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tonidavis (353 KP) rated The Darkest Minds (2018) in Movies
Aug 12, 2018
Ruby and Liam connection (1 more)
Stayed fairly true to book
Amanlda is fast becoming queen of Ya adaptations
I throughly enjoyed this film. For the most part the cast is relatively unknown but it been proven in Dystopic ya books to film adaptions this works well.
With the hate u give coming out the end of the year Amandla Stenberg is proving to be a force to be recoken with within the YA film genre. She is able to captive and keep the film moving.
It rare to find a film that keep true to a books premise and plot however this film did just that.
With the hate u give coming out the end of the year Amandla Stenberg is proving to be a force to be recoken with within the YA film genre. She is able to captive and keep the film moving.
It rare to find a film that keep true to a books premise and plot however this film did just that.
Emma @ The Movies (1786 KP) rated The Hate U Give (2018) in Movies
Sep 25, 2019
Let me start by saying that this is an incredibly powerful film. There's not a single member of the cast that I didn't believe in their role, and at no point during the film did I stop to wonder why something happened or what was going on. The whole thing flowed perfectly.
There are stellar performances from everyone, but I was really pleased to see Amandla Stenberg in this role. It's a strong lead which was a great relief as I wasn't overly enthusiastic after seeing some of her previous roles. Regina Hall really hit home for me too, I'm used to her as a comedic actor so this break from that was surprising and very welcome. She did still get the chance for moments of humour, they're just not as over the top as we might be used to.
This is an adaptation of the young adult book of the same name by Angie Thomas. While the protagonist is indeed a teenage girl the film certainly doesn't limit itself to that audience. Many adaptations before this have made it difficult to see its success past the intended age group but I can see this being popular on so many levels. It's a tough subject handled in an excellent way. This really feels like something special.
If I have to quibble about something it's that the ending feels a little too "and they all lived happily ever after". I don't know if that's how it ends in the book or not, I'm going to find out. It's still a good ending though, regardless.
What should you do?
See it. No haggling about ticket prices, it's worth every penny.
Movie thing you wish you could take home
The film doesn't quite fall into the category for this part of my post, but I'd really want Starr's determination and courage.
There are stellar performances from everyone, but I was really pleased to see Amandla Stenberg in this role. It's a strong lead which was a great relief as I wasn't overly enthusiastic after seeing some of her previous roles. Regina Hall really hit home for me too, I'm used to her as a comedic actor so this break from that was surprising and very welcome. She did still get the chance for moments of humour, they're just not as over the top as we might be used to.
This is an adaptation of the young adult book of the same name by Angie Thomas. While the protagonist is indeed a teenage girl the film certainly doesn't limit itself to that audience. Many adaptations before this have made it difficult to see its success past the intended age group but I can see this being popular on so many levels. It's a tough subject handled in an excellent way. This really feels like something special.
If I have to quibble about something it's that the ending feels a little too "and they all lived happily ever after". I don't know if that's how it ends in the book or not, I'm going to find out. It's still a good ending though, regardless.
What should you do?
See it. No haggling about ticket prices, it's worth every penny.
Movie thing you wish you could take home
The film doesn't quite fall into the category for this part of my post, but I'd really want Starr's determination and courage.
Bob Mann (459 KP) rated The Hate U Give (2018) in Movies
Sep 28, 2021
It’s a turf war on a global scale.
I saw this as part of a “Secret Cinema” event by Cineworld cinemas in the UK. That’s where you go to see a pre-release movie without knowing what it is going to be. It’s an interesting litmus test for a) a movie’s upfront marketing appeal (how many people get up and walk out when the BBFC title appears) and b) the “grab ’em early” appeal of the movie itself (how many people get up and walk out during the first 20 minutes of so).
I’m afraid this movie didn’t do very well on either a) or b) at my showing: about 20 people left immediately, and more tellingly about another 20 people left in the first half hour. There’s a reason for that: the first half hour of this film is goddamn awful!
Starr Carter (Amandla Stenberg) is a sixteen year-old resident of Garden Heights, a black neighbourhood in a US city, where she lives with her younger brother and step-brother. Their parents Maverick (Russell Hornsby, “Fences“) and Lisa (Regina Hall) are devoting all of their energies to “break the cycle” and get their kids out of the neighbourhood and off to college and better futures. As such, the kids attend not the rough-house local school but a much more upper-class establishment: there Starr has to play a different role, with links to her origins being kept hidden even from her white boyfriend Chris (K.J. Apa).
But all that changes when her boyhood friend Khalil (Algee Smith) is shot and killed in a police stop-and-search. As the only witness, and with Khalil linked to local gang lord King (Anthony Mackie), Starr’s anonymous world is about to get a national focus shone onto it.
Man… I hate voiceovers in films and always have. So I really hated the start of this film which has Starr narrating ABSOLUTELY EVERYTHING (“Blah, blah, blah..”): no audience discovery is required. It also starts with a sort of highschool romance vibe, but not one that’s well done with kissing (“Blah, blah, blah..”) while the local Mean Girls look on (“Blah, blah”) then with Starr’s friends trying to act street (“blah, blah”) while Starr tries not to be street, all to the constant droning of Starr’s voiceover (“Blah, blah, blah..”). (I never walk out of movies…. but I can kind of understand the rationale of those who did).
Fortunately the voiceover then largely recedes (it only pops up with occasional staccato “thoughts”, before storming back for a “blah, blah” finale). And with the shooting, the film takes on a much more interesting slant, giving Amandla Stenberg a chance to really shine.
I have commented on Ms Stenberg before: she was the only really good thing in the recent “The Darkest Minds“. Here she exhibits a tremendous range from the delighted (her smile is radiant and seems astonishingly unforced) to the heartbroken and furious. There’s also a really strong supporting cast with great turns from Hornsby, Hall, Mackie and Smith. Hornsby in particular I found great as the Dad desperately tutoring his kids in military (but loving) fashion to avoid his mistakes.
For me, this seemed to be a surprisingly atypical view of a black ghetto-living family. A scene set in a diner is genuinely touching at emphasising the loving and close-knit nature of the Carter family.
Where I will struggle here is in trying to interpret my overall feelings about the film. As a white, older male person I have three degrees of separation from Starr’s perspective. And these are undoubtedly difficult issues to juggle with. The riots that happened recently in towns like Ferguson ape the activities on screen uncomfortably. Your sympathies might lie to some degree with the unfortunate white police officer (Drew Starkey); sympathies supported by the views of Starr’s police officer uncle Carlos (Common): until Starr points out via a punchy question that you REALLY shouldn’t feel like that… and your views are brought up with a jolt.
Aside from the rights and wrongs of the incident, there’s a frustrating dichotomy at play in the film with black and white communities wanting to be treated equally but never wanting to be treated the same. “You don’t SEE me” wails Starr. “I see you” replies Chris (as if James Cameron was directing!) But does he really? Without colour, I do not consider myself to be remotely capable of fully understanding Starr’s perspective on life. It made me want to read the source novel by Angie Thomas to try to get better insight.
Directed by George Tillman Jr., it’s undoubtedly a mixed bag, but I came down in the end on the side of it being good rather than bad… it has certainly had me thinking for a couple of days. The clumsy voiceovers and story elements in the opening and closing scenes mask a number of parallel and interesting story strands that generate conflicting thoughts about the state of race relations in today’s America. Jackson sang “It doesn’t matter if you’re black or white”: and it really shouldn’t, but actually in some quarters, it clearly still does.
I’m afraid this movie didn’t do very well on either a) or b) at my showing: about 20 people left immediately, and more tellingly about another 20 people left in the first half hour. There’s a reason for that: the first half hour of this film is goddamn awful!
Starr Carter (Amandla Stenberg) is a sixteen year-old resident of Garden Heights, a black neighbourhood in a US city, where she lives with her younger brother and step-brother. Their parents Maverick (Russell Hornsby, “Fences“) and Lisa (Regina Hall) are devoting all of their energies to “break the cycle” and get their kids out of the neighbourhood and off to college and better futures. As such, the kids attend not the rough-house local school but a much more upper-class establishment: there Starr has to play a different role, with links to her origins being kept hidden even from her white boyfriend Chris (K.J. Apa).
But all that changes when her boyhood friend Khalil (Algee Smith) is shot and killed in a police stop-and-search. As the only witness, and with Khalil linked to local gang lord King (Anthony Mackie), Starr’s anonymous world is about to get a national focus shone onto it.
Man… I hate voiceovers in films and always have. So I really hated the start of this film which has Starr narrating ABSOLUTELY EVERYTHING (“Blah, blah, blah..”): no audience discovery is required. It also starts with a sort of highschool romance vibe, but not one that’s well done with kissing (“Blah, blah, blah..”) while the local Mean Girls look on (“Blah, blah”) then with Starr’s friends trying to act street (“blah, blah”) while Starr tries not to be street, all to the constant droning of Starr’s voiceover (“Blah, blah, blah..”). (I never walk out of movies…. but I can kind of understand the rationale of those who did).
Fortunately the voiceover then largely recedes (it only pops up with occasional staccato “thoughts”, before storming back for a “blah, blah” finale). And with the shooting, the film takes on a much more interesting slant, giving Amandla Stenberg a chance to really shine.
I have commented on Ms Stenberg before: she was the only really good thing in the recent “The Darkest Minds“. Here she exhibits a tremendous range from the delighted (her smile is radiant and seems astonishingly unforced) to the heartbroken and furious. There’s also a really strong supporting cast with great turns from Hornsby, Hall, Mackie and Smith. Hornsby in particular I found great as the Dad desperately tutoring his kids in military (but loving) fashion to avoid his mistakes.
For me, this seemed to be a surprisingly atypical view of a black ghetto-living family. A scene set in a diner is genuinely touching at emphasising the loving and close-knit nature of the Carter family.
Where I will struggle here is in trying to interpret my overall feelings about the film. As a white, older male person I have three degrees of separation from Starr’s perspective. And these are undoubtedly difficult issues to juggle with. The riots that happened recently in towns like Ferguson ape the activities on screen uncomfortably. Your sympathies might lie to some degree with the unfortunate white police officer (Drew Starkey); sympathies supported by the views of Starr’s police officer uncle Carlos (Common): until Starr points out via a punchy question that you REALLY shouldn’t feel like that… and your views are brought up with a jolt.
Aside from the rights and wrongs of the incident, there’s a frustrating dichotomy at play in the film with black and white communities wanting to be treated equally but never wanting to be treated the same. “You don’t SEE me” wails Starr. “I see you” replies Chris (as if James Cameron was directing!) But does he really? Without colour, I do not consider myself to be remotely capable of fully understanding Starr’s perspective on life. It made me want to read the source novel by Angie Thomas to try to get better insight.
Directed by George Tillman Jr., it’s undoubtedly a mixed bag, but I came down in the end on the side of it being good rather than bad… it has certainly had me thinking for a couple of days. The clumsy voiceovers and story elements in the opening and closing scenes mask a number of parallel and interesting story strands that generate conflicting thoughts about the state of race relations in today’s America. Jackson sang “It doesn’t matter if you’re black or white”: and it really shouldn’t, but actually in some quarters, it clearly still does.
Emma @ The Movies (1786 KP) rated Everything, Everything (2017) in Movies
Sep 25, 2019
Eighteen-year-old Maddy's world is small. It's the size of a house.
Maddy has a rare form of SCID, an immuno-deficiency disease that means she can't leave the house because a chance encounter could kill her. The only people she sees are her mother, her nurse Carla, Carla's daughter Rosa and members of an online support group.
When as family move in next door, Maddy is bewitched by the son. He's friendly, he's funny, and he's handsome. Communicating through their bedroom windows, they exchange numbers and start texting. Carla notices the difference in Maddy, and is persuaded to let Olly in the house, but only under her condition that they stay on opposite sides of the room.
Maddy wants to see the ocean more than anything else in the world. She has to see what's out there to truly know she's alive, even if it kills her. But when she buys two plane tickets to Hawaii for herself and Olly, she doesn't realise how much it will change her life.
This one is based on the YA novel Everything, Everything by Nicola Yoon... you guessed it, haven't read this one either. I didn't know anything about it when I went to see it, mainly picked this one up because of the fact it was book related.
This was a beautiful film. (Yes, of course I cried) There's friendship, love, heartache. One of the problems was that there were really only two ways this film was going, and writers/movie makers aren't quite a cynical about things as I am when it comes to endings, so there wasn't really much chance that she was going to die for love.
Amandla Stenberg in the lead also wasn't quite my cup of tea. She played the naive side of the character well, but at the beginning when she was narrating... I just didn't find her a very good orator.
The subject matter was very different, and I really think the diversity in YA books has taken a massive step in that respect. It's touching on topics that very rarely see mainstream attention and that's a great thing. It also does one of my favourite things, which is enticing people to pick up books, so this one is a winner all round for me.
Maddy has a rare form of SCID, an immuno-deficiency disease that means she can't leave the house because a chance encounter could kill her. The only people she sees are her mother, her nurse Carla, Carla's daughter Rosa and members of an online support group.
When as family move in next door, Maddy is bewitched by the son. He's friendly, he's funny, and he's handsome. Communicating through their bedroom windows, they exchange numbers and start texting. Carla notices the difference in Maddy, and is persuaded to let Olly in the house, but only under her condition that they stay on opposite sides of the room.
Maddy wants to see the ocean more than anything else in the world. She has to see what's out there to truly know she's alive, even if it kills her. But when she buys two plane tickets to Hawaii for herself and Olly, she doesn't realise how much it will change her life.
This one is based on the YA novel Everything, Everything by Nicola Yoon... you guessed it, haven't read this one either. I didn't know anything about it when I went to see it, mainly picked this one up because of the fact it was book related.
This was a beautiful film. (Yes, of course I cried) There's friendship, love, heartache. One of the problems was that there were really only two ways this film was going, and writers/movie makers aren't quite a cynical about things as I am when it comes to endings, so there wasn't really much chance that she was going to die for love.
Amandla Stenberg in the lead also wasn't quite my cup of tea. She played the naive side of the character well, but at the beginning when she was narrating... I just didn't find her a very good orator.
The subject matter was very different, and I really think the diversity in YA books has taken a massive step in that respect. It's touching on topics that very rarely see mainstream attention and that's a great thing. It also does one of my favourite things, which is enticing people to pick up books, so this one is a winner all round for me.
Phillip McSween (751 KP) rated The Hate U Give (2018) in Movies
Feb 11, 2019
Masterpiece, One of the Best of 2018
After witnessing a murder, black high school student Starr Carter (Amandla Stenberg) decides to stand up against racism while dealing with her own internal conflict of self-identity.
Acting: 10
Beginning: 8
The toughest part about critiquing is having to say something isn’t perfect, but not really having any ideas as to how to fix it. The beginning was…good. Characters are introduced as you meet the Carter family for the first time. It definitely could have been better, however. I felt it dragged on for slightly too long, but at the same time I understand director George Tillman Jr. was going for an emotional connection. While it could’ve been better, it is solid enough of a start to get you into the movie.
Characters: 10
The film revolves around Starr and her family. Each family member contributes to the overall dynamic of the story. You can see how Starr is shaped by her strong father Maverick (Russell Hornsby) who is all about standing up for what’s right and protecting the family at all costs. Her mother Lisa (Regina Hall) just wants Starr to have a better life than herself growing up. Starr recognizes that and tries to embrace it, but also feels guilty while doing so. It was therapeutic watching Starr evolve into a woman after feeling so powerless in the earlygoings of the film. All of these characters, even those outside of the Carter family, have depth and add value to the story.
Cinematography/Visuals: 10
Conflict: 10
Genre: 8
Memorability: 10
The Hate U Give is packed with twists and turns that you don’t expect or see coming. It really is a small world that we live in, too small to go around hating each other. The film succeeds by showing us just how small this world is. There are a number of memorable scenes that remain etched in my brain long after watching the movie. It’s one of those films that stays with you, leaving you with cause for much thought.
Pace: 9
There were a few spots where the build-up was a bit slow, but it’s not a major issue that impacts the movie as a whole. This goes back to what I was mentioning in the beginning. Not perfect, but I’m not sure how much I would have done differently than Tillman Jr. For the most part, the movie is highly entertaining and has a consistent flow.
Plot: 10
Resolution: 10
Ended just the way it should, not with some fairytale conclusion, but reality. Thank God for justice, but the movie leaves us with the full understanding that there is still work yet to be done. Very strong messaging.
Overall: 95
The Hate U Give is not your typical race war movie as it pushes for peace in coexistence and challenges the ideas of self-identification. The dynamics involved here are truly interesting as you see a black vs. white vs. hood life going on and what happens when lines cross. With a solid cast and story, it is not a surprise that this is one of my favorite films of 2018.
Acting: 10
Beginning: 8
The toughest part about critiquing is having to say something isn’t perfect, but not really having any ideas as to how to fix it. The beginning was…good. Characters are introduced as you meet the Carter family for the first time. It definitely could have been better, however. I felt it dragged on for slightly too long, but at the same time I understand director George Tillman Jr. was going for an emotional connection. While it could’ve been better, it is solid enough of a start to get you into the movie.
Characters: 10
The film revolves around Starr and her family. Each family member contributes to the overall dynamic of the story. You can see how Starr is shaped by her strong father Maverick (Russell Hornsby) who is all about standing up for what’s right and protecting the family at all costs. Her mother Lisa (Regina Hall) just wants Starr to have a better life than herself growing up. Starr recognizes that and tries to embrace it, but also feels guilty while doing so. It was therapeutic watching Starr evolve into a woman after feeling so powerless in the earlygoings of the film. All of these characters, even those outside of the Carter family, have depth and add value to the story.
Cinematography/Visuals: 10
Conflict: 10
Genre: 8
Memorability: 10
The Hate U Give is packed with twists and turns that you don’t expect or see coming. It really is a small world that we live in, too small to go around hating each other. The film succeeds by showing us just how small this world is. There are a number of memorable scenes that remain etched in my brain long after watching the movie. It’s one of those films that stays with you, leaving you with cause for much thought.
Pace: 9
There were a few spots where the build-up was a bit slow, but it’s not a major issue that impacts the movie as a whole. This goes back to what I was mentioning in the beginning. Not perfect, but I’m not sure how much I would have done differently than Tillman Jr. For the most part, the movie is highly entertaining and has a consistent flow.
Plot: 10
Resolution: 10
Ended just the way it should, not with some fairytale conclusion, but reality. Thank God for justice, but the movie leaves us with the full understanding that there is still work yet to be done. Very strong messaging.
Overall: 95
The Hate U Give is not your typical race war movie as it pushes for peace in coexistence and challenges the ideas of self-identification. The dynamics involved here are truly interesting as you see a black vs. white vs. hood life going on and what happens when lines cross. With a solid cast and story, it is not a surprise that this is one of my favorite films of 2018.
Mike Wilder (20 KP) rated The Hunger Games (2012) in Movies
May 30, 2018
Let the games begin!
Contains spoilers, click to show
This was an interesting film, the marketing was excellent and I wanted to see it even though I knew almost nothing about it. I knew it was based upon a novel but I hadn't read it. Jennifer Lawrence plays the lead of Katniss Everdeen and in my review of X-Men: First Class, I put her as the stand out performance of the film. I could see that she had something special, but would she be up to the task of carrying the whole film? Would my prediction about her be right?
The film is about a girl Katniss Everdeen (Jennifer Lawrence) who volunteers to fight in the Hunger Games taking the place of her younger sister. Competitors in the games are forced to fight to the death until only one is left standing.
There have been many films about people hunting people from Hard Target (1993) with Jean-Claude Van Damme to Surviving the Game (1994) staring Ice-T. The one that is most similar in style is the Japanese classic Battle Royale (2000). It also has youths forced to fight to the death, but where that film was purely designed for adults to shock and horrify you, Hunger Games is based on a book for teenagers and so is the film.
This was a very good film and for the most part it was beautifully shot. The actors in this are perfectly cast which includes Jennifer Lawrence, Stanley Tucci, Liam Hemsworth, Josh Hutcherson, Woody Harrelson, Wes Bentley, Paula Malcomson, Amandla Stenberg & Elizabeth Banks. Once again Jennifer Lawrence is outstanding, this time as the lead. Her portrayal of Katniss Everdeen is captivating. She has a great skill in drawing the audience in and making a connection with them. As with her performance in X-Men: First Class, her skill in portraying emotions comes over amazingly.
The film is a great visual treat, with a good story. However as good as the film is, the film makers failed in the transition from book to screen.
Minor Spoilers The book is set from the perspective of Katniss who is telling the story. However this is not the case with the film. It is just a story. The film really loses a lot from changing the format. With the book you get a lot of the history of the Hunger Games and you understand what they are all about. With the film this is missed out and barely covered in a small written intro. All the film needed to do was to have Katniss telling the story at least up until the point where her sister is chosen. Her giving a background narrative over the start of the film would have made a perfect introduction. The way it was done left me as a viewer without the necessary information I felt was needed to create an emotional connection to the characters and the story. Fortunately for me I started to read the book the night before the viewing as I had read that the film was a little vague during the opening scenes. This gave me the background that unfortunately the viewers of the film wouldn't necessarily have.
Minor Spoilers end The intentionally shaky camera shots get a bit too much at times and the lack of blood and carnage is a little too unbelievable and while overall this is a good film, it could have been a great film. If you have already read the book you should enjoy the film more than if you haven't.
8 out of 10 if you haven't read the book 9 out of 10 if you have read the book.
The film is about a girl Katniss Everdeen (Jennifer Lawrence) who volunteers to fight in the Hunger Games taking the place of her younger sister. Competitors in the games are forced to fight to the death until only one is left standing.
There have been many films about people hunting people from Hard Target (1993) with Jean-Claude Van Damme to Surviving the Game (1994) staring Ice-T. The one that is most similar in style is the Japanese classic Battle Royale (2000). It also has youths forced to fight to the death, but where that film was purely designed for adults to shock and horrify you, Hunger Games is based on a book for teenagers and so is the film.
This was a very good film and for the most part it was beautifully shot. The actors in this are perfectly cast which includes Jennifer Lawrence, Stanley Tucci, Liam Hemsworth, Josh Hutcherson, Woody Harrelson, Wes Bentley, Paula Malcomson, Amandla Stenberg & Elizabeth Banks. Once again Jennifer Lawrence is outstanding, this time as the lead. Her portrayal of Katniss Everdeen is captivating. She has a great skill in drawing the audience in and making a connection with them. As with her performance in X-Men: First Class, her skill in portraying emotions comes over amazingly.
The film is a great visual treat, with a good story. However as good as the film is, the film makers failed in the transition from book to screen.
Minor Spoilers The book is set from the perspective of Katniss who is telling the story. However this is not the case with the film. It is just a story. The film really loses a lot from changing the format. With the book you get a lot of the history of the Hunger Games and you understand what they are all about. With the film this is missed out and barely covered in a small written intro. All the film needed to do was to have Katniss telling the story at least up until the point where her sister is chosen. Her giving a background narrative over the start of the film would have made a perfect introduction. The way it was done left me as a viewer without the necessary information I felt was needed to create an emotional connection to the characters and the story. Fortunately for me I started to read the book the night before the viewing as I had read that the film was a little vague during the opening scenes. This gave me the background that unfortunately the viewers of the film wouldn't necessarily have.
Minor Spoilers end The intentionally shaky camera shots get a bit too much at times and the lack of blood and carnage is a little too unbelievable and while overall this is a good film, it could have been a great film. If you have already read the book you should enjoy the film more than if you haven't.
8 out of 10 if you haven't read the book 9 out of 10 if you have read the book.