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The Hunger Games (2012)
The Hunger Games (2012)
2012 | Drama, Mystery, Sci-Fi
So, the pop-culture behometh that was (is?) 'The Hunger Games'.

It's a trilogy of Young Adult (I hate that term! Us older adults can like them, too ...) novels, made into a quartet of movies.

This is the first in both the novels and the movie series.

While, yes, I have read those novels - I'm not sure, but maybe after originally having watched this film back in 2012 or so? - I can't really remember the full ins and outs of the plot - except the obvious! - although I am sure that, as always, liberties will have been taken, as movies and prose are two distinct mediums.

Set in the future dystopia of Panem (post apocalyptic America?), once every year the 12 districts are forced to randomly choose and send two teenagers - one boy and a girl - to The Capitol to participate in a televised fight to the death inside a giant man-made arena. Katniss Everdeen is one of those chosen from District 12, volunteering to take her sister's place when her sisters name is chosen during her first year of mandatory participation. The film (like what I remember from the book) draws a clear distinction between those from The Capitol - who view this all as a grand sport, and who are very definitely the haves of this world against those from the various districts (the have nots), while also taking the opportunity to make a point about how those in power can treat and abuse those without.

Yes, it's violent.

Yes, I'm sure some of the bloodier parts of the book were cut in order to get the PG-13 rating it does.

Yes, Jennifer Lawrence shines in the lead role

Yes, that *is* Chris Hemsworth's (otherwise known as the MCU's Thor) brother Liam.
  
Dawn by SG Lewis
Dawn by SG Lewis
7
7.0 (1 Ratings)
Album Rating
SG Lewis is a London-based songwriter, producer, and multi-instrumentalist. Not too long ago, he released his “Dawn” EP ahead of his two high profile festival appearances at North Coast Music Festival and Jay-Z’s Made In America, and a headlining tour in September.

His 6-track project, released via Casablanca and Republic Records, is the third and final chapter of his three-part concept album, entitled, Dusk, Dark, Dawn.

“I forgive, I forget all the words I’ve never spoken. I’ve been lost, I’ve been hurt, I’ve been blamed. Sitting here on the floor feels like I’ve been high forever. Coming down, falling hard, all in vain.” – lyrics

‘Easy Loving You’ tells a bittersweet tale of a heavy-hearted young man who struggles to cope with the pain after suffering an emotional breakup with his girlfriend.
Looking back in hindsight, he realizes that she wasn’t an easy person to love, and their problematic relation was doomed from the start because they were oceans apart.

Later, he admits that both of them are broken and in need of emotional repair. Also, it hurts every time he remembers that they are no longer together.

‘Easy Loving You’ contains a gloomy storyline, heartfelt vocals, and melodic instrumentation flavored with sentimental and electro-R&B elements.

“Blue, in your eyes as I fall for the night. But you’ll fade away when morning light is rising. Leave a taste lingering on my skin. Have I been here before? You touch me and I fall. I close my eyes on the horizon, me and you. I can see the lights inside my mind are glowing blue.” – lyrics

Not too long ago, SG Lewis released the psychedelic, Rainbow Road tinged music video for his EP opener, entitled, “Blue”.

The likable tune was inspired by the countless amount of hours that Lewis spent in airports while touring over the last year.

Get acquainted with his music by streaming his “Dawn” EP via Spotify.

“‘Dawn’ is the final phase of the 3-part album I have spent the last 18 months working on. ‘Dawn’ captures the energy of the end of the night, the intimacy of the quieter moments, and the emotions felt after the energetic highs of ‘Dark’. It is a more introspective phase, and is the most personal music I think I have ever released.” – SG Lewis

It’s been an impressive year for SG Lewis, with SOLD-OUT shows across North America, Asia, and Europe.

Not too long ago, Dark‘s lead single, “Hurting”, hit No.1 on the Billboard Dance/Mix Show Airplay Chart.

Also, Lewis played a prime slot at this year’s Coachella and continues to cement his status as not one of London’s hottest new talents, capable of making a splash on both sides of the Atlantic.
  
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>

Kimberly Rae draws attention to the ongoing trafficking of children in India in her young adult novel <i>Capturing Jasmina</i>. Jasmina was only ten when her father sold both her and her brother Samir to a man promising safety and good education. In reality the siblings end up in a sweatshop slaving over clothes to be sold in America. After three years they manage to escape only to be trafficked a second time. Eventually Jasmina and Samir are separated and Jasmina becomes a street kid.

Whilst living on the streets Jasmina encounters a Christian missionary, Asha, rescuing women from brothels by either offering them a safe place to live or at the very least spiritually, by teaching them about God and Jesus. Intrigued Jasmina follows Asha who then offers to help her too. After having her childhood robbed from her, it seems like Jasmina, with the help of those who trust in God, will get back on her feet again.

Despite being a short novel, Rae paints a contrasting image to what the western world is used to. Jasmina finds the concept of a simple toilet baffling. It is not until you hear or see what is happening to innocent people in other parts of the world that you realize there are so many things in life you take for granted.

<i>Capturing Jasmina</i> emphasizes how difficult it is to escape once trafficked. In these situations people belong to everyone but themselves. They have no freedom and running away can cause more problems than it solves. The novel also shows what Christians can do to help. Although no one can completely solve the problems, the tiniest piece of aid they can provide is a step in the right direction.

It was slightly disappointing that we do not find out what happened to Samir once he was separated from his sister. Jasmina’s first person narrative makes it clear that what she wants most is to be reunited with her family. In a way, although there is a positive ending, not yet finding her brother makes it clear that there cannot always be happy endings. It is not possible to save everyone.

Written from a young teenagers point of view makes this book suitable for ages twelve and older. Christians will appreciate the biblical references however there is not too much religion for non-believers or those of other religions to get offended by.
  
Rock the Kasbah (2016)
Rock the Kasbah (2016)
2016 | Drama
7
6.5 (2 Ratings)
Movie Rating
Music is a language that transcends race, gender, age, and nationality. It is timeless. It is transformative. Music has the power to shape and redefine culture. In Rock the Kasbah, Bill Murray plays Richie Lanz, a washed up Rock manager who seeks to bring one of his acts to Afghanistan as part of the USO tour. Within the first day of arrival, his plans are unraveled as his singer (Zooey Deschanel) panics and runs off with his money and passport in order to return back to America.

After meeting a myriad of characters (Bruce Willis, Kate Hudson. Danny McBride) in Kabul, he is presented with a new opportunity to introduce the world to a true talent. He discovers a young Pashtun girl with an amazing voice who dreams of being able to compete on “Afghan Star,” a musical competition show similar to “American Idol.” Cultural norms forbid her from singing and participating in the competition which demonstrate the complexity of Afghan culture, history, and politics. Understanding the threat to himself and Salima (Leem Lubany), Richie arranges for her to appear on the show, defying traditions and customs.

The film itself is a decent adaptation of the real story captured in the documentary Afghan Star which examines the life of Setara who must go into hiding because of her appearance in the competition. Rock the Kasbah has moments of genuine humor which fully utilizes Bill Murray’s true talents. Unfortunately, there are points where the plot and the storyline does not seem to fit together seamlessly. One great aspect of the film is its use of music to demonstrate the reach that it has across cultural lines. The love of music and artistic expression which had been severely restricted during the years of Taliban rule and Mujahedeen influence survived and is emblematic of how the people and the culture is much more complex and relatable than many would assume. This film goes beyond a story of a young singer trying to express herself and a manager trying to reclaim the glory of years ago. It is about the culture, history, and political framework of Afghanistan and the Afghan people.

It promotes them in a more positive light without relegating them to being a monolithic culture and people. It provides more insight into the circumstances that many of the people both in the cities and the tribal regions deal with. Audiences will be satisfied Rock the Kasbah as it is a musical and comedic showcase. They may even find themselves singing “Wild World” long after the credits roll.
  
Velvet Underground by The Velvet Underground
Velvet Underground by The Velvet Underground
1969 | Experimental
8.4 (7 Ratings)
Album Favorite

"This was probably the most important pop album for me in that I think it's the moment where I realised that I could be a musician. It was partly that this band was semi-non-musicians, but it was also because the songs borrowed a lot from what I knew about experimental music at the time. I'd been playing experimental music with various outfits in England and with Morton Feldman and Christian Wolff and all these people that had come over from America to visit us, 32 people who were into the experimental music scene in England. La Monte Young was one of the big figures in everybody's cosmology at the time and The Velvets, both Lou [Reed] and John [Cale], had worked with La Monte. So the first album came out, I thought, ""Fantastic, amazing."" Second album I thought, ""Great, amazing."" But the third album was the one that really killed me. The first album was quite wild and dark and weird, the second album was mad and intense. But the third album was so gentle and beautiful, but because you knew their history there was that undertone of violence and rage, something trying to burst out. Even on the love songs on this – and many of them are love songs – you hear that real tension. What made me think I could do it too was that the songs were simple and the playing was so simple. There's very little artifice at all in this. But also the mood was something that I thought I could kind of connect to. The difficult thing about pop music as I was growing up, and I was 20, I think, when I first heard this, was that it dealt with young teenage emotions mostly, and that just wasn't interesting to me. I loved the music but what the songs were about was sort of childish and it was all about 'me' and 'you' and 'love', and I just wasn't interested in that really. At the same time I'd been working with Cornelius Cardew and all these kind of quite heavyweight experimental composers. But I didn't want just that. I wanted that [pop music] and that [experimental]. So I was always looking for anywhere that somebody was making some blends that started to be interesting. I didn't own this record for years and years. I just didn't buy this album because I never wanted it to become casual for me. I bought this one about five years ago. I never owned it before then. I would only hear it at other people's places because I always wanted it to be special."

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