Search
Search results
Kirk Bage (1775 KP) rated Jim & Andy: The Great Beyond (2017) in Movies
Mar 3, 2020
Documentaries, they can’t be trusted, can they? There is always a purpose and a message the film-maker’s have manufactured and edited to suit themselves, I find. They often leave you with more questions than answers. The best ones are open to interpretation enough to allow you in; allowing the source material to speak for itself. The worst ones rely on talking heads too much and can feel very manipulative.
Jim and Andy: The Great Beyond, is fortunately much more of the former than the latter. However, two days after watching this mind-blowing exposé of how Jim Carrey behaved on set of the excellent Man On The Moon, playing genius / lunatic Andy Kaufman, I am still left pondering what to think of it all. Is Carrey an ego maniac who belongs in a straight-jacket, or is he a hippie genius, dedicated to his art, who would do anything to achieve a perfect performance?
It focuses on a fully bearded Carrey reliving his memories of 20 years ago. Reinforced by a plethora of behind the scenes footage, which at turns is hilarious, shocking, confusing and revealing, in uncomfortable and fascinating ways. The premise is that at the time of being cast Kaufman’s spirit inhabited Carrey, allowing him to channel the actual man, and BE him, rather than merely play him!
Whatever your thoughts on method acting, and how indulgent that can be, it is always astonishing to see just how far he went! And why everyone else allowed him to get away with it? Director Milos Forman is forced to cope with never talking to “Jim”, only to “Andy”, and seems often at the point of break-down. Fellow cast members seem to deal with it in different ways too. Danny DeVito seems in awe; Courtney Love seems to embrace it; Paul Giamatti seems very uncomfortable. But the whole show goes ahead with Carrey as king. Simply extraordinary!
The thing is, both 1999 Jim and 2017 Jim never seem entirely insane, but rather totally in control and eloquent. It seems as if every “crazy” thing he did was a choice, conscious or unconscious, that as an actor he was happy to be part of; as if the performance was all that mattered. There have always been mental health questions about Carrey, and this throws a bright spotlight on his technique, personality and self-awareness. At some point you just have to say “wow” and to a degree applaud it.
Your enjoyment of it hinges on how much of a Carrey fan you are? If you have never liked or got him as a performer then you will be screaming at the screen in consternation. If you love his work then this is indespesible viewing! Either way, there is something wondrous about it! Just consider, Carrey won a Golden Globe for this role, and remains the only person ever to do so not to be Oscar nominated…
There is also a suggestion the whole thing is a joke, in typical Kaufman style, using the footage to create a trick on the audience… Documentaries, they can’t be trusted, can they? You decide.
Jim and Andy: The Great Beyond, is fortunately much more of the former than the latter. However, two days after watching this mind-blowing exposé of how Jim Carrey behaved on set of the excellent Man On The Moon, playing genius / lunatic Andy Kaufman, I am still left pondering what to think of it all. Is Carrey an ego maniac who belongs in a straight-jacket, or is he a hippie genius, dedicated to his art, who would do anything to achieve a perfect performance?
It focuses on a fully bearded Carrey reliving his memories of 20 years ago. Reinforced by a plethora of behind the scenes footage, which at turns is hilarious, shocking, confusing and revealing, in uncomfortable and fascinating ways. The premise is that at the time of being cast Kaufman’s spirit inhabited Carrey, allowing him to channel the actual man, and BE him, rather than merely play him!
Whatever your thoughts on method acting, and how indulgent that can be, it is always astonishing to see just how far he went! And why everyone else allowed him to get away with it? Director Milos Forman is forced to cope with never talking to “Jim”, only to “Andy”, and seems often at the point of break-down. Fellow cast members seem to deal with it in different ways too. Danny DeVito seems in awe; Courtney Love seems to embrace it; Paul Giamatti seems very uncomfortable. But the whole show goes ahead with Carrey as king. Simply extraordinary!
The thing is, both 1999 Jim and 2017 Jim never seem entirely insane, but rather totally in control and eloquent. It seems as if every “crazy” thing he did was a choice, conscious or unconscious, that as an actor he was happy to be part of; as if the performance was all that mattered. There have always been mental health questions about Carrey, and this throws a bright spotlight on his technique, personality and self-awareness. At some point you just have to say “wow” and to a degree applaud it.
Your enjoyment of it hinges on how much of a Carrey fan you are? If you have never liked or got him as a performer then you will be screaming at the screen in consternation. If you love his work then this is indespesible viewing! Either way, there is something wondrous about it! Just consider, Carrey won a Golden Globe for this role, and remains the only person ever to do so not to be Oscar nominated…
There is also a suggestion the whole thing is a joke, in typical Kaufman style, using the footage to create a trick on the audience… Documentaries, they can’t be trusted, can they? You decide.
Micky Barnard (542 KP) rated Artemis in Books
Oct 6, 2018
Lunar escapades
The opportunity for an early read of ARTEMIS was an easy decision considering my love for The Martian. The similarities in context are there in terms of genre and setting. ARTEMIS is set on the moon and the moon of the future is a large city, corrupt and problematic, but home for many.
Jasmine (Jazz) Bashara is the protagonist for ARTEMIS and I can now say that Andy Weir writes a female lead with ease and natural ability. I liked her, her little criminal heart and all her dealings. She was the epitome of a strong female. I championed her ambitions and loved finding out about her culture and upbringing. Moon culture was something of a diverse melting pot of people, with guilds that separated the cultures and trades. It was just fascinating reading, that painted colour and interest in my imagination.
The moon was an interesting read but at about 30%, the story just went BAM! The plot was gripping but complex, you need to concentrate and like The Martian, ARTEMIS requires some patience with the technical speak but I didn’t get lost on the whole. Whilst Jazz was front and centre of this story, I enjoyed other characters, her father, Rudy, also Trond and Svoboda (he’s still waiting for her to test that condom).
I’m really thrilled that Andy Weir was able to follow up The Martian with something solid, different but still with the same thrills, tension and characterisation. I now know that I’m going to jump on any release he has. I recommend to Sci-fi fans and open minded readers alike because I don’t think you need to be a staunch sci-fi fan to appreciate ARTEMIS.
Jasmine (Jazz) Bashara is the protagonist for ARTEMIS and I can now say that Andy Weir writes a female lead with ease and natural ability. I liked her, her little criminal heart and all her dealings. She was the epitome of a strong female. I championed her ambitions and loved finding out about her culture and upbringing. Moon culture was something of a diverse melting pot of people, with guilds that separated the cultures and trades. It was just fascinating reading, that painted colour and interest in my imagination.
The moon was an interesting read but at about 30%, the story just went BAM! The plot was gripping but complex, you need to concentrate and like The Martian, ARTEMIS requires some patience with the technical speak but I didn’t get lost on the whole. Whilst Jazz was front and centre of this story, I enjoyed other characters, her father, Rudy, also Trond and Svoboda (he’s still waiting for her to test that condom).
I’m really thrilled that Andy Weir was able to follow up The Martian with something solid, different but still with the same thrills, tension and characterisation. I now know that I’m going to jump on any release he has. I recommend to Sci-fi fans and open minded readers alike because I don’t think you need to be a staunch sci-fi fan to appreciate ARTEMIS.
Dianne Robbins (1738 KP) rated The Second Time Around (1961) in Movies
May 25, 2019
Feminist roles (2 more)
Debbie Reynolds
Thelma Ritter
Contains spoilers, click to show
I was initially disappointed that a lot of the humor was seeing the main female character in so many humiliating pratfalls and fails, however, it turns around some with Thelma Rotter's strong female role and her hiring Debbie Reynolds' character as a female ranch hand instead of hiring a male ranch hand, Reynolds' determination in working hard to support her family instead of taking the easy way out and becoming someone's wife and relying on a man to support her, and Reynolds' eventually becoming sheriff of this frontier town. There is a lot of corny humor in this movie but it's worth a watch. It was great seeing Andy Griffith in the movie and as one of her love interests.
Alex Kapranos recommended Hunky Dory by David Bowie in Music (curated)
Cate Le Bon recommended Selda by Selda in Music (curated)
AJaneClark (3962 KP) rated Bones Of The Lost in Books
Dec 6, 2019 (Updated Dec 6, 2019)
Always gets the bad guy
In the 16th instalment of the bones series by Kathy Reichs, Dr Temperance Brennan is travelling from Charlotte to Afghanistan and back again. With appearances from all the regular characters, Temperance sets out to solve the murder of a mystery Jane Doe, and the potential unlawful killing of Afghani villagers.
Temperance aims to give the girl an identity, and figure out just who is to blame for cutting her life short. All the while Tempe is dealing with her own issues, the lack of contact from her on/off lover Andy, her unconventional relationships with her ex -husband, her flaky sister and her daughter.
Reichs always writes very well, including using the correct terminology, allowing readers to get a grasp of how the characters are really feeling, and keeping you on the edge of the mystery with little tiny bites of the truth, dotted with the odd red herring.
Temperance aims to give the girl an identity, and figure out just who is to blame for cutting her life short. All the while Tempe is dealing with her own issues, the lack of contact from her on/off lover Andy, her unconventional relationships with her ex -husband, her flaky sister and her daughter.
Reichs always writes very well, including using the correct terminology, allowing readers to get a grasp of how the characters are really feeling, and keeping you on the edge of the mystery with little tiny bites of the truth, dotted with the odd red herring.
Noel Gallagher recommended Stone Roses by The Stone Roses in Music (curated)
Kristy H (1252 KP) rated The Family Plot in Books
Sep 16, 2021
Dahlia Lighthouse and her siblings were all named after various people murdered by serial killers. Her parents are obsessed by true crime, and the children were raised in an isolated island home known as the "Murder Mansion" to the locals. Each sibling left when they received their inheritance, except for Dahlia's twin brother, Andy, who disappeared when they were sixteen. Dahlia's been gone from home for seven years when she reluctantly returns after her father's death. Once home, the family receives some terrible news; someone is already buried in their father's plot: Andy, his skull split with an ax. As Dahlia tries to work through her grief over Andy and attempt to figure out what happened to him, she begins to realize that it may trace back to her island home and her family.
"I have to find out what happened to Andy. Then I have to leave this place for good."
This is a dark thriller that will appeal to true crime fans. The Lighthouse family embodies true crime--home schooled, the kids write reports on various serial killer victims and they perform rituals related to their deaths. The obsession with death and murder runs deep, and it's certainly unsettling at first. Dahlia's mother lost her own parents in a gruesome way, and it's definitely apparent that this family isn't quite right.
The first half of this book was really fascinating for me. Weird yes, but oddly interesting as you get to know this messed up family and all their dark secrets. Dahlia seems like a sister grieving the loss of her twin brother, and you find yourself wanting to know what happened to him. There's certainly a limited pool of suspects (small island) but the book keeps you guessing.
The second half did not seem as strong as the first. The weirdness factor ratchets up to almost unbelievable. Dahlia's older siblings are annoying and too much. The limited pool of subjects becomes almost cloying, suddenly making things seem too obvious as the plot thickens and become a bit too bizarre. Things get incredibly grim at times.
Still, while this is a strange read, overall it's a page-turner and something kept me reading. It's like a trainwreck from which you cannot look away. Collins definitely includes some good points about the bonds of family and people's obsession with crime and murder. 3.5 stars.
I received a copy of this book from Atria Books and Netgalley in return for an unbiased review.
"I have to find out what happened to Andy. Then I have to leave this place for good."
This is a dark thriller that will appeal to true crime fans. The Lighthouse family embodies true crime--home schooled, the kids write reports on various serial killer victims and they perform rituals related to their deaths. The obsession with death and murder runs deep, and it's certainly unsettling at first. Dahlia's mother lost her own parents in a gruesome way, and it's definitely apparent that this family isn't quite right.
The first half of this book was really fascinating for me. Weird yes, but oddly interesting as you get to know this messed up family and all their dark secrets. Dahlia seems like a sister grieving the loss of her twin brother, and you find yourself wanting to know what happened to him. There's certainly a limited pool of suspects (small island) but the book keeps you guessing.
The second half did not seem as strong as the first. The weirdness factor ratchets up to almost unbelievable. Dahlia's older siblings are annoying and too much. The limited pool of subjects becomes almost cloying, suddenly making things seem too obvious as the plot thickens and become a bit too bizarre. Things get incredibly grim at times.
Still, while this is a strange read, overall it's a page-turner and something kept me reading. It's like a trainwreck from which you cannot look away. Collins definitely includes some good points about the bonds of family and people's obsession with crime and murder. 3.5 stars.
I received a copy of this book from Atria Books and Netgalley in return for an unbiased review.
Lee (2222 KP) rated Rent-A-Pal (2020) in Movies
Nov 2, 2020
If by any chance you’re feeling nostalgic for the days of VHS videotapes, then Rent-A-Pal is here to satisfy that craving. Set in Denver during 1990, VHS video features rather heavily throughout Rent-A-Pal, from the retro font used in the opening titles to the closeups of videotapes being inserted into a VCR, the internal mechanism engaging with the tape as it prepares to play.
The person responsible for firing up the VCR is David (Brian Landis Folkins), who is settling down to view the latest set of video profiles he’s received from dating agency Video Rendezvous, of which he is a member. David lives in the basement flat of his mum’s house, who has dementia. His father died ten years ago, meaning David is now the sole carer for his mother. And David is lonely, painfully lonely. When he calls Video Rendezvous for an update on any profile matches, he’s told that he has still not received any interest from potential partners who have viewed his profile. He is however urged to come into their office and record a new video profile, as his current one is now 6 months old.
When David sits down in front of the camera to record his new profile, he comes across well, showing just how much of a nice guy he is – a caregiver who simply wants the chance to care for a soulmate, sharing life within a loving relationship. You really do feel for him, certain that the genuine sincerity in his video will finally land him the date he so desperately needs and deserves. That is until the cameraman informs him that he has completely overrun the thirty-second limit allocated to male video profiles and that he is going to have to do it again. The shortened version David then delivers under pressure is rushed, with David now coming across as awkward and creepy, and your heart drops, knowing that he’s likely to remain single for a while longer yet. But then, as he’s having his credit card swiped by the dating agency yet again, David notices an interesting VHS sitting in the nearby bargain bin, titled Rent A Pal, and decides to buy it.
Back in his basement, David puts the Rent-A-Pal video into his VCR and presses play. He’s greeted by Andy (Will Wheaton), a cheery-looking man in a colourful knitted tank top. Andy talks of becoming best friends with David, asking him questions and leaving a pause to allow David to answer. Those pauses aren’t always long enough though, resulting in David being cut off mid-sentence, and the responses from Andy don’t always match the answers that David has given him either. But, desperate for a friend, David persists with this strange form of interaction.
We see that after repeat viewings of the tape David has managed to perfect his responses so that the conversation flows between him and Andy as if it were a real-life conversation. There are parts of the video where Andy plays cards with the viewer, takes a selfie with his back to the camera so that the viewer can be in it, and he and David are able to have the kind of deep and meaningful conversations that only two very good friends would have. It’s a rather lengthy and elaborate videotape, with certain sections earning a revisit should David ever feel the need to have a specific conversation about a certain aspect of his life. Eventually, we as the audience begin to wonder how much of this ‘relationship’ is real or imagined, with some of the questions or replies from Andy beginning to sound eerily close to being very specific and personal to David.
In his real life, David finally gets a lucky break with the dating agency, landing a date with Lisa (Amy Rutledge). Lisa also works in the care sector, and she comes across as a very nice person too. Once again you find yourself willing David to do well and thankfully, they do hit it off. But from the moment David brings Lisa down to his basement and you see that somebody is likely to sit on the VCR remote, you just know things are due to take a dark turn.
Watching David as he interacts with Andy for hours on end, day after day is surprisingly riveting. I was completely engrossed in him and his life as I waited and hoped he might catch a break. For much of the movie, I was just mesmerised by the wonderful performances from the entire cast, thoroughly enjoying the believable, likeable characters they portrayed. But, Rent-A-Pal is billed as a horror movie, so when things do eventually take a turn right at the end, we get a fast-paced, gory ending which felt somewhat disappointing, proving to be the weakest aspect of a movie which really did impress me overall.
The person responsible for firing up the VCR is David (Brian Landis Folkins), who is settling down to view the latest set of video profiles he’s received from dating agency Video Rendezvous, of which he is a member. David lives in the basement flat of his mum’s house, who has dementia. His father died ten years ago, meaning David is now the sole carer for his mother. And David is lonely, painfully lonely. When he calls Video Rendezvous for an update on any profile matches, he’s told that he has still not received any interest from potential partners who have viewed his profile. He is however urged to come into their office and record a new video profile, as his current one is now 6 months old.
When David sits down in front of the camera to record his new profile, he comes across well, showing just how much of a nice guy he is – a caregiver who simply wants the chance to care for a soulmate, sharing life within a loving relationship. You really do feel for him, certain that the genuine sincerity in his video will finally land him the date he so desperately needs and deserves. That is until the cameraman informs him that he has completely overrun the thirty-second limit allocated to male video profiles and that he is going to have to do it again. The shortened version David then delivers under pressure is rushed, with David now coming across as awkward and creepy, and your heart drops, knowing that he’s likely to remain single for a while longer yet. But then, as he’s having his credit card swiped by the dating agency yet again, David notices an interesting VHS sitting in the nearby bargain bin, titled Rent A Pal, and decides to buy it.
Back in his basement, David puts the Rent-A-Pal video into his VCR and presses play. He’s greeted by Andy (Will Wheaton), a cheery-looking man in a colourful knitted tank top. Andy talks of becoming best friends with David, asking him questions and leaving a pause to allow David to answer. Those pauses aren’t always long enough though, resulting in David being cut off mid-sentence, and the responses from Andy don’t always match the answers that David has given him either. But, desperate for a friend, David persists with this strange form of interaction.
We see that after repeat viewings of the tape David has managed to perfect his responses so that the conversation flows between him and Andy as if it were a real-life conversation. There are parts of the video where Andy plays cards with the viewer, takes a selfie with his back to the camera so that the viewer can be in it, and he and David are able to have the kind of deep and meaningful conversations that only two very good friends would have. It’s a rather lengthy and elaborate videotape, with certain sections earning a revisit should David ever feel the need to have a specific conversation about a certain aspect of his life. Eventually, we as the audience begin to wonder how much of this ‘relationship’ is real or imagined, with some of the questions or replies from Andy beginning to sound eerily close to being very specific and personal to David.
In his real life, David finally gets a lucky break with the dating agency, landing a date with Lisa (Amy Rutledge). Lisa also works in the care sector, and she comes across as a very nice person too. Once again you find yourself willing David to do well and thankfully, they do hit it off. But from the moment David brings Lisa down to his basement and you see that somebody is likely to sit on the VCR remote, you just know things are due to take a dark turn.
Watching David as he interacts with Andy for hours on end, day after day is surprisingly riveting. I was completely engrossed in him and his life as I waited and hoped he might catch a break. For much of the movie, I was just mesmerised by the wonderful performances from the entire cast, thoroughly enjoying the believable, likeable characters they portrayed. But, Rent-A-Pal is billed as a horror movie, so when things do eventually take a turn right at the end, we get a fast-paced, gory ending which felt somewhat disappointing, proving to be the weakest aspect of a movie which really did impress me overall.
David McK (3248 KP) rated Rise of the Planet of the Apes (2011) in Movies
Mar 11, 2023
Caesar. Home.
A surprisingly good prequel/re-imagining/reboot of the seminal Charlton Heston starring sci-fi flick, with this being set in more contemporary time and with it tracing the origins of the smart Apes/the beginning of the decline of man.
Basically, don't mess with nature.
I have to say, the end credits - tracing the virus - also hits differently now (in 2023) than it did on release (in 2011), after the world has been through a global pandemic.
Anyway, Andy Serkis interpretation of Caesar is really the star of the show, with able support from his surrogate 'father' Will Rodman (James Franco), the scientist who first developed a drug that he hopes will cure Alzheimer's but which leads to super intelligence in the chimps exposed to it.
Basically, don't mess with nature.
I have to say, the end credits - tracing the virus - also hits differently now (in 2023) than it did on release (in 2011), after the world has been through a global pandemic.
Anyway, Andy Serkis interpretation of Caesar is really the star of the show, with able support from his surrogate 'father' Will Rodman (James Franco), the scientist who first developed a drug that he hopes will cure Alzheimer's but which leads to super intelligence in the chimps exposed to it.