"Violent Femmes was a huge high-school record. I probably got it when I was 14 or 15. I just played the entire album on stage with [Femmes bassist] Brian Ritchie, Brian from the Dresden Dolls and [Bad Seed] Mick Harvey, so I found myself revisiting the record and my early experiences of it. The one thing I remembered was that when I heard that record for the first time, I thought Gordon Gano was a girl. But really sexy! The songs were so sexy and raw and filled with beautiful, actually relatable teenage angst. The music and the production was all so immediate. My cool friends and my older brother were all listening to punk. I tried to be cool and tried to like the Sex Pistols, but I just couldn't get into the records. There just wasn't enough song there for me. But the Violent Femmes was like punk music that my brain could actually follow. I played that tape into the ground, just a non-stop soundtrack. Another thing I realised revisiting it was there's just not a bad song on that record, not a single moment that isn't essential. There's not two seconds of filler."

"Mad World’ is a great song and it has some personal significance for me. When I was on American Idol - you know how when you're on these competition shows, and you have these moments? - it was like my big moment. It was the one that people talked about for a while. “I remember the first time I heard the version by Gary Jules, which is in Donnie Darko. That was the version where I was like 'What?' Both versions of ‘Mad World’ are so brilliant and I think the thing about the song itself that's so brilliant is that it's talking about being disillusioned or disenfranchised as a youth, and with society, feeling like an outsider, and feeling like your voice doesn't matter. I would guess that the song is about dark times. “I think that now we're in a time where things like suicide and bullying and identity politics are so in the forefront of the conversation, but I think that when this was written, angst was more of a sort of mysterious thing and I think that's the brilliance of this song. It's talking about something that not everybody talked about at that point."

"Fight Club came into my life when I was an angsty teenager who wanted to burn down the entire world, much like the movie, and I was just like, “Yeah, you f—ing get ’em.” It just so perfectly captured every bit of teenage or young adult angst that I felt. It also is so funny. Like, I watch that movie and I just howl with laughter, it’s just so sardonic and funny, and also weirdly romantic. It’s a wonderful love story, too. I mean, obviously it’s a love story between two very dysfunctional people, but who’s not dysfunctional in their own ways? I think the writing is brilliant, I think that the cinematography is incredible, I think that David Fincher absolutely knocked that one out of the park. It’s a movie that I can watch over and over, and every time I catch a new line, or I catch a new shot, and I’m like, “Oh, wow. I never noticed that’s how they did that before, and that’s such a brilliant way to do that.” Yeah, I just think that it perfectly captures every single feeling of frustration and rage that anyone might be feeling at any moment."