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James Koppert (2698 KP) rated The Possession (The Anomaly Files #2) in Books
Nov 3, 2019
Great follow on from the previous book (1 more)
Don't have to have read the previous book
For the fans of Coast to Coast AM etc
When I reviewed Michael Rutger's previous novel; The Anomaly I said that this was a novel for those of us who love the strange paranormal, supernatural woo woo of things like Fortean Times magazine, Coast to Coast AM, Astonishing Legends and Lore and I am going to say the same thing for The Possession. The title lets it down a little. This isn't some girl gets possessed by a daemon and gets exorcised run of the mill story, Rutger is far more interesting than that.
The story centres round the Berkeley Mystery Walls, strange walls in California that are ancient and don't seem to be marking territory and whom no one knows who built them and what their purpose is, and the disappearance of a girl. Nolan Moore and his Anomaly Files crew turn up to investigate and things start getting more and more strange, creepy and out of this world as they go along.
Do you have to have read the previous book to get any of this? Not at all, you can jump straight into this as a separate story although after reading the Anomaly I was really keen to get The Possession and I wasn't disappointed. It is a tense thrilling hell ride from start to finish with no simple answers and solutions, just the great characters from the first book back bumbling through as best they can to try and save the world. Its great fun, full of well researched strange events and massive adventure. Its refreshing to have a voice in horror that throws away the cliches and instead makes a modern story entirely of their own. Lets hope there are many more novels to come.
The story centres round the Berkeley Mystery Walls, strange walls in California that are ancient and don't seem to be marking territory and whom no one knows who built them and what their purpose is, and the disappearance of a girl. Nolan Moore and his Anomaly Files crew turn up to investigate and things start getting more and more strange, creepy and out of this world as they go along.
Do you have to have read the previous book to get any of this? Not at all, you can jump straight into this as a separate story although after reading the Anomaly I was really keen to get The Possession and I wasn't disappointed. It is a tense thrilling hell ride from start to finish with no simple answers and solutions, just the great characters from the first book back bumbling through as best they can to try and save the world. Its great fun, full of well researched strange events and massive adventure. Its refreshing to have a voice in horror that throws away the cliches and instead makes a modern story entirely of their own. Lets hope there are many more novels to come.
LeftSideCut (3778 KP) rated X-Men: Apocalypse (2016) in Movies
Aug 19, 2019 (Updated Oct 25, 2019)
A dammmnnn shame
Contains spoilers, click to show
Oh boy.
I'm going to get straight to the main flaw with this one - I'm not sure how someone can really mess up Apocalypse so bad - he is a great X-Men villain. I remember watching the cartoon as a kid, being enamoured whenever Apocalypse turned up. The first mutant, practically a god, terrifying voice etc.
The Age of Apocalypse story arc is also a great comic - one where we see just how dangerous Apocalypse can be.
But instead of this classic villain, we get, well whatever the hell this is.
Oscar Isaac is give or take in other films I've seen him in, he just sort of exists to me, but I'm sure he did the best he could with what he was given.
But the character we're presented with in X-Men: Apocalypse is a mutant that isn't particularly terrifying, whose motives aren't very clear, and who speaks in a goddam normal human voice for the entire movie.
He looks, ok I guess, a little Ivan Ooze-ish at times, and there is a (very) brief moment where his voice goes all demonic and his eyes turn white, which offers a tiny glimpse of what could have been.
Elsewhere, the still awesome Michael Fassbender is relegated to a sidekick character, new cast members such as Psylocke, Angel, and Storm are there just to strike poses to edgy rock music, and Quicksilver gets a re hash of his great scene from DOFP that just doesn't quite hit the mark this time round.
The introduction of Sophie Turner as Jean Grey is fine, and it's nice to see a young Cyclops, Nightcrawler etc, but they're not given too much to do. It all just feels like one big wasted opportunity.
The film would have been much better and ballsier had it ended with Apocalypse winning, and ushering a full on Age of Apocalypse scenario for a sequel, but instead, he is dispatched with not too much trouble, as the writers poorly shoehorn in a segue for Dark Phoenix (for the second time in this franchise)
It's not all bad, there are times where I felt I was watching the cartoon come to life. The opening scene in ancient Egypt was pretty fun, and I actually quite enjoyed the brief Wolverine scene - those few minutes were way more entertaining to me than the entirety of X-Men Origins: Wolverine.
Overall though, this one had me wanting the rights to return to Marvel Studios.
I'm going to get straight to the main flaw with this one - I'm not sure how someone can really mess up Apocalypse so bad - he is a great X-Men villain. I remember watching the cartoon as a kid, being enamoured whenever Apocalypse turned up. The first mutant, practically a god, terrifying voice etc.
The Age of Apocalypse story arc is also a great comic - one where we see just how dangerous Apocalypse can be.
But instead of this classic villain, we get, well whatever the hell this is.
Oscar Isaac is give or take in other films I've seen him in, he just sort of exists to me, but I'm sure he did the best he could with what he was given.
But the character we're presented with in X-Men: Apocalypse is a mutant that isn't particularly terrifying, whose motives aren't very clear, and who speaks in a goddam normal human voice for the entire movie.
He looks, ok I guess, a little Ivan Ooze-ish at times, and there is a (very) brief moment where his voice goes all demonic and his eyes turn white, which offers a tiny glimpse of what could have been.
Elsewhere, the still awesome Michael Fassbender is relegated to a sidekick character, new cast members such as Psylocke, Angel, and Storm are there just to strike poses to edgy rock music, and Quicksilver gets a re hash of his great scene from DOFP that just doesn't quite hit the mark this time round.
The introduction of Sophie Turner as Jean Grey is fine, and it's nice to see a young Cyclops, Nightcrawler etc, but they're not given too much to do. It all just feels like one big wasted opportunity.
The film would have been much better and ballsier had it ended with Apocalypse winning, and ushering a full on Age of Apocalypse scenario for a sequel, but instead, he is dispatched with not too much trouble, as the writers poorly shoehorn in a segue for Dark Phoenix (for the second time in this franchise)
It's not all bad, there are times where I felt I was watching the cartoon come to life. The opening scene in ancient Egypt was pretty fun, and I actually quite enjoyed the brief Wolverine scene - those few minutes were way more entertaining to me than the entirety of X-Men Origins: Wolverine.
Overall though, this one had me wanting the rights to return to Marvel Studios.
Ross (3284 KP) rated Dark Forge (Masters & Mages #2) in Books
Jan 30, 2019
Another slog of a book but with a good overall plot
*** I received a free advance copy of this book from NetGalley in exchange for an honest review ***
Dark Forge follows on from Cold Iron and sees the hero, Aranthur, travelling through the desert-lands battling against "The Pure", a group of magikal fundamentalists that believe access to the world's magik should be restricted to those of noble birth.
As a rare treat, the book starts with a lengthy prologue telling of a group of mercenaries working for the Pure attempting to storm an ancient site and gain ownership of a magical artefact. A few dozen pages break from Aranthur was welcome and this was an exciting part of the story. As with the first book, the narrative style is something of a barrier to me, all the mundane details of clothing, horses, weapons are expounded ad nauseum, but when something important happens, or some new magik is used suddenly it's all very vague and hand-wavey.
That brings us back to Aranthur. We pick up with him and his crew acting as messengers for the General's army, relaying messages back and forth across the divisions of the forces. At times this changes to acting as advance scouts, other times running messages through the middle of battles. Given the rest of the story is told from Aranthur's PoV alone, this means we can see a great deal of the action through his eyes.
At long last we are treated to something of an inventory from Aranthur, as he goes over the magik he currently knows and their purpose. This felt like a brilliant improvement over book 1, where he just did a magik thing somehow. However this is short lived as over the course of the book odd words are used, with little explanation (and always in italics, suggesting they are important words but for the life of me I couldn't remember what most of them were).
A major failing for this book for me was that despite all being from one character's PoV, and we hear plenty of his thoughts and feelings, we are not privy to his experimentation with magik or some of his suspicions and theories (he suddenly in the heat of battle tries something he had been thinking about and it works - would have been so much more effective if there had been any hint of this previously). Similarly, so much of it is all metaphysical nonsense which I can't stand and can only see it as a cheap way out for an author as you don't have to explain things if they're all mystical.
The book reads like maybe the 5th in a series, where all the magical aspects and parts and peoples of the world have been solidly embedded, rather than book 2 where the world-building is being done almost real-time and there is something of a making-it-up-as-he-goes-along feel.
The overarching plot of the book is solid, and while I would have liked to see more traditional combat like the first book, and less magical/mystical stuff the action was plentiful and reasonably well told.
As with the first book, its only about 400 pages but felt like so much more to me, and it really was a bit of a slog at times.
I will finish this series with the conclusion when it is released but have enjoyed other series a lot more.
Dark Forge follows on from Cold Iron and sees the hero, Aranthur, travelling through the desert-lands battling against "The Pure", a group of magikal fundamentalists that believe access to the world's magik should be restricted to those of noble birth.
As a rare treat, the book starts with a lengthy prologue telling of a group of mercenaries working for the Pure attempting to storm an ancient site and gain ownership of a magical artefact. A few dozen pages break from Aranthur was welcome and this was an exciting part of the story. As with the first book, the narrative style is something of a barrier to me, all the mundane details of clothing, horses, weapons are expounded ad nauseum, but when something important happens, or some new magik is used suddenly it's all very vague and hand-wavey.
That brings us back to Aranthur. We pick up with him and his crew acting as messengers for the General's army, relaying messages back and forth across the divisions of the forces. At times this changes to acting as advance scouts, other times running messages through the middle of battles. Given the rest of the story is told from Aranthur's PoV alone, this means we can see a great deal of the action through his eyes.
At long last we are treated to something of an inventory from Aranthur, as he goes over the magik he currently knows and their purpose. This felt like a brilliant improvement over book 1, where he just did a magik thing somehow. However this is short lived as over the course of the book odd words are used, with little explanation (and always in italics, suggesting they are important words but for the life of me I couldn't remember what most of them were).
A major failing for this book for me was that despite all being from one character's PoV, and we hear plenty of his thoughts and feelings, we are not privy to his experimentation with magik or some of his suspicions and theories (he suddenly in the heat of battle tries something he had been thinking about and it works - would have been so much more effective if there had been any hint of this previously). Similarly, so much of it is all metaphysical nonsense which I can't stand and can only see it as a cheap way out for an author as you don't have to explain things if they're all mystical.
The book reads like maybe the 5th in a series, where all the magical aspects and parts and peoples of the world have been solidly embedded, rather than book 2 where the world-building is being done almost real-time and there is something of a making-it-up-as-he-goes-along feel.
The overarching plot of the book is solid, and while I would have liked to see more traditional combat like the first book, and less magical/mystical stuff the action was plentiful and reasonably well told.
As with the first book, its only about 400 pages but felt like so much more to me, and it really was a bit of a slog at times.
I will finish this series with the conclusion when it is released but have enjoyed other series a lot more.
Darren (1599 KP) rated Alone in the Dark (2005) in Movies
Jun 20, 2019
Story: I am going to first look at this only as a story, no opinions on the CGI or casting choices. If you were to look at the story as a solo idea you get a solid action horror. Now I hear people going ‘no its just crap’ so let’s look at the details. First off we have an idea of scientific experiment on children to create sleepers, but something goes wrong so we don’t see why it happened until more discoveries in the future. Then we have a search for hidden treasures of a lost ancient people. Add in a paranormal investigator, a secret government paranormal investigating team and the search for a truth. Now looking at those factors we should have a good story not special but enjoyable. Now with terrible casting decisions, awful CGI and a script that could have been written but a child everything goes south fast. As an idea for a story this is good, but as an execution of a story it’s bad. (5/10)
Actor Review
Christian Slater: Edward Carnby a paranormal investigator who has been trying to uncover the truth about his childhood, this puts him in danger as this time he has got closer than ever before. He must team up with his old organisation to final uncover the truth that has lost him the memories of his childhood. Slater strolls for this role without showing any of the skills that made him a star in the early 90s. (5/10)
slater
Tara Reid: Aline Cedrac assistant curator at the museum who also happens to be Edward’s girlfriend, she gets caught up in the middle of the battle after she uncover the location of the door. Going to take a deep breath before going for this one, just no how did this happen? Try your luck in romantic comedies. (2/10)
reid
Stephen Dorff: Commander Burke leader of a military team trying to keep the monsters away from the public, old partner of Edward but after seeing the truth he teams up with them to uncover the truth. Stephen can act and has proven it many times, just need to give him something to work with. (4/10)
dorff
Frank C Turner: Sam an old connection within the organisation that still communicates with Edward, he fills in the science gaps and you can guess what happens to him by the end. Basic supporting performance. (4/10)
fisher
Matthew Walker: Professor Hudgens scientist trying to open the door to the truth about the ancient people, he will do anything to get his answers including sacrificing anybody who gets in his way. As villains go this is generic one that doesn’t need too much to make them special. (4/10)
profes
Director Review: Uwe Boll – He not only managed to mess up a relatively easy story with awful CGI and lack of directing ideas. (2/10)
Action: Plenty of guns being fired, not sure if they ever hit anything as everything is in the pitch black. (3/10)
Horror: Doesn’t give you any scares, frights, well made with the acting. (1/10)
Settings: The settings used for the gun fights are used well, because they would make real settings for such a discover if someone wanted to keep it quiet. (6/10)
Special Effects: Terrible special effects that I only saw one good one and that was a soldier’s head split in two. (1/10)
Suggestion: I think if you are bored one night and this is on it would be acceptable to watch it as it slips close to the line of so bad you have to see. (Late Night TV)
Best Part: The idea
Worst Part: The CGI, Acting and Execution of the idea.
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: Actually has one sequel
Post Credits Scene: No
Oscar Chances: No
Box Office: $10 Million
Budget: $20 Million
Runtime: 1 Hour 39 Minutes
Tagline: Can mankind defeat the army of darkness unleashed by an ancient evil cult?
Overall: Not only did this film destroy the source material, it ruined any chance the video game had of returning.
https://moviesreview101.com/2014/11/09/alone-in-the-dark-2005/
Actor Review
Christian Slater: Edward Carnby a paranormal investigator who has been trying to uncover the truth about his childhood, this puts him in danger as this time he has got closer than ever before. He must team up with his old organisation to final uncover the truth that has lost him the memories of his childhood. Slater strolls for this role without showing any of the skills that made him a star in the early 90s. (5/10)
slater
Tara Reid: Aline Cedrac assistant curator at the museum who also happens to be Edward’s girlfriend, she gets caught up in the middle of the battle after she uncover the location of the door. Going to take a deep breath before going for this one, just no how did this happen? Try your luck in romantic comedies. (2/10)
reid
Stephen Dorff: Commander Burke leader of a military team trying to keep the monsters away from the public, old partner of Edward but after seeing the truth he teams up with them to uncover the truth. Stephen can act and has proven it many times, just need to give him something to work with. (4/10)
dorff
Frank C Turner: Sam an old connection within the organisation that still communicates with Edward, he fills in the science gaps and you can guess what happens to him by the end. Basic supporting performance. (4/10)
fisher
Matthew Walker: Professor Hudgens scientist trying to open the door to the truth about the ancient people, he will do anything to get his answers including sacrificing anybody who gets in his way. As villains go this is generic one that doesn’t need too much to make them special. (4/10)
profes
Director Review: Uwe Boll – He not only managed to mess up a relatively easy story with awful CGI and lack of directing ideas. (2/10)
Action: Plenty of guns being fired, not sure if they ever hit anything as everything is in the pitch black. (3/10)
Horror: Doesn’t give you any scares, frights, well made with the acting. (1/10)
Settings: The settings used for the gun fights are used well, because they would make real settings for such a discover if someone wanted to keep it quiet. (6/10)
Special Effects: Terrible special effects that I only saw one good one and that was a soldier’s head split in two. (1/10)
Suggestion: I think if you are bored one night and this is on it would be acceptable to watch it as it slips close to the line of so bad you have to see. (Late Night TV)
Best Part: The idea
Worst Part: The CGI, Acting and Execution of the idea.
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: Actually has one sequel
Post Credits Scene: No
Oscar Chances: No
Box Office: $10 Million
Budget: $20 Million
Runtime: 1 Hour 39 Minutes
Tagline: Can mankind defeat the army of darkness unleashed by an ancient evil cult?
Overall: Not only did this film destroy the source material, it ruined any chance the video game had of returning.
https://moviesreview101.com/2014/11/09/alone-in-the-dark-2005/
Purple Phoenix Games (2266 KP) rated Elysium in Tabletop Games
Aug 3, 2021
Greek Mythology has ALWAYS been a fascination of mine. I remember rewinding and replaying the original “Clash of the Titans” movie over and over on VHS. It’s super warped today but I still enjoy it now digitally. When I saw Elysium was coming out several years ago I knew I had to take a look at it, and I’m glad I did because it shot up my Top 100 Games of All Time and even spent a while in my Top 10. Not so much anymore, but I still love it. Why, you ask?
Elysium is a set collection card drafting game for two to four players. Each player will be attempting to complete the greatest collection of Legends written and subsequently transferred to their Elysium (Ancient Grecian version of heaven) for Victory Points. Whomever weaves the greatest Legendary tapestry will emerge victorious and really have a story to tell.
To setup, follow the instructions in the rulebook, but a three player game should look similar to what is pictured above. Players will receive their own player board, starting VP tokens and gold, and a set of columns. Cards from five different Grecian families will be shuffled and displayed in The Agora (middle of the board and the place to draft the cards). Once setup the game may begin.
Elysium is played over five Epochs (rounds) and each Epoch is divided into four phases. Phase I is Awakening, which is simply setting up The Agora for the new Epoch by removing all existing cards there and revealing more. Phase II is Actions, where players will be using their columns to draft cards from The Agora (as long as the color of column matches one of the icons on the card) and taking at least one Quest tile (also denotes player order for the next Epoch). Phase III is Writing the Legends, where players will redistribute the player order discs, receive gold and VP per their Quest tile, and transfer any cards from their Domain – active holding area – to their Elysium for VP at game end. Phase IV is End of Epoch, where players will perform basic cleanup tasks to prepare for the next Epoch of play. Play will continue in this fashion until the end of the fifth Epoch and players tally their final VP to determine the greatest Legend-crafter in all the land!
I know this is a VERY brief summary of what is done during the game, but Elysium has many card effects and combos to consider that I just cannot detail here for fear of readers falling asleep or my fingers falling off.
Components. Elysium has simply an incredible aesthetic. The non-card components certainly radiate ancient times and the art on the cards is breathtaking. Every piece is very high quality, which is something I have grown to expect from Space Cowboys games. The columns are fun to hold and move, and as a whole is just visually stunning. I love playing this game and seeing it all out on the table.
Obviously we place our ratings on the very first graphic you see so it is no surprise by the time you read down here, but I love Elysium. Like I mentioned in my open it was in my Top 10 for quite a while, and for very good reasons. First, I love games that simply LOOK good. Is that shallow? Maybe, but it’s what I like. Second, I love the card interplay and combo potential in Elysium. Chaining together cards to build small engines is always fun and provides so much replayability by never really being able to experience every card combo in the box. Finally, it has great components and a theme that speaks to me and my personal interests. It feels like a game that was meant to be played by me specifically. When you find a game like that you have to give it high ratings.
So if you are at all like me and enjoy games with a great theme, excellent art and components, and intriguing replayability, then certainly grab a copy of Elysium. Purple Phoenix Games gives it an Olympus-sized 11 / 12. So many Ancient Greece themed games exist and Elysium is simply one of the best.
Elysium is a set collection card drafting game for two to four players. Each player will be attempting to complete the greatest collection of Legends written and subsequently transferred to their Elysium (Ancient Grecian version of heaven) for Victory Points. Whomever weaves the greatest Legendary tapestry will emerge victorious and really have a story to tell.
To setup, follow the instructions in the rulebook, but a three player game should look similar to what is pictured above. Players will receive their own player board, starting VP tokens and gold, and a set of columns. Cards from five different Grecian families will be shuffled and displayed in The Agora (middle of the board and the place to draft the cards). Once setup the game may begin.
Elysium is played over five Epochs (rounds) and each Epoch is divided into four phases. Phase I is Awakening, which is simply setting up The Agora for the new Epoch by removing all existing cards there and revealing more. Phase II is Actions, where players will be using their columns to draft cards from The Agora (as long as the color of column matches one of the icons on the card) and taking at least one Quest tile (also denotes player order for the next Epoch). Phase III is Writing the Legends, where players will redistribute the player order discs, receive gold and VP per their Quest tile, and transfer any cards from their Domain – active holding area – to their Elysium for VP at game end. Phase IV is End of Epoch, where players will perform basic cleanup tasks to prepare for the next Epoch of play. Play will continue in this fashion until the end of the fifth Epoch and players tally their final VP to determine the greatest Legend-crafter in all the land!
I know this is a VERY brief summary of what is done during the game, but Elysium has many card effects and combos to consider that I just cannot detail here for fear of readers falling asleep or my fingers falling off.
Components. Elysium has simply an incredible aesthetic. The non-card components certainly radiate ancient times and the art on the cards is breathtaking. Every piece is very high quality, which is something I have grown to expect from Space Cowboys games. The columns are fun to hold and move, and as a whole is just visually stunning. I love playing this game and seeing it all out on the table.
Obviously we place our ratings on the very first graphic you see so it is no surprise by the time you read down here, but I love Elysium. Like I mentioned in my open it was in my Top 10 for quite a while, and for very good reasons. First, I love games that simply LOOK good. Is that shallow? Maybe, but it’s what I like. Second, I love the card interplay and combo potential in Elysium. Chaining together cards to build small engines is always fun and provides so much replayability by never really being able to experience every card combo in the box. Finally, it has great components and a theme that speaks to me and my personal interests. It feels like a game that was meant to be played by me specifically. When you find a game like that you have to give it high ratings.
So if you are at all like me and enjoy games with a great theme, excellent art and components, and intriguing replayability, then certainly grab a copy of Elysium. Purple Phoenix Games gives it an Olympus-sized 11 / 12. So many Ancient Greece themed games exist and Elysium is simply one of the best.
Phil Leader (619 KP) rated Witch's Legacy (Supernatural Evolvement #0.5) in Books
Nov 28, 2019
The first book in a new series by outstanding young adult author Katrina Cope is something of a big deal. Both her previous series are particular favourites of both mine and my teenage children. Set in the same universe as her Afterlife series, this tells the story of an ancient feud between witches and shapeshifters.
Living in a coven with her mother, Della has to put on a front of cruelty to fit in with the other witches, especially when her mother makes one of her frequent disappearances. One day she accidentally discovers a terrible secret that means that she must go on the run, attempting to survive in a modern world she is unprepared for and with few allies. With the whole might of the coven on her trail she must adapt and find friends to survive.
Once again Cope proves why she is one of the best young adult authors out there. Although the members of the coven do perhaps veer to towards a cackling stereotype at times they do come across and dangerous, evil and threatening. The other characterisation is up to the usual high standard. Della is a very likeable - and sometimes fallible- protagonist and grows as a person throughout her experiences. The other people she meets are also carefully described and have their own distinct personalities and goals.
The plot perhaps isn't complex, dealing as it does with setting the basics for the series to come, but does have a couple of twists if not any major surprises. But the story is always interesting and engaging and the reader will definitely be siding with Della and holding their breath as things get tight.
I very much enjoyed this and so will the young adult audience. 5 stars even though I know very well that every book in the series will just get better and better and I have left myself nowhere to go. But that's been the case with both of Cope's other series.
Living in a coven with her mother, Della has to put on a front of cruelty to fit in with the other witches, especially when her mother makes one of her frequent disappearances. One day she accidentally discovers a terrible secret that means that she must go on the run, attempting to survive in a modern world she is unprepared for and with few allies. With the whole might of the coven on her trail she must adapt and find friends to survive.
Once again Cope proves why she is one of the best young adult authors out there. Although the members of the coven do perhaps veer to towards a cackling stereotype at times they do come across and dangerous, evil and threatening. The other characterisation is up to the usual high standard. Della is a very likeable - and sometimes fallible- protagonist and grows as a person throughout her experiences. The other people she meets are also carefully described and have their own distinct personalities and goals.
The plot perhaps isn't complex, dealing as it does with setting the basics for the series to come, but does have a couple of twists if not any major surprises. But the story is always interesting and engaging and the reader will definitely be siding with Della and holding their breath as things get tight.
I very much enjoyed this and so will the young adult audience. 5 stars even though I know very well that every book in the series will just get better and better and I have left myself nowhere to go. But that's been the case with both of Cope's other series.
Ross (3284 KP) rated A Not So Dead Man's Journey in Books
Sep 20, 2019
Needs a good edit/proof-read
The first book in this new author's series immediately throws the reader into an exciting Indiana Jones-style ruined temple where the main character, Alden, is searching for ancient magical texts.
From the end of this scene, however, the tone changes dramatically as Alden returns home to a painfully dull and twee life with his wife and daughter. This section is laboured and very dull, going way beyond setting the scene and embedding the characters.
Alden is then thrown into a new quest as he is kidnapped by pirates and taken far away to take part in a magical ritual. From here, where the story should be hooking you and growing, the pace is all wrong and I felt like I was the one taken prisoner by this book.
Alden goes through something of a transformation (which is not explained in any way, but that is largely fine) and having been away for 10 years he travels home.
A number of things about the story are just absolutely implausible, and inconsistent. Characters who have barely met, let alone like each other are suddenly best friends with so many fond memories. Magical abilities are suddenly revealed which would have been very useful earlier in the story. And the underlying plot needs a lot of work to thrash out the details and character motivations.
The author's narrative tone is quite charming, but a little twee for some of the darker sections of the story, and the character's thoughts are quite irritatingly thrown in and generally add little of substance.
The writing needs a lot of work, there are so many spelling errors and grammar crimes. And the punctuation is all wrong as well, which may sound pedantic but at times it does throw the reader off and make them question what the sentence meant (see "helping your uncle jack off his horse").
I am convinced there is a good story in here somewhere but it needs a really thorough proof-read and substantial editing.
From the end of this scene, however, the tone changes dramatically as Alden returns home to a painfully dull and twee life with his wife and daughter. This section is laboured and very dull, going way beyond setting the scene and embedding the characters.
Alden is then thrown into a new quest as he is kidnapped by pirates and taken far away to take part in a magical ritual. From here, where the story should be hooking you and growing, the pace is all wrong and I felt like I was the one taken prisoner by this book.
Alden goes through something of a transformation (which is not explained in any way, but that is largely fine) and having been away for 10 years he travels home.
A number of things about the story are just absolutely implausible, and inconsistent. Characters who have barely met, let alone like each other are suddenly best friends with so many fond memories. Magical abilities are suddenly revealed which would have been very useful earlier in the story. And the underlying plot needs a lot of work to thrash out the details and character motivations.
The author's narrative tone is quite charming, but a little twee for some of the darker sections of the story, and the character's thoughts are quite irritatingly thrown in and generally add little of substance.
The writing needs a lot of work, there are so many spelling errors and grammar crimes. And the punctuation is all wrong as well, which may sound pedantic but at times it does throw the reader off and make them question what the sentence meant (see "helping your uncle jack off his horse").
I am convinced there is a good story in here somewhere but it needs a really thorough proof-read and substantial editing.
Merissa (11950 KP) rated Apollo's Raven (Curse of Clansmen and Kings #1) in Books
Jun 3, 2022 (Updated Jun 13, 2023)
APOLLO'S RAVEN is the first book in the Curse of Clansmen and Kings series and prepare yourself! You are about to enter a book full of twisted tales and layers of intrigue. I mean, come on! Curses, Romans, and Celts - what more could I ask for?
This is a long book, giving you ample time to lose yourself in Ancient Britannia, where Catrin sees Romans come to land through her raven's eyes. This event sets off a chain that will see her fall in love and come into her powers and many other things. Marcellus is there at his father's command, basically seeing if the timing for an invasion is good or not.
There is an instant connection between the two that could just be the infatuation between two young teens. However, as the story goes, it is true love and they are bound together forever. This, I found a little hard to believe as they know nothing about each other past their attraction, and constantly doubt each other, believing them to be betraying them, etc. I hope their relationship develops and matures as the books progress as both of them acted childishly at times.
I enjoyed the story but found some parts a bit difficult to digest. For instance, there was a whole lot more to druids than just being sorcerers or priests but none of that is mentioned. I was confused by the term 'druid powers' as that could encompass a whole manner of things.
Bear in mind it is the first book, so there are lots of things left unanswered. I am hopeful for more information in the following books. This was an enjoyable story and I look forward to reading more in this series.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 2, 2022
This is a long book, giving you ample time to lose yourself in Ancient Britannia, where Catrin sees Romans come to land through her raven's eyes. This event sets off a chain that will see her fall in love and come into her powers and many other things. Marcellus is there at his father's command, basically seeing if the timing for an invasion is good or not.
There is an instant connection between the two that could just be the infatuation between two young teens. However, as the story goes, it is true love and they are bound together forever. This, I found a little hard to believe as they know nothing about each other past their attraction, and constantly doubt each other, believing them to be betraying them, etc. I hope their relationship develops and matures as the books progress as both of them acted childishly at times.
I enjoyed the story but found some parts a bit difficult to digest. For instance, there was a whole lot more to druids than just being sorcerers or priests but none of that is mentioned. I was confused by the term 'druid powers' as that could encompass a whole manner of things.
Bear in mind it is the first book, so there are lots of things left unanswered. I am hopeful for more information in the following books. This was an enjoyable story and I look forward to reading more in this series.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 2, 2022
Merissa (11950 KP) rated Over the Emerald Valley (Immortal Jewels) by Lee Colgin in Books
May 5, 2022 (Updated Jun 20, 2023)
OVER THE EMERALD VALLEY is a standalone story within the Immortal Jewels series. I haven't read any of the other books in this series although I do love the Outcasts series.
This book is set in ancient Egypt where Solon has been sent on a mission to visit some remote emerald mines where the Pharaoh thinks he is being short-changed. Once there, he is 'gifted' with Temaj, a concubine who may or may not be there to spy on him. He resists the attraction, but not for too long. Temaj has had a rough life but is now making the best of it. Will he help Solon rock the boat, or will he decide he is too comfortable?
I liked how Temaj was able to draw Solon out of himself, although I found his bratty attitude a bit much at times. I know it was his character but it didn't seem to fit with his role all of the time. Abasi must have been a very laid-back owner to allow him to speak in such ways in public. Temaj was also able to make Solon see things differently, and I loved his comparisons as he tried to make Solon understand his point of view.
The supporting characters were wonderful and I couldn't help a pang of sadness with Temaj at the thought of not seeing Seli or Met again. And Solon with Neku. I am hoping we will see more of Solon and Temaj's life with Eshe in different books.
Overall, this was a very good read that kept my attention to the end. Recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
May 3, 2022
This book is set in ancient Egypt where Solon has been sent on a mission to visit some remote emerald mines where the Pharaoh thinks he is being short-changed. Once there, he is 'gifted' with Temaj, a concubine who may or may not be there to spy on him. He resists the attraction, but not for too long. Temaj has had a rough life but is now making the best of it. Will he help Solon rock the boat, or will he decide he is too comfortable?
I liked how Temaj was able to draw Solon out of himself, although I found his bratty attitude a bit much at times. I know it was his character but it didn't seem to fit with his role all of the time. Abasi must have been a very laid-back owner to allow him to speak in such ways in public. Temaj was also able to make Solon see things differently, and I loved his comparisons as he tried to make Solon understand his point of view.
The supporting characters were wonderful and I couldn't help a pang of sadness with Temaj at the thought of not seeing Seli or Met again. And Solon with Neku. I am hoping we will see more of Solon and Temaj's life with Eshe in different books.
Overall, this was a very good read that kept my attention to the end. Recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
May 3, 2022
Ross (3284 KP) rated Foundryside in Books
Aug 31, 2020
Great world-building, good story
The world the author has created is very impressive. I hate to do it, but the magic system is very Brandon Sanderson-esque. Over time, symbols used by ancient civilisations to make contraptions and control objects have been deciphered and are now used in everyday life. Self-driven carts, guns, machinery: all are controlled by this clever magic system, but there is a feeling this is just the tip of the iceberg. The city of Tevanne is controlled by a council of the main merchant families, and each of those families is striving for the next big innovation in the use of these symbols. And with any major corporate hierarchy, there is a black market: a set of individuals striving to make things more cost effective, though of lower quality than the merchant houses.
Sancia is a key customer for some of this black market. She is a mercenary who will, for a fee, steal things. Not much of Sancia's past work is given, whether she is just a thief for hire, or has killed. She is a good strong, complicated character. Sancia has the ability to sense the thoughts of inanimate objects. For example, she can touch a wall and find out where the wall joins to other walls, whether there are gaps, whether someone is leaning on the other side, etc. This comes in handy when she successfully steals a box from a storage facility that contains a magical key that she can speak to.
There then follows a gripping plot to dethrone the merchant houses by seeking to stop them achieving more than just market share.
As with all the best fantasy worlds, the nature of things is revealed gradually over the course of the book. At times this verges on deus ex machina, but never quite goes over that line, things being mostly plausible given what we already know.
The dialogue of the book is where I have most of my issues with it. As with a number of recent books, the author is clearly an American and puts a number of Americanisms into the prose. While I am no language snob and can happily accept these in general, it is harder to do so in a fantasy book, especially one where other aspects of the language are clearly supposed to be more British English. The combination of a character saying "you all" or "most always" or "goddamn" and then using the word "arse" rather than "ass" just really ground my gears. It would have been much better to have been consistent and stick with "ass" and closer to the author's true voice.
Additionally, as with a number of fantasy books, new swear words are invented. These are partly explained and linked to the world, but it just comes across as a means of swearing without saying the actual "f" word. The word "scrumming" is far too twee a word to convey the same emotion as the word it is trying to replace and takes me right out of the book.
The pacing of the book was mostly fine, a few times it did seem to grind to a halt or there were long chapters of gradual exposition, but the action sequences, of which there were plenty, were thrilling and well told.
Overall, I did really enjoy this book, but the language used at times took me out of it and spoilt the mood a little. I can always tell how much I am enjoying a book by how quickly I read it and the number of comics I read simultaneously. My comic reading did go up a notch while reading this book.
Sancia is a key customer for some of this black market. She is a mercenary who will, for a fee, steal things. Not much of Sancia's past work is given, whether she is just a thief for hire, or has killed. She is a good strong, complicated character. Sancia has the ability to sense the thoughts of inanimate objects. For example, she can touch a wall and find out where the wall joins to other walls, whether there are gaps, whether someone is leaning on the other side, etc. This comes in handy when she successfully steals a box from a storage facility that contains a magical key that she can speak to.
There then follows a gripping plot to dethrone the merchant houses by seeking to stop them achieving more than just market share.
As with all the best fantasy worlds, the nature of things is revealed gradually over the course of the book. At times this verges on deus ex machina, but never quite goes over that line, things being mostly plausible given what we already know.
The dialogue of the book is where I have most of my issues with it. As with a number of recent books, the author is clearly an American and puts a number of Americanisms into the prose. While I am no language snob and can happily accept these in general, it is harder to do so in a fantasy book, especially one where other aspects of the language are clearly supposed to be more British English. The combination of a character saying "you all" or "most always" or "goddamn" and then using the word "arse" rather than "ass" just really ground my gears. It would have been much better to have been consistent and stick with "ass" and closer to the author's true voice.
Additionally, as with a number of fantasy books, new swear words are invented. These are partly explained and linked to the world, but it just comes across as a means of swearing without saying the actual "f" word. The word "scrumming" is far too twee a word to convey the same emotion as the word it is trying to replace and takes me right out of the book.
The pacing of the book was mostly fine, a few times it did seem to grind to a halt or there were long chapters of gradual exposition, but the action sequences, of which there were plenty, were thrilling and well told.
Overall, I did really enjoy this book, but the language used at times took me out of it and spoilt the mood a little. I can always tell how much I am enjoying a book by how quickly I read it and the number of comics I read simultaneously. My comic reading did go up a notch while reading this book.