"I’m a big fan of animation. I was just talking to my manager about how amazing How to Train Your Dragon is. The animation is out of this world, and the story… And I love that animated films now have evolved so much that they’re real heart-wrenching stories. It’s not just for kids, but adults enjoy them now as well. It’s just such a beautifully done film."

"One of my favorite films from Jim Jarmusch; I can never get enough of it. Beautifully shot by Robby Müller in Louisiana, a jailbreak with Tom Waits, John Lurie, and the first time many of us were to see the amazing Roberto Benigni. The Defiant Ones meets the Marx Brothers and even better. Jim is one of the last true stylists left in this “sad and beautiful world.”"

"Roger Ross William’s extraordinary, immersive chronicle of the Apollo Theater affirms that cultural expressions can be and are political action. In a film full of amazing performances, the moment of Billie Holiday singing and performing “Strange Fruit” is so alive, so emotionally open, at once ferocious and calm. Her serenity is profoundly unsettling, and we see not just a genius, but a freedom fighter using her voice as a weapon."

"MASH. To me, MASH is the superb realization of [Robert] Altman. Amazing. Whether it’s the improvisational nature, the way he layers dialogue, the way that he has scenes that are alive on every level. The rebelliousness, the anarchy, the humor. You know, Donald Sutherland and Elliot Gould were just [great]. To me, it was sort of like the perfect realization of what he does, although McCabe & Mrs. Miller is another favorite."

"Number two for me is Manhattan, Woody Allen. It’s so real-life. Again, not about any extraordinary things. It’s really true to life and true to psychology. It’s funny. It takes me to Manhattan, which I love New York City. Woody had to be on the list and, for me, he comes in at number two. Also one of the great endings in history. The score, George Gershwin … It’s amazing."

"Roger Ross William’s extraordinary, immersive chronicle of the Apollo Theater affirms that cultural expressions can be and are political action. In a film full of amazing performances, the moment of Billie Holiday singing and performing “Strange Fruit” is so alive, so emotionally open, at once ferocious and calm. Her serenity is profoundly unsettling, and we see not just a genius, but a freedom fighter using her voice as a weapon."