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Gareth von Kallenbach (965 KP) rated Rush (2013) in Movies
Aug 6, 2019
Today we bring you the latest from dircetor Ron Howard. A movie about what is considered to be one of the greatest rivalries in sports history and to this day, the greatest rivalry in the history of Formula 1 racing … the biographical action film RUSH. Released in the United States on September 20th RUSH tells the story behind the 1976 Formula 1 racing season and the intense rivalry between britsh racing champion James Hunt and austrain racing champion Niki Lauda. Staring Chis Hemsworth (Thor, Red Dawn) as Hunt and Daniel Bruhl (Inglourious Bastards, The Bourne Ultimatum) as Lauda, RUSH follows the two racing legends from their first confrontation at a Formula 3 race at England’s Crystal Palace circuit in 1970 to their accention to Formula 1 racing, to Lauda’s near-fatal carsh at the German Grand Prix and finally to the final race of the season, the Japanese Grand Prix.
What makes this movie different from other stories about the two rivals, is that it is told from the viewpoint of Niki Lauda. Written by legendary screenwritter Peter Morgan, Lauda had been approached many times by studios and writers for nearly 30 years wanting to make a movie from his point of view. Lauda had also been hesitent to make a movie for many years in part because of the death of James Hunt in 1993 at the age of 45 and felt that it wouldn’t have been ‘right’ to make a movie without his rival’s input. After meeting with dircetor Ron Howard, reading Peter Morgan’s screenplay, and with the blessing of James Hunt’s family Lauda finally agreed the movie should be made and i’m here to tell YOU my fellow movie-goers that the 30 years was worth the wait. With a supporting cast inclding Olivia Wilde, Alexandra Maria Lara, and Piefranscesco Favino it is apparent that the studios were serious about making this movie and making it right. Hemsworth and Bruhl definately deliver the goods portraying Hunt and Lauda and I will not be surprised if both of them recieve awards for their potrayals is the two leading characters in the movie. RUSH is different from alot of other movies because there is no REAL villian. It tells the story of two very different competitors in a sport where death is one small mistake away who couldn’t stand one another but at the sametime, when all is said and done they respected each other. It’s the story of two heros who pushed themselves to the limit .. sometimes losing themselves in the process and having to come to terms with the fact that they were not invinvcible.
I for one enjoyed the movie more than any other movie so far this year and I would highly recommend it to you all! Go and see it! Rotten Tomatoes gives it an 89% rating and i’m giving it 5 out of 5 stars! And with talk of the movie being nominated for awards ALREADY … How can you say ‘NO’ to recommendations like that!? It is rated R though so leave the kids at home.
What makes this movie different from other stories about the two rivals, is that it is told from the viewpoint of Niki Lauda. Written by legendary screenwritter Peter Morgan, Lauda had been approached many times by studios and writers for nearly 30 years wanting to make a movie from his point of view. Lauda had also been hesitent to make a movie for many years in part because of the death of James Hunt in 1993 at the age of 45 and felt that it wouldn’t have been ‘right’ to make a movie without his rival’s input. After meeting with dircetor Ron Howard, reading Peter Morgan’s screenplay, and with the blessing of James Hunt’s family Lauda finally agreed the movie should be made and i’m here to tell YOU my fellow movie-goers that the 30 years was worth the wait. With a supporting cast inclding Olivia Wilde, Alexandra Maria Lara, and Piefranscesco Favino it is apparent that the studios were serious about making this movie and making it right. Hemsworth and Bruhl definately deliver the goods portraying Hunt and Lauda and I will not be surprised if both of them recieve awards for their potrayals is the two leading characters in the movie. RUSH is different from alot of other movies because there is no REAL villian. It tells the story of two very different competitors in a sport where death is one small mistake away who couldn’t stand one another but at the sametime, when all is said and done they respected each other. It’s the story of two heros who pushed themselves to the limit .. sometimes losing themselves in the process and having to come to terms with the fact that they were not invinvcible.
I for one enjoyed the movie more than any other movie so far this year and I would highly recommend it to you all! Go and see it! Rotten Tomatoes gives it an 89% rating and i’m giving it 5 out of 5 stars! And with talk of the movie being nominated for awards ALREADY … How can you say ‘NO’ to recommendations like that!? It is rated R though so leave the kids at home.
RəX Regent (349 KP) rated Downfall (Der Untergang) (2004) in Movies
Feb 19, 2019
The true story of the last days of NAZI Germany, focusing on Hitler and his cohorts as they sought refuge on his Berlin Bunker and is chronicled here with such honesty.
Told in a straight forward manner, we are given a portrait of not only Adolf Hitler himself, played perfectly by Bruno Ganz, who manages to humanize him without ever apologising for his heinous acts, but also those close to him. Shown through the young eyes of his final secretary, Traudl Junge (Alexandra Maria Lara), we are given a picture of what The Third Reich was to those who believed in it as well as what it had become for those who would suffer at it bloody hands.
Directed by Hirschbiegel to put us, the audience in the anterooms with these monsters, we are placed into a complex environment, edgy, atmospheric and most of all, real, as we witness noble acts of patriotism, conscience and pure, despicable horror, none less so that Magda Geobells, with the full consent of her husband, Joseph, first drugging, then murdering their six children as they slept, rather than “let them live in a world without national socialism.”
The only redeeming factors were their eventual suicides and in terms of the film, their first rate performances throughout this harrowing scene. Corinna Harfouch, who portrays Magda manages to portray this evil woman yet convey the emotion which was subdued deep beneath the surface. No small feat to allow such a fleeting glimpse of humanity during such and inhuman act.
But the same must be said Bruno Ganz, who manages to portray Hitler with such humanity; whilst showing us the true nature of his monstrosities, highlighting that the REAL monsters live among us and can seduce us at any time, any where, especially when we are vulnerable.
During one of the film’s early scenes, Hitler and Albert Speer (Heino Ferch), his Armaments Minister, discussing his vision for The Third Reich as he looks over a model of the new Germany which would be built after he won the war, a Germany without department stores, instead focusing on art, literature and culture.
Surely a noble goal, but as we all know, this cultural hub would have been built at an unacceptable cost, mainly with the blood of those who Hitler and his cohorts deemed to be inferior.
This is one of many clever methods used to convey a fair portrait of Hitler and The Third Reich. To demonstrate how bad they were, you first have to show impartiality, pointing out the good in what they do, play devil’s advocate as it were. Because whether we like it or not, evil motives are often built upon decent goals.
But as this film demonstrates, as Hitler shows his destine for anyone, even his own people, who will not give their lives for HIS vision of Germany, his Third Reich was being eaten away by a cancer of his own making, a Germany rotting from the very top.
Downfall is without a doubt one of the best World War 2 films which I have ever seen, delivering a compelling and immersive look behind the scenes of one of the most important defeats in modern history.
But being British and having to follow this with subtitles, which was great as watching this in its native German only adds to the experience, it can be a bit difficult to keep up with every plot machination, as we spend two and half hours reading about troop deployments, tactics and the philosophy of the Third Reich as we are presented with such atmospheric work, but if you can keep up with but the text and visuals, this is one hell of an education for those who do not know and an immersive masterpiece for those who follow WW2 history.
Told in a straight forward manner, we are given a portrait of not only Adolf Hitler himself, played perfectly by Bruno Ganz, who manages to humanize him without ever apologising for his heinous acts, but also those close to him. Shown through the young eyes of his final secretary, Traudl Junge (Alexandra Maria Lara), we are given a picture of what The Third Reich was to those who believed in it as well as what it had become for those who would suffer at it bloody hands.
Directed by Hirschbiegel to put us, the audience in the anterooms with these monsters, we are placed into a complex environment, edgy, atmospheric and most of all, real, as we witness noble acts of patriotism, conscience and pure, despicable horror, none less so that Magda Geobells, with the full consent of her husband, Joseph, first drugging, then murdering their six children as they slept, rather than “let them live in a world without national socialism.”
The only redeeming factors were their eventual suicides and in terms of the film, their first rate performances throughout this harrowing scene. Corinna Harfouch, who portrays Magda manages to portray this evil woman yet convey the emotion which was subdued deep beneath the surface. No small feat to allow such a fleeting glimpse of humanity during such and inhuman act.
But the same must be said Bruno Ganz, who manages to portray Hitler with such humanity; whilst showing us the true nature of his monstrosities, highlighting that the REAL monsters live among us and can seduce us at any time, any where, especially when we are vulnerable.
During one of the film’s early scenes, Hitler and Albert Speer (Heino Ferch), his Armaments Minister, discussing his vision for The Third Reich as he looks over a model of the new Germany which would be built after he won the war, a Germany without department stores, instead focusing on art, literature and culture.
Surely a noble goal, but as we all know, this cultural hub would have been built at an unacceptable cost, mainly with the blood of those who Hitler and his cohorts deemed to be inferior.
This is one of many clever methods used to convey a fair portrait of Hitler and The Third Reich. To demonstrate how bad they were, you first have to show impartiality, pointing out the good in what they do, play devil’s advocate as it were. Because whether we like it or not, evil motives are often built upon decent goals.
But as this film demonstrates, as Hitler shows his destine for anyone, even his own people, who will not give their lives for HIS vision of Germany, his Third Reich was being eaten away by a cancer of his own making, a Germany rotting from the very top.
Downfall is without a doubt one of the best World War 2 films which I have ever seen, delivering a compelling and immersive look behind the scenes of one of the most important defeats in modern history.
But being British and having to follow this with subtitles, which was great as watching this in its native German only adds to the experience, it can be a bit difficult to keep up with every plot machination, as we spend two and half hours reading about troop deployments, tactics and the philosophy of the Third Reich as we are presented with such atmospheric work, but if you can keep up with but the text and visuals, this is one hell of an education for those who do not know and an immersive masterpiece for those who follow WW2 history.