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Richard Serra recommended The Logic of Sense in Books (curated)

 
The Logic of Sense
The Logic of Sense
(0 Ratings)
Book Favorite

"Deleuze interrogates language revealing all its inescapable paradoxes, distinctions, irresolutions and contradictions. The book begins with Louis Carol’s “Alice in Wonderland” and her confusion with language, and immediately moves into the Stoic’s definition of the effect of words and events, including sense and nonsense. All words, all logical representations are challenged. This book is a mind bender and a must-read."

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Alice in Wonderland has got to be my favourite story. I just love everything about it! Hence why I got this book for Christmas; it's a really gorgeous book.

I don't think I need to go into much detail regarding the story; everyone knows Alice in Wonderland! What I will say is that the extra bits are lovely; there are letters from Carroll himself, details about how the story was written and printed, and other notes.

As for the illustrations... I love them! The original Tenniel illustrations are all in full colour, displayed wonderfully throughout the book. It just all looks so gorgeous!

So as I said, I won't want to go into too much detail. The story is obviously fantastic, and it's nice to see it all together - even with the "deleted scene" from Through the Looking-Glass and What Alice Found There. The poems and songs and riddles... Fantastic!

Everything about this book is lovely. The cover, the layout, the red shine around the edge of the pages. Love it! A huge favourite of mine. 5 stars for definite.
  
Alice in Wonderland (2010)
Alice in Wonderland (2010)
2010 | Action, Family, Sci-Fi
The characters, the plot, the artistry (0 more)
Cheshire Cat and others are cartoonish (0 more)
A is for Artful
Contains spoilers, click to show
As with another of Tim Burton’s films, Sleepy Hollow, Alice in Wonderland strays significantly from the original material. And, in a vein similar to Sleepy Hollow, decapitation is a much-discussed topic.

Alice is introduced to the audience as a child who has strange dreams. In the subsequent scenes, an older Alice is seen in a carriage with her mother. She is unwittingly on her way to her engagement party, and she is fully expected to accept the offer of marriage from someone who seems quite ill-suited for her. “Your life will be perfect. It’s already been decided,” says her sister Margaret.

Elements of the engagement party offer foreshadowing for the alternate reality Alice soon finds herself in. Instead of accepting her suitor’s proposal, Alice runs away and follows a rabbit wearing a waistcoat into an exceptionally large rabbit hole. There, she is found falling with a variety of household objects, including one particularly friendly piano.

Once in Wonderland, Alice’s world has literally turned upside-down. She falls from her perch on the ceiling to the floor. Alice solves a puzzle of many locked doors, using the expected growing and shrinking mechanisms, and then she emerges into a strange topiary. There she is greeted by the rabbit and other residents of Wonderland, who argue whether this Alice is “the right Alice.”

Many of the traditional characters are found in this Wonderland, but most of the ominous poetry associated with those characters has been omitted. Tweedledum and Tweedledee are introduced, but they don’t seem to serve much purpose. I missed the recitation of “the Walrus and the Carpenter” very much.

Alice insists that the world around her must be a dream, as she is led through oversized mushrooms to a blue caterpillar, voiced by the talented Alan Rickman. Once again, Alice’s destiny is written: the caterpillar reveals a scroll which shows an image of Alice slaying the dreaded Jabberwocky. Indeed, it is her role to become the champion of Wonderland, to rise up and defeat the Red Queen who keeps this horrible beast as a weapon.

Later, we come across a dysfunctional tea party held under the shadow of a dilapidated windmill. Johnny Depp appears as the wild and wide-eyed Mad Hatter. Alice, it seems, is late to her tea just as she was to her engagement party. We learn that there is a whole network of characters, including the White Queen (Anne Hathaway), who wish to bring down the tyrannical Red Queen.

The struggle between the Red and White Queens eventually comes to a head, and Alice bravely accepts her fate to fight the Jabberwocky. And the Jabberwocky is indeed a terrifying entity, as it seems to be part dinosaur and part dragon.

The visual effects in this film were striking. Burton paints a beautiful landscape full of dark, rich colors. Several moments in the film are surreal and disturbing, such as when Alice crosses a moat full of dismembered heads to gain access to the Red Queen’s castle. However, some of the characters, such as the Cheshire cat, had a more cartoonish quality about them that I found off-putting.

The acting and voice-overs in the film were also impressive. Actress Mia Wasikowska was enchanting as Alice. She reflected the vulnerability and the more intrepid characteristics of the young girl quite well. Depp was delightfully creepy as the Mad Hatter. Crispin Glover was effective as the Knave of Hearts, the Red Queen’s lead henchman. And Stephen Fry was a marvelous voice choice for the strange and eerie Cheshire Cat.

The Red Queen is quite the character in this film. Helena Bonham Carter perfectly captures the Queen’s cruelty and absurdity. She delivers the “off with his head” line repeatedly and with gusto. The Queen’s cranium was so large that I was surprised she didn’t fall forward from the weight of it. And I haven’t seen that much blue eyeshadow since the 80s.

The Blu-ray version of this film enhanced the quality of the computer graphic imagery quite well. The special features consisted of interviews of the cast regarding the characters. These interviews contained behind-the-scenes looks at some of the makeup and green screen work done on this film. Though these interviews were enlightening, I would have loved to see more about the production process, since the sets and some characters were entirely computer-generated.

All things considered, Burton’s Alice in Wonderland is a delightful departure from reality. Fans of Burton’s other films are sure to love it.
  
Alice Through the Looking Glass (2016)
Alice Through the Looking Glass (2016)
2016 | Action, Family, Sci-Fi
5
5.8 (22 Ratings)
Movie Rating
Story: Alice Through the Looking Glass starts as Alice (Wasikowska) returns from one of her voyages around the world only to find her dreams of seeing the world have been taken from her. Escaping the real world Wonderland calls Alice back with Queen Mirana (Hathaway) and the rest of the characters need Alice to bring the Hatter (Depp) back to his senses after he falls through memories of his loss.

Alice must travel back through time to save the Hatter’ family and bring him back to his colourful ways. Alice finds herself having to go to Time (Cohen) himself to find a way to save the Hatter where she finds herself coming across an old foe Iracebeth (Carter) who wants to use time to control the kingdoms regaining her crown.

Alice Through the Looking Glass does what Oz the Great and Powerful and Wicked have done to The Wizard of Oz by making us want to sympathise with the villainous characters by showing us how they got driven into evil ways because of the bad decisions by the good one. The travel through time works because it does explain certain moments from the story like why Hatter and co have been waiting so long for the tea party. In the end this just tries slightly too much to not bring any new villainous threat to the world to show Alice the important lesson in the real life she is living.

 

Actor Review

 

Johnny Depp: Hatter Tarrant Hightopp has gone into a deep depression when he learns to remember the fate of his family, Alice is trying to go through his past to stop this event so we get to meet Hatter as he was younger and struggling to decide whether to follow in his father’s footsteps. Johnny continues his streak of quirky roles but does get over shadowed by Mia.

Mia Wasikowska: Alice is now an adventurer who travels the world only to return home and find her future gone and being forced to give up her dreams. When she returns to Wonderland she must battle the forces of time to save her old friend Hatter and learn to accept her own changes in her life. Mia is good in this role but it is strange seeing an older version of Alice.

Helena Bonham Carter: Iracebeth is the evil queen who lost her crown in the first film, she wants to use time to change the past keeping her power over the kingdoms, but this time we learn about what drove her to be the way she is. Helena continues her blatant rip off performance from Queenie in Blackadder.

Anne Hathaway: Mirana is the good queen of the kingdom who asks Alice to help the Hatter only for us to learn about her younger ways. Anne is very basic in this supporting performance where she doesn’t get much to work with.

Support Cast: Alice Through the Looking Glass has a big supporting cast with Sacha Baron Cohen shining as Time itself chasing Alice down through time.

Director Review: James Bobin – James gives us a solid sequel but seems to mix Oz the Great and Powerful with time travel.

 

Adventure: Alice Through the Looking Glass does put Alice on an adventure she could only dream of through time itself.

Family: Alice Through the Looking Glass does feel slightly too dark for the youngest members of family to enjoy.

Fantasy: Alice Through the Looking Glass builds on the fantasy world created on the first outing looking deeper into the backstory of the characters involved.

Settings: Alice Through the Looking Glass brings us back to the Wonderland location with the inclusion of the time warehouse location.
Special Effects: Alice Through the Looking Glass is a film you can almost feel the green screen behind the actors.

Suggestion: Alice Through the Looking Glass is only one to try really I don’t think it is one that is that special. (Try It)

 

Best Part: Time is a good character.

Worst Part: Just feels like a copy of Oz the Great and the Powerful with time travel.

 

Believability: No

Chances of Tears: No

Chances of Sequel: No

Post Credits Scene: No

 

Oscar Chances: No

Budget: $170 Million

Runtime: 1 Hour 53 Minutes

Tagline: This spring, it’s time for a little madness.

 

Overall: Simple sequel that offers nothing new to the overall Wonderland world.

https://moviesreview101.com/2016/06/23/alice-through-the-looking-glass-2016/
  
Insanity (Insanity, #1)
Insanity (Insanity, #1)
Cameron Jace | 2014 | Crime, Humor & Comedy, Young Adult (YA)
10
8.8 (4 Ratings)
Book Rating
One of my favourite Alice in Wonderland telling.
Contains spoilers, click to show
I love the concept of this series. When I first read it, I had just watched Tim Burtons adaptation and in the same way, I was enthralled! Jace creates such a fantastical world where, despite the horrific murders, I want to be there along with the characters! Just take my word for it, the rest of the series just gets better and better too!
  
Alice in Wonderland (1951)
Alice in Wonderland (1951)
1951 | Animation, Classics, Family
The Mad Hatter
Alice in Wonderland- is a classic fantastic movie. The animation is phenomenal like with all disney classic animation movies. The story is excellent. The charcters are really intresting. I love this movie like with other disney classic animation movies.

The Plot: When Alice (Kathryn Beaumont), a restless young British girl, falls down a rabbit hole, she enters a magical world. There she encounters an odd assortment of characters, including the grinning Cheshire Cat (Sterling Holloway) and the goofy Mad Hatter (Ed Wynn). When Alice ends up in the court of the tyrannical Queen of Hearts (Verna Felton), she must stay on the ruler's good side -- or risk losing her head.

I had a good time rewatching this movie and so will you if you have the chance.
  
The Wind-up Bird Chronicle
The Wind-up Bird Chronicle
Haruki Murakami, Jay Rubin | 2010 | Fiction & Poetry
7.0 (2 Ratings)
Book Favorite

"This is a kind of Alice In Wonderland premise: A man is looking for a cat. Murakami describes these banal domestic experiences, but, cumulatively, he spins an outrageous, trippy story. That's a kind of magic — to make the magical seem ordinary and vice versa. It's such a tender story, his search for the cat and, by extension, a life. That one task leads him on a labyrinthine journey."

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