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Dean Jaggs (29 KP) rated Deadpool (2016) in Movies
Oct 29, 2019
Ryan Reynolds (2 more)
Crude Humour
Movie makes fun of itself and the studios
Holding on for a hero
I never tire of watching this movie, Reynolds has over the years proved to be quite versatile, playing serious roles and crossing various genres but Deadpool has to be his standout role, where he is hilarious, I love all the little digs he makes about the films low budget and the xmen movies, and the subtle digs at his off screen friend Hugh Jackman's Wolverine character, some may say that the violence is a bit over the top but the comedy side more than makes up for it, just wish Marvel would transition the Merc with a mouth into the more mainstream movies, could just imagine the interaction between Deadpool and Iron Man as Wilson would undoubtedly drive Stark nuts
Bob Mann (459 KP) rated Black Widow (2021) in Movies
Jul 8, 2021
An entertaining pose-struck by Johansson and Pugh
A long time in the waiting (again) but "Black Widow" is an excellent addition to the Marvel canon: almost a "Rogue One" in the series, taking us back to fill in some gaps after "Captain America: Civil War". It's just great to have ANY Marvel back in the cinema.... that Michael Giacchino Marvel tune set the hairs going on the back of my neck!
Positives:
- Loving the heart in this Marvel! There's more sense of "family" than in F9! Johansson and Pugh, in particular, have a great on-screen relationship, and nice sisterly bickering goes on. There's a fabulous scene in a petrol (gas) station between the pair that really shows what class acting is available in this outing.
- David Harbour adds some fine comedy as the "Red Guardian", complete with action figure! Seeing him squeezing into his old uniform reminded me strongly of Mr Incredible! And the relationship with Rachel Weisz's Melina is also great fun.
- Completing the strong acting complement is Ray Winstone as villain Dreykov. It's a role he's played so many times before that he could probably do it in his sleep: but still great to watch. A shout-out too to the lovely Olga Kurylenko, looking decidedly unlovely here! (She isn't given very much to do as Taskmaster though.)
- There were some genuinely laugh-out-loud moments for me: both through witty dialogue and visual gags. A helicopter 'landing' was particularly snort-worthy!
- Lorne Balfe delivers another stonking soundtrack, full of Russian undertones. Also great is a twisted version of Nirvana's "Teen Spirit" over the opening titles.
Negatives:
- Now I KNOW you need to suspend belief during Marvel films, but the "Red Room" location (no spoilers, and no - not the "50 Shades" type) stretches that too far. It leads to an over-blown, free-falling finale that somewhat lessened the impact for me of the rather more realistic flow of the movie to that point.
- Tonally the movie is rather inconsistent. As an example, the start of the movie is played 'straight', as is the role of Alexei. But when he reappears later in the film - and it took me a long time to appreciate the jailbird character was in fact him - then he suddenly becomes the comic heart of the movie.
- I loved the way the film built the relationships between the characters. So this is NOT a negative from me. But I *suspect* some Marvel action fans may find the narrative portions of the movie too slow for their liking.
Summary Thoughts on "Black Widow": Black Widow has always struck me as an odd and slightly second-rate member of The Avengers. After all, she has no specific "superpowers", so how has she survived all of the physical abuse to date? So, given what we know happened to her in "Endgame", I questioned whether this was an origin story that would hold much interest with me. But the knack here is that it really isn't an "origin story" at all. It covers her early life, pre-titles, but then skips all the intermediate biopic stuff to drill into this specific adventure in her life. And the quality of the acting and the relationships that are built up delivered something that I greatly enjoyed.
Cate Shortland seems an odd choice to front a huge movie like this (she has a very short movie CV) but I think she's done a great job here. I'd put it in the top quartile of Marvel movies for me.
And BTW, as it's Marvel so as you might expect there is an end credits scene. You have to wait until the very end of the credits for it (so you can appreciate Lorne Balfe's score some more). But it is worth waiting for, re-introducing a character from one of the Phase 4 TV series.
(For the full graphical version, please check out One Mann's Movies on the web here - https://bob-the-movie-man.com/2021/07/07/black-widow-a-posers-guide-to-the-incredibles-3/. One Mann's Movies is also on Facebook and Tiktok (@onemannsmovies).)
Positives:
- Loving the heart in this Marvel! There's more sense of "family" than in F9! Johansson and Pugh, in particular, have a great on-screen relationship, and nice sisterly bickering goes on. There's a fabulous scene in a petrol (gas) station between the pair that really shows what class acting is available in this outing.
- David Harbour adds some fine comedy as the "Red Guardian", complete with action figure! Seeing him squeezing into his old uniform reminded me strongly of Mr Incredible! And the relationship with Rachel Weisz's Melina is also great fun.
- Completing the strong acting complement is Ray Winstone as villain Dreykov. It's a role he's played so many times before that he could probably do it in his sleep: but still great to watch. A shout-out too to the lovely Olga Kurylenko, looking decidedly unlovely here! (She isn't given very much to do as Taskmaster though.)
- There were some genuinely laugh-out-loud moments for me: both through witty dialogue and visual gags. A helicopter 'landing' was particularly snort-worthy!
- Lorne Balfe delivers another stonking soundtrack, full of Russian undertones. Also great is a twisted version of Nirvana's "Teen Spirit" over the opening titles.
Negatives:
- Now I KNOW you need to suspend belief during Marvel films, but the "Red Room" location (no spoilers, and no - not the "50 Shades" type) stretches that too far. It leads to an over-blown, free-falling finale that somewhat lessened the impact for me of the rather more realistic flow of the movie to that point.
- Tonally the movie is rather inconsistent. As an example, the start of the movie is played 'straight', as is the role of Alexei. But when he reappears later in the film - and it took me a long time to appreciate the jailbird character was in fact him - then he suddenly becomes the comic heart of the movie.
- I loved the way the film built the relationships between the characters. So this is NOT a negative from me. But I *suspect* some Marvel action fans may find the narrative portions of the movie too slow for their liking.
Summary Thoughts on "Black Widow": Black Widow has always struck me as an odd and slightly second-rate member of The Avengers. After all, she has no specific "superpowers", so how has she survived all of the physical abuse to date? So, given what we know happened to her in "Endgame", I questioned whether this was an origin story that would hold much interest with me. But the knack here is that it really isn't an "origin story" at all. It covers her early life, pre-titles, but then skips all the intermediate biopic stuff to drill into this specific adventure in her life. And the quality of the acting and the relationships that are built up delivered something that I greatly enjoyed.
Cate Shortland seems an odd choice to front a huge movie like this (she has a very short movie CV) but I think she's done a great job here. I'd put it in the top quartile of Marvel movies for me.
And BTW, as it's Marvel so as you might expect there is an end credits scene. You have to wait until the very end of the credits for it (so you can appreciate Lorne Balfe's score some more). But it is worth waiting for, re-introducing a character from one of the Phase 4 TV series.
(For the full graphical version, please check out One Mann's Movies on the web here - https://bob-the-movie-man.com/2021/07/07/black-widow-a-posers-guide-to-the-incredibles-3/. One Mann's Movies is also on Facebook and Tiktok (@onemannsmovies).)
Rickstrong23 (216 KP) rated Black Panther (2018) in Movies
Feb 28, 2018
Another super hero
So i was glad to see there are honest reveiws.i allways check movies before i go see or rent .if you listened to press tv radio this wwas the best movie to come outta marvel ever.not even close.liked the characters.the setting the story and the villian.but it wasnt anything special.if i was gonna ever make a movie i want this movies hype/ publicist.anyway good movie .but liked it better as a less is more mystery .sometimes they dont need a movie.they can share one and have more impact.they wil have a pt 2 so .but definitley not the marvels greatest movie. .i actually liked green latern dc. Movie more .and supposely no one liked that one .sorry but thats why i love smashbomb to read diffrent raitings and its good to have a voice or hear other pesons reveiw.i just didnt think it was all that ..
Blazing Minds (92 KP) rated Aquaman (2018) in Movies
Nov 1, 2021 (Updated Nov 3, 2021)
Aquaman may have its flaws and it may not be on par with how Marvel have brought their characters to the big screen, but I have to say that this is one of those popcorn movies that I really enjoyed, forget the storyline of the movie, just get in there and enjoy the movie for what it is.
The effects of Aquaman look amazing, the underwater scenes look great on the IMAX screen and add to that the depth (no pun intended) of the 3D it all adds to the ride that you get with the movie and thankfully we don't get any of those purposely placed “look I’m poking in the face” 3D effects.
The effects of Aquaman look amazing, the underwater scenes look great on the IMAX screen and add to that the depth (no pun intended) of the 3D it all adds to the ride that you get with the movie and thankfully we don't get any of those purposely placed “look I’m poking in the face” 3D effects.
David McK (3233 KP) rated Avengers: Endgame (2019) in Movies
May 26, 2019
"We're in the Endgame now ..."
The culmination of over a decade of Marvel movies and a direct continuation of Infinity War, this is the film that wraps up what will more than likely become known as The Infinity Stones saga.
It's also quite hard ton discuss without giving anything away: while we all knew that time travel would be a part of the movie (especially given the introduction of the Time Stone in Dr Strange), that did not play out exactly as I thought it would.
Personally, I also thought it spent too long dealing with the effects of Thanos' snap: yes, wiping out half of life would have a profound impact on those left behind, but did we need to go through them all one-by-one? All that served to do, really (IMO) is make an already long film even longer!
A good film, yes, but - for me, at least - it never quite hits the height of the preceding Infinity War.
The culmination of over a decade of Marvel movies and a direct continuation of Infinity War, this is the film that wraps up what will more than likely become known as The Infinity Stones saga.
It's also quite hard ton discuss without giving anything away: while we all knew that time travel would be a part of the movie (especially given the introduction of the Time Stone in Dr Strange), that did not play out exactly as I thought it would.
Personally, I also thought it spent too long dealing with the effects of Thanos' snap: yes, wiping out half of life would have a profound impact on those left behind, but did we need to go through them all one-by-one? All that served to do, really (IMO) is make an already long film even longer!
A good film, yes, but - for me, at least - it never quite hits the height of the preceding Infinity War.
David McK (3233 KP) rated Infinity: Volume 1 in Books
Jan 30, 2019
Spring 2018.
Perhaps the best Marvel movie to date was released, a culmination of circa a decade of Marvel movies consisiting of numerous single-character led films and even a couple of previous 'team-ups'. That movie was, of course, 'Infinity War, part 1'.
At around the same time, Comixology ran one of their frequent sales. With a picture of Thanos on the cover, a title called 'Infinity' and being on sale at around the saem time as the movie, I made the mistake of thinking this would share similarities with the plot of the movie.
(No) spoilers: it doesn't.
As others on this site have mentioned, however, it is perhaps well named in that the story seems to go on ... and on ... and on ...
Honestly? I struggled to get through this, finding it hard to 'tie together' the various disparate story-lines; to even really care about all that much about what was happening or who it was happening to.
In short, and for me, this was a massive disappointment.
Perhaps the best Marvel movie to date was released, a culmination of circa a decade of Marvel movies consisiting of numerous single-character led films and even a couple of previous 'team-ups'. That movie was, of course, 'Infinity War, part 1'.
At around the same time, Comixology ran one of their frequent sales. With a picture of Thanos on the cover, a title called 'Infinity' and being on sale at around the saem time as the movie, I made the mistake of thinking this would share similarities with the plot of the movie.
(No) spoilers: it doesn't.
As others on this site have mentioned, however, it is perhaps well named in that the story seems to go on ... and on ... and on ...
Honestly? I struggled to get through this, finding it hard to 'tie together' the various disparate story-lines; to even really care about all that much about what was happening or who it was happening to.
In short, and for me, this was a massive disappointment.
Russ Troutt (291 KP) rated The Irishman (2019) in Movies
Nov 28, 2019 (Updated Nov 30, 2019)
Some people paint houses. Some people paint our screens with incredible performances. I have been looking forward to seeing The Irishman all year and it was even better than I could have hoped for; what a story. Not sure which excited me more, just seeing Pesci back on the screen, De Niro, Pacino, and Pesci all together on screen, or Scorcese back behind the camera(even if I disagree with his opinion on Marvel movies). This movie is packing some serious heat in regards to the supporting cast as well. I was a little nervous when I heard they were using cgi aging technology, but if was very well done. The movie's run time is as long as a mid 70's Lincoln Towncar, but cruises along just as smooth, and just like Jimmy Hoffa's body the time disappears.
BankofMarquis (1832 KP) rated The Marvels (2022) in Movies
Nov 10, 2023
Fun. Lightweight Romp
If you, like many others, have opted out of the past few Marvel Cinematic Universe (MCU) films and are, likewise, suffering from “SuperHero” fatigue but are now looking for a re-entry into the MCU, then THE MARVELS is the film for you, for unlike some previous MCU films, it does not take much in the way of previous knowledge to get into the flow of this (somewhat) lightweight, fun action comic-book flick.
Academy Award winner Brie Larson returns as Captain Marvel and is joined (literally) with Monica Rambeau (Teyonah Parris - who’s SuperHero Origin story can be found in the DisneyPlus TV Series WANDAVISION, but is summed up pretty quickly here, so you’ll get the drift) as well as young MS. MARVEL (Iman Vellani, who’s origin story is told in the DisnePlus TV Series MS. MARVEL but who’s story is summed pretty quickly - and pretty well - here). They join forces to fight a villain, Dar-Benn (Zawe Ashton) intent on inflicting revenge/punishment on Captain Marvel. Also along for the ride is good ol’ Samuel L. Jackson as Nick Fury (in his 15th appearance in an MCU vehicle). They all bounce around the scenarios with a winking knowledge - and earnestness - about what kind of movie they are making…and with which what tone they need to hit.
In the hands of Director Nia DaCosta (the 2020 remake of CANDYMAN), THE MARVELS moves along at a brisk pace, injecting some humor and decent (enough) action sequences and CGI mixed in with a clever segment or 2 (one scene set to a classic Musical Theater song is worth the price of admission in and of itself). There is enough light, breezy sequences and banter that the main word that comes out of this film is “fun”. DaCosta succeeds, very well, with fun in this film. Where she doesn’t succeed as well is in emotional heft. Captain Marvel is given a few “self reflective” moments and while Larson is a terrific actor and tries to succeed with these moments, they didn’t feel earned, so they fell flat. Unfortunately, the other characters are there to battle and throw off one-liners…and not much more.
Wisely, DaCosta limits this film to 1 hours and 45 minutes - the shortest MCU film to date - and this is a positive for she just “gets to it” and doesn’t linger on any of the moments that don’t work or would fall apart if anyone had anytime to think about them.
And, of course, the “extra scenes” (an MCU staple) set up 2 new franchises, so you want to stick around for them (but you don’t need to stick around to the end of the credits).
All-in-all - Ms. Marvel is a fun, lightweight romp that will entertain for the time you are in the cineplex. But not much more. But…isn’t that what going to the movies is all about?
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
Academy Award winner Brie Larson returns as Captain Marvel and is joined (literally) with Monica Rambeau (Teyonah Parris - who’s SuperHero Origin story can be found in the DisneyPlus TV Series WANDAVISION, but is summed up pretty quickly here, so you’ll get the drift) as well as young MS. MARVEL (Iman Vellani, who’s origin story is told in the DisnePlus TV Series MS. MARVEL but who’s story is summed pretty quickly - and pretty well - here). They join forces to fight a villain, Dar-Benn (Zawe Ashton) intent on inflicting revenge/punishment on Captain Marvel. Also along for the ride is good ol’ Samuel L. Jackson as Nick Fury (in his 15th appearance in an MCU vehicle). They all bounce around the scenarios with a winking knowledge - and earnestness - about what kind of movie they are making…and with which what tone they need to hit.
In the hands of Director Nia DaCosta (the 2020 remake of CANDYMAN), THE MARVELS moves along at a brisk pace, injecting some humor and decent (enough) action sequences and CGI mixed in with a clever segment or 2 (one scene set to a classic Musical Theater song is worth the price of admission in and of itself). There is enough light, breezy sequences and banter that the main word that comes out of this film is “fun”. DaCosta succeeds, very well, with fun in this film. Where she doesn’t succeed as well is in emotional heft. Captain Marvel is given a few “self reflective” moments and while Larson is a terrific actor and tries to succeed with these moments, they didn’t feel earned, so they fell flat. Unfortunately, the other characters are there to battle and throw off one-liners…and not much more.
Wisely, DaCosta limits this film to 1 hours and 45 minutes - the shortest MCU film to date - and this is a positive for she just “gets to it” and doesn’t linger on any of the moments that don’t work or would fall apart if anyone had anytime to think about them.
And, of course, the “extra scenes” (an MCU staple) set up 2 new franchises, so you want to stick around for them (but you don’t need to stick around to the end of the credits).
All-in-all - Ms. Marvel is a fun, lightweight romp that will entertain for the time you are in the cineplex. But not much more. But…isn’t that what going to the movies is all about?
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
LeftSideCut (3778 KP) rated Iron Man (2008) in Movies
Jan 27, 2020
Where it all began
After becoming essentially bankrupt in the mid 90s, Marvel Comics ended up selling off the film rights of their properties to various film studios, resulting in a decade of new superhero franchises varying in quality, from X-Men, to Dardevil, Spider-Man to Hulk, Blade to Ghost Rider, and so on.
As such, none of these films we ever close to being part of a connected universe.
Along comes 2008, and Marvel Comics and Kevin Feige hit the scene with their first offering from Marvel Studios. A company determined to just that, with the properties they still have left.
Before 2008, Iron Man was a beloved character to the comic book faithful. A lot of casual moviegoers had no idea who he was, and Iron Man was essentially a B-list risk. And now, in 2020, that couldn't be further from the truth. The trifecta of Iron Man, Tony Stark, and Robert Downey Jr. are arguably the premier face of Marvel, and it's all thanks to this fantastic B-list risk.
Director Jon Favreau wastes no time in introducing us to Tony himself, and RDJ does a fine job of letting us know just how arrogant, clever and sarcastic the titular hero is. When everything goes wrong and Tony ends up captive in a terrorist environment, were given a pretty gritty origin story to how Iron Man came to be.
As Tony is quickly forced into a situation where his life becomes fragile, we see a slow burning but evident change in his behaviour, and RDJ does a great job in sweeping the audience up alongside him in his path to becoming the people's hero.
It's a simple and effective origin template that has definitely been borrowed again in other MCU projects (looking at you Dr Strange), but it's easy to see why.
Along side Downey Jr is the always charismatic Jeff Bridges. He plays Obadiah Stane, a villain who has close ties to the Stark family, and is an imposing presence throughout. His character sees him go full super villain, which honestly cheapens his otherwise great performance. Also, in the ensuing clash between Iron Man and Iron Monger, this is the first of many MCU films to do the whole 'villain-is-just-an-evil-version-of-the-hero' trope, which is fine here (let's not forget - first MCU film after all), but did become annoyingly predictable here and there.
Gwyneth Paltrow is Pepper Potts, and I suitably charming in the role, and still remains a fan favourite now.
We also have Terrance Howard as James Rhodes, the future War Machine. I enjoyed him here, and it's evident that he had good chemistry with RDJ. It's a shame that he didn't stay on for more films, but that's money for you I guess!
Considering this film is entering it's 12th year of existence, the CGI still holds up incredibly well. The classic red and gold Iron Man suit is striking and looks great. The action scenes are pretty thrilling and fun, something that Marvel Studios have excelled in since, and just to top it all off, the now infamous post credit scene sets up the conjoined Avengers franchise that we all know and love.
Iron Man is a solid first effort from Marvel Studios, and set the MCU running out the gates, whilst simultaneously setting up a new injection of quality into Marvel movies.
As such, none of these films we ever close to being part of a connected universe.
Along comes 2008, and Marvel Comics and Kevin Feige hit the scene with their first offering from Marvel Studios. A company determined to just that, with the properties they still have left.
Before 2008, Iron Man was a beloved character to the comic book faithful. A lot of casual moviegoers had no idea who he was, and Iron Man was essentially a B-list risk. And now, in 2020, that couldn't be further from the truth. The trifecta of Iron Man, Tony Stark, and Robert Downey Jr. are arguably the premier face of Marvel, and it's all thanks to this fantastic B-list risk.
Director Jon Favreau wastes no time in introducing us to Tony himself, and RDJ does a fine job of letting us know just how arrogant, clever and sarcastic the titular hero is. When everything goes wrong and Tony ends up captive in a terrorist environment, were given a pretty gritty origin story to how Iron Man came to be.
As Tony is quickly forced into a situation where his life becomes fragile, we see a slow burning but evident change in his behaviour, and RDJ does a great job in sweeping the audience up alongside him in his path to becoming the people's hero.
It's a simple and effective origin template that has definitely been borrowed again in other MCU projects (looking at you Dr Strange), but it's easy to see why.
Along side Downey Jr is the always charismatic Jeff Bridges. He plays Obadiah Stane, a villain who has close ties to the Stark family, and is an imposing presence throughout. His character sees him go full super villain, which honestly cheapens his otherwise great performance. Also, in the ensuing clash between Iron Man and Iron Monger, this is the first of many MCU films to do the whole 'villain-is-just-an-evil-version-of-the-hero' trope, which is fine here (let's not forget - first MCU film after all), but did become annoyingly predictable here and there.
Gwyneth Paltrow is Pepper Potts, and I suitably charming in the role, and still remains a fan favourite now.
We also have Terrance Howard as James Rhodes, the future War Machine. I enjoyed him here, and it's evident that he had good chemistry with RDJ. It's a shame that he didn't stay on for more films, but that's money for you I guess!
Considering this film is entering it's 12th year of existence, the CGI still holds up incredibly well. The classic red and gold Iron Man suit is striking and looks great. The action scenes are pretty thrilling and fun, something that Marvel Studios have excelled in since, and just to top it all off, the now infamous post credit scene sets up the conjoined Avengers franchise that we all know and love.
Iron Man is a solid first effort from Marvel Studios, and set the MCU running out the gates, whilst simultaneously setting up a new injection of quality into Marvel movies.
Awix (3310 KP) rated The Matrix (1999) in Movies
Jul 14, 2019 (Updated Aug 11, 2019)
Age shall not diminish, nor dubious sequels reduce the magic of the Wachowskis' visionary blend of philosophical SF and hyperkinetic martial arts action. Arguably the origin of the current superhero movie, as uncertain hero Neo undergoes the conceptual breakthrough to end all conceptual breakthroughs, learns to access his inner potential, and discovers that black never goes out of fashion.
The script is still a marvel of economy and wit, the ideas underpinning it fascinating, and the action sequences, when they arrive, are phenomenal. Obviously a film of its time (the pseudo-1999 setting now feels a little quaint), but absolutely timeless in the way the very best films are. One of those movies it is almost impossible to change without making it worse.
The script is still a marvel of economy and wit, the ideas underpinning it fascinating, and the action sequences, when they arrive, are phenomenal. Obviously a film of its time (the pseudo-1999 setting now feels a little quaint), but absolutely timeless in the way the very best films are. One of those movies it is almost impossible to change without making it worse.