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    Kids Street Food Cooking!

    Kids Street Food Cooking!

    Games and Entertainment

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    A street fair is a perfect place to experience street food. Think you have what it takes to get...

Tetsuo: The Ironman (1989)
Tetsuo: The Ironman (1989)
1989 | Fantasy, Horror, Sci-Fi
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"Another one is Tetsuo: The Ironman, directed by Shin’ya Tsukamoto. To me that’s up there. That’s up there for me. I’d say the whole Tetsuo series, just because it’s such a beautifully handcrafted movie. You can tell there’s so much in it. I love that kind of, you know, like the early Tim Burtons and the David Lynches and all that stuff. There’s something about this Shin’ya Tsukamoto stuff. It was just at the perfect time when cyber-punk — what cyber-punk looked like — he was one of those people kind of establishing that. And whether people know it or not, Tetsuo: The Ironman was just hugely influential on everything, on sci-fi after that. It became like a design resource for everybody f—ing with sci-fi. You know, people have seen these images without even knowing the movie. It’s really, really awesome. I just think about it still, like, “How did they do that with no money, really? How did they pull this s— off and build these amazing effects?” They had to redub all the audio because there was no audio when they filmed it. There were a lot of elements against them too, but they pulled it off and it’s still just so amazing. I just hope to do a fraction of that with my own film."

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David Zellner recommended Robocop (1987) in Movies (curated)

 
Robocop  (1987)
Robocop (1987)
1987 | Action, Sci-Fi

"I was thirteen when I saw this on opening weekend, and I remember leaving the theater walking on air. This had everything I’d wanted in a film. I was expecting just another fun action movie, and it was so much more. I was blown away by Verhoeven’s skillful hand with bleak absurdist satire, action, and genuine pathos. Somehow the film’s ludicrous extremes were able to make a perfect in-the-moment statement about the Regan-era eighties without the benefit of hindsight. Amazing script, amazing cast, and Peter Weller should’ve gotten an Oscar. So many memorable lines. Rob Bottin’s iconic designs of Robocop and the nuclear waste victim. Phil Tippet’s brilliant stop-motion wonder ED-209, so hilariously anthropomorphized through its beastly sound design and hurky movement—and I’ve yet to see something like that executed as perfectly with CGI. Some truly great, subversive physical comedy. When this was first released on Criterion I was so excited it was getting the reverence it deserved among the other classics. I believe it’s on the commentary track where Verhoeven talks about the sequel he pitched that was inevitably turned down. Instead of simply repeating himself, he proposed a love story with RoboCop falling for a cyborg that was little more than a floating brain in a jar. I would love to see that."

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I adore this series! It is amazing!

I laughed, I cried, I laughed some more.

How can you not love Charley? She has this strange but sometimes brilliant way of thinking that makes you laugh out loud half the time. And Reyes? Come on! Reyes is hot! And he's incredibly sweet a lot of the time when he's not going all sever-your-spinal-cord mad at people who hurt Charley, though that's actually kinda hot, too, come to think of it :P

I love the progression of their relationship in this one. Having wild hot sex within the first 60 pages or so? Yeah! The post-its and him buying her things. I really think he loves you, Charley, and after what you did and said during those pages, I think you love him to. Aww, you'll make an amazing couple :')

For the first time ever (I think, anyway) I actually cried while reading one of these books. That scene near the end. God! I could hardly see the words in front of me because of the tears. You should have called Reyes, though, in my opinion.

And then that cliff-hanger question of an ending?!?! Girl, you have to say YES! of course.

Eagerly awaiting book 6 now to find out what she does say.