys With Kids.