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BankofMarquis (1832 KP) rated The Harder They Fall (2021) in Movies
Nov 13, 2021
Terrific Ending
I am a “bitter-ender”, I will stay until the end of a Sporting Event or a Movie in the hopes that something interesting will happen.
And, in the case of the Netflix Original Film THE HARDER THEY FALL, I was rewarded for my patience.
Based on real-life African-American characters - and with an All-Black Cast - THE HARDER THEY FALL tells the tale of 2 rival gangs in the “Old West” (circa 1880 or so) as they rob, cheat, outsmart and kill each other.
This 2 1/2 hour epic has 2 distinct parts. The first 2 hours is all set up. A film that looks like a pale imitation of a Quentin Tarantino film by Writer/Director Jaymes Samuel (best known as collaborating with Baz Luhrman and Jay Z on the soundtrack for THE GREAT GATSBY). He is clearly influenced by Tarantno and tries to mimic Tarantino’s style - and, like most imitators - falls short mainly because he focused on the style and not the substance of what Tarantino does.
He populates this film with some of the finest Black Actors working today - Idris Elba, DelRoy Lindo, Jonathan Majors, Lakeith Stanfield and Zazie Bettz are all underutilized during the first 2 hours of this film and I had myself wondering why they agreed to do this film.
And then came the last 1/2 hour.
The final portion of THE HARDER THEY FALL is about as good a piece of film-making that you will see, with the showdown between the 2 rival gangs really paying off and Majors, Lindo and Elba (especially) finally get their chance to shine - and answers the question as to why these fine performers were in this film. It’s as if Samuels had a great ending in mind and patched together a film (and plot) that would get the characters to that point.
And then there is the case of Regina King - who was acting in a different kind of film all along. She reigns in this film like a true MOVIE STAR, commanding the screen - and your attention - whenever she shows up. She has a wonderful monologue in the underwhelming first 2 hours of this film - that is worthy of Tarantino - and shows why King is undeniably a MOVIE STAR. This monologue alone almost makes the first 2 hours bearable.
You will have a conundrum when contemplating seeing THE HARDER THEY FALL. Will you be willing to sit through 2 hours of a B- film (a “C” film, if it wasn’t for King) to, finally, be rewarded with an A+ ending?
The choice is yours.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
And, in the case of the Netflix Original Film THE HARDER THEY FALL, I was rewarded for my patience.
Based on real-life African-American characters - and with an All-Black Cast - THE HARDER THEY FALL tells the tale of 2 rival gangs in the “Old West” (circa 1880 or so) as they rob, cheat, outsmart and kill each other.
This 2 1/2 hour epic has 2 distinct parts. The first 2 hours is all set up. A film that looks like a pale imitation of a Quentin Tarantino film by Writer/Director Jaymes Samuel (best known as collaborating with Baz Luhrman and Jay Z on the soundtrack for THE GREAT GATSBY). He is clearly influenced by Tarantno and tries to mimic Tarantino’s style - and, like most imitators - falls short mainly because he focused on the style and not the substance of what Tarantino does.
He populates this film with some of the finest Black Actors working today - Idris Elba, DelRoy Lindo, Jonathan Majors, Lakeith Stanfield and Zazie Bettz are all underutilized during the first 2 hours of this film and I had myself wondering why they agreed to do this film.
And then came the last 1/2 hour.
The final portion of THE HARDER THEY FALL is about as good a piece of film-making that you will see, with the showdown between the 2 rival gangs really paying off and Majors, Lindo and Elba (especially) finally get their chance to shine - and answers the question as to why these fine performers were in this film. It’s as if Samuels had a great ending in mind and patched together a film (and plot) that would get the characters to that point.
And then there is the case of Regina King - who was acting in a different kind of film all along. She reigns in this film like a true MOVIE STAR, commanding the screen - and your attention - whenever she shows up. She has a wonderful monologue in the underwhelming first 2 hours of this film - that is worthy of Tarantino - and shows why King is undeniably a MOVIE STAR. This monologue alone almost makes the first 2 hours bearable.
You will have a conundrum when contemplating seeing THE HARDER THEY FALL. Will you be willing to sit through 2 hours of a B- film (a “C” film, if it wasn’t for King) to, finally, be rewarded with an A+ ending?
The choice is yours.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Debbiereadsbook (1166 KP) rated Thicker Than Water (Redwater Demons #1) in Books
Jul 27, 2024
freaking loved this book!
Independent reviewer for GRR, I was gifted my copy of this book.
This book, right here, is what I love MOST about reviewing. I come across a blurb that I love the sound of, by an author that is new to me, and the book blows me away! I freaking LOVED this book!
Julian is a demon hunter. His latest job finds himself adopted by the demon he was sent to kill. But she's just a little girl, and he cannot. He then finds said toddler kidnapped from him, and a demon contacts him, to share custody! (I'm sorry, but that really did make me chuckle!) But as Cassius and JJ bond over Desi, pieces are being moved on the cheesboard, and it's not very clear who will come out on top.
Like I said, freaking loved this book!
I loved the jump straight in for JJ and Desi. I loved the gentle way we are told about this world and the people and demons in it. The world building is excellent, and I could keep up and follow what was being thrown at me at all times. Cass and JJ have redefined the SLOW BUILD! I love the gradual way the attraction builds between these two. It's slow and subtle, and one of them thinks/says something and its "say what now??" SOme funny moments, too.
It's violent in places. JJ bears the brunt of that but not all is on page. MUCH is implied. I liked that we don't get it all, but we get some clues as to how bad it really was.
While JJ and Cass have a slow build, when we get to the main event?? Totally fade to grey and I freaking LOVED THAT TOO!! I'm big enough to admit, I like my books on the steamy side, and I'm also big enough to admit that not all books nned to be explicit. I loved that this one was not.
Betrayal of the highest order is painful for JJ, but Cass comes to the rescue, in his true form. And I loved that there was no indication that demons in this world had another form! There is some indication who might be next, at the end of this one with a bit of the next book. Actually, it gives you the next TWO books, I hope!
This is a new to me author, at the start of a new series. Two questions I ask myself when I read new authors and starts of series: will I read more by this author?? And will I continue the series. My answers to both questions is a HELL FREAKING YES!!
I can't fault this, I really cannot.
5 full and oh-so shiny stars!
*same worded review will appear elsewhere
This book, right here, is what I love MOST about reviewing. I come across a blurb that I love the sound of, by an author that is new to me, and the book blows me away! I freaking LOVED this book!
Julian is a demon hunter. His latest job finds himself adopted by the demon he was sent to kill. But she's just a little girl, and he cannot. He then finds said toddler kidnapped from him, and a demon contacts him, to share custody! (I'm sorry, but that really did make me chuckle!) But as Cassius and JJ bond over Desi, pieces are being moved on the cheesboard, and it's not very clear who will come out on top.
Like I said, freaking loved this book!
I loved the jump straight in for JJ and Desi. I loved the gentle way we are told about this world and the people and demons in it. The world building is excellent, and I could keep up and follow what was being thrown at me at all times. Cass and JJ have redefined the SLOW BUILD! I love the gradual way the attraction builds between these two. It's slow and subtle, and one of them thinks/says something and its "say what now??" SOme funny moments, too.
It's violent in places. JJ bears the brunt of that but not all is on page. MUCH is implied. I liked that we don't get it all, but we get some clues as to how bad it really was.
While JJ and Cass have a slow build, when we get to the main event?? Totally fade to grey and I freaking LOVED THAT TOO!! I'm big enough to admit, I like my books on the steamy side, and I'm also big enough to admit that not all books nned to be explicit. I loved that this one was not.
Betrayal of the highest order is painful for JJ, but Cass comes to the rescue, in his true form. And I loved that there was no indication that demons in this world had another form! There is some indication who might be next, at the end of this one with a bit of the next book. Actually, it gives you the next TWO books, I hope!
This is a new to me author, at the start of a new series. Two questions I ask myself when I read new authors and starts of series: will I read more by this author?? And will I continue the series. My answers to both questions is a HELL FREAKING YES!!
I can't fault this, I really cannot.
5 full and oh-so shiny stars!
*same worded review will appear elsewhere
Unleashing Happiness: How I Helped Free My Child from Anxious Thoughts
10.0
Rate It
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Is it really possible for a mother to heal her angry child, changing her daughter's personality from...
Emma @ The Movies (1786 KP) rated Annabelle Comes Home (2019) in Movies
Jun 20, 2020
God help me I don't know why I went to see this.
The Warrens have contained Annabelle, her influence is safely blocked by a box crafted from sacred glass and they've locked her up in their artefact room. A year goes by without incident, but when their babysitter's friend visits unannounced, curious and looking for answers, the relative peace of the house is shattered.
Daniela unwittingly unleashes Annabelle's power onto the house and the three of them inside. The spirits in the Warren's basement are gradually escaping and coming out to play.
While me and horror don't mix, I do occasionally like the idea behind some of them. A story about objects with power like Annabelle Comes Home really appealed to me as I'm a fan of this sort of supernatural malarkey. As such, I decided to suck it up and be brave. I'm mainly glad I gave it a go... mainly.
This is the first horror film I have ever seen that has had any effect on me after seeing it. Most I just forget about and move on to the next, Annabelle Comes Home really messed with me though. I got up in the night and when I got back to bed I thought about it for the briefest moment and spent the next hour with the light on scrolling through Pinterest. Even when watching it at the cinema there were genuine moments where I was scared, not just the jumping out of my seat kind. Actually, I was impressed that it didn't just rely on the jump scare as a way of getting to its audience. More movies are doing that these days and it just feels like a very cheap way of trying for horror.
The scares here were much more... subtle... but subtle is absolutely not the right words. What I mean is that they were crafted in a much better and natural way than something popping out and screaming in your face. There is a moment with the bride where the shot genuinely moves so swiftly that it's almost inducing panic in you because you can't quite work out what's happening.
All of the spirits in the house are incredibly well done visually. The Ferryman in particular is very effective, it's amazing how something as simple as the sound of coins can add to the tension. When I said "all" at the beginning of this paragraph I did overstate slightly, there's one exception. Sadly Bob (our bit part love interest) is stuck outside trying to fend off a werewolf. I feel like the chances are high that he was designed for a Scooby Doo movie that was never produced. It's got a slightly cartoonish quality to it and when you add in the excess of rolling fog it becomes the least believable of all the unbelievable things.
Speaking of Bob, as a character, while adorable, does feel out of place as well. But the addition of this lighter storyline probably saved me from having a complete breakdown right in the cinema.
Daniela, the girl who can't read warning labels, left me annoyed. She's curious and looking for answers but it also feels like she's not convinced that the Warrens are for real. Either way, why would you play with the thing that is not only inside a locked room, but inside a locked box inside the locked room and has a very clear sign saying not to open it? Surely the only thing that's inside the box apart from a creepy doll and a chair is eternal damnation.
I thought that Madison Iseman as the babysitter Mary Ellen was a really good call in this. She's incredibly believable throughout and managed not to overact. Let's face it, there's always a strong chance of that in horror.
Finding out that Vera Farmiga and Patrick Wilson were barely in it was extremely disappointing. They're both good actors with a host of top roles under their belts and I'd been looking forward to seeing them on screen together. Once the set up is done though it's over to the younger cast members as Ed and Lorraine Warren go off on a trip. They do appear later in the film, but only after the action's conclusion to participate in the bizarrely conceived ending.
Mckenna Grace managed to deal with some of the creepy moments really well but I didn't feel like there was really much for her to do. Everything was very much guided by Mary Ellen and Daniela, and when she did get a moment on the screen it was swiftly snatched away by something else. Potentially by design I guess, but there wasn't much chance to make the role come alive.
I've not seen any of the other films in this franchise, and honestly, probably won't now. If someone who has could tell me if the others are as formulaic as this one I would appreciate it. I'm not saying formulaic is bad, sometimes knowing what's coming is easier to deal with, I'm sure it really helped me with this film. Near the beginning we have a sequence that gives you a checklist of things to wait for. Would I have stuck it out if I hadn't known what to look out for? Would some of those things scared me enough to leave? We'll never know.
I'm glad I managed to stick with it, the idea had been what really intrigued me and I feel like that came through well. Despite other issues with predictability and characters I actually enjoyed this film.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/07/annabelle-comes-home-movie-review.html
The Warrens have contained Annabelle, her influence is safely blocked by a box crafted from sacred glass and they've locked her up in their artefact room. A year goes by without incident, but when their babysitter's friend visits unannounced, curious and looking for answers, the relative peace of the house is shattered.
Daniela unwittingly unleashes Annabelle's power onto the house and the three of them inside. The spirits in the Warren's basement are gradually escaping and coming out to play.
While me and horror don't mix, I do occasionally like the idea behind some of them. A story about objects with power like Annabelle Comes Home really appealed to me as I'm a fan of this sort of supernatural malarkey. As such, I decided to suck it up and be brave. I'm mainly glad I gave it a go... mainly.
This is the first horror film I have ever seen that has had any effect on me after seeing it. Most I just forget about and move on to the next, Annabelle Comes Home really messed with me though. I got up in the night and when I got back to bed I thought about it for the briefest moment and spent the next hour with the light on scrolling through Pinterest. Even when watching it at the cinema there were genuine moments where I was scared, not just the jumping out of my seat kind. Actually, I was impressed that it didn't just rely on the jump scare as a way of getting to its audience. More movies are doing that these days and it just feels like a very cheap way of trying for horror.
The scares here were much more... subtle... but subtle is absolutely not the right words. What I mean is that they were crafted in a much better and natural way than something popping out and screaming in your face. There is a moment with the bride where the shot genuinely moves so swiftly that it's almost inducing panic in you because you can't quite work out what's happening.
All of the spirits in the house are incredibly well done visually. The Ferryman in particular is very effective, it's amazing how something as simple as the sound of coins can add to the tension. When I said "all" at the beginning of this paragraph I did overstate slightly, there's one exception. Sadly Bob (our bit part love interest) is stuck outside trying to fend off a werewolf. I feel like the chances are high that he was designed for a Scooby Doo movie that was never produced. It's got a slightly cartoonish quality to it and when you add in the excess of rolling fog it becomes the least believable of all the unbelievable things.
Speaking of Bob, as a character, while adorable, does feel out of place as well. But the addition of this lighter storyline probably saved me from having a complete breakdown right in the cinema.
Daniela, the girl who can't read warning labels, left me annoyed. She's curious and looking for answers but it also feels like she's not convinced that the Warrens are for real. Either way, why would you play with the thing that is not only inside a locked room, but inside a locked box inside the locked room and has a very clear sign saying not to open it? Surely the only thing that's inside the box apart from a creepy doll and a chair is eternal damnation.
I thought that Madison Iseman as the babysitter Mary Ellen was a really good call in this. She's incredibly believable throughout and managed not to overact. Let's face it, there's always a strong chance of that in horror.
Finding out that Vera Farmiga and Patrick Wilson were barely in it was extremely disappointing. They're both good actors with a host of top roles under their belts and I'd been looking forward to seeing them on screen together. Once the set up is done though it's over to the younger cast members as Ed and Lorraine Warren go off on a trip. They do appear later in the film, but only after the action's conclusion to participate in the bizarrely conceived ending.
Mckenna Grace managed to deal with some of the creepy moments really well but I didn't feel like there was really much for her to do. Everything was very much guided by Mary Ellen and Daniela, and when she did get a moment on the screen it was swiftly snatched away by something else. Potentially by design I guess, but there wasn't much chance to make the role come alive.
I've not seen any of the other films in this franchise, and honestly, probably won't now. If someone who has could tell me if the others are as formulaic as this one I would appreciate it. I'm not saying formulaic is bad, sometimes knowing what's coming is easier to deal with, I'm sure it really helped me with this film. Near the beginning we have a sequence that gives you a checklist of things to wait for. Would I have stuck it out if I hadn't known what to look out for? Would some of those things scared me enough to leave? We'll never know.
I'm glad I managed to stick with it, the idea had been what really intrigued me and I feel like that came through well. Despite other issues with predictability and characters I actually enjoyed this film.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/07/annabelle-comes-home-movie-review.html
Smashbomb (4683 KP) created a post in Smashbomb AMA
Jul 12, 2019
Phillip McSween (751 KP) rated The Signal (2014) in Movies
Apr 30, 2018
Meh
Three college students get more than what they bargained for when they try to track down a computer genius that hacked their computers and end up fighting for their lives instead.
Acting: 10
Beginning: 5
Characters: 4
The characters harbored no depth whatsoever. As a result there was never a point in the film where I cared about what happened to any of them. They were stale, moving about the film aimlessly. The only time they were remotely interesting was towards the end and I won't spoil why.
Not only did they bore me, they infuriated me at the same time. The decision-making of main character Nic (Brenton Thwaites) was just maddening. How he repeatedly found himself in the same perilous situations blew my mind. At one point, I remember saying, "At this point, you deserve what happens." You know it's going to be a long film when the main character can't win you over.
Cinematography/Visuals: 8
Conflict: 4
While there are some points of intrigue, the film seems to bumble along for the most part with much ado about nothing. You recognize that there is a mystery unfolding, but the terrible character development didn't help to raise my level of caring. The two action sequences that are worthwhile don't redeem the film as a whole.
Genre: 4
I love sci-fi. There are too many films to count that have helped shape the genre. When it comes to sci-fi, this ranks towards the bottom of the barrel for me. There are no real points of connection that gave it the spark it needed to capture my interest. The true sci-fi elements come too little too late.
Memorability: 7
Pace: 5
Watching this film is like watching a baby trying to walk, but not quite as cute. You're waiting for the film to collapse at any moment due to its shaky foundation and then you get to a point where you say, "Just be done already." After about the fourth or fifth eyeroll, I was beyond ready for the film's conclusion.
Plot: 3
Just dumb. Do I need to expand on this? The story has enough holes to make swiss cheese jealous. Sure, things became less confusing as the story progressed, but the answers given were beyond far-fetched. I think a stronger story overall is what could have turned the tides of the entire film.
Resolution: 6
From a visuals standpoint, the ending was pretty cool. From a justifiable and satisfaction-level standpoint? Going to take a hard pass. I won't spoil the ending, but I'll just say the payoff is far from worth it. Interesting yes...but incomplete.
Overall: 56
Even before the ending brought the film to a necessary close, there were so many points along the way director William Eubank could have tweaked to improve this film. Alas, it didnt seem to be worth his time and neither should this film be for yours.
Acting: 10
Beginning: 5
Characters: 4
The characters harbored no depth whatsoever. As a result there was never a point in the film where I cared about what happened to any of them. They were stale, moving about the film aimlessly. The only time they were remotely interesting was towards the end and I won't spoil why.
Not only did they bore me, they infuriated me at the same time. The decision-making of main character Nic (Brenton Thwaites) was just maddening. How he repeatedly found himself in the same perilous situations blew my mind. At one point, I remember saying, "At this point, you deserve what happens." You know it's going to be a long film when the main character can't win you over.
Cinematography/Visuals: 8
Conflict: 4
While there are some points of intrigue, the film seems to bumble along for the most part with much ado about nothing. You recognize that there is a mystery unfolding, but the terrible character development didn't help to raise my level of caring. The two action sequences that are worthwhile don't redeem the film as a whole.
Genre: 4
I love sci-fi. There are too many films to count that have helped shape the genre. When it comes to sci-fi, this ranks towards the bottom of the barrel for me. There are no real points of connection that gave it the spark it needed to capture my interest. The true sci-fi elements come too little too late.
Memorability: 7
Pace: 5
Watching this film is like watching a baby trying to walk, but not quite as cute. You're waiting for the film to collapse at any moment due to its shaky foundation and then you get to a point where you say, "Just be done already." After about the fourth or fifth eyeroll, I was beyond ready for the film's conclusion.
Plot: 3
Just dumb. Do I need to expand on this? The story has enough holes to make swiss cheese jealous. Sure, things became less confusing as the story progressed, but the answers given were beyond far-fetched. I think a stronger story overall is what could have turned the tides of the entire film.
Resolution: 6
From a visuals standpoint, the ending was pretty cool. From a justifiable and satisfaction-level standpoint? Going to take a hard pass. I won't spoil the ending, but I'll just say the payoff is far from worth it. Interesting yes...but incomplete.
Overall: 56
Even before the ending brought the film to a necessary close, there were so many points along the way director William Eubank could have tweaked to improve this film. Alas, it didnt seem to be worth his time and neither should this film be for yours.
Becs (244 KP) rated Restorations in Books
May 22, 2019
Rather interesting and intriguing read
I received a copy of Restorations by Charles Strickler to read and review from Smith Publicity. Everything I say is one hundred percent my own opinions.
I'm generally not a fan of Historical Fictions but my attention was gripped by this intriguing novel. Charles Strickler's writing style is very informative and it doesn't have that "boring history" tone to it. It was rather light and flowed like water. You can also tell that Charles Strickler did a ton of research prior to writing Restorations and it honestly shows.
Restorations follows Miles' journey in recovering a 1928 Stutz Black Hawk Boat Tail Roadster he bought from an auction. There is a mysterious aura around the Black Hawk and Miles is set on getting answers. This journey he takes includes a pretty woman, a few near death experiences, the mafia, and surprisingly loads of action. You're not going to want to miss this!!
"Stop living in your father's shadow."
Characters:
Miles West - the main character who buys the Black Hawk. Nothing overall special that needs to be pointed out about him.
Bramley Ann Fairchild - the auctioneer who sold Miles the car. She ends up helping him figure out the mystery behind the Black Hawk.
Ms. Gardner - basically the mother figure for Miles and she is dead set on trying to get Miles and Bramley together.
Mr. Howe - the lawyer of Carlo Bello. He seems to be absolutely terrified of Bello.
Carlo Bello - a mob leader who will do anything to get what he wants. He's trying to get the Black Hawk from Miles.
Maximilian "Lefty" Webber - the original owner of the Black Hawk that Miles purchased, deceased.
Wil - the repair man.
Reasons why I rated it 4 stars:
1. The plot:
The plot flowed pretty smoothly, minus a few bumps and turns. I did notice a few spots where the plot jumped and there wasn't story/ character development. But overall, it wasn't the worst thing I've read.
2. My enjoyment:
I really enjoyed reading Restorations and would most defiantly reread. I actually sent the review copy I received to a good friend as she is a fan of the mafia and this style of books. (Fingers crossed she enjoys it as well)
3. Character and story development:
There were a few parts where the reader could have used a bit more character and story development/ background, as it lacked. But it really was a great debut novel, especially for it being in Historical Fiction!
4. Grammar and spelling:
Charles Strickler is a great writer and I did not notice any major grammatical or spelling errors. I did find a few that are usually overlooked but they didn't take away from the overall story.
5. The overall story:
I rather enjoyed reading Restorations and would reread. I just wish the parts that seemed to be lacking where able to be added too.
"Accidents happen all the time."
I'm generally not a fan of Historical Fictions but my attention was gripped by this intriguing novel. Charles Strickler's writing style is very informative and it doesn't have that "boring history" tone to it. It was rather light and flowed like water. You can also tell that Charles Strickler did a ton of research prior to writing Restorations and it honestly shows.
Restorations follows Miles' journey in recovering a 1928 Stutz Black Hawk Boat Tail Roadster he bought from an auction. There is a mysterious aura around the Black Hawk and Miles is set on getting answers. This journey he takes includes a pretty woman, a few near death experiences, the mafia, and surprisingly loads of action. You're not going to want to miss this!!
"Stop living in your father's shadow."
Characters:
Miles West - the main character who buys the Black Hawk. Nothing overall special that needs to be pointed out about him.
Bramley Ann Fairchild - the auctioneer who sold Miles the car. She ends up helping him figure out the mystery behind the Black Hawk.
Ms. Gardner - basically the mother figure for Miles and she is dead set on trying to get Miles and Bramley together.
Mr. Howe - the lawyer of Carlo Bello. He seems to be absolutely terrified of Bello.
Carlo Bello - a mob leader who will do anything to get what he wants. He's trying to get the Black Hawk from Miles.
Maximilian "Lefty" Webber - the original owner of the Black Hawk that Miles purchased, deceased.
Wil - the repair man.
Reasons why I rated it 4 stars:
1. The plot:
The plot flowed pretty smoothly, minus a few bumps and turns. I did notice a few spots where the plot jumped and there wasn't story/ character development. But overall, it wasn't the worst thing I've read.
2. My enjoyment:
I really enjoyed reading Restorations and would most defiantly reread. I actually sent the review copy I received to a good friend as she is a fan of the mafia and this style of books. (Fingers crossed she enjoys it as well)
3. Character and story development:
There were a few parts where the reader could have used a bit more character and story development/ background, as it lacked. But it really was a great debut novel, especially for it being in Historical Fiction!
4. Grammar and spelling:
Charles Strickler is a great writer and I did not notice any major grammatical or spelling errors. I did find a few that are usually overlooked but they didn't take away from the overall story.
5. The overall story:
I rather enjoyed reading Restorations and would reread. I just wish the parts that seemed to be lacking where able to be added too.
"Accidents happen all the time."