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Cosmic Encounter
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Build a galactic empire... In the depths of space, the alien races of the Cosmos vie with each other...
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Soul Match: A Box Set
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Slave for Two What is destined cannot be changed. Chris has had a monumentally bad month....
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Andy K (10821 KP) rated The Matrix Revolutions (2003) in Movies
Jun 2, 2019
So as we left our heroes, the last human city, Zion, is coming under imminent threat from the army of robot "squiddies" hurling toward them at lightning speed and Neo has discovered he has superhuman powers and can do lots of cool stuff.
After Agent Smith visits the Oracle at the beginning of the film, he really disappears along with Neo while the large dogfight between the humans who are using these Avatar/Aliens type robot machine things to defend Zion.
Most of the battle scenes are mediocre at best. The whole time I was thinking I had seen all of this done better in other movies.
The scenes between Neo and Trinity at the end tie the story of the three films together somewhat, but the ultimate climax is not very interesting and somewhat of a letdown.
Ultimately, Warner Brothers wanted to make The Matrix a film trilogy, and although the original will always maintain its status as truly revolutionary, the sequels will always be remembered as disappointments.
After Agent Smith visits the Oracle at the beginning of the film, he really disappears along with Neo while the large dogfight between the humans who are using these Avatar/Aliens type robot machine things to defend Zion.
Most of the battle scenes are mediocre at best. The whole time I was thinking I had seen all of this done better in other movies.
The scenes between Neo and Trinity at the end tie the story of the three films together somewhat, but the ultimate climax is not very interesting and somewhat of a letdown.
Ultimately, Warner Brothers wanted to make The Matrix a film trilogy, and although the original will always maintain its status as truly revolutionary, the sequels will always be remembered as disappointments.
Awix (3310 KP) rated Godzilla 2000 (1999) in Movies
Mar 17, 2018 (Updated May 30, 2019)
Not quite the two-thousandth Godzilla movie, though it might feel that way to non-fans of this kind of thing. Aliens who've spent sixty million years asleep at the bottom of the sea wake up and try to steal Godzilla's DNA; things do not go according to plan, with bad results for everyone (except perhaps Godzilla himself).
The first Japanese movie to follow the reviled American Godzilla reboots the series again; you would have thought this was a splendid opportunity for Toho to show just how this sort of thing should be done. Alas no: there are some good bits here, and baddie monster Orga is quite impressive (though not in the film for long enough), but the film has the usual problem of not seeming to be that interested in Godzilla himself - it's not clear whether Godzilla is meant to be anti-hero or antagonist, either. Some duff CGI on display, too. Rather than being a showcase for the series, this is a dull and derivative movie that's not especially interesting to look at.
The first Japanese movie to follow the reviled American Godzilla reboots the series again; you would have thought this was a splendid opportunity for Toho to show just how this sort of thing should be done. Alas no: there are some good bits here, and baddie monster Orga is quite impressive (though not in the film for long enough), but the film has the usual problem of not seeming to be that interested in Godzilla himself - it's not clear whether Godzilla is meant to be anti-hero or antagonist, either. Some duff CGI on display, too. Rather than being a showcase for the series, this is a dull and derivative movie that's not especially interesting to look at.
Awix (3310 KP) rated The Astronaut's Wife (1999) in Movies
Feb 26, 2018
Turgid obstetric-horror SF movie from the days before Johnny Depp rode his Keith Richards impersonation to global superstardom. Depp goes off into space, comes back (maybe) possessed by aliens; on his return Theron is unsettled by his odd behaviour, especially when it turns out she has been impregnated by this guy.
Basically Quatermass meets Rosemary's Baby, only not as good as that sounds. Not very much happens for long periods of time, apart from regular close-ups of Theron's toes; vague atmosphere of stately menace doesn't make up for the lack of real scares, thrills, or ideas. Charlize Theron, at the age of 24, carries the movie as well as can be expected in the circumstances, Depp is all over the place. In the end the plot turns out to be a cigarette paper's width away from being total gibberish; the DVD has two alternate endings, neither of which is much cop. Gynaecologists with an interest in foot fetishism will probably love it - everyone else, not so much.
Basically Quatermass meets Rosemary's Baby, only not as good as that sounds. Not very much happens for long periods of time, apart from regular close-ups of Theron's toes; vague atmosphere of stately menace doesn't make up for the lack of real scares, thrills, or ideas. Charlize Theron, at the age of 24, carries the movie as well as can be expected in the circumstances, Depp is all over the place. In the end the plot turns out to be a cigarette paper's width away from being total gibberish; the DVD has two alternate endings, neither of which is much cop. Gynaecologists with an interest in foot fetishism will probably love it - everyone else, not so much.
Awix (3310 KP) rated Battle Beyond the Stars (1980) in Movies
Feb 13, 2018
Superior first-wave Star Wars cash-in from Roger Corman, recycling the plot of The Magnificent Seven (et al); writer John Sayles shows he knows his stuff by including all the requisite space battles and funny aliens, but also references to Kurosawa, whose films originally inspired George Lucas.
Peaceful alien yokels known as the Akira (told you so) are menaced by galactic despot on a tight timetable; farm boy is dispatched to recruit space mercenaries to help fend him off when he comes back. Ropy model-work courtesy of a young James Cameron is the film's biggest weakness (the best special effect is probably Sybil Danning's costume); rousing score from a young James Horner is a major plus. Robert Vaughn's performance here is just as good as the one in The Magnificent One - makes sense, as it's essentially the same one. Film has a lovely adventurous tone about it, isn't afraid to treat the audience with intelligence; much better than many other more prestigious sci-fi films of this period.
Peaceful alien yokels known as the Akira (told you so) are menaced by galactic despot on a tight timetable; farm boy is dispatched to recruit space mercenaries to help fend him off when he comes back. Ropy model-work courtesy of a young James Cameron is the film's biggest weakness (the best special effect is probably Sybil Danning's costume); rousing score from a young James Horner is a major plus. Robert Vaughn's performance here is just as good as the one in The Magnificent One - makes sense, as it's essentially the same one. Film has a lovely adventurous tone about it, isn't afraid to treat the audience with intelligence; much better than many other more prestigious sci-fi films of this period.
Awix (3310 KP) rated Godzilla Vs Gigan (1972) in Movies
Jun 13, 2018
Scraping-the-barrel Godzilla movie would be unbelievably silly and weird by the standards of any other franchise, but following Godzilla vs Hedorah it feels relatively restrained. Aliens invade again, monsters show up, blah blah blah. All the stuff that makes it distinctive is mad and inappropriate: Godzilla and Anguirus get dialogue together, for crying out loud, gory fight scenes show an unexpected Sam Peckinpah influence, villains are defeated when hippies carry large boxes clearly labelled TNT into their secret base, 'Everything was going so well!' cries a dying giant cockroach as its plans come undone.
But this is a Godzilla movie, and if you're watching this movie you'd probably expect no less. What is less forgivable than the unbridled strangeness is the cheap-ass nature of the fight scenes - one suspects Anguirus and Ghidorah are only in this film to allow lengthy clips from Destroy All Monsters to be included to pad things out. Probably a bit of a low point when it comes to giant radioactive dinosaurs on film.
But this is a Godzilla movie, and if you're watching this movie you'd probably expect no less. What is less forgivable than the unbridled strangeness is the cheap-ass nature of the fight scenes - one suspects Anguirus and Ghidorah are only in this film to allow lengthy clips from Destroy All Monsters to be included to pad things out. Probably a bit of a low point when it comes to giant radioactive dinosaurs on film.
Kelli Curran (5 KP) rated A Quiet Place (2018) in Movies
Jul 20, 2018
John Krasinski directing. (1 more)
Something new to be worried about when aliens invade.
Some parts felt drug out too much. (1 more)
That baby crib though!
Silence is not golden.
I wanted to see this in the theaters when it came out but who really has that kind of money these days? Redbox is the best option for seeing all the new movies as soon as you can afford to in my opinion. This movie is a classic sci fi thriller. You kind of know what's going to happen just from the premise but it does manage to throw you a few curve balls and jump scares along the way. I can't say that I've ever seen an alien movie quite like this one so I enjoyed it's originality. The use of ASL was much appreciated as it is very rarely utilized in films. Some moments made me want to scream in annoyance but then ... I'd be dead if it was real, wouldn't I? I fully recommend watching this film if sci fi thrillers are your thing and even if they aren't.
David McK (3425 KP) rated I am Number Four (Lorien Legacies #1) in Books
Jan 28, 2019
In the early-00s (well, 2001 - 2011), there was a TV show called 'Smallville' aka - and unofficially - also known as 'Superman: The Teenage Years', in which a large part of the early runs were to do with Clark Kent discovering his powers.
Now, take the same basic idea - that of an alien developing powers on Earth, and change it slightly so that there's nine of them, all teenagers growing up seperately, all refugees from a planet that has itself been invaded/destroyed by *other* aliens and most with their own flesh-and-blood protector with them, and you more or less have the plot for this.
I'd seen the movie a while back and, while it wasn't great, I still thought I would give the source material a shot.
It's not great either.
I don't know whether it the insipid romance between the central characters of John and Sarah, the clunky dialogue or the fact that the writer seems to follow a 'tell, don't show' method of writing (instead of the opposite), but this just did not do it for me at all :-(
Now, take the same basic idea - that of an alien developing powers on Earth, and change it slightly so that there's nine of them, all teenagers growing up seperately, all refugees from a planet that has itself been invaded/destroyed by *other* aliens and most with their own flesh-and-blood protector with them, and you more or less have the plot for this.
I'd seen the movie a while back and, while it wasn't great, I still thought I would give the source material a shot.
It's not great either.
I don't know whether it the insipid romance between the central characters of John and Sarah, the clunky dialogue or the fact that the writer seems to follow a 'tell, don't show' method of writing (instead of the opposite), but this just did not do it for me at all :-(
Awix (3310 KP) rated The Trollenberg Terror (1958) in Movies
Jun 22, 2019 (Updated Jun 22, 2019)
Independent sci-fi movie has the inevitable hokeyness of films of its period but shows flashes of intelligence, until the climax at least. Vaguely Lovecraftian alien creatures take up residence atop a Swiss mountain, rip the heads off passing mountaineers, turn other people into zombies to eliminate nosey psychics, and so on. Fearing the world supply of cuckoo clocks, cheese with holes in it, and multi-purpose knives may be in peril, a group of assorted boffins attempt to sort things out.
Well, at least it's original, if not always in the best of ways. Things proceed in a relatively effective way until the aliens decide to come down the mountain and attack in person, at which point they are revealed to be tentacled monocular blobs entirely beyond the budget of the film to convincingly realise. The same could be said of many alien invasion and monster movies of the 50s and 60s and this is neither the best nor the worst example of the genre from that period.
Well, at least it's original, if not always in the best of ways. Things proceed in a relatively effective way until the aliens decide to come down the mountain and attack in person, at which point they are revealed to be tentacled monocular blobs entirely beyond the budget of the film to convincingly realise. The same could be said of many alien invasion and monster movies of the 50s and 60s and this is neither the best nor the worst example of the genre from that period.
Ellis (87 KP) Jun 2, 2019
Andy K (10821 KP) Jun 2, 2019