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Lyndsey Gollogly (2893 KP) rated Anna of Kleve: Queen of Secrets ( Six Tudor Queens book 4) in Books
Dec 30, 2021
213 of 250
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Anna of Kleve: Queen of Secrets ( Six Tudor Queens book 4)
By Alison Weir
Once read a review will be written via Smashbomb and link posted in comments
Newly widowed and the father of an infant son, Henry VIII realizes he must marry again to ensure the royal succession. Forty-six, overweight, and suffering from gout, Henry is soundly rejected by some of Europe's most eligible princesses. Anna of Kleve, from a small German duchy, is twenty-four, and has a secret she is desperate to keep hidden. Henry commissions her portrait from his court painter, who depicts her from the most flattering perspective. Entranced by the lovely image, Henry is bitterly surprised when Anna arrives in England and he sees her in the flesh. Some think her attractive, but Henry knows he can never love her.
What follows is the fascinating story of an awkward royal union that somehow had to be terminated. Even as Henry begins to warm to his new wife and share her bed, his attention is captivated by one of her maids-of-honor. Will he accuse Anna of adultery as he did Queen Anne Boleyn, and send her to the scaffold? Or will he divorce her and send her home in disgrace? Alison Weir takes a fresh and astonishing look at this remarkable royal marriage by describing it from the point of view of Queen Anna, a young woman with hopes and dreams of her own, alone and fearing for her life in a royal court that rejected her almost from the day she set foot on England’s shore.
Book
Anna of Kleve: Queen of Secrets ( Six Tudor Queens book 4)
By Alison Weir
Once read a review will be written via Smashbomb and link posted in comments
Newly widowed and the father of an infant son, Henry VIII realizes he must marry again to ensure the royal succession. Forty-six, overweight, and suffering from gout, Henry is soundly rejected by some of Europe's most eligible princesses. Anna of Kleve, from a small German duchy, is twenty-four, and has a secret she is desperate to keep hidden. Henry commissions her portrait from his court painter, who depicts her from the most flattering perspective. Entranced by the lovely image, Henry is bitterly surprised when Anna arrives in England and he sees her in the flesh. Some think her attractive, but Henry knows he can never love her.
What follows is the fascinating story of an awkward royal union that somehow had to be terminated. Even as Henry begins to warm to his new wife and share her bed, his attention is captivated by one of her maids-of-honor. Will he accuse Anna of adultery as he did Queen Anne Boleyn, and send her to the scaffold? Or will he divorce her and send her home in disgrace? Alison Weir takes a fresh and astonishing look at this remarkable royal marriage by describing it from the point of view of Queen Anna, a young woman with hopes and dreams of her own, alone and fearing for her life in a royal court that rejected her almost from the day she set foot on England’s shore.
Wolf Hall & Bring Up the Bodies: RSC Stage Adaptation
Hilary Mantel and Mike Poulton
Book
A new, revised edition for the London transfer of Mike Poulton's expertly adapted two-part...
The Cardinal's Whores
8.0
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Blackmail. Betrayal. Lust. Just standard fare in the court of Henry the Eighth. Joan Larke...
Historical Romance Suspense
Jane Seymour: The Haunted Queen
8.3
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Acclaimed author and historian Alison Weir continues her epic Six Tudor Queens series with this...
Young Elizabeth: Princess. Prisoner. Queen
10.0
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Elizabeth I is one of England's most famous monarchs, whose story as the ‘Virgin Queen’ is well...
Katherine Howard: The Tragic Story of Henry VIII's Fifth Queen
8.5
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'An impressive revisionist biography' The Times Looming out of the encroaching darkness of the...
Rich, detailed, but strange narrative style at times!
I was sooo keen to read this - especially after watching the TV series, which I completely loved. For the most part, I wasn't disappointed. It's such a novel way of exploring Henry VIII's relationship with Anne Boleyn, not to mention the complex divorce proceedings that preceded it - through the eyes of Thomas Cromwell, the man partially responsible for orchestrating the whole thing.
Immediately, I was struck by Hilary Mantel's remarkable ability to capture life of that time - making it seem strangely familiar, despite the fact it was hundreds of years ago. She made it all seem so real, largely due to her richness of detail, not to mention expert knowledge of the era. The little notes of humour throughout are what really bring it to life - so often, history is treated with utmost seriousness, yet Mantel is absolutely correct - I'm sure people were cracking jokes and saying silly things in the Tudor era too!
The relationships were likewise beautifully illustrated, and the death of Cromwell's wife, genuinely moving. For me, this was one of the most impressive moments of the book, as Mantel captures grief so powerfully and yet so simply.
One thing I did find strange though - the way Mantel uses pronouns throughout the book. I pondered for ages about why it jarred on me every so often, and I think it's because the 3rd person narrative is so intimate, it almost feels like a 1st person in places. Then, when she uses 'he' again, rather than 'I', it is momentarily confusing. I found myself wondering what the book would have been like had she just told it in first person through Cromwell's eyes - my personal belief is that it might have worked better.
Also, although the richness of the detail was spectacular, there were times when I felt that it held up the narrative slightly. I appreciate her desire to capture every moment of these tumultuous historic events, but at times, I did find them a wee bit boring.
However, for the most part, I was really into this book, and loved the character of Cromwell to bits. A man from a humble background, unfailingly pragmatic and clever - fabulous stuff!
Immediately, I was struck by Hilary Mantel's remarkable ability to capture life of that time - making it seem strangely familiar, despite the fact it was hundreds of years ago. She made it all seem so real, largely due to her richness of detail, not to mention expert knowledge of the era. The little notes of humour throughout are what really bring it to life - so often, history is treated with utmost seriousness, yet Mantel is absolutely correct - I'm sure people were cracking jokes and saying silly things in the Tudor era too!
The relationships were likewise beautifully illustrated, and the death of Cromwell's wife, genuinely moving. For me, this was one of the most impressive moments of the book, as Mantel captures grief so powerfully and yet so simply.
One thing I did find strange though - the way Mantel uses pronouns throughout the book. I pondered for ages about why it jarred on me every so often, and I think it's because the 3rd person narrative is so intimate, it almost feels like a 1st person in places. Then, when she uses 'he' again, rather than 'I', it is momentarily confusing. I found myself wondering what the book would have been like had she just told it in first person through Cromwell's eyes - my personal belief is that it might have worked better.
Also, although the richness of the detail was spectacular, there were times when I felt that it held up the narrative slightly. I appreciate her desire to capture every moment of these tumultuous historic events, but at times, I did find them a wee bit boring.
However, for the most part, I was really into this book, and loved the character of Cromwell to bits. A man from a humble background, unfailingly pragmatic and clever - fabulous stuff!
Katherine of Aragon, the True Queen
8.0
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*A Sunday Times Top Ten Bestseller* Katherine of Aragon: The True Queen by bestselling historian...
Six Tudor Queens: Katherine of Aragon, the True Queen: Six Tudor Queens 1
2.0
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*A Sunday Times Top Ten Bestseller* Katherine of Aragon: The True Queen by bestselling historian...
Bob Mann (459 KP) rated Spencer (2021) in Movies
Nov 11, 2021
Diana hits rock bottom… as does the script.
Discordant strings sound as the royal party arrives at Sandringham for Christmas. “Is she here yet” intones the Queen. “No ma’am” her major domo replies. “Then she’s late”. Cut to a soulful choral version of “Perfect Day” as Diana Princess of Wales (née Spencer) arrives via a dramatic aerial shot. Hugs go to her sons William and Harry before she unhappily stalks through the corridors like a hunted animal.
This is the second movie in a row that I’ve intro’d via a positive emotional response to a great trailer. In the last case – for “Last Night in Soho” – the movie more than lived up to my high expectations from the trailer. But here – oh dear! It comes to something where the very best thing about the film is the trailer.
For, unfortunately for me, this came across as pretentious, vaguely insulting and with a dreadful script.
Plot Summary:
It’s Christmas 1991 at the Sandringham estate. Diana (Kristen Stewart) is the black sheep of the royal family, flouting tradition and always late for every formal event. She sees conspiracies at every turn, suspecting the household coordinator Major Gregory (Timothy Spall) of plotting against her. Her only allies that she can talk to are head chef Darren (Sean Harris) and her dresser Maggie (Sally Hawkins).
Mentally unstable, bulimic and self-harming, Diana must survive a tumultuous three days without destroying the Christmas spirit for her two sons and irreparably damaging her relationship with the wider royal family.
Certification:
US: R. UK: 12A.
Talent:
Starring: Kristen Stewart, Timothy Spall, Sally Hawkins, Jack Farthing, Sean Harris.
Directed by: Pablo Larraín.
Written by: Steven Knight.
“Spencer” Review: Positives:
Kristen Stewart does a simply fabulous job of impersonating Diana. She’s clearly studied a lot of video of the lady in getting to mimic the way she looks, walks and dances. Although I didn’t rate the film, the performance is a cut-above.
It’s an ironic touch that in all of her driving scenes, Diana never wears a seat-belt.
Negatives:
Oh man, Steven Knight’s dialogue here I found to be simply atrocious. Head-in-the-hands bad. I decided about half way through this monstrosity that “The Room” had had its day as a cult student classic, and that “Spencer” should take over in that role.
These things evolve organically over time, but I came up with the following basic rules for a student showing:
Every time Kristen Stewart does a ‘simp’ look to camera, down a shot;
When Darren utters the line “What are you going to do with wirecutters?” the audience yells as one “CUT WIRE!” **;
When Diana intones “Beauty is useless. Beauty is clothing”** the audience should strip to their underwear;
Every time a member of the hunt shouts “PULL!” you throw a stuffed pheasant in the air. Otherwise you keep the stuffed pheasant next to you, and engage in studious conversation with it as the film progresses;
Whenever Anne Boleyn appears, shout “OFF WITH HER HEAD”;
When a character says to Diana “I love you. And yes, in that way”**, the audience must shout “Aye aye” and every female audience member needs to passionately kiss another female audience member; and finally…
When Diana says “Leave Me. I want to masturbate”**, the audience throws dildos at the screen.
** I’d really like to pretend that I made these lines up. They might be paraphrased a bit, but honestly, that’s the gist!
Oh yes. It’s a sure-fire student classic of the future. You read it here first folks! I can see the filmmakers lauding me with praise for turning their movie into a post-release sleeper hit. “WHAT A CULT” they shout at me. “WHAT A CULT”!
The rest of the cast do a good enough job with what they have, but have the general vibe of being embarrassed to deliver the dialogue they’ve been given. Sean Harris – a fine actor – inexplicably spouts Shakespeare like Christopher Plummer in “Star Trek VI”! And one can only assume that Timothy Spall was given direction to act as if he had a whole lemon stuck inside his mouth for the whole movie.
I’ve been a fan of Jonny Greenwood’s music in other movies like “Phantom Thread“. I’ve seen Mark Kermode describe this soundtrack as “fantastic”. But, for me, the intrusive atonal strings and laid-back jazz vibe just didn’t work for me at all.
Summary Thoughts on “Spencer”
As you can probably tell, I hated this one. And the illustrious Mrs Movie Man 100% agrees with me in this assessment. The trailer promised a lot, but the movie delivered very little for me. It just all felt to me like an affront to the memory of Diana. Making a highly fictitious “fable based on a real life tragedy” just feels wrong. This seems particularly the case when the Queen, Prince Charles and (particularly) William and Harry are alive to watch it. What must they think if and when they get to view this?
I was a big fan of Larrain’s 2017 biopic on Jackie Kennedy – “Jackie” – which really covered the very similar ground, of a lady in the focus of publicity struggling with mental illness. But at least that had the benefit of historical distance.
I seem to be swimming against the critical tide here, since the movie currently has an IMDB rating of 7.4/10. But frankly, for me, I thought the recent series of “The Crown” did this so much better.
This is the second movie in a row that I’ve intro’d via a positive emotional response to a great trailer. In the last case – for “Last Night in Soho” – the movie more than lived up to my high expectations from the trailer. But here – oh dear! It comes to something where the very best thing about the film is the trailer.
For, unfortunately for me, this came across as pretentious, vaguely insulting and with a dreadful script.
Plot Summary:
It’s Christmas 1991 at the Sandringham estate. Diana (Kristen Stewart) is the black sheep of the royal family, flouting tradition and always late for every formal event. She sees conspiracies at every turn, suspecting the household coordinator Major Gregory (Timothy Spall) of plotting against her. Her only allies that she can talk to are head chef Darren (Sean Harris) and her dresser Maggie (Sally Hawkins).
Mentally unstable, bulimic and self-harming, Diana must survive a tumultuous three days without destroying the Christmas spirit for her two sons and irreparably damaging her relationship with the wider royal family.
Certification:
US: R. UK: 12A.
Talent:
Starring: Kristen Stewart, Timothy Spall, Sally Hawkins, Jack Farthing, Sean Harris.
Directed by: Pablo Larraín.
Written by: Steven Knight.
“Spencer” Review: Positives:
Kristen Stewart does a simply fabulous job of impersonating Diana. She’s clearly studied a lot of video of the lady in getting to mimic the way she looks, walks and dances. Although I didn’t rate the film, the performance is a cut-above.
It’s an ironic touch that in all of her driving scenes, Diana never wears a seat-belt.
Negatives:
Oh man, Steven Knight’s dialogue here I found to be simply atrocious. Head-in-the-hands bad. I decided about half way through this monstrosity that “The Room” had had its day as a cult student classic, and that “Spencer” should take over in that role.
These things evolve organically over time, but I came up with the following basic rules for a student showing:
Every time Kristen Stewart does a ‘simp’ look to camera, down a shot;
When Darren utters the line “What are you going to do with wirecutters?” the audience yells as one “CUT WIRE!” **;
When Diana intones “Beauty is useless. Beauty is clothing”** the audience should strip to their underwear;
Every time a member of the hunt shouts “PULL!” you throw a stuffed pheasant in the air. Otherwise you keep the stuffed pheasant next to you, and engage in studious conversation with it as the film progresses;
Whenever Anne Boleyn appears, shout “OFF WITH HER HEAD”;
When a character says to Diana “I love you. And yes, in that way”**, the audience must shout “Aye aye” and every female audience member needs to passionately kiss another female audience member; and finally…
When Diana says “Leave Me. I want to masturbate”**, the audience throws dildos at the screen.
** I’d really like to pretend that I made these lines up. They might be paraphrased a bit, but honestly, that’s the gist!
Oh yes. It’s a sure-fire student classic of the future. You read it here first folks! I can see the filmmakers lauding me with praise for turning their movie into a post-release sleeper hit. “WHAT A CULT” they shout at me. “WHAT A CULT”!
The rest of the cast do a good enough job with what they have, but have the general vibe of being embarrassed to deliver the dialogue they’ve been given. Sean Harris – a fine actor – inexplicably spouts Shakespeare like Christopher Plummer in “Star Trek VI”! And one can only assume that Timothy Spall was given direction to act as if he had a whole lemon stuck inside his mouth for the whole movie.
I’ve been a fan of Jonny Greenwood’s music in other movies like “Phantom Thread“. I’ve seen Mark Kermode describe this soundtrack as “fantastic”. But, for me, the intrusive atonal strings and laid-back jazz vibe just didn’t work for me at all.
Summary Thoughts on “Spencer”
As you can probably tell, I hated this one. And the illustrious Mrs Movie Man 100% agrees with me in this assessment. The trailer promised a lot, but the movie delivered very little for me. It just all felt to me like an affront to the memory of Diana. Making a highly fictitious “fable based on a real life tragedy” just feels wrong. This seems particularly the case when the Queen, Prince Charles and (particularly) William and Harry are alive to watch it. What must they think if and when they get to view this?
I was a big fan of Larrain’s 2017 biopic on Jackie Kennedy – “Jackie” – which really covered the very similar ground, of a lady in the focus of publicity struggling with mental illness. But at least that had the benefit of historical distance.
I seem to be swimming against the critical tide here, since the movie currently has an IMDB rating of 7.4/10. But frankly, for me, I thought the recent series of “The Crown” did this so much better.