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Lee (2222 KP) rated Rent-A-Pal (2020) in Movies
Nov 2, 2020
If by any chance you’re feeling nostalgic for the days of VHS videotapes, then Rent-A-Pal is here to satisfy that craving. Set in Denver during 1990, VHS video features rather heavily throughout Rent-A-Pal, from the retro font used in the opening titles to the closeups of videotapes being inserted into a VCR, the internal mechanism engaging with the tape as it prepares to play.
The person responsible for firing up the VCR is David (Brian Landis Folkins), who is settling down to view the latest set of video profiles he’s received from dating agency Video Rendezvous, of which he is a member. David lives in the basement flat of his mum’s house, who has dementia. His father died ten years ago, meaning David is now the sole carer for his mother. And David is lonely, painfully lonely. When he calls Video Rendezvous for an update on any profile matches, he’s told that he has still not received any interest from potential partners who have viewed his profile. He is however urged to come into their office and record a new video profile, as his current one is now 6 months old.
When David sits down in front of the camera to record his new profile, he comes across well, showing just how much of a nice guy he is – a caregiver who simply wants the chance to care for a soulmate, sharing life within a loving relationship. You really do feel for him, certain that the genuine sincerity in his video will finally land him the date he so desperately needs and deserves. That is until the cameraman informs him that he has completely overrun the thirty-second limit allocated to male video profiles and that he is going to have to do it again. The shortened version David then delivers under pressure is rushed, with David now coming across as awkward and creepy, and your heart drops, knowing that he’s likely to remain single for a while longer yet. But then, as he’s having his credit card swiped by the dating agency yet again, David notices an interesting VHS sitting in the nearby bargain bin, titled Rent A Pal, and decides to buy it.
Back in his basement, David puts the Rent-A-Pal video into his VCR and presses play. He’s greeted by Andy (Will Wheaton), a cheery-looking man in a colourful knitted tank top. Andy talks of becoming best friends with David, asking him questions and leaving a pause to allow David to answer. Those pauses aren’t always long enough though, resulting in David being cut off mid-sentence, and the responses from Andy don’t always match the answers that David has given him either. But, desperate for a friend, David persists with this strange form of interaction.
We see that after repeat viewings of the tape David has managed to perfect his responses so that the conversation flows between him and Andy as if it were a real-life conversation. There are parts of the video where Andy plays cards with the viewer, takes a selfie with his back to the camera so that the viewer can be in it, and he and David are able to have the kind of deep and meaningful conversations that only two very good friends would have. It’s a rather lengthy and elaborate videotape, with certain sections earning a revisit should David ever feel the need to have a specific conversation about a certain aspect of his life. Eventually, we as the audience begin to wonder how much of this ‘relationship’ is real or imagined, with some of the questions or replies from Andy beginning to sound eerily close to being very specific and personal to David.
In his real life, David finally gets a lucky break with the dating agency, landing a date with Lisa (Amy Rutledge). Lisa also works in the care sector, and she comes across as a very nice person too. Once again you find yourself willing David to do well and thankfully, they do hit it off. But from the moment David brings Lisa down to his basement and you see that somebody is likely to sit on the VCR remote, you just know things are due to take a dark turn.
Watching David as he interacts with Andy for hours on end, day after day is surprisingly riveting. I was completely engrossed in him and his life as I waited and hoped he might catch a break. For much of the movie, I was just mesmerised by the wonderful performances from the entire cast, thoroughly enjoying the believable, likeable characters they portrayed. But, Rent-A-Pal is billed as a horror movie, so when things do eventually take a turn right at the end, we get a fast-paced, gory ending which felt somewhat disappointing, proving to be the weakest aspect of a movie which really did impress me overall.
The person responsible for firing up the VCR is David (Brian Landis Folkins), who is settling down to view the latest set of video profiles he’s received from dating agency Video Rendezvous, of which he is a member. David lives in the basement flat of his mum’s house, who has dementia. His father died ten years ago, meaning David is now the sole carer for his mother. And David is lonely, painfully lonely. When he calls Video Rendezvous for an update on any profile matches, he’s told that he has still not received any interest from potential partners who have viewed his profile. He is however urged to come into their office and record a new video profile, as his current one is now 6 months old.
When David sits down in front of the camera to record his new profile, he comes across well, showing just how much of a nice guy he is – a caregiver who simply wants the chance to care for a soulmate, sharing life within a loving relationship. You really do feel for him, certain that the genuine sincerity in his video will finally land him the date he so desperately needs and deserves. That is until the cameraman informs him that he has completely overrun the thirty-second limit allocated to male video profiles and that he is going to have to do it again. The shortened version David then delivers under pressure is rushed, with David now coming across as awkward and creepy, and your heart drops, knowing that he’s likely to remain single for a while longer yet. But then, as he’s having his credit card swiped by the dating agency yet again, David notices an interesting VHS sitting in the nearby bargain bin, titled Rent A Pal, and decides to buy it.
Back in his basement, David puts the Rent-A-Pal video into his VCR and presses play. He’s greeted by Andy (Will Wheaton), a cheery-looking man in a colourful knitted tank top. Andy talks of becoming best friends with David, asking him questions and leaving a pause to allow David to answer. Those pauses aren’t always long enough though, resulting in David being cut off mid-sentence, and the responses from Andy don’t always match the answers that David has given him either. But, desperate for a friend, David persists with this strange form of interaction.
We see that after repeat viewings of the tape David has managed to perfect his responses so that the conversation flows between him and Andy as if it were a real-life conversation. There are parts of the video where Andy plays cards with the viewer, takes a selfie with his back to the camera so that the viewer can be in it, and he and David are able to have the kind of deep and meaningful conversations that only two very good friends would have. It’s a rather lengthy and elaborate videotape, with certain sections earning a revisit should David ever feel the need to have a specific conversation about a certain aspect of his life. Eventually, we as the audience begin to wonder how much of this ‘relationship’ is real or imagined, with some of the questions or replies from Andy beginning to sound eerily close to being very specific and personal to David.
In his real life, David finally gets a lucky break with the dating agency, landing a date with Lisa (Amy Rutledge). Lisa also works in the care sector, and she comes across as a very nice person too. Once again you find yourself willing David to do well and thankfully, they do hit it off. But from the moment David brings Lisa down to his basement and you see that somebody is likely to sit on the VCR remote, you just know things are due to take a dark turn.
Watching David as he interacts with Andy for hours on end, day after day is surprisingly riveting. I was completely engrossed in him and his life as I waited and hoped he might catch a break. For much of the movie, I was just mesmerised by the wonderful performances from the entire cast, thoroughly enjoying the believable, likeable characters they portrayed. But, Rent-A-Pal is billed as a horror movie, so when things do eventually take a turn right at the end, we get a fast-paced, gory ending which felt somewhat disappointing, proving to be the weakest aspect of a movie which really did impress me overall.
David McK (3562 KP) rated Rise of the Planet of the Apes (2011) in Movies
Mar 11, 2023
Caesar. Home.
A surprisingly good prequel/re-imagining/reboot of the seminal Charlton Heston starring sci-fi flick, with this being set in more contemporary time and with it tracing the origins of the smart Apes/the beginning of the decline of man.
Basically, don't mess with nature.
I have to say, the end credits - tracing the virus - also hits differently now (in 2023) than it did on release (in 2011), after the world has been through a global pandemic.
Anyway, Andy Serkis interpretation of Caesar is really the star of the show, with able support from his surrogate 'father' Will Rodman (James Franco), the scientist who first developed a drug that he hopes will cure Alzheimer's but which leads to super intelligence in the chimps exposed to it.
Basically, don't mess with nature.
I have to say, the end credits - tracing the virus - also hits differently now (in 2023) than it did on release (in 2011), after the world has been through a global pandemic.
Anyway, Andy Serkis interpretation of Caesar is really the star of the show, with able support from his surrogate 'father' Will Rodman (James Franco), the scientist who first developed a drug that he hopes will cure Alzheimer's but which leads to super intelligence in the chimps exposed to it.
Lindsay (1760 KP) rated Amish Christmas at North Star in Books
Sep 10, 2017
You get to hear about all four babies that were born near Christmas. Rebecca is an Amish midwife. In Guiding Star it about a 25-year old disappearing from an Amish baby. Will there be love for Elle McAllister? We get a quite a nice way to see what her life is like after being born on that snowy night with three other babies.
Morning Star is about a girl named Eden Hochstetler. She wants to investigate her friends Isaac death. It has got her thinking about who could have done it and hurt Isaac. She meets his great nephew Jesse. Who is guilty? Does she start to fall for Jesse? Who in their community is the one to hurt Isaac and want him killed.
What happens in the Stars”, is about a family that wants to stay together. Will Kole, and Savilla be able to do that and still find love for themselves, What can make to lives back together with other than a trouble of children? One that is expecting to get another member adopted and brought home. Kole and Savilla you can find out more about them.
Andy is schemed to bring back home. His little brother tries to fetch him home and this is a story of Grace. I really do enjoy the family and time together. Will Andy find love while he comes home and is forgiven?
Morning Star is about a girl named Eden Hochstetler. She wants to investigate her friends Isaac death. It has got her thinking about who could have done it and hurt Isaac. She meets his great nephew Jesse. Who is guilty? Does she start to fall for Jesse? Who in their community is the one to hurt Isaac and want him killed.
What happens in the Stars”, is about a family that wants to stay together. Will Kole, and Savilla be able to do that and still find love for themselves, What can make to lives back together with other than a trouble of children? One that is expecting to get another member adopted and brought home. Kole and Savilla you can find out more about them.
Andy is schemed to bring back home. His little brother tries to fetch him home and this is a story of Grace. I really do enjoy the family and time together. Will Andy find love while he comes home and is forgiven?
Matthew Krueger (10051 KP) rated Child's Play (1988) in Movies
Nov 13, 2019
Good Guy Doll
Childs Play- after the remake that came out early this year, i finally watched this one. Yes the remake was the first chucky movie that i watched, i wasnt really that intresting in the child's play franchise and still really not that intresting in it. But i wanted to watch the oringal one, i wanted to know where it all started from and what a start in a good way. This movie started Brad Drouif's iconic voice as chucky and went on to voice Chucky in the sequels followed. Also Chris Sarandon who started in Fright Night two years before star in this and Tom Holland, no not that one. The one who directed Fright Night directed this one. So lets talk about it...
The Plot: Gunned down by Detective Mike Norris (Chris Sarandon), dying murderer Charles Lee Ray (Brad Dourif) uses black magic to put his soul inside a doll named Chucky -- which Karen Barclay (Catherine Hicks) then buys for her young son, Andy (Alex Vincent). When Chucky kills Andy's baby sitter, the boy realizes the doll is alive and tries to warn people, but he's institutionalized. Now Karen must convince the detective of the murderous doll's intentions, before Andy becomes Chucky's next victim.
Their are so many iconic scenes and iconic lines in this movie, that people remember till this day. Lines like...
"Well John it's been fun, but i gotta go, i have a date with a 6 year-old boy. ..."
"I bled and it hurt like a son of a bitch."
"We're friends 'til the end, remember?"
"This is the end, friend."
"Andy remember, friends stick together till the end".
"Hi, I'm Chucky wanna play?"
"I said talk to me, damn it. Or else I'll throw you in the fire."
"You stupid bitch! You filthy slut! I'll teach you to fuck with me!"
So many iconic lines and scenes, Child's play is a iconic late 80's horror movie that had many sequels afterwards.
If you havent seen child's play, than i highly recordmend watching this film.
The Plot: Gunned down by Detective Mike Norris (Chris Sarandon), dying murderer Charles Lee Ray (Brad Dourif) uses black magic to put his soul inside a doll named Chucky -- which Karen Barclay (Catherine Hicks) then buys for her young son, Andy (Alex Vincent). When Chucky kills Andy's baby sitter, the boy realizes the doll is alive and tries to warn people, but he's institutionalized. Now Karen must convince the detective of the murderous doll's intentions, before Andy becomes Chucky's next victim.
Their are so many iconic scenes and iconic lines in this movie, that people remember till this day. Lines like...
"Well John it's been fun, but i gotta go, i have a date with a 6 year-old boy. ..."
"I bled and it hurt like a son of a bitch."
"We're friends 'til the end, remember?"
"This is the end, friend."
"Andy remember, friends stick together till the end".
"Hi, I'm Chucky wanna play?"
"I said talk to me, damn it. Or else I'll throw you in the fire."
"You stupid bitch! You filthy slut! I'll teach you to fuck with me!"
So many iconic lines and scenes, Child's play is a iconic late 80's horror movie that had many sequels afterwards.
If you havent seen child's play, than i highly recordmend watching this film.
Suswatibasu (1703 KP) rated The Hitchhiker's Guide to the Galaxy in Books
Oct 24, 2017 (Updated Oct 24, 2017)
Ridiculously amusing
This has been part of my to-read list since forever. And I can now assuredly say that the meaning of life is 42. It's hilariously silly and outright bonkers.
It begins with the end of the earth (sadly), with a sole survivor Arthur Dent, or that's what we think, until he discovers Trillion, the other survivor. Whisked away on the Heart of Gold ship with his friend Ford Prefect (an alien) and his cousin, they gallivant across the universe attempting to find answers. And thus begins an epic adventure.
So it's not as sophisticated as Arthur C. Clarke's status of science fiction, or Andy Weir's level of technical details, and its not supposed to be. It's light hearted, and fun, as Douglas Adams creates a detailed and splendid look at our insignificant existence in the most humorous way possible.
It begins with the end of the earth (sadly), with a sole survivor Arthur Dent, or that's what we think, until he discovers Trillion, the other survivor. Whisked away on the Heart of Gold ship with his friend Ford Prefect (an alien) and his cousin, they gallivant across the universe attempting to find answers. And thus begins an epic adventure.
So it's not as sophisticated as Arthur C. Clarke's status of science fiction, or Andy Weir's level of technical details, and its not supposed to be. It's light hearted, and fun, as Douglas Adams creates a detailed and splendid look at our insignificant existence in the most humorous way possible.
BackToTheMovies (56 KP) rated Child's Play (2019) in Movies
Jun 21, 2019
After moving to a new city, young Andy Barclay receives a special present from his mother. A seemingly innocent Buddi doll that becomes his best friend. When the doll suddenly takes on a life of its own, Andy unites with other neighborhood children to stop the sinister toy from wreaking bloody havoc.
For months I’ve been hating on this reboot. Whilst I still don’t necessarily agree with the politics of how this film came to be. I left the theatre quite surprised at how much I enjoyed this movie. Child’s Play is reimagined for a modern generation. Whilst this film is an alternate timeline twist to the original it still manages to throw in that classic Chucky humor we all know and love. Here’s my Child’s Play 2019 review.
Lars Klevberg tells the story of Buddi, an artificial intelligence robot that can control your home appliances and become your best friend. He will play with you, interact with you like a real human being and you can do activities together. After a man is fired at the Buddi factory he reprograms one of the dolls to disobey its commands and the reign of Chucky begins when it falls into the hands of young Andy (Gabriel Bateman) given to him as a present by his mum Karen (Aubrey Plaza). What follows is a thoroughly enjoyable feature that flies by. Chucky’s murderous rage ramps up to artificial intelligence warfare with epic results.
Disregarding the original storyline of a serial killer whose soul inhabits a Good Guys doll the new Child’s Play tells a more chilling tale. The movie runs a very close to home social commentary about our reliance on technology and the implications that could follow. Buddi is your walking, talking Amazon Echo. Every home device is controlled at his fingertips from TV’s to telephones and even as far as automated cars. You can only imagine the terror that unfolds as Chucky learns to utilize his technological surroundings for evil.
Chucky starts off innocent enough. He’s programmed to be Andy’s best friend but what starts out as a unique interaction between boy and robot instantly changes when Chucky becomes sentient. Influenced by those around him and watching horror movies with Andy suddenly Buddi becomes more sinister in nature. Instead of a treasured companion, Chucky becomes possessive and will protect Andy by any means necessary. Quite the different approach from that of previous installments. Even when Chucky begins his reign of terror Andy is still loyal to him to some degree. Whilst he cannot understand why Chucky is doing the things he does there’s a loneliness about Andy’s character that almost seems to justify Chucky’s behavior. He doesn’t agree with it but at the same time, he has a friend, albeit a murderous little rampaging doll.
Child’s Play has some incredible humour mixed in throughout which allows the film to flow freely. Whilst Seed of Chucky and Bride of Chucky had free-speaking souls it’s harder to convey this type of humour within a robotic doll. Instead, the doll spills one-liners and is influenced by those around him leading to some comical results. Chucky’s infamous one-liners come to the fold and various facial expressions on the doll are hysterical.
The vocal work and comedic delivery from Mark Hamil is nothing short of wonderful. There is nothing this man cannot do. The force is strong with him even in a Chucky movie. Whilst more robotic in nature the way the lines are delivered with such dry-pan straight-faced edge is just brilliant. But once again we cannot compare this new Chucky to the sublime work of Brad Dourif. Brad is delivering dialogue as a human being whereas Mark is delivering lines as a robotic entity. They just cannot be compared and it would be a stupid comparison to make. All in all the voice work is great It’s just a shame I can’t take this ugly doll seriously for one second!
Whoever designed the Buddi doll in pre-production needs a serious talking to! I’m not quite sure what look they were going for with this but it certainly isn’t a good one. The film becomes even more of a comedy the more you look at it. The old dolls had that look of innocence in the originals, this one is just so damn weird. I can’t picture a production meeting where everyone in the room agreed that this is the final look of the doll without intense laughing involved. It’s like the production team are openly fucking with us. No one on this planet can take this doll seriously and for me, Child’s Play is way more of a comedy than it will ever be a horror movie.
For the most part, casting within Child’s Play is very strong. Gabriel Bateman (Andy) puts in a strong performance single-handedly carrying the film. Brian Tyree Henry (Mike) who plays a neighbor/detective is also a nice comedic relief within the feature. Ty Consiglio, Beatrice Kitsos and Carlease Burke also play strong supporting roles. Where casting failed for me however was Aubrey Plaza. I’ve seen Aubrey in comedies where her humor never really hits home in any roles she’s in.
Arrogant and annoying in many roles this cookie cutter casting has her playing the same role in every film she’s in. Playing Andy’s mum in this film doesn’t work for me whatsoever. There’s no conviction, no depth, no family dynamic feel of any sort. She almost plays an annoying older sister rather than a mother. Thankfully, she doesn’t play a key role as such to Andy’s arc and thus I can overlook her involvement as such. I think Aubrey should have played a sister role or similar, it would have played to her on-screen strengths.
When Chucky starts killing is when this movie comes into its own. It has nothing to compare it to previous Chucky films. Our new technologically manipulative little doll runs havoc on the millennial generation of mobile phone and gadget addicted humans. The death scenes are gory and for the most part, all have comedy elements to them. Whilst the kills are unimaginative it’s how Chucky delivers those kills that really add that star gore power to proceedings.
Endearing, gory and mostly hilarious. The contrast of tone in Child’s Play may even persuade the die-hard fans to enjoy this one. It shouldn’t really be compared to the originals in any way shape or form although it does have an 80’s flair to it. Child’s Play has taken a new direction but has stayed relevant to modern times and whilst it’s taking a different path than the upcoming TV series, it’s safe to say Chucky really is back!
Thanks for checking out my Child’s Play 2019 review. I hope you enjoy it as much as I did!
https://backtothemovies.com/childs-play-2019-review/
For months I’ve been hating on this reboot. Whilst I still don’t necessarily agree with the politics of how this film came to be. I left the theatre quite surprised at how much I enjoyed this movie. Child’s Play is reimagined for a modern generation. Whilst this film is an alternate timeline twist to the original it still manages to throw in that classic Chucky humor we all know and love. Here’s my Child’s Play 2019 review.
Lars Klevberg tells the story of Buddi, an artificial intelligence robot that can control your home appliances and become your best friend. He will play with you, interact with you like a real human being and you can do activities together. After a man is fired at the Buddi factory he reprograms one of the dolls to disobey its commands and the reign of Chucky begins when it falls into the hands of young Andy (Gabriel Bateman) given to him as a present by his mum Karen (Aubrey Plaza). What follows is a thoroughly enjoyable feature that flies by. Chucky’s murderous rage ramps up to artificial intelligence warfare with epic results.
Disregarding the original storyline of a serial killer whose soul inhabits a Good Guys doll the new Child’s Play tells a more chilling tale. The movie runs a very close to home social commentary about our reliance on technology and the implications that could follow. Buddi is your walking, talking Amazon Echo. Every home device is controlled at his fingertips from TV’s to telephones and even as far as automated cars. You can only imagine the terror that unfolds as Chucky learns to utilize his technological surroundings for evil.
Chucky starts off innocent enough. He’s programmed to be Andy’s best friend but what starts out as a unique interaction between boy and robot instantly changes when Chucky becomes sentient. Influenced by those around him and watching horror movies with Andy suddenly Buddi becomes more sinister in nature. Instead of a treasured companion, Chucky becomes possessive and will protect Andy by any means necessary. Quite the different approach from that of previous installments. Even when Chucky begins his reign of terror Andy is still loyal to him to some degree. Whilst he cannot understand why Chucky is doing the things he does there’s a loneliness about Andy’s character that almost seems to justify Chucky’s behavior. He doesn’t agree with it but at the same time, he has a friend, albeit a murderous little rampaging doll.
Child’s Play has some incredible humour mixed in throughout which allows the film to flow freely. Whilst Seed of Chucky and Bride of Chucky had free-speaking souls it’s harder to convey this type of humour within a robotic doll. Instead, the doll spills one-liners and is influenced by those around him leading to some comical results. Chucky’s infamous one-liners come to the fold and various facial expressions on the doll are hysterical.
The vocal work and comedic delivery from Mark Hamil is nothing short of wonderful. There is nothing this man cannot do. The force is strong with him even in a Chucky movie. Whilst more robotic in nature the way the lines are delivered with such dry-pan straight-faced edge is just brilliant. But once again we cannot compare this new Chucky to the sublime work of Brad Dourif. Brad is delivering dialogue as a human being whereas Mark is delivering lines as a robotic entity. They just cannot be compared and it would be a stupid comparison to make. All in all the voice work is great It’s just a shame I can’t take this ugly doll seriously for one second!
Whoever designed the Buddi doll in pre-production needs a serious talking to! I’m not quite sure what look they were going for with this but it certainly isn’t a good one. The film becomes even more of a comedy the more you look at it. The old dolls had that look of innocence in the originals, this one is just so damn weird. I can’t picture a production meeting where everyone in the room agreed that this is the final look of the doll without intense laughing involved. It’s like the production team are openly fucking with us. No one on this planet can take this doll seriously and for me, Child’s Play is way more of a comedy than it will ever be a horror movie.
For the most part, casting within Child’s Play is very strong. Gabriel Bateman (Andy) puts in a strong performance single-handedly carrying the film. Brian Tyree Henry (Mike) who plays a neighbor/detective is also a nice comedic relief within the feature. Ty Consiglio, Beatrice Kitsos and Carlease Burke also play strong supporting roles. Where casting failed for me however was Aubrey Plaza. I’ve seen Aubrey in comedies where her humor never really hits home in any roles she’s in.
Arrogant and annoying in many roles this cookie cutter casting has her playing the same role in every film she’s in. Playing Andy’s mum in this film doesn’t work for me whatsoever. There’s no conviction, no depth, no family dynamic feel of any sort. She almost plays an annoying older sister rather than a mother. Thankfully, she doesn’t play a key role as such to Andy’s arc and thus I can overlook her involvement as such. I think Aubrey should have played a sister role or similar, it would have played to her on-screen strengths.
When Chucky starts killing is when this movie comes into its own. It has nothing to compare it to previous Chucky films. Our new technologically manipulative little doll runs havoc on the millennial generation of mobile phone and gadget addicted humans. The death scenes are gory and for the most part, all have comedy elements to them. Whilst the kills are unimaginative it’s how Chucky delivers those kills that really add that star gore power to proceedings.
Endearing, gory and mostly hilarious. The contrast of tone in Child’s Play may even persuade the die-hard fans to enjoy this one. It shouldn’t really be compared to the originals in any way shape or form although it does have an 80’s flair to it. Child’s Play has taken a new direction but has stayed relevant to modern times and whilst it’s taking a different path than the upcoming TV series, it’s safe to say Chucky really is back!
Thanks for checking out my Child’s Play 2019 review. I hope you enjoy it as much as I did!
https://backtothemovies.com/childs-play-2019-review/
Ross (3284 KP) rated Athletico Mince in Podcasts
Jan 9, 2018
On the surface this is a football podcast. I wouldn't normally listen to those but the allure of Bob Mortimer was too much to resist.
The first couple of episodes are very football focused (pun intended) and just need to be endured. They are very much finding their feet and settling into a pattern.
After that we are off into the realms of Bob's imagination as his features ("wife's questions", "Gangs of the EPL", "Scottish tales" etc etc) emerge into the world. All of these features show the kind of quirky comedy that Reeves and Mortimer are known for, but for once it is clear how much of this Bob contributes.
The features are all hilarious or at the very least entertaining and the result of two football fans talking a bit about football but generally just larking about.
Possibly my favourite podcast.
The first couple of episodes are very football focused (pun intended) and just need to be endured. They are very much finding their feet and settling into a pattern.
After that we are off into the realms of Bob's imagination as his features ("wife's questions", "Gangs of the EPL", "Scottish tales" etc etc) emerge into the world. All of these features show the kind of quirky comedy that Reeves and Mortimer are known for, but for once it is clear how much of this Bob contributes.
The features are all hilarious or at the very least entertaining and the result of two football fans talking a bit about football but generally just larking about.
Possibly my favourite podcast.
JT (287 KP) rated Dawn Of The Planet Of The Apes (2014) in Movies
Mar 3, 2020
Exciting action (1 more)
Tension and drama
Enjoyable summer blockbuster
No question that this sequel went straight into my top ten films for 2014. Exceptionally shot with astounding special effects in part thanks to performance capture king Andy Serkis this is a film that delivers.
Ten years on and with the epidemic wiping out most of the world’s population humans are very much becoming the minority species. A small band of immune survivors still hold out hope that there are others out there and look to make contact with anyone who might be listening.
The apes have now settled deep in the San Francisco forests building their own fully functioning civilisation led by chimpanzee Caesar. What makes this film rise above (sorry) the first is much of the attention focuses on the apes and deep-rooted character development.
Caser is supported by fellow performance-capture actor Toby Kebbell who plays Koba. An ape with a chip on his shoulder after years of being tested on. His dislike for the human race is made obvious to his best friend.
Their simmering relationship is one of the highlights of the film as they battle they decide whether to stay hidden in peace or go to war. With James Franco gone (albeit making a cameo via archived footage), the human-ape relationship is centred on Malcolm (Jason Clarke) and Caeser, who are bonded by a begrudging truce for peace.
It’s a film that soaks up tension extremely well. Grand battle sequences are cut between emotional and compelling moments interlocked by a very well written script.
The technical aspects of the film are simply stunning and the large set-pieces make for cataclysmic viewing. Caeser’s army arriving on horseback in a show of force to their human foes is captivating. As is the vertigo wincing finale and attack on the human stronghold.
This is was everything a summer blockbuster should be and is most certainly a template to follow.
Ten years on and with the epidemic wiping out most of the world’s population humans are very much becoming the minority species. A small band of immune survivors still hold out hope that there are others out there and look to make contact with anyone who might be listening.
The apes have now settled deep in the San Francisco forests building their own fully functioning civilisation led by chimpanzee Caesar. What makes this film rise above (sorry) the first is much of the attention focuses on the apes and deep-rooted character development.
Caser is supported by fellow performance-capture actor Toby Kebbell who plays Koba. An ape with a chip on his shoulder after years of being tested on. His dislike for the human race is made obvious to his best friend.
Their simmering relationship is one of the highlights of the film as they battle they decide whether to stay hidden in peace or go to war. With James Franco gone (albeit making a cameo via archived footage), the human-ape relationship is centred on Malcolm (Jason Clarke) and Caeser, who are bonded by a begrudging truce for peace.
It’s a film that soaks up tension extremely well. Grand battle sequences are cut between emotional and compelling moments interlocked by a very well written script.
The technical aspects of the film are simply stunning and the large set-pieces make for cataclysmic viewing. Caeser’s army arriving on horseback in a show of force to their human foes is captivating. As is the vertigo wincing finale and attack on the human stronghold.
This is was everything a summer blockbuster should be and is most certainly a template to follow.
LeftSideCut (3776 KP) rated Child's Play 2 (1990) in Movies
Aug 4, 2019
An enjoyably stupid step down from the first one
Child's Play 2 picks up pretty much where the first is left off, with Chuckys body being recovered and refurbished ready for a re sell.
Of course it doesn't take long for Chucky to escape, and head off on a murder spree to get back to Andy (the same kid from the first one)
This sequel straight up lacks the same quality that the first one boasts. The acting is pretty terrible for the most part (although it nice to see Twin Peaks veteran Grace Zabriskie), and the movie hasn't aged as well as the first.
It still has it's charms though. Chucky is ten times more foul mouthed than before, and the movie wastes little time in setting him loose.
I found it to be fairly boring for the most part, but the whole final act makes up for it.
The final showdown in a Good Guys factory is absolutely ludicrous, but it's part of what makes this series so iconic, and gives the film much needed boost ensuring that it ends on a high note.
Of course it doesn't take long for Chucky to escape, and head off on a murder spree to get back to Andy (the same kid from the first one)
This sequel straight up lacks the same quality that the first one boasts. The acting is pretty terrible for the most part (although it nice to see Twin Peaks veteran Grace Zabriskie), and the movie hasn't aged as well as the first.
It still has it's charms though. Chucky is ten times more foul mouthed than before, and the movie wastes little time in setting him loose.
I found it to be fairly boring for the most part, but the whole final act makes up for it.
The final showdown in a Good Guys factory is absolutely ludicrous, but it's part of what makes this series so iconic, and gives the film much needed boost ensuring that it ends on a high note.
