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Donald Trump recommended Fox and Friends in TV (curated)
The Chocolate Lady (94 KP) rated The Phantom's Apprentice in Books
Oct 5, 2020
In Heather Webb’s latest novel, she re-envisions Gaston Leroux’s story from 1910 about Christine Daaé, the soprano haunted by the Paris Opera’s “phantom.” This original dramatic work is now best known from its adaptation as a musical by Andrew Lloyd Webber. Webb, however, has new ideas about who Christine and her phantom were. You can read more about what I thought of this novel in my review of “The Phantom’s Apprentice,”
https://tcl-bookreviews.com/2018/01/28/mystifying-masquerade/
https://tcl-bookreviews.com/2018/01/28/mystifying-masquerade/
David McK (3422 KP) rated Jesus Christ Superstar (1973) in Movies
Mar 26, 2023
Very strange setting
Film version of the Andrew Lloyd Webber rock musical of the same name, and - unfortunately - it doesn't quite work.
Personally, I think that's because of the juxtaposition of the events being (re)told through the eyes of Judas Iscariot alongside the more modern setting, which is just *odd*: here, for example, the Roman empire seems to have access to jet fighters, tanks and rifles (amongst others ...)
I think if they had stuck to a more 'traditional' production design instead of trying to marry the story with a modern setting it would have worked better.
Personally, I think that's because of the juxtaposition of the events being (re)told through the eyes of Judas Iscariot alongside the more modern setting, which is just *odd*: here, for example, the Roman empire seems to have access to jet fighters, tanks and rifles (amongst others ...)
I think if they had stuck to a more 'traditional' production design instead of trying to marry the story with a modern setting it would have worked better.
Beatriz (138 KP) rated The Phantom of the Opera (2005) in Movies
Nov 28, 2018
Stunning music (1 more)
Great actors
The Phantom Of The Opera
This film is one of the classics.
Phantom Of The Opera is a musical, the songs were composed by Andrew Lloyd Webber, a very knows British composer that has written a lot of other songs to other very famous musicals (ex: Cats and Evita).
The film takes place is Opera Popullaire and it starts when Christine (the main character), a ballerina, replaces Carlotta, the opera main star and becomes famous due to her signing classes with her mysterious teacher, The Phantom. In the meanwhile she founds her childhood old love and they fall in love again leaving The Phantom heart broken. It’s a romance triangle.
Its dramatic. Emotional. And very worth the watch.
Phantom Of The Opera is a musical, the songs were composed by Andrew Lloyd Webber, a very knows British composer that has written a lot of other songs to other very famous musicals (ex: Cats and Evita).
The film takes place is Opera Popullaire and it starts when Christine (the main character), a ballerina, replaces Carlotta, the opera main star and becomes famous due to her signing classes with her mysterious teacher, The Phantom. In the meanwhile she founds her childhood old love and they fall in love again leaving The Phantom heart broken. It’s a romance triangle.
Its dramatic. Emotional. And very worth the watch.
Sarah (7798 KP) rated Cats (2019) in Movies
Jan 15, 2020
Stuff of nightmares
From the moment I saw the trailer, I knew I wasn't going to like this film. Having never seen the stage show, I went into this completely blind and to be honest, after 100 minutes of this nonsense I wish I was blind.
Usually I'll try to find something good to say about a film, but I'm really struggling with this. I feel like giving it a 2 is rather generous. Other than appreciating the amount of effort on the CGI and the song Memory, I really cannot identify any other good points whatsoever.
Now where do I start on the bad? The cats themselves are beyond disturbing. People dressed as cats in the stage show I can understand. Human features on cat bodies is just crazy and looks ridiculous. The fact that they alternate between 2 and 4 legged with human features, it beggars belief. I hoped I might get used to it, but i really didnt especially when they start hissing, preening and acting like real cats - it's terrifying and laughable all at once. The scaling of the cats against the scenery also looks a little misjudged, especially when they stand up.
The story and rest of the film doesn't fare much better. The songs (except for Memory) are surprisingly poor for an Andrew Lloyd Webber musical, and no others are particularly memorable. The plot itself is also very thin and has barely any substance, the fact that they've managed to drag this out to 100 minutes is impressive. I also couldn't stand the words "Jellicle" and "Heaviside" - they sound like something from a kids cartoon and they began to grate on me very quickly. And the cast: James Corden, Rebel Wilson and Ray Winstone - just no. They are all so cringingly bad I could barely watch. And even acting royalty like Ian McKellen and Judi Dench don't survive this car crash intact. The final song and scenes with the direct address to camera is possibly the most embarrassingly cringeworthy thing I've seen in a long time.
It may only be January, but I doubt anything else I see in 2020 will be worse than this. I would have happily walked out of this 15 minutes in and never thought twice. The fact that I've sat through the entire thing made me want to claw my eyes out. I cannot unsee this.
If you want to watch a film musical about cats, watch The Aristocats. Do not waste your time on this!
Usually I'll try to find something good to say about a film, but I'm really struggling with this. I feel like giving it a 2 is rather generous. Other than appreciating the amount of effort on the CGI and the song Memory, I really cannot identify any other good points whatsoever.
Now where do I start on the bad? The cats themselves are beyond disturbing. People dressed as cats in the stage show I can understand. Human features on cat bodies is just crazy and looks ridiculous. The fact that they alternate between 2 and 4 legged with human features, it beggars belief. I hoped I might get used to it, but i really didnt especially when they start hissing, preening and acting like real cats - it's terrifying and laughable all at once. The scaling of the cats against the scenery also looks a little misjudged, especially when they stand up.
The story and rest of the film doesn't fare much better. The songs (except for Memory) are surprisingly poor for an Andrew Lloyd Webber musical, and no others are particularly memorable. The plot itself is also very thin and has barely any substance, the fact that they've managed to drag this out to 100 minutes is impressive. I also couldn't stand the words "Jellicle" and "Heaviside" - they sound like something from a kids cartoon and they began to grate on me very quickly. And the cast: James Corden, Rebel Wilson and Ray Winstone - just no. They are all so cringingly bad I could barely watch. And even acting royalty like Ian McKellen and Judi Dench don't survive this car crash intact. The final song and scenes with the direct address to camera is possibly the most embarrassingly cringeworthy thing I've seen in a long time.
It may only be January, but I doubt anything else I see in 2020 will be worse than this. I would have happily walked out of this 15 minutes in and never thought twice. The fact that I've sat through the entire thing made me want to claw my eyes out. I cannot unsee this.
If you want to watch a film musical about cats, watch The Aristocats. Do not waste your time on this!
Bob Mann (459 KP) rated Promising Young Woman (2020) in Movies
Apr 20, 2021
Writing and directing is pitch perfect (1 more)
Carey Mulligan - awesome acting
Emerald Fennell delivers a real ‘page turner’ of a movie
"Promising Young Woman" sees Cassie (Carrie Mulligan) out to wage war on predatory men sexually asserting themselves on vulnerable woman in bars. But with the chance mention of a name, her mission takes on a whole new level and becomes very personal. How far will Carrie go to right a wrong?
Positives:
- Where to start! This is an astonishingly engrossing story from the multi-talented Emerald Fennell. It's rare to find a movie script where you have no idea in which direction the plot will take you. Some of the twists in this movie (no spoilers) are quite Hitchcockian in their execution. And Fennell cocks a wonderful snook at the 'Hollywood ending' that takes your breath away.
- Fennell also directs superbly, never letting the viewer get bored for an instant (the film doesn't outstay its welcome at only 113 minutes). The "show don't tell" approach shows respect for the audience's intelligence. (What happened after the boozy lunch? Who's voice was it on the video?) The use of 'chapter headings' as well is clever and reminiscent of Quentin Tarantino.
- And Carrie Mulligan! A simply stunning performance. What WAS that 'Variety' critic on about in saying she was "not hot enough" to play this role? Had he not fed his Guide Dog or something that day? Mulligan first drew my attention and respect when she was just 20 years old playing Ada in the BBC's "Bleak House": she had "star" written all over her. And so it has proved. Arguably - since there are so many stunning performances on her CV - this is a career best for her.
- Again reminiscent of Tarantino (and indeed "Killing Eve") is the wonderful use of music (by Anthony Willis). As well as some deliciously 'bubblegum' tracks (for example, one by Paris Hilton) there are some seriously "out there" choices. For example, "Pearl's Dream" (about the "pretty fly") is taken from the 1955 movie "The Night of the Hunter". It's haunting and evocative, reflecting the shattering revelation for Cassie within the story.
- Hair and Make-up (Angela Wells), Costume (Nancy Steiner), Cinematography (Benjamin Kracun), Editing (Frédéric Thoraval): all top-notch.
Negatives:
- For once, not a single one!
Summary Thoughts:
Sex without consent is rape. A woman, intoxicated through drink or drugs, cannot give consent. The rules aren't difficult are they? Anyone who's been to a city centre bar or nightclub late at night will have seen - or suspected they've seen - this sort of slow-motion car crash in progress.
This movie will inevitably be seen as the 'poster-child' for this aspect of the "Me Too" movement, and rightly so. And because the movie is so fabulous, it is inevitably going to have a positive effect in highlighting the issue.
Those woman who have had these experiences (and I'm sure there are a LOT of them out there, many of who will have never gone to the police) will probably not want to be further traumatised by watching the movie. But, for everyone else. If the first five minutes make you feel queasily like "this one's not for me" then it's worth sticking with it. it's all done in good taste.
One of the reasons this movie is so good is because of Emerald Fennell. What a talent she is! In acting mode, she plays Sarah Ferguson in "The Crown" and - in an uncredited cameo - the "blow job make-up" video blog lady in this. In writing mode, she's delivered the brilliant BAFTA-winning script for this as well as series two of "Killing Eve". And now in directing mode, she delivers this stunning directorial debut. She's even writing a musical version of "Cinderella" with Andrew Lloyd-Webber! (Come on love, you're just making us all feel wholly inadequate!)
"Promising Young Woman" is the easiest 10* movie I've rated in a while. And it soars straight to the top of my current long-list for my "Films of the Year 2021".
(For the full graphical review, check out the One Mann's Movies review here https://bob-the-movie-man.com/2021/04/20/promising-young-woman-emerald-fennell-delivers-a-real-page-turner-of-a-movie/. Thanks).
Positives:
- Where to start! This is an astonishingly engrossing story from the multi-talented Emerald Fennell. It's rare to find a movie script where you have no idea in which direction the plot will take you. Some of the twists in this movie (no spoilers) are quite Hitchcockian in their execution. And Fennell cocks a wonderful snook at the 'Hollywood ending' that takes your breath away.
- Fennell also directs superbly, never letting the viewer get bored for an instant (the film doesn't outstay its welcome at only 113 minutes). The "show don't tell" approach shows respect for the audience's intelligence. (What happened after the boozy lunch? Who's voice was it on the video?) The use of 'chapter headings' as well is clever and reminiscent of Quentin Tarantino.
- And Carrie Mulligan! A simply stunning performance. What WAS that 'Variety' critic on about in saying she was "not hot enough" to play this role? Had he not fed his Guide Dog or something that day? Mulligan first drew my attention and respect when she was just 20 years old playing Ada in the BBC's "Bleak House": she had "star" written all over her. And so it has proved. Arguably - since there are so many stunning performances on her CV - this is a career best for her.
- Again reminiscent of Tarantino (and indeed "Killing Eve") is the wonderful use of music (by Anthony Willis). As well as some deliciously 'bubblegum' tracks (for example, one by Paris Hilton) there are some seriously "out there" choices. For example, "Pearl's Dream" (about the "pretty fly") is taken from the 1955 movie "The Night of the Hunter". It's haunting and evocative, reflecting the shattering revelation for Cassie within the story.
- Hair and Make-up (Angela Wells), Costume (Nancy Steiner), Cinematography (Benjamin Kracun), Editing (Frédéric Thoraval): all top-notch.
Negatives:
- For once, not a single one!
Summary Thoughts:
Sex without consent is rape. A woman, intoxicated through drink or drugs, cannot give consent. The rules aren't difficult are they? Anyone who's been to a city centre bar or nightclub late at night will have seen - or suspected they've seen - this sort of slow-motion car crash in progress.
This movie will inevitably be seen as the 'poster-child' for this aspect of the "Me Too" movement, and rightly so. And because the movie is so fabulous, it is inevitably going to have a positive effect in highlighting the issue.
Those woman who have had these experiences (and I'm sure there are a LOT of them out there, many of who will have never gone to the police) will probably not want to be further traumatised by watching the movie. But, for everyone else. If the first five minutes make you feel queasily like "this one's not for me" then it's worth sticking with it. it's all done in good taste.
One of the reasons this movie is so good is because of Emerald Fennell. What a talent she is! In acting mode, she plays Sarah Ferguson in "The Crown" and - in an uncredited cameo - the "blow job make-up" video blog lady in this. In writing mode, she's delivered the brilliant BAFTA-winning script for this as well as series two of "Killing Eve". And now in directing mode, she delivers this stunning directorial debut. She's even writing a musical version of "Cinderella" with Andrew Lloyd-Webber! (Come on love, you're just making us all feel wholly inadequate!)
"Promising Young Woman" is the easiest 10* movie I've rated in a while. And it soars straight to the top of my current long-list for my "Films of the Year 2021".
(For the full graphical review, check out the One Mann's Movies review here https://bob-the-movie-man.com/2021/04/20/promising-young-woman-emerald-fennell-delivers-a-real-page-turner-of-a-movie/. Thanks).
