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The Devil's Rejects (2005)
The Devil's Rejects (2005)
2005 | Horror
Still largely prefer the viscera of gross circus-esque horror movie eye candy of 𝘏𝘰𝘶𝘴𝘦 𝘰𝘧 1000 𝘊𝘰𝘳𝘱𝘴𝘦𝘴, but this one somehow might be more repulsive and disturbing. I'm astounded this movie even works at all, revisiting such ostentatious caricatures by way of Americana on-the-run crime movie should never have worked - but not only did it manage to be one of the best crime thrillers of the 21st century, but it also set the template for how more sequels oughta look into telling their story, by completely flipping the script and going with an entirely different genre while still maintaining the root of what makes the characters so great. Loaded with moody desolate (both physically and morally) cinematography, a deliciously over-the-top William Forsythe villain, pounds upon pounds of stomach-churning brutality, and a rich late-70s tone that takes over anything from the aesthetic to the soundtrack. Zombie has created some of the hall-of-fame best horror movie characters ever put to screen through Baby, Otis, and Captain Spaulding - not only gleefully cruel, unique, and uproariously riveting but also able to see the fault of their own detrimental wickedness yet still choosing not to change even if they could. Their own self-destructiveness isn't even allowed to take full hold because of the American system they're forced to act within, also the "Free Bird" ending is as amazing as everyone says.
  
Cold Calling
Cold Calling
Haydn Wilks | 2020 | Horror, Thriller
6
6.0 (2 Ratings)
Book Rating
<b><i>People will put up with all manner of perversion, all manner of fucked-up-ness, they’ll positively revel in it, but what people won’t tolerate is boredom.</b></i>

To a certain extent, I did enjoy this, but I don't feel comfortable saying that due to the depravity and obscenity of it. This certainly has some <i>American Psycho</i> vibes to it, a book which I thoroughly enjoyed, but <i>Cold Calling</i> somehow seems to excel Bateman's darkness with Rhys' spur-of-the-moment crime. I suppose because in <i>American Psycho</i>, there is a clear underlying cultural message and in <i>Cold Calling</i>, that same message doesn't get across so easily, if it's even there at all.

Wilks' writing is good, there's no doubt about that, he keeps you reading and wanting more no matter how disturbed you feel. There's a card game scene in the middle of the novel that I got a bit tired with, but it was to develop the growing anger, boredom and hatred inside of Rhys.

This is definitely <b>NOT</b> one for the squeamish. I'm not surprised this has several low ratings, it's certainly a difficult novel to handle and is only going to be enjoyed by a very niche market.

One thing I <i>really</i> love about this book is the gruesome cover art!

Thanks to Haydn Wilks for sending me a copy in exchange for a review!
  
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Eleanor (1463 KP) rated Unbelievable in TV

Oct 16, 2019  
Unbelievable
Unbelievable
2019 | Drama
A hard to watch but a must watch mini series
This is a true-crime story done so right. It focuses on a series of rapes so if that’s a trigger for you; stay well away; there is detail about the rapes.

I came across the story from a podcast episode on This American Life which had based an episode on the Pulitzer Prize-winning article “An Unbelievable Story of Rape” and was rerunning the story because of this series coming out. It’s a hard-hitting story that strongly shines a light on the issues between differences of how victims can be treated. This adaptation does the story justice and is an engrossing watch.

We start off meeting Marie a young woman fresh out of the foster system who is raped by an intruder; her story and in particular how she is treated are hard to watch but important for people to understand the full horror of having to come forward as a victim.

As the series progresses we still see Marie’s journey but more of the action is on investigations into other rapes in different jurisdictions. We meet Det. Karen Duvall and Det. Grace Rasmussen who are both great and the story gets easier to watch as we see them get down to some hard-hitting police work.

What sets this apart in the current influx of true-crime TV is the real focus on the victims rather than the all too common focus on the perpetrator. It works so well; making a strong emotional watching experience.