"Marcel Carné’s masterpiece, starring the unforgettable Jean-Louis Barrault and the divine Arletty."

"In my formative years I was completely taken by this combination of low life, stage pantomime and romantic twizzle. Jean-Louis Barrault, Etienne Decroux, Arletty and Pierre Brasseur on the boulevard of crime. Now, in my dotage, I like it more than ever."

"My late father’s favorite movie. The film is disturbing on so many levels: the fact that it was made during the Occupation; the way theater and real life are layered and confused; the performance by Arletty, who would later be convicted as a collaborator. She notoriously justified her treason by saying, “My heart belongs to France, but my ass is international.”"

"The love story is so powerful, the spectacle so grand, that Marcel Carné’s masterpiece (an indispensable Criterion production) isn’t often regarded as a genre piece, though it is inhabited by every kind of criminal and involves an unforgettable murder in a Turkish bath—made particularly ghastly for occurring just off camera. Yet Marcel Herrand’s Lacenaire is one of the cinema’s most fascinating monsters, and his machinations resolve the fate of everyone else, including the muse incarnated by the great Arletty."