"Perfect movie. Perfect DVD. If enough people see this disc, Heaven Can Wait will gain its rightful place in the pantheon of the greatest movies ever made. Elegant, warm, funny, wise, and unbelievably exquisite-looking, this film is Lubitsch’s finest two hours. I vote that we retire It’s a Wonderful Life for a few years and annually watch Heaven Can Wait instead. It is the better movie. The DVD extras include Richard Corliss’s intelligent interview with screenwriter Samson Raphaelson, and the video analysis by Andrew Sarris and Molly Haskell (the Tracy-Hepburn of film criticism) is as sublime as the movie."

"All of Hitchcock — I don’t think I can even identify a particular film. After I transitioned out of the art world into film, I was doing a graduate degree at Columbia University and I took a class with Andrew Sarris, who I think is one of the treasures of the film world. We looked at an overview of Hitchcock during the two-year course, starting with his silents. And there are some extraordinary silent movies of his; I’m not sure how readily available they are, but there’s a phenomenal film — I think it’s called Murder! — and it’s silent, but it’s as tense as Psycho or The Birds or Notorious or Rear Window. [Editor’s note: Hitchcock’s 1930 film Murder! was one of his first talkies, but his 1927 silent, The Lodger, is one of his most celebrated. Both were released jointly to home video in 2002.] It’s a silent film, but it’s Hitchcock. All of his signatures, all the signifiers, everything we’ve come to know and love about Hitchcock, they’re all in play."

"I had the legendary film critic Andrew Sarris as a professor during his later years. At the time, he’d gab about the auteur theory (it was his theory, you know?) and talk about Hitchcock, Wilder, and Ford. But when pressed by his sycophantic students (myself included), he’d actually declare a 1955 Max Ophuls movie “the greatest movie ever made.” It was the first time I had ever heard of Lola Montès, so I immediately blind-bought the Criterion laser disc. I eventually graduated to the Blu-ray, which I’ve now seen countless times. Lola Montès is a beautiful, virtuoso piece of cinema. It’s an old-fashioned woman’s picture. It’s a study of loneliness. It’s structurally daring and technically masterful. It’s also really fun. It’ll make you want to devour every Ophuls movie you can get your hands on. The Criterion disc also features a really lovely documentary on Ophuls, made by his filmmaker son Marcel (I find this extra touching as my father is a filmmaker too.) After watching Lola Montès, New Yorkers can check out the grave of the real-life Lola Montès in Green-Wood Cemetery, an unlikely burial place for this nineteenth-century globetrotter."