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Emma @ The Movies (1786 KP) rated The Dead Don't Die (2019) in Movies
Jun 20, 2020
I'm a little sad to say that I spent real money on this film. It wasn't showing at my Cineworld and the chance of a second stage release with the summer holidays approaching was unlikely. Luckily one of my Showcase Cinemas had it on and I ventured out into the real world to see it.
I won't bother with an extended synopsis because honestly I don't know what the point would be... it's zombies, everyone is trying to stay alive, literally nothing else is really happening in the story.
Up until this point I never really understood people using the word "meta" (unless it was DC related), I get it now. Officer Peterson, played by Adam Driver, is so meta that there actually may not be any more to go around.
The cast felt like it was just quirky enough to work together, especially as this wasn't going to be a traditional zombie movie. Looking back at the actors now I'm wondering if I might have enjoyed this movie more if it had unknown actors in it. I don't think it would have risen much higher in the rankings but I would have been less annoyed by some of the happenings.
Bill Murray plays Chief Robertson, a man who is seemingly always slightly confused by everything and also never becomes more than mildly alarmed by what's going on. The character and the performance were both rather boring. Murray came alive about as much as any of the zombies did.
The same can be said for Adam Driver, though I actually think that's par for the course with the way he acts rather than anything else. He always feels like mid-tier Keanu Reeves without the range. Once you realise that Peterson has the meta inside track it becomes a challenge to see anything he says in any other way. The script became rather frustrating because of this.
We're shown a very strange Tilda Swinton in the trailer and you have to wonder if the make-up direction was just "I want her to be the palest she's ever been and throw in a little "Ring" vibe for good measure." Zelda is probably the perfect zombie apocalypse companion, but she doesn't make for very dynamic viewing.
All of this negative feeling can be laid squarely at the script's door. It has little of interest to warrant a story at all, which is weird because there are elements that you think lead somewhere and then inexplicably don't. The ending is particularly bad and is what I've dubbed the "Stephen King ending". I won't expand on that here because it definitely constitutes spoilers if you haven't seen it.
There are some nice touches. The animal behaviour, the character of Mallory, and some of the effects on Selena Gomez. There's also some that left me questioning how they've portrayed zombies in this compared to other z-movies, but it's not in the trailer and while it's in my notes I'm wondering if I didn't just imagine the whole thing.
Those few little snippets can't save this movie. The poor script has several (that's me being generous) holes in it that just don't stand up when you look closely, and it's not good enough to give you anything else to look at apart from those holes. From its "maybe sciency things will cover the lack of reasoning" beginning to the "Stephen King ending" I was very disappointed.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/07/the-dead-dont-die-movie-review.html
I won't bother with an extended synopsis because honestly I don't know what the point would be... it's zombies, everyone is trying to stay alive, literally nothing else is really happening in the story.
Up until this point I never really understood people using the word "meta" (unless it was DC related), I get it now. Officer Peterson, played by Adam Driver, is so meta that there actually may not be any more to go around.
The cast felt like it was just quirky enough to work together, especially as this wasn't going to be a traditional zombie movie. Looking back at the actors now I'm wondering if I might have enjoyed this movie more if it had unknown actors in it. I don't think it would have risen much higher in the rankings but I would have been less annoyed by some of the happenings.
Bill Murray plays Chief Robertson, a man who is seemingly always slightly confused by everything and also never becomes more than mildly alarmed by what's going on. The character and the performance were both rather boring. Murray came alive about as much as any of the zombies did.
The same can be said for Adam Driver, though I actually think that's par for the course with the way he acts rather than anything else. He always feels like mid-tier Keanu Reeves without the range. Once you realise that Peterson has the meta inside track it becomes a challenge to see anything he says in any other way. The script became rather frustrating because of this.
We're shown a very strange Tilda Swinton in the trailer and you have to wonder if the make-up direction was just "I want her to be the palest she's ever been and throw in a little "Ring" vibe for good measure." Zelda is probably the perfect zombie apocalypse companion, but she doesn't make for very dynamic viewing.
All of this negative feeling can be laid squarely at the script's door. It has little of interest to warrant a story at all, which is weird because there are elements that you think lead somewhere and then inexplicably don't. The ending is particularly bad and is what I've dubbed the "Stephen King ending". I won't expand on that here because it definitely constitutes spoilers if you haven't seen it.
There are some nice touches. The animal behaviour, the character of Mallory, and some of the effects on Selena Gomez. There's also some that left me questioning how they've portrayed zombies in this compared to other z-movies, but it's not in the trailer and while it's in my notes I'm wondering if I didn't just imagine the whole thing.
Those few little snippets can't save this movie. The poor script has several (that's me being generous) holes in it that just don't stand up when you look closely, and it's not good enough to give you anything else to look at apart from those holes. From its "maybe sciency things will cover the lack of reasoning" beginning to the "Stephen King ending" I was very disappointed.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/07/the-dead-dont-die-movie-review.html
Charlie Cobra Reviews (1840 KP) rated Zombieland: Double Tap (2019) in Movies
Jul 7, 2020 (Updated Nov 1, 2020)
Not Much More Than The Same Goofy Undead Routine
Contains spoilers, click to show
This movie was pretty entertaining when I saw it in theaters but I was more than a little disappointed in the movie as a whole, especially when it was 10 years in the making, and because of how much I loved the original movie. As I mentioned above this movie started off strong with the introduction about how the zombies were changing or evolving. The 3 types were: Homers, which were so dumb they were almost not a threat, Hawkings, which were smarter than the average zombie, and Ninjas, which are the silent and stealthy types. The whole montage of them whooping zombie ass on the lawn of the White House was awesome too. The movie was going smooth to be but I didn't like how the plot felt recycled because of the girls leaving them and stealing their car just like the first one. I can see a lot of people being annoyed with the dumb blonde character Madison, but to me her scenes were generally pretty funny and I couldn't help but bust out laughing with that seat belt scene. The one character that I never really liked in the movie was Avan Jogia's character Berkeley. He was just a plot device that got the story moving and never really did anything except be a pacifist hippie who played the guitar and the love interest for Little Rock. She totally winds up stealing the car from Wichita and leaving her stranded. A lot of the movie I think probably sounded better on paper then it wound up coming out in the film. Like for example the new type of zombie called the T-800's (after the terminator) were tougher to kill, they showed how it dodge bullets like Neo from Matrix and even took a lot of bullets and kept on going until it had it's head smashed in. But the movie lost at lot of those good things along the way. The Homers come out again in a few scenes, they mention a Hawking but it didn't really do anything special, and they never showed a ninja. Also the T-800's who were so un-killable earlier are shown to be easily killable later. When the gang is at the hippie strong hold Babylon, which in itself is ridiculous, they do a plan to take out the horde of T-800's coming their way. There is a part where they are being swarmed by them and they have no weapons other than melee ones and are easily killing all the T-800s around them. Yeah the whole hippie stronghold place was a big stretch for me too. I mean it had walls to protected them and rules for new people like no guns (which they confiscate and melt), but there's no way they could be there for 10 years with no weapons surviving in the zombie apocalypse. Just like the character Madison surviving in the mall living in a freezer in Pinkberry for 10 years. It's just a lot of the logic went out the window. But still it was an above average zombie movie and that's why I give it a 6/10.
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Hadley (567 KP) rated Wastelands: Stories of the Apocalypse in Books
Aug 19, 2020
From the Book of Revelations to the Road Warrior; from A Canticle for Leibowitz to the Road, storytellers have long imagined the end of the world, weaving eschatological tales of catastrophe, chaos, and calamity. In doing so, these visionary authors have addressed one of the most challenging and enduring themes of imaginative fiction: the nature of life in the aftermath of total societal collapse.
Overall, there were a few good stories inside this book, but some of them seemed out of place, and there were ones that were just boring or not written well (like ending the story just to make it a short story). I only recommend this book to people who absolutely love dystopian stories, but for those who are just light readers of it, I don't think you'd enjoy it.
Being that this is a review for a handful of short stories, I am only going to mention the ones I really liked.
"Salvage" by Orson Scott Card
A long time after atom bombs have destroyed most of the Earth, a young man named Deaver finds out that there may be gold hidden within a Mormon temple, and he's willing to risk everything to get it.
I loved the story, the characters, and the playful banter between them.
"Bread and Bombs" by M. Rickert
During war time, children become curious about an odd neighbor who moves in. Parents demand that their children stay away from them because the neighbor's people are the reason so many people have died.
I liked that the story is through the childrens' eyes, not the adults.
"Dark, Dark Were the Tunnels" by George R. R. Martin
In the story that follows, you'll meet Greel. He is a scout of the People. He's penetrated the Oldest Tunnels, where the taletellers said the People had come from a million years ago. He is no coward, but he is afraid, and with good reason. You see, he's very used to being in the dark, but some visitors have come to the tunnels, and they've brought light with them...
I really liked the whole idea of people tunneling underground when nuclear war happens; there are not enough stories written about this!
"Never Despair" by Jack McDevitt
'Never Despair' tells the story of Chaka Milana, a woman who leaves her hometown in search of a storied place that holds the secrets of the Roadmakers, the almost-mythical builders of the concrete strips that cover the land, and the ruined cities with towers so high that a person could not ascend one in a day.
The story was so good that I wish it were a novel.
"Artie's Angels" by Catherine Wells
A post-apocalyptic society involving bicycles and young men.
This was probably my most favorite story out of the entire book!
"Inertia" by Nancy Kress
A story about the victims of a disfiguring epidemic who are interned in the modern equivalent of leper colonies.
Kress was able to make such a big picture out of very few characters, and in just a few pages. Really well-written.
"The End of the World As We Know It" by Dale Bailey
A lone survivor of an apocalypse attempts to grapple with the emotional dimension of his loss.
Just a really good story.
Overall, there were a few good stories inside this book, but some of them seemed out of place, and there were ones that were just boring or not written well (like ending the story just to make it a short story). I only recommend this book to people who absolutely love dystopian stories, but for those who are just light readers of it, I don't think you'd enjoy it.
Being that this is a review for a handful of short stories, I am only going to mention the ones I really liked.
"Salvage" by Orson Scott Card
A long time after atom bombs have destroyed most of the Earth, a young man named Deaver finds out that there may be gold hidden within a Mormon temple, and he's willing to risk everything to get it.
I loved the story, the characters, and the playful banter between them.
"Bread and Bombs" by M. Rickert
During war time, children become curious about an odd neighbor who moves in. Parents demand that their children stay away from them because the neighbor's people are the reason so many people have died.
I liked that the story is through the childrens' eyes, not the adults.
"Dark, Dark Were the Tunnels" by George R. R. Martin
In the story that follows, you'll meet Greel. He is a scout of the People. He's penetrated the Oldest Tunnels, where the taletellers said the People had come from a million years ago. He is no coward, but he is afraid, and with good reason. You see, he's very used to being in the dark, but some visitors have come to the tunnels, and they've brought light with them...
I really liked the whole idea of people tunneling underground when nuclear war happens; there are not enough stories written about this!
"Never Despair" by Jack McDevitt
'Never Despair' tells the story of Chaka Milana, a woman who leaves her hometown in search of a storied place that holds the secrets of the Roadmakers, the almost-mythical builders of the concrete strips that cover the land, and the ruined cities with towers so high that a person could not ascend one in a day.
The story was so good that I wish it were a novel.
"Artie's Angels" by Catherine Wells
A post-apocalyptic society involving bicycles and young men.
This was probably my most favorite story out of the entire book!
"Inertia" by Nancy Kress
A story about the victims of a disfiguring epidemic who are interned in the modern equivalent of leper colonies.
Kress was able to make such a big picture out of very few characters, and in just a few pages. Really well-written.
"The End of the World As We Know It" by Dale Bailey
A lone survivor of an apocalypse attempts to grapple with the emotional dimension of his loss.
Just a really good story.
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Lee (2222 KP) rated Black Summer - Season 1 in TV
May 1, 2019
A refreshing new take on the familiar zombie format
I gave up on The Walking Dead a few seasons ago. Continually disappointing story-lines and characters, along with frustrating pacing issues had made this show hard work to watch, and a far cry from it's early days of action packed originality. Black Summer recently arrived on Netflix, described as a companion piece to the show Z Nation, and consisting of just 8 episodes ranging in length from 20 to 40 minutes. After seeing some online recommendations, I gave it a shot, and it's safe to say that it has reignited my passion for zombie shows.
We're in the fairly early stages of a full on zombie apocalypse. The military are evacuating a small town, taking survivors to a nearby stadium for safety and eventual extraction. There's a lot of panic and confusion, and not a great deal of undead around at first in the mostly deserted town. The first episode is broken into smaller, titled scenes, introducing us to single characters or groups who are located about the town, and it's a style of story telling that continues throughout the season. Some episodes focus on a single character while some focus on a particular mission, with different scenes shot from the perspective of different characters, highlighting how their actions affect others. There's not a single character who is more important than the others in the show, and characters can be lost to the undead in the blink of an eye, with new ones immediately taking their place to become core characters.
Black Summer shares some of its ideas with The Walking Dead, not to mention many other zombie movies and shows. The virus which turns you into a zombie appears to be there within all of us, lying dormant, so you don't necessarily need to die from a zombie bite in order to become one. Turning is pretty much instantaneous too, and the resulting zombies are of the more vicious, faster and cleverer kind. Running, climbing, very determined and able to learn in order to catch you whatever it takes. Luckily then, it's not very often that our characters are having to deal with more than just a few of these things at any one time, which helps to keep things more focused and terrifying.
Black Summer is very dialogue light - something which definitely works in its favour, and is a refreshing change to the long conversations and monologuing of TWD. Many of the scenes are single camera shots, following our characters around and really immersing you in the action. It's taking a simple idea and giving it a fresh spin, providing the viewer with a harrowing and intensely enjoyable thrill ride. For me, the perfect example of this is the episode titled 'Alone', where an unlucky coward called Lance finds himself all alone after escaping a school. He meanders around town before picking up the pace when a zombie decides that it wants to feed on him. I spent a pretty intense 30 minutes just wishing this poor guy would find himself a weapon and catch a break. But even when he does, he manages to blow his chance and lose it again! It's a standout episode, and a perfect example of what I love about this show.
I couldn't really fault a single episode of Black Summer, as it builds towards it's intense but relatively short finale where a number of survivors converge on the stadium, while zombies come at them from all directions. I really hope it gets renewed, and I really hope it continues to find ways to remain original and enjoyable too.
We're in the fairly early stages of a full on zombie apocalypse. The military are evacuating a small town, taking survivors to a nearby stadium for safety and eventual extraction. There's a lot of panic and confusion, and not a great deal of undead around at first in the mostly deserted town. The first episode is broken into smaller, titled scenes, introducing us to single characters or groups who are located about the town, and it's a style of story telling that continues throughout the season. Some episodes focus on a single character while some focus on a particular mission, with different scenes shot from the perspective of different characters, highlighting how their actions affect others. There's not a single character who is more important than the others in the show, and characters can be lost to the undead in the blink of an eye, with new ones immediately taking their place to become core characters.
Black Summer shares some of its ideas with The Walking Dead, not to mention many other zombie movies and shows. The virus which turns you into a zombie appears to be there within all of us, lying dormant, so you don't necessarily need to die from a zombie bite in order to become one. Turning is pretty much instantaneous too, and the resulting zombies are of the more vicious, faster and cleverer kind. Running, climbing, very determined and able to learn in order to catch you whatever it takes. Luckily then, it's not very often that our characters are having to deal with more than just a few of these things at any one time, which helps to keep things more focused and terrifying.
Black Summer is very dialogue light - something which definitely works in its favour, and is a refreshing change to the long conversations and monologuing of TWD. Many of the scenes are single camera shots, following our characters around and really immersing you in the action. It's taking a simple idea and giving it a fresh spin, providing the viewer with a harrowing and intensely enjoyable thrill ride. For me, the perfect example of this is the episode titled 'Alone', where an unlucky coward called Lance finds himself all alone after escaping a school. He meanders around town before picking up the pace when a zombie decides that it wants to feed on him. I spent a pretty intense 30 minutes just wishing this poor guy would find himself a weapon and catch a break. But even when he does, he manages to blow his chance and lose it again! It's a standout episode, and a perfect example of what I love about this show.
I couldn't really fault a single episode of Black Summer, as it builds towards it's intense but relatively short finale where a number of survivors converge on the stadium, while zombies come at them from all directions. I really hope it gets renewed, and I really hope it continues to find ways to remain original and enjoyable too.
Movie Metropolis (309 KP) rated Captain America: Civil War (2016) in Movies
Jun 10, 2019
Mini Avengers, Assemble
Is anyone else getting bored of superhero films? Nope? Just me then. We’re not even halfway through 2016 and there have been three of them. In February, there was Deadpool, a film that despite all the odds, turned out to be smashing – despite its generic finale.
Then, DC tried to compete with Marvel in March with Batman v Superman: Dawn of Justice. It was fine, if far too long and lacking in any real drama. Now, Marvel is back with Captain America: Civil War. But can it break the superhero tedium that has started to settle in?
Steve Rogers (Chris Evans) is back and he is not happy. The titular hero, and the rest of our beloved Avengers clan, are asked to sign up to a UN treaty, designed to reign in their unsupervised power after a dramatic and deadly battle against terrorists in Nigeria. It turns out the Avengers lost the PR war and countries across the globe want blood – well them to back off a little at least.
Most of the fan favourites return in Civil War, with Robert Downey Jr proving once again why he was cast as Tony Stark/Iron Man all those years ago. He is a commanding presence and brings to the table some of the best one-liners outside a fully-fledged Iron Man film.
Elsewhere, Scarlett Johansson (Black Widow), Jeremy Renner (Hawkeye), Elizabeth Olsen (Scarlet Witch) and Paul Bettany (Vision) all return and despite the increasing number of characters all make their presence felt throughout the course of the film – something Avengers: Age of Ultron failed to do.
However, the film belongs to the characters that join the film and the Marvel Universe. Paul Rudd’s Ant-Man makes a truly exceptional appearance and features in Civil War’s most memorable scene – a brilliantly choreographed battle between two sides in a deserted airport.
And, the long-awaited “homecoming” of Spider-Man to the MCU is thankfully worth the wait. He’s been teased in the trailers and I’m pleased to say his screen-time is far greater than anyone could have imagined. Young Tom Holland’s portrayal of Peter Parker may need some time to settle in, we have a Spider-Man reboot to look forward to in 2018, but he makes a cracking first impression.
So, with all those characters it’s fair to say that Civil War should be renamed “Mini Avengers Assemble” as there’s far more at stake here than a simple Captain America movie. Directors Joe and Anthony Russo have created the film that Age of Ultron should have been and it’s a slight disservice to their incredible work that the film isn’t labelled as a full Avengers feature, despite the lack of Thor and Hulk.
The action is beautifully filmed and the locations are fabulous. From Africa to America and from Germany to London, nearly every inch of the world is touched upon in some way – yet it doesn’t feel disjointed.
But what makes Civil War stand out from all the rest is its human side. This isn’t a superhero movie that ends in a climactic battle against a faceless army, it explores the human impact of our characters’ actions and the emotion radiates from its heart.
Yes, it’s 20 minutes too long but apart from that, I can’t think of a bad word to say. It has reinvigorated a genre that was starting to turn a little stale. Bringing together a set of characters that against all the odds gel together so well makes it feel as fresh as Iron Man did way back in 2008.
If this is the magic the Russo brothers can work at Marvel, Avengers: Infinity War should be something truly special indeed. X-Men: Apocalypse, you have your work cut out.
Oh, and wait right up until the end credits for something very special indeed.
https://moviemetropolis.net/2016/05/01/mini-avengers-assemble-captain-america-civil-war-review/
Then, DC tried to compete with Marvel in March with Batman v Superman: Dawn of Justice. It was fine, if far too long and lacking in any real drama. Now, Marvel is back with Captain America: Civil War. But can it break the superhero tedium that has started to settle in?
Steve Rogers (Chris Evans) is back and he is not happy. The titular hero, and the rest of our beloved Avengers clan, are asked to sign up to a UN treaty, designed to reign in their unsupervised power after a dramatic and deadly battle against terrorists in Nigeria. It turns out the Avengers lost the PR war and countries across the globe want blood – well them to back off a little at least.
Most of the fan favourites return in Civil War, with Robert Downey Jr proving once again why he was cast as Tony Stark/Iron Man all those years ago. He is a commanding presence and brings to the table some of the best one-liners outside a fully-fledged Iron Man film.
Elsewhere, Scarlett Johansson (Black Widow), Jeremy Renner (Hawkeye), Elizabeth Olsen (Scarlet Witch) and Paul Bettany (Vision) all return and despite the increasing number of characters all make their presence felt throughout the course of the film – something Avengers: Age of Ultron failed to do.
However, the film belongs to the characters that join the film and the Marvel Universe. Paul Rudd’s Ant-Man makes a truly exceptional appearance and features in Civil War’s most memorable scene – a brilliantly choreographed battle between two sides in a deserted airport.
And, the long-awaited “homecoming” of Spider-Man to the MCU is thankfully worth the wait. He’s been teased in the trailers and I’m pleased to say his screen-time is far greater than anyone could have imagined. Young Tom Holland’s portrayal of Peter Parker may need some time to settle in, we have a Spider-Man reboot to look forward to in 2018, but he makes a cracking first impression.
So, with all those characters it’s fair to say that Civil War should be renamed “Mini Avengers Assemble” as there’s far more at stake here than a simple Captain America movie. Directors Joe and Anthony Russo have created the film that Age of Ultron should have been and it’s a slight disservice to their incredible work that the film isn’t labelled as a full Avengers feature, despite the lack of Thor and Hulk.
The action is beautifully filmed and the locations are fabulous. From Africa to America and from Germany to London, nearly every inch of the world is touched upon in some way – yet it doesn’t feel disjointed.
But what makes Civil War stand out from all the rest is its human side. This isn’t a superhero movie that ends in a climactic battle against a faceless army, it explores the human impact of our characters’ actions and the emotion radiates from its heart.
Yes, it’s 20 minutes too long but apart from that, I can’t think of a bad word to say. It has reinvigorated a genre that was starting to turn a little stale. Bringing together a set of characters that against all the odds gel together so well makes it feel as fresh as Iron Man did way back in 2008.
If this is the magic the Russo brothers can work at Marvel, Avengers: Infinity War should be something truly special indeed. X-Men: Apocalypse, you have your work cut out.
Oh, and wait right up until the end credits for something very special indeed.
https://moviemetropolis.net/2016/05/01/mini-avengers-assemble-captain-america-civil-war-review/