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Aquaman (2018)
Aquaman (2018)
2018 | Action, Sci-Fi
A little too cheesy
I really badly wanted to like this film, but for me it was a little too bad in places to really be anything other than just ‘ok’.

As stated by virtually everyone else who has reviewed it so far, the CGI is fantastic. For the most part, this film looks visually stunning. There are a few instances though where I thought some of the sets and costumes were a little too lurid and garish and looked a little bit ridiculous. But mostly it looked great. And I give a huge thumbs up to the fight scenes - I’m sick of watching shaky camera fights that give you motion sickness, so it was freshing to watch the brilliantly shot and choreographed scenes in this, the flowed very well. Jason Momoa is also fantastic, he plays Aquaman perfectly with just enough charm, brashness and charisma to make him funny and likeable. I even found myself liking Amber Heard, which is odd as I’ve never liked her in anything else. The rest of the cast though are hit and miss; the excellent Willem Defoe is underused, Patrick Wilson is misplaced and hamming it up far too much, and I can’t look at Nicole Kidman anymore without seeing all of the fakery and plastic in her face... and Black Manta? When he turned up in his fancy suit, he just looked like a goth version of Alpha from the Power Rangers. Very poor choice of bad guy there.

Where this film really falters though is the script and parts of the plot. Whilst this film is obviously meant to be silly, the script is horrendous and stilted in parts and the plot is beyond predictable. And I also thought the runtime is much too long. The cast, effects and director do their best, but it’s let down by the writing.

Also, did anyone else think the Karathen looked like a Kaiju? Didn’t clock she was voiced by Julie Andrews though until afterwards.
  
Show all 3 comments.
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Ross (3282 KP) Jan 9, 2019

Lol'ing at Black Manta being a goth Alpha.

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Sarah (7798 KP) Jan 9, 2019

@Erika she did didn’t she? I’m surprised she still gets any roles now as she can’t really move her face...

Aquaman (2018)
Aquaman (2018)
2018 | Action, Sci-Fi
Momoa saves it from being a complete disaster
I have been a defender of the darker DC Universe films. While not as popular (nor, generally, as good) as their Marvel counterparts, they all do have their good points - until now.

AQUAMAN is not a very good film and I could really only come up with 1 good point - Jason Momoa as Aquaman. Some are calling him "the next Rock" and he certainly has the physique, the screen presence and the charm to pull this off. This movie ALMOST worked because of Momoa's presence on the screen.

Almost.

Director James Wan (Furious 7, The Conjuring) certainly had the "chops" to Direct a film like this, unfortunately, I found his Direction to be choppy. What I mean by that is that this film never really settled into a good flow. It cut back and forth - both in content and in tone - to such an extent that I, the movie-goer, could never settle back into my seat and enjoy the ride. I'm sure Mr. Wan would call this movie a "roller-coaster ride", but if it is, it is an old, wooden, rickety roller coaster, jarring the riders as they go.

As for the cast, they are "fine". From Patrick Wilson to Amber Heard to Willem DaFoe to Dolph Lundgren(!) to good ol' Nicole Kidman. They all do decent, professional jobs with what they are given, but what they are given is weak and disjointed.

I would like to point out Yahya Abdul-Mateen as the sub-villain of this piece, Black Manta. This is the most incompetent Super-Villain in any Super Hero movie to date. His Black Manta was there, obviously, to give Aquaman someone to beat. And he beats him...again...and again...and again.

All I wanted to do was "beat feet" out of the theater.

Letter Grade: C+ (for Momoa's efforts)

5 stars (out of 10) and you can take that to the Bank(ofMarquis)
  
Resting Witch Face (Journals of Forbidden Witchery #1)
Resting Witch Face (Journals of Forbidden Witchery #1)
Maya Daniels | 2021 | Romance, Science Fiction/Fantasy
8
8.0 (1 Ratings)
Book Rating
RESTING WITCH FACE is the first book in the Journals of Forbidden Witchery series and we start a whole new urban fantasy. Hazel is our main character, a witch with no powers, otherwise known as a dud. This doesn't mean she's weak though. She's trained herself, and the enforcers in her coven, and can fight demons without powers. But when her grandmother (who coincidentally runs the coven) starts hiding her from view, Hazel sniffs out a secret. With her best friend Sissily, she needs to figure out what's going on before she is cast out for good.

This was a fantastic start to the series! Hazel is a smart-alec, with a sassy attitude, a short temper, and is fuelled by coffee. There is lots to like about her, especially her grumpiness which hides a lot of things. Sissily is a good friend, who has been there for her throughout but falters a bit at the end. I wasn't too keen on that so I'm hoping she pulls it together. And what would a Maya Daniels book be without a buff hero to fall back on?! River comes with his own secrets and I look forward to learning more about him.

I thought the pacing was perfect in this book. It was fast and full of action but without being frantic. It gave me time to enjoy the story, to immerse myself in it, enjoy Hazel's past, and wonder about her future. Alex and Amber are fantastic supporting characters, and I can't wait to learn more about Shadowborn as I'm sure he's dodgy. No reason, just because! 😉

With secrets aplenty, this is a brilliant start to a series I can't wait to continue. Absolutely recommended by me.

** same worded review will appear elsewhere **

* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *

Merissa
Archaeolibrarian - I Dig Good Books!
Jun 4, 2021
  
Prey (2022)
Prey (2022)
2022 | Sci-Fi
8
7.6 (9 Ratings)
Movie Rating
The latest film in the Predator film series has arrived and the first
under Disney ownership since their purchase of 20th Century Fox. “Prey”
takes a look back in order to move the franchise forward and it does
this by setting in amongst the Comanche community roughly three hundred
years in the past.


The film follows a young girl named Naru (Amber Midthunder) who looks to
become a warrior but in a male-dominated setting, only her brother is
relatively supportive of her ambition and talks about when she will face
a trial which she must endure to show her worth.


At the same time, a Predator has arrived and begins to hunt the local
wildlife. Naru sees evidence of his work and tries to convince the tribe
that the carnage they are finding is not the work of a bear or a
mountain lion as the community believes.


When the nature of the threat manifests itself, Naru must find the
courage and skills to track and face the enemy who threatens to destroy
her tribe.


The film is directed by Dan Trachtenberg and he mixes a good amount of
action along with a very interesting setting and characters to create an
engaging tale.


There are some moments that the FX was not as sharp as one might expect
but the sequences with the Predator are filled with action and suspense
and should make fans of the franchise very happy. The film at times does
require some leaps of faith from the audience but in the end, “Prey” is
a satisfying film that is superior to “The Predator” and rates as one of
the stronger entries in the series and that the franchise is in good
hands for the future.

It will be interesting to see where the franchise goes next as there is lots of material for the franchise to explore, but for now, “Prey” is a refreshing take on the series and one fans should enjoy.
  
Aquaman (2018)
Aquaman (2018)
2018 | Action, Sci-Fi
Jason Momoa as Aquaman The final battle The cgi Willem defoe Nicole kidman Amber heard Patrick Wilson (0 more)
Pitbulls Africa cover (0 more)
"war is coming to the surface"
Aquaman is absolutely a disciple of the superhero formula we've seen used, reused and recycled over the past couple decades...but its formula done right. There's an inherent lunacy to a hero like Aquaman; his myth is built upon a lost Atlantean culture that's simultaneously advanced technologically and heavily influenced by ancient Greek mythology, and his powers included near-Superman levels of strength and invulnerability existing alongside an ability to communicate with marine life. This makes approaching his story from a gritty, realistic perspective damn near impossible.

Instead Wan and the writers behind Aquaman intelligently focus on world-building and following the tried-and-true "heroic journey"; complete with initial rejection of a prophesied role, slow but steady immersion into said role's culture, recognition of the need for growth and change, and eventual assumption of role. It's been seen before and it'll be seen again. But what propels Aquaman ahead of other films like it is the energy that Wan imbues it with. It's goofy without undermining the sincerity of Arthur's journey. It's fast-paced and simple-minded without sacrificing the weight and universality of this particular hero's myth. It's loud and colorful and *full* of CGI everything without reducing itself to an over-commercialized, artless heap of nothingness.

It's a big-ass blockbuster with personality. Momoa has charisma to spare; he owns the physicality and irreverence of this new imagining of the king of the ocean perfectly. Amber Heard is sexy and badass as Mera; something of a victim of a forced romance but also a compelling and strong protagonist in her own right. Patrick Wilson as Oceanmaster (call me....Oceanmaster) is given enough screen-time to develop that he's more than a punching bag for Aquaman; but actually a character with ambitions and a defined, fleshed-out purpose. The origin segment is tightly done and more than enough to set the stage for what is to come. And probably the strongest aspect of this picture, the costuming and world-building, is off the charts. Similar to the enduring fantasy films that precede this (LOTR, Star Wars, Avatar for a few examples) the undersea kingdoms are a place I want to return to. They aren't just my world dressed up with CGI and the occasional costuming flourish; they're entirely foreign and endlessly inventive. Probably a solid third of the film is simply Aquaman, and the audience, being told about this world and shown it by Mera. While that may not be artistically prestigious strategy for engaging audiences, it entertains and fascinates on a "turn off your brain and look at those pretty colors" sort of way. There's a simple glee in seeing sharks ridden like horses or an octopus pounding a war-time set of drums.

I always offer the disclaimer when writing about nerdy films that I love which is this: I am a nerd. While I wasn't particularly attached to Aquaman growing up; his journey, the nature of this sort of film and the cinematic universe he will be growing into are fundamentally important to me, and I like to embrace that bias rather than keep it in check with reduced ratings or "objective" analysis. Whether it be a giant, confusing and chaotic battle between underwater armies or the horrifying descent into "the trench"; you'll always find me looking up at the screen like a little kid. Or moments like Arthur meeting Mera and confronting is past, or taking upon the role of king while wielding the trident; I just love that sort of stuff. I'm a sucker for these beats and this formula; and all signs point to this continuing. So while I may like it more than most; I'd mostly like to say Aquaman still distinguishes itself as a particularly goofy, sprawling, mythic, and metal experience that deserved to be seen on the big-screen, and to be celebrated as the fantasy film it is. It's a great time, and a nice addition to the DC film franchise.
  
All the Boys Love Mandy Lane (2006)
All the Boys Love Mandy Lane (2006)
2006 | Horror, Mystery
5
7.3 (4 Ratings)
Movie Rating
Story: All the Boys Love Mandy Lane starts with a teenage house party where one of the cool kids tries to hit on the beautiful Mandy Lane (Heard) but when one of the boys chasing her dies in an attempt to impress her we see how close Mandy is to Emmet (Welch). 9 months have passed since the accident and Red (Himelstein) is arranging a party at his family’s ranch which will include the invitation of Mandy Lane.

We watch as a group of high school friends head off to a ranch for a weekend off fun with plenty or drinks, drugs and sex with all the boys after Mandy Lane. We watch as the friend go through the traditional high school relationship issues and adding in the alcohol we get everything elevated to the next level. The weekend away takes twist when somebody starts picking off the friends before we learn that there is a bigger motive behind everything that happens.

All the Boys Love Mandy Lane really is just a bogged standard slasher film for the most part, but it does have an interesting twist you don’t see coming. The characters are very painful generic and the story just follows everything you would expect to see in a slasher film. The film tries something different with the ending which is the only positive about this film otherwise it really is just offer nothing new. (5/10)

 

Actor Review

 

Amber Heard: Mandy Lane is the gorgeous girl that all the high school guys want to be with but she is very independent not falling for any of the guys lines. She strikes jealousy between the friends who each believe they are in the driving seat to get her. Amber does a solid job in the role but clearly only works because of how beautiful she is. (6/10)

 mandy

Anson Mount: Garth is the ranch hand on the ranch that all the girls fall for but he ends up planning babysitter to all of the high school kids who can’t handle their drinks. Anson does a basic job as the older wise protector of the film but doesn’t do enough with the whole story. (4/10)

 

Whitney Able: Chloe is the insecure member of the friends who thinks all the girls need a perfect skinny body to impress the guys. Whitney does end up being the very generic character that we are all expecting to get what is coming to her early on. (5/10)

 

Michael Welch: Emmet is Mandy’s old friend who is the guy picking off the popular kids to make them pay for what happened after the party incident. Michael plays the killer well using no remorse through the film. (6/10)

 

Support Cast: All the Boys Love Mandy Lane has a supporting cast that is basically there just to be disposable and only become helpful to make Emmet look more crazed.

 

Director Review: Jonathan Levine – Jonathan does a solid job with the horror film because it follows the same old routine but throws you out of the comfort zone with the ending. (5/10)

 

Horror: All the Boys Love Mandy Lane follows all the slasher ABC style very easily. (8/10)

Settings: All the Boys Love Mandy Lane puts our characters in an isolated location for the horror to take place where the killer can get away with whatever they wants. (7/10)

Suggestion: All the Boys Love Mandy Lane is one for the horror fans to enjoy otherwise it will just end up being very average. (Horror Fans Try)

 

Best Part: Final Twist.

Worst Part: Nothing new in the opening part.

 

Believability: No (0/10)

Chances of Tears: No (0/10)

Chances of Sequel: No

Post Credits Scene: No

Similar Too: Most Slasher films.

 

Oscar Chances: No

Budget: $750,000

Runtime: 1 Hour 30 Minutes

Tagline: Everyone is dying to be with her. Someone is killing for it.

 

Overall: Just another slasher that we have seen too many times before.

https://moviesreview101.com/2015/10/02/movie-reviews-101-halloween-midnight-horror-all-the-boys-love-mandy-lane-2006/