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BankofMarquis (1832 KP) rated Spider-Man: Into the Spider-Verse (2018) in Movies
Dec 28, 2018
The first "true" comic book movie
The animated feature, SPIDERMAN: INTO THE SPIDER-VERSE, is the first, true "comic-book" film I have ever seen.
"But wait", you say, "How about the Marvel films? Or the DC Universe films? Or the X-Men or DeadPool? Aren't they Comic-Book films?".
I would have to answer - "no". At least not in the same way. All of those properties are films that are BASED on comic-books. Spider-verse, brilliantly, is a comic-book brought to life. It includes scenes that look like pages of a comic book (or graphic novel). It uses thought bubbles,sound effect words and abstract images. The characters are distorted and when other versions of the Spider-Verse are scene (not a spoiler: it's in the title), they are designed in a different graphic style.
Credit for this unique vision/type of film must start with the writers, Phil Lord (The Lego Movie) and Rodney Rothman (22 Jump Street) as well as Directors Bob Persischetti (in his Directing debut) and Rothman (again). These 3 brought to the screen a dazzling visual storytelling vision that is engrossing and interesting and (I am sure) will become richer and richer the more that this film is viewed.
This vision must have been apparent from the "get-go" as these 3 were able to load some top-notch voice talent into this film - Mahershala Ali, Hailee Steinfeld, Jake Johnson, Lily Tomlin(!), Zoe Kravitz, John Mulaney, Kathryn Hahn, Liev Schrieber, Chris Pine and good ol' Nicholas Cage all bring their "A" game to the voices, presenting (instantly) interesting, distinct characters to this interesting, distinct world.
The action of this film moves at a fast-pace, but not so fast that you get lost and the emotions of the film are strong, so the "slow" scenes are just as well paced and don't seem too slow.
I see alot of films, and it is rare when I am struck with how "unusual" a film is. And this one IS unusual - in a very good way. I was thoroughly entertained throughout and I cannot wait to see this film again to catch some of the things I missed the first time through and have a deeper and richer experience for knowing what is to come.
Letter Grade: A
9 (out of 10) stars (yes, it's that good!) and you can take this to the Bank(ofMarquis)
"But wait", you say, "How about the Marvel films? Or the DC Universe films? Or the X-Men or DeadPool? Aren't they Comic-Book films?".
I would have to answer - "no". At least not in the same way. All of those properties are films that are BASED on comic-books. Spider-verse, brilliantly, is a comic-book brought to life. It includes scenes that look like pages of a comic book (or graphic novel). It uses thought bubbles,sound effect words and abstract images. The characters are distorted and when other versions of the Spider-Verse are scene (not a spoiler: it's in the title), they are designed in a different graphic style.
Credit for this unique vision/type of film must start with the writers, Phil Lord (The Lego Movie) and Rodney Rothman (22 Jump Street) as well as Directors Bob Persischetti (in his Directing debut) and Rothman (again). These 3 brought to the screen a dazzling visual storytelling vision that is engrossing and interesting and (I am sure) will become richer and richer the more that this film is viewed.
This vision must have been apparent from the "get-go" as these 3 were able to load some top-notch voice talent into this film - Mahershala Ali, Hailee Steinfeld, Jake Johnson, Lily Tomlin(!), Zoe Kravitz, John Mulaney, Kathryn Hahn, Liev Schrieber, Chris Pine and good ol' Nicholas Cage all bring their "A" game to the voices, presenting (instantly) interesting, distinct characters to this interesting, distinct world.
The action of this film moves at a fast-pace, but not so fast that you get lost and the emotions of the film are strong, so the "slow" scenes are just as well paced and don't seem too slow.
I see alot of films, and it is rare when I am struck with how "unusual" a film is. And this one IS unusual - in a very good way. I was thoroughly entertained throughout and I cannot wait to see this film again to catch some of the things I missed the first time through and have a deeper and richer experience for knowing what is to come.
Letter Grade: A
9 (out of 10) stars (yes, it's that good!) and you can take this to the Bank(ofMarquis)
Neon's Nerd Nexus (360 KP) rated Abominable (2019) in Movies
Oct 19, 2019
You darted Dave
Abominable movie was one of my most anticipated animated films of the year and while it didn't live up to my own hype me and my nephew had an absolute blast watching it. Being such a humongous Big Hero 6 fan when I first saw the Abominable trailer I couldnt help but get extremely excited as it looked like it was heavily inspired by the baymax adventure it in every way. However while Abominable does share similarities with Big Hero I feel it fails to capture its charm, humour and heart which is a huge shame. Dont get me wrong its tremendous fun, has some truly stunning set pieces and its story always felt interesting its just let down by a pace thats a little to fast, some shortcuts in animation and no down time to let us understand and truly connect with its main characters. Visually colour wise it really is great to look at and animation is good (especially Everest his character design is simply wonderful fluffy and cheeky) its just not quite up there with How to train your dragon standards meaning sometimes I did notice some terrible textures. Messages are also strong as our main character feels alone with no purpose in life struggling with loss and feeling held back by those around her. That is until she learns to gain the confidence to take charge of her life, face her demons, realise her worth, embrace the memories/motivations of her past and become a stronger more appreciative person with drive of her own. Its inspiring stuff especially for kids and it really feels like shes taken this journey changing as a character along the way. Villains here feel refreshing too with one having a sad surprising back story of his own that shows why his heart grew cold and his motives in life become confused and muddled. My nephew loved every minute of it but said he became tired when the villain was on screen because he didn't like him.He also said it was almost as good as Big Hero 6 but not quite as good. I did really enjoy this movie I just wish a bit more time had been put into the animation and to fleshing out the characters because with a bit more heart/soul those set pieces could of really made a much bigger impact emotionally.
Kelly (279 KP) rated Spartacus - Season 1 in TV
Dec 21, 2018
Gladiators (1 more)
Great fighting scenes
Much better than the 1960 film
Who would have thought that the story of Spartacus could have been made raunchy for a modern audience, but Starz did this really well. The general facts around the slave rebellion against the Romans, led by the former gladiator Spartacus are limited, however Starz used what information there was and filled in the rest to create a believable version of the tale.
I know that around the release of the series, there was a lot of talk about the use of CGI in the show, mainly during the battle scenes, with the appearance of animated blood splatters/slashes, similar to that shown in the film 300. This use seemed to have divided the audience into either ‘love it’ or ‘hate it’. Personally, I feel that this was the unique selling point of the show- something different that we are not used to on the TV screen, I felt it helped made the show more watchable.
For me Andy Whitfield made Spartacus (and his loss was noticed in the later series of the show). His love towards wife Sura is clear throughout series one, and gave us a believable reason as to why he allowed himself to be manipulated by Batiatus. He was also supported by a number of well cast actors including Manu Bennett (Crixus) and Peter Mensah (Oenomaus), by the end of the series, we find that we really care about these characters.
The reason that I have not rated the show higher, is the casting of John Hannah as Batiatus. John Hannah is a good actor, but I felt the role was not suited to him. To me, Batiatus needed to be a little crueler and more angry, at the end of the day, he was profit and power hungry, and willing to give the lives of men in order to pay the cost of his personal success. There were times, when I did not believe that this was what John Hannah was portrayed, and there was an awkwardness around some of his scenes (particularly those where there were a lot of swearing).
Overall, despite the odd flaw, I really enjoyed watching Spartacus (and have happily purchased the complete box set for re-watching in future) .
I know that around the release of the series, there was a lot of talk about the use of CGI in the show, mainly during the battle scenes, with the appearance of animated blood splatters/slashes, similar to that shown in the film 300. This use seemed to have divided the audience into either ‘love it’ or ‘hate it’. Personally, I feel that this was the unique selling point of the show- something different that we are not used to on the TV screen, I felt it helped made the show more watchable.
For me Andy Whitfield made Spartacus (and his loss was noticed in the later series of the show). His love towards wife Sura is clear throughout series one, and gave us a believable reason as to why he allowed himself to be manipulated by Batiatus. He was also supported by a number of well cast actors including Manu Bennett (Crixus) and Peter Mensah (Oenomaus), by the end of the series, we find that we really care about these characters.
The reason that I have not rated the show higher, is the casting of John Hannah as Batiatus. John Hannah is a good actor, but I felt the role was not suited to him. To me, Batiatus needed to be a little crueler and more angry, at the end of the day, he was profit and power hungry, and willing to give the lives of men in order to pay the cost of his personal success. There were times, when I did not believe that this was what John Hannah was portrayed, and there was an awkwardness around some of his scenes (particularly those where there were a lot of swearing).
Overall, despite the odd flaw, I really enjoyed watching Spartacus (and have happily purchased the complete box set for re-watching in future) .
Neon's Nerd Nexus (360 KP) rated Spider-Man: Far From Home (2019) in Movies
Jul 2, 2019
Home Run
Spiderman Far From Home while more like add on dlc to the far superior Homecoming is packed with enough breathtaking moments & genuinely touching character moments to make is a top notch Spidey road trip. I cant deny Im a sucker for anything Spiderman related so please take my review as possibly slightly bias. At first Far from home had me extremely worried as some of the writing is borderline awful, some acting felt extremely off & its strange offbeat comedy is thrown at us so thick & fast I was eeeessshing more than I was laughing. However about half an hour in something changed & all the things I hated started to come together & I really felt my self becoming really involved with it all. I think what the movie had actually managed to do was not only remind me of the 90s animated show but almost recreate its feel in live action form too. Full of exposition & plot twists I saw coming a mile off Far from home still managed to keep me invested in its characters & raise the stakes/tension constantly as the film went on. What started off as a silly predictable romp actually ended up being a thrilling adrenaline rush filled with pulse pounding busy action scenes that utilised slow motion & unique camera tracking brilliantly as well as a finally thats heartfelt & extremely touching. Themes of new love & the rush it brings as well as its beautiful awkwardness are so relatable & believable & its darker themes of how the worlds gullibility/naivety/social media can be used against us as a weapon are scarily current also. Jake gyllenhaal is literally of the chain as mysterio & I would go as far as saying brings THE best acting I've ever seen in any marvel film so far. Seriously his performance is next level especially when you compare how his character behaves in the first half of the film against in the second half going from quiet, bland, weak & emotionless to unstable, intelligent, overconfident & tactical with some intense/harrowing use of his powers too. One of the most comic like comic book superhero films we've had so far its dorky, full of awesome action, twists/turns & a kickass villain so sit back & take it for what it is pure enjoyment.
LeftSideCut (3776 KP) rated Pride and Prejudice and Zombies (2016) in Movies
Jan 30, 2020 (Updated Jan 30, 2020)
Pride and Prejudice. Zombies. That's it pretty much!
The book was released a fair while back now, and it's a shame that a film adaption took so long to materialise - by 2016, countless 'quirky' zombie movies in a similar vain had saturated the market, and what we're presented with is a film that tries reasonably hard to be something 'out there' but ultimately feels uninspired.
The main issue I found with PPZ was the actual zombie side of things! The zombies themselves looked great, the make up used is gruesome and effective, but the scenes of horror are seldom, and just quite boring. The final act sees a massive horde introduced into the narrative, but said horde probably gets less than two minutes screen time.
The actual Pride and Prejudice side of things felt way more fun.
The cast is pretty strong, even if a few of the characters are insufferable. Lily James is a great lead as Elizabeth Bennet. Her and her sisters make for a strong band of kick-ass zombie slayers. Sam Riley as Mr. Darcy took a (really) long time to win me over, but I actually ended up enjoying him as well.
Lena Headey is entertaining as a badass eyepatched version of Lady Catherine, and it's clear in moments like this that PPZ is just a bit of fun horror comedy fluff that shouldn't be taken too seriously.
The undisputed highlight of the cast is Matt Smith though. His comedic timing is on point and got a few genuine laughs out of me.
Another thing I found frustrating is the story that we weren't being told...the film opens with an animated story book style flashback of how the zombie apocalypse came to be, and what happened in the ensuing chaos. Even the soothing tones of Charles Dance can't distract me from the fact that this exposition dump sounds like a far more interesting story!
Couple that with the fact that we only get glimpses in the distance of a zombie infested flaming London completely surrounded by a massive concrete wall, and you can't help but feel that the film is a bit of a missed opportunity.
Oh well - here's hoping we get a Sense and Sensibility and Sea Monsters adaption somewhere down the line!
The book was released a fair while back now, and it's a shame that a film adaption took so long to materialise - by 2016, countless 'quirky' zombie movies in a similar vain had saturated the market, and what we're presented with is a film that tries reasonably hard to be something 'out there' but ultimately feels uninspired.
The main issue I found with PPZ was the actual zombie side of things! The zombies themselves looked great, the make up used is gruesome and effective, but the scenes of horror are seldom, and just quite boring. The final act sees a massive horde introduced into the narrative, but said horde probably gets less than two minutes screen time.
The actual Pride and Prejudice side of things felt way more fun.
The cast is pretty strong, even if a few of the characters are insufferable. Lily James is a great lead as Elizabeth Bennet. Her and her sisters make for a strong band of kick-ass zombie slayers. Sam Riley as Mr. Darcy took a (really) long time to win me over, but I actually ended up enjoying him as well.
Lena Headey is entertaining as a badass eyepatched version of Lady Catherine, and it's clear in moments like this that PPZ is just a bit of fun horror comedy fluff that shouldn't be taken too seriously.
The undisputed highlight of the cast is Matt Smith though. His comedic timing is on point and got a few genuine laughs out of me.
Another thing I found frustrating is the story that we weren't being told...the film opens with an animated story book style flashback of how the zombie apocalypse came to be, and what happened in the ensuing chaos. Even the soothing tones of Charles Dance can't distract me from the fact that this exposition dump sounds like a far more interesting story!
Couple that with the fact that we only get glimpses in the distance of a zombie infested flaming London completely surrounded by a massive concrete wall, and you can't help but feel that the film is a bit of a missed opportunity.
Oh well - here's hoping we get a Sense and Sensibility and Sea Monsters adaption somewhere down the line!
LeftSideCut (3776 KP) rated Love, Death & Robots - Season 1 in TV
Apr 9, 2020
The beauty of Love, Death and Robots is it's format. An eclectic collection of animated short films, some genuinely brilliant, with a handful of duds, truly gives something for everyone.
There are 18 films on show here, all with something different to offer.
Firstly there were 3 that failed to really resonate with me - Sucker of Souls, When the Yoghurt Took Over, and Alternate Histories. I found these three either slightly boring, or silly for the sake of being silly. There were 2 that sort of floated in the middle - The Dump, and Blind Spot, not bad by any means (none of the shorts are truly bad) but just were sort of there.
Leaving a grand total of 13 shorts that I thought were really really great.
A handful of these realistic CGI entries - namely, Sonnie's Edge, Three Robots, Beyond the Aquila Rift, Shape Shifters (one of the highlights for me), Helping Hand (reminded me of Gravity, in a great way), Lucky 13, and The Secret War.
These lot are lengthier offerings, and boast some good looking CGI animation, bordering on photo realism at times. The run time gives an opportunity for some decent fleshed out stories.
The Secret War in particular is nothing short of breath taking, and may well be my top pick of the whole season.
Elsewhere, we have more cartoony offerings - Suits, a loud animation that features farmers in mech suits fighting aliens. Zima Blue, a beautifully touching story of how a simple robot transcends existence itself - another highlight of the season. Fish Night, a short desert based drama bursting with colour. The animation of this one reminded me of A Scanner Darkly. Good Hunting, a collision of Ancient Chinese stories and a Bioshock style steampunk future. Hard to watch at times, but stunning also - easily would have been my top pick if The Secret War wasn't included.
Rounding it off we have The Witness, and animation that looks like a moving oil painting and reminded me of Mirror's Edge, and Ice Age, a fun short that's the only live action inclusion with CGI flourishes about a civilisation growing in a couple freezer.
It's an ambitious collection of shorts for sure, but like I said, there's something here for everyone. Even the ones that I liked the least are a 6/10 at worst. If you like sci-fi or animation in any shape or form, then check this series out.
There are 18 films on show here, all with something different to offer.
Firstly there were 3 that failed to really resonate with me - Sucker of Souls, When the Yoghurt Took Over, and Alternate Histories. I found these three either slightly boring, or silly for the sake of being silly. There were 2 that sort of floated in the middle - The Dump, and Blind Spot, not bad by any means (none of the shorts are truly bad) but just were sort of there.
Leaving a grand total of 13 shorts that I thought were really really great.
A handful of these realistic CGI entries - namely, Sonnie's Edge, Three Robots, Beyond the Aquila Rift, Shape Shifters (one of the highlights for me), Helping Hand (reminded me of Gravity, in a great way), Lucky 13, and The Secret War.
These lot are lengthier offerings, and boast some good looking CGI animation, bordering on photo realism at times. The run time gives an opportunity for some decent fleshed out stories.
The Secret War in particular is nothing short of breath taking, and may well be my top pick of the whole season.
Elsewhere, we have more cartoony offerings - Suits, a loud animation that features farmers in mech suits fighting aliens. Zima Blue, a beautifully touching story of how a simple robot transcends existence itself - another highlight of the season. Fish Night, a short desert based drama bursting with colour. The animation of this one reminded me of A Scanner Darkly. Good Hunting, a collision of Ancient Chinese stories and a Bioshock style steampunk future. Hard to watch at times, but stunning also - easily would have been my top pick if The Secret War wasn't included.
Rounding it off we have The Witness, and animation that looks like a moving oil painting and reminded me of Mirror's Edge, and Ice Age, a fun short that's the only live action inclusion with CGI flourishes about a civilisation growing in a couple freezer.
It's an ambitious collection of shorts for sure, but like I said, there's something here for everyone. Even the ones that I liked the least are a 6/10 at worst. If you like sci-fi or animation in any shape or form, then check this series out.
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