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David McK (3663 KP) rated The Day the Earth Stood Still (2008) in Movies
Jan 27, 2023
2008 re-make/re-imagining of the 1951 original, with Keanu Reeves - who I felt would be perfect for this role - playing the alien Kla'atu.
Unfortunately, the majority of the film is slow and plodding, with no real connection between Reeves and Jennifer Connelly, with a (very young) Jaden Smith playing a kid who just deserves a good slapping, and with the anti-war stance of the original replaced with an environmental message instead (that's neither good nor bad, just an observation).
One that I may watch on TV if nothing else on, but not one I would be going out of my way to look for or even make time to sit down and view.
Unfortunately, the majority of the film is slow and plodding, with no real connection between Reeves and Jennifer Connelly, with a (very young) Jaden Smith playing a kid who just deserves a good slapping, and with the anti-war stance of the original replaced with an environmental message instead (that's neither good nor bad, just an observation).
One that I may watch on TV if nothing else on, but not one I would be going out of my way to look for or even make time to sit down and view.
David McK (3663 KP) rated Doctor Who: Once Upon a Timelord in Books
Nov 24, 2023
It's hard to believe that BBCs Doctor Who is now 60 (as of 2023).
Yes, you read that right: 60.
Albeit with a hiatus in the 1980s/1990s, until it's triumphant return in 2005.
And it's that later incarnation that is the main lead in this graphic novel, with perhaps-the-most-popular-modern-incarnation (Dr #10, David Tennant, soon also to be Dr #14) taking the lead here alongside his just-after-Rose-Tyler companion Martha. This is then a whistle-stop tour of the Doctor's various enemies, with the story itself being told as a story within a story by Martha to a group of alien monsters who feed off the pyschic energy released by storytellers.
Yes, you read that right: 60.
Albeit with a hiatus in the 1980s/1990s, until it's triumphant return in 2005.
And it's that later incarnation that is the main lead in this graphic novel, with perhaps-the-most-popular-modern-incarnation (Dr #10, David Tennant, soon also to be Dr #14) taking the lead here alongside his just-after-Rose-Tyler companion Martha. This is then a whistle-stop tour of the Doctor's various enemies, with the story itself being told as a story within a story by Martha to a group of alien monsters who feed off the pyschic energy released by storytellers.
BankofMarquis (1832 KP) rated The Tomorrow War (2021) in Movies
Jul 16, 2021
Slow to start but finishes as a fun Summer flick
The reviews that I had read before I watched the Chris Pratt/Alien Invaders flick THE TOMORROW WAR was that it was a pretty okay film for the first hour and a half, but goes “off the rails” in the last 1/2 hour.
I couldn’t disagree more. The Tomorrow War is a safe and confined film for the first hour and a half and only becomes interesting when they take off all constraints and “goes for it” in the last 1/2 hour.
Directed by Chris McKay (THE LEGO MOVIE), THE TOMORROW WAR follows a working class guy (Chris Pratt) who is recruited to head into the future to help fight alien invaders. He teams up with one of the leaders of the “Tomorrow War” (Yvonne Strahovski) for whom he has a special bond with to recapture Earth for the humans.
The premise is solid enough, but the Direction by McKay keeps the film in the “safe zone”, never veering away into anything interesting and original, almost like McKay wanted to keep the events of the future “believable”. This is a miscalculation by McKay (and Pratt) and makes the film “fine”, but not much more than that.
Pratt’s performance is also in the “safe zone” and tones down his usual daffy charm and charisma - rarely a good idea with a Movie Star who relies on these qualities. Strahovski is solid and believable (enough) as the tough-as-nails scientist as one of the leaders of the future humans. She and Pratt worked well off each other and this helped get me through the middle of this film (where it sags under the weight of it’s own pretentions).
Also along for the ride is Sam Richardson (VEEP) as a fellow Tomorrow War draftee who provides much needed comic relief in the first part of the film. But he does veer into the “over-acting/caricature” territory that these types of parts can lead to. It was also good to see Mary Lynn Rajskub (Chloe in the TV Series 24) up on the screen again. I was rooting for her throughout the film.
But it is the work of the always great J.K. Simmons that salvages the film. He only appears in 1 scene in the first 3/4 of this movie - he is the estranged father of Pratt’s character - but when these 2 join forces for the last 1/2 hour, the film takes a dramatic turn to the Summer Blockbuster over-the-top action hero fun flick that it probably needed to be from the beginning. Simmons looks like he is having a blast taking out Alien after Alien and Pratt suddenly looks interested and his natural charm and charisma comes out.
Watch the first hour and a half as a setup for the last 1/2 hour. If you are looking for mindless Summer entertainment, the final part of this film will fit the bill, indeed.
Letter Grade: B- (the first hour and a half takes some initiative to get through)
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
I couldn’t disagree more. The Tomorrow War is a safe and confined film for the first hour and a half and only becomes interesting when they take off all constraints and “goes for it” in the last 1/2 hour.
Directed by Chris McKay (THE LEGO MOVIE), THE TOMORROW WAR follows a working class guy (Chris Pratt) who is recruited to head into the future to help fight alien invaders. He teams up with one of the leaders of the “Tomorrow War” (Yvonne Strahovski) for whom he has a special bond with to recapture Earth for the humans.
The premise is solid enough, but the Direction by McKay keeps the film in the “safe zone”, never veering away into anything interesting and original, almost like McKay wanted to keep the events of the future “believable”. This is a miscalculation by McKay (and Pratt) and makes the film “fine”, but not much more than that.
Pratt’s performance is also in the “safe zone” and tones down his usual daffy charm and charisma - rarely a good idea with a Movie Star who relies on these qualities. Strahovski is solid and believable (enough) as the tough-as-nails scientist as one of the leaders of the future humans. She and Pratt worked well off each other and this helped get me through the middle of this film (where it sags under the weight of it’s own pretentions).
Also along for the ride is Sam Richardson (VEEP) as a fellow Tomorrow War draftee who provides much needed comic relief in the first part of the film. But he does veer into the “over-acting/caricature” territory that these types of parts can lead to. It was also good to see Mary Lynn Rajskub (Chloe in the TV Series 24) up on the screen again. I was rooting for her throughout the film.
But it is the work of the always great J.K. Simmons that salvages the film. He only appears in 1 scene in the first 3/4 of this movie - he is the estranged father of Pratt’s character - but when these 2 join forces for the last 1/2 hour, the film takes a dramatic turn to the Summer Blockbuster over-the-top action hero fun flick that it probably needed to be from the beginning. Simmons looks like he is having a blast taking out Alien after Alien and Pratt suddenly looks interested and his natural charm and charisma comes out.
Watch the first hour and a half as a setup for the last 1/2 hour. If you are looking for mindless Summer entertainment, the final part of this film will fit the bill, indeed.
Letter Grade: B- (the first hour and a half takes some initiative to get through)
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
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David McK (3663 KP) rated Alien: Out Of The Shadows in Books
Jun 16, 2019
So, Alien: Out of the Shadows.
Or, more precisely, the audiobook version of it, since that's the one I read (listened to?), picking it up as part of an audible trial where it was presented as, essentially, a series of podcasts.
Set between the events of the original Alien and it's sequel Aliens (the one with a 'S' at the end) and starring Ellen Ripley (or her sound-alike), you might wonder how Ripley never once mentioned the events of this at all in any of the later films.
You might wonder it, but it is explained away towards the end of this.
The story starts with her escape pod being picked up by the mining vessel Marion, a mining vessel orbiting the planet LV178 but which - just prior to picking Ripley up - has been knocked out of its orbit and had its communications array damaged by a shuttle coming up from the planet: a shuttle crewed by miners from that planet, and that has picked up some unwelcome guests.
What follows is a series of events and encounters, with the surviving members of the crew being picked off one by one as they attempt to find a way out of their predicament.
And, I have to say, the actress voicing Ripley sound amazingly like her, while Rutger Hauer is also suitably menacing in his role, while the background beeps and whirrs and hisses etc all add to the atmosphere.
It's also no surprise that this won an 'Audie award for excellence in production' in 2017.
Or, more precisely, the audiobook version of it, since that's the one I read (listened to?), picking it up as part of an audible trial where it was presented as, essentially, a series of podcasts.
Set between the events of the original Alien and it's sequel Aliens (the one with a 'S' at the end) and starring Ellen Ripley (or her sound-alike), you might wonder how Ripley never once mentioned the events of this at all in any of the later films.
You might wonder it, but it is explained away towards the end of this.
The story starts with her escape pod being picked up by the mining vessel Marion, a mining vessel orbiting the planet LV178 but which - just prior to picking Ripley up - has been knocked out of its orbit and had its communications array damaged by a shuttle coming up from the planet: a shuttle crewed by miners from that planet, and that has picked up some unwelcome guests.
What follows is a series of events and encounters, with the surviving members of the crew being picked off one by one as they attempt to find a way out of their predicament.
And, I have to say, the actress voicing Ripley sound amazingly like her, while Rutger Hauer is also suitably menacing in his role, while the background beeps and whirrs and hisses etc all add to the atmosphere.
It's also no surprise that this won an 'Audie award for excellence in production' in 2017.
David McK (3663 KP) rated Alien: River of Pain in Books
Jul 21, 2019
The second (or is it third? Audible has it 2nd, but I've also seen it called #3? Maybe 3rd produced, but 2nd set?) of - currently - 3 canon Alien novels, this takes part largely alongside the early parts of the movie Aliens, cutting back and forth between Ripley and the inhabitants of the colony of Hadley's Hope.
Remember I said alongside the start of Aliens? To put that into context, this is - largely - filling in the gaps in the movie, between the point at which Ripley's escape pod is picked up, and the arrival of the Marines (and Ripley, and Burke) to that colony, after all communication with it is lost. As such, there are several scenes in here which are lifted straight from that movie, with some - slightly - expanded upon.
It also gives a reason why Newt is the only survivor found hiding in the air-ducts ("They mostly come at night. Mostly"), why there's Alien Face-huggers in jars in the colony, why the marines are so hyped up when we first meet them in the film (they're just back from R&R), and even why Newt's family went out prospecting in the first place.
Worth a read/listen? Yes, although I have to say that there are elements of this that reminded me quite a bit of the 90s comic/novel "Aliens: Nightmare Asylum" - especially in some of the characters - and that it just seems weird, now, that the presence of Marines on the planetoid, pre Ripley and co, are never mentioned at all!
Remember I said alongside the start of Aliens? To put that into context, this is - largely - filling in the gaps in the movie, between the point at which Ripley's escape pod is picked up, and the arrival of the Marines (and Ripley, and Burke) to that colony, after all communication with it is lost. As such, there are several scenes in here which are lifted straight from that movie, with some - slightly - expanded upon.
It also gives a reason why Newt is the only survivor found hiding in the air-ducts ("They mostly come at night. Mostly"), why there's Alien Face-huggers in jars in the colony, why the marines are so hyped up when we first meet them in the film (they're just back from R&R), and even why Newt's family went out prospecting in the first place.
Worth a read/listen? Yes, although I have to say that there are elements of this that reminded me quite a bit of the 90s comic/novel "Aliens: Nightmare Asylum" - especially in some of the characters - and that it just seems weird, now, that the presence of Marines on the planetoid, pre Ripley and co, are never mentioned at all!
Mark @ Carstairs Considers (2460 KP) rated Saturn Night Fever in Books
Jan 16, 2019
Race to Rescue Pika
It's been a few months since we last saw Sylvia, and in that time, she's been living on Neptune's compound, training with him and her friend, smuggler Mattix. One day, Mattix's ship arrives back at Neptune's place on autopilot. Inside, Neptune and Sylvia find a message from Pika, the little Gremlon who has also been living with them, asking for help. Then they find Mattix's body. Naturally, Neptune and Sylvia do the only thing they can, steal a Moon Unit Corporation ship, hire a small crew, and set out to reach Saturn and figure out what has happened to Pika. But can their crew be trusted? Will they survive the flight?
I was anxious to pick up this book to find out what happened after the revelation that ended the previous book. We definitely get more on that here. In fact, we get plenty on that as Sylvia is also trying to resolve her latest troubles. There are plenty of twists and turns there as well since Sylvia doesn't really know who she can trust. I did feel that in the midst of the twists the original premise got hurt a little, but I may be overthinking things, and it was definitely a minor issues. Author Diane Vallere does a great job of making the science fiction setting and alien characters relatable. Cozy mystery fans like myself will feel right at home here. The alien characters allow for a few more over the top characters, but I loved that, and overall, I still found them to be relatable characters.
I was anxious to pick up this book to find out what happened after the revelation that ended the previous book. We definitely get more on that here. In fact, we get plenty on that as Sylvia is also trying to resolve her latest troubles. There are plenty of twists and turns there as well since Sylvia doesn't really know who she can trust. I did feel that in the midst of the twists the original premise got hurt a little, but I may be overthinking things, and it was definitely a minor issues. Author Diane Vallere does a great job of making the science fiction setting and alien characters relatable. Cozy mystery fans like myself will feel right at home here. The alien characters allow for a few more over the top characters, but I loved that, and overall, I still found them to be relatable characters.
Phil Leader (619 KP) rated Primordial (A Liberator Universe Novelette) in Books
Nov 25, 2019
The first Liberator novel is a riot of noise, violence and fun, the summer blockbuster of the science fiction novel. This shorter story from the same universe shows a very different side, every bit as taut, dark and unsettling as Liberator is freewheeling, brash and stirring.
A vessel headed out to a distant star system comes across an ancient artifact in uncharted deep space together with an old damaged and apparently lifeless spaceship of unknown design. Despite misgivings the lure of salvage is too much for the crew to ignore. But they soon discover that although the ship may be derelict there is an entity there that has been waiting patiently for a long long time for visitors. For fresh meat.
Told from the point of view of XO Koby Solomon this is a terrific slice of science fiction horror, very much in the mould of something like Alien. Bailey plays the disorientation and claustrophobia of the derelict alien vessel for everything it is worth as well as the panic and paranoia of the salvage crew. Like the best horror stories it's never clear to the reader exactly what is going to happen next or where they - or the crew - ought to be looking: into the darkness ahead or over their shoulders?
There's really nothing to fault here. The change in pace from Liberator shows the breadth of imagination and story telling from Bailey (and his Liberator co-author Darren Bullock) will ensure that readers will want to keep reading.
A vessel headed out to a distant star system comes across an ancient artifact in uncharted deep space together with an old damaged and apparently lifeless spaceship of unknown design. Despite misgivings the lure of salvage is too much for the crew to ignore. But they soon discover that although the ship may be derelict there is an entity there that has been waiting patiently for a long long time for visitors. For fresh meat.
Told from the point of view of XO Koby Solomon this is a terrific slice of science fiction horror, very much in the mould of something like Alien. Bailey plays the disorientation and claustrophobia of the derelict alien vessel for everything it is worth as well as the panic and paranoia of the salvage crew. Like the best horror stories it's never clear to the reader exactly what is going to happen next or where they - or the crew - ought to be looking: into the darkness ahead or over their shoulders?
There's really nothing to fault here. The change in pace from Liberator shows the breadth of imagination and story telling from Bailey (and his Liberator co-author Darren Bullock) will ensure that readers will want to keep reading.