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Lyndsey Gollogly (2893 KP) rated A Forest of Vanity and Valour ( Levanthria 1) in Books

Jun 14, 2023

76 of 235
Kindle
A Forest of Vanity and Valour ( Lavanthria 1)
By A.P. Beswick
⭐️⭐️⭐️⭐️

Vireo Reinhold relishes collecting his monarch’s proper dues. Working hard to prolong and fund the king’s never-ending war, the self-centered official revels in the perks of luxury that come with his unorthodox role. But his world upends when he unearths an ancient spellbook that promises to unlock a shadowy, forgotten magic.

Embroiled in a secret affair with a fellow noble’s wife, Vireo is mortified when he’s forced to commit an unthinkable act. Driven into exile, no longer able to coerce the vulnerable, and with the powerful tome in his enemy’s hands, the fallen agent’s only shot at survival hangs on his skills at saving others.

Can Vireo redeem himself as the people’s champion before they all fall to a sinister fate?

I really enjoyed this! The world building now really good I love the whole Medieval theme to it. The characters and the storyline were very enjoyable to read. Can’t wait to see what other magical beings we encounter during the series. I really like this authors work so far.

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Awix (3310 KP) rated The Blood on Satan's Claw (1971) in Movies

Feb 9, 2018 (Updated Feb 9, 2018)

What's In A Name?

One of the big three British folk-horror movies (along with Witchfinder General and The Wicker Man) and the only one to go for an explicitly supernatural storyline: in 18th century England, a ploughman unearths a deformed skull, which mysteriously disappears soon after. Insanity, mutation and violence begin to spread amongst the young people of the area, forcing the local judge to take extreme measures in the cause of virtue.

On one level this does sound like the broadest kind of exploitative schlock, and it's true that the monster suit at the end is utterly crapulous, but this does not take into account the disturbingly dreamy atmosphere conjured up by director Haggard and Marc Wilkinson's score. There's a touch of the genuine gothic in the way something ancient and disturbing erupts into a quietly bucolic world.

Plus, there is a hard edge of gleeful nastiness to this film which is wholly lacking from the movies being made by Tigon's better-known rivals at Hammer and Amicus during the same period. There's a sense in which most Hammer movies feel like costume dramas with a little blood included as a contractual obligation, but Blood on Satan's Claw goes all-out to mess the viewer up - it's not especially frightening as such, but it's a very unsettling, creepy movie that's a worthy successor to an ancient English tradition of supernatural horror stories.