Search
Search results

Ultimate General™: Gettysburg
Games
App
A Tactical Wargame that allows you to command thousands of soldiers as a Union or Confederate...

RavenclawPrincess913 (253 KP) rated Eclipse (Twilight, #3) in Books
Feb 12, 2019
Contains spoilers, click to show
Title: Eclipse
Author: Stephenie Meyer
Summary: In Eclipse by Stephenie Meyer Bella and Jacob make-up and fight again. Edward also wants her no where near the pack because he thinks it’s dangerous so he has Alice “kidnap” Bella for a sleepover while he is out of town so she doesn’t run off to La Push again, but Jacob comes to the rescue and gets her from school. They hang out for a bit until he says he rather she be dead than a vampire. Rosalie goes on to explain to Bella why she doesn’t want her to become a vampire and Jasper tells Bella later on about his first years as a vampire with Maria and the newborn army. Than Victoria’s and Riley’s newborn army comes to fight the Cullens and the Pack. After they are defeated the Voultri show up to clean up the mess.
Review: In the book when Edward had Alice ‘kidnap’ Bella so she wouldn’t run off to La Push to see Jacob was very controlling, just because he’s her boyfriend that doesn’t give him the right to tell her who she can and can’t be friends with. Than when Jacob told her he rather she be dead than a vampire was not right of him either and very messed up. I also understand why Rosalie feels the way she does about Bella becoming a vampire. I also feel for Jasper during what he went through in his newborn years with Maria. Than when Jacob was being pushy and kissed her it pissed me off so much I would have punched him too. Also I knew it was Victoria the whole time it was very obvious and she’s not really good at it. It was also mean of her to use Riley and the newborn vampires for her own selfish games. I was very glad when they defeated her. In my opinion the Voultri should have let Bree live since she surrendered that part was very sad. But I’m glad Bella agreed to marry Edward the old fashioned way like Alice and Him wanted instead of just being to Vegas even though Seth is better than both Edward and Jacob. Both of them are very controlling.
Would I recommend? Yes
Author: Stephenie Meyer
Summary: In Eclipse by Stephenie Meyer Bella and Jacob make-up and fight again. Edward also wants her no where near the pack because he thinks it’s dangerous so he has Alice “kidnap” Bella for a sleepover while he is out of town so she doesn’t run off to La Push again, but Jacob comes to the rescue and gets her from school. They hang out for a bit until he says he rather she be dead than a vampire. Rosalie goes on to explain to Bella why she doesn’t want her to become a vampire and Jasper tells Bella later on about his first years as a vampire with Maria and the newborn army. Than Victoria’s and Riley’s newborn army comes to fight the Cullens and the Pack. After they are defeated the Voultri show up to clean up the mess.
Review: In the book when Edward had Alice ‘kidnap’ Bella so she wouldn’t run off to La Push to see Jacob was very controlling, just because he’s her boyfriend that doesn’t give him the right to tell her who she can and can’t be friends with. Than when Jacob told her he rather she be dead than a vampire was not right of him either and very messed up. I also understand why Rosalie feels the way she does about Bella becoming a vampire. I also feel for Jasper during what he went through in his newborn years with Maria. Than when Jacob was being pushy and kissed her it pissed me off so much I would have punched him too. Also I knew it was Victoria the whole time it was very obvious and she’s not really good at it. It was also mean of her to use Riley and the newborn vampires for her own selfish games. I was very glad when they defeated her. In my opinion the Voultri should have let Bree live since she surrendered that part was very sad. But I’m glad Bella agreed to marry Edward the old fashioned way like Alice and Him wanted instead of just being to Vegas even though Seth is better than both Edward and Jacob. Both of them are very controlling.
Would I recommend? Yes

Mothergamer (1574 KP) rated the PC version of Fable III in Video Games
Apr 3, 2019
I finished my first play through of Fable 3. I did pick the hero role my first time through. You can choose to play an evil tyrant also. I loved hearing John Cleese as the voice of your trusty butler Jasper, along with other recognizable voices throughout the game such as Simon Pegg and Ben Kingsley. The first half of the game follows the template of exploration, quests, and combat as you recruit followers and gather an army as either a prince or princess of Albion. While some of the quests are courier (package delivery) quests, there are quests that are creative with things like donning a chicken costume, performing in a play, or wearing a disguise.
Once you have your army, the revolution can begin and Fable 3 becomes a tactician strategy game where the tough decisions you make actually have an impact in the story. Interaction with others is one on one now making it easier to recruit followers or woo a spouse. Another thing that I loved is the solution to the clunky menu system. That is gone and you now have the sanctuary where you can organize weapons, costumes, and your full magic arsenal. There is also an offline and online co-op feature that works really well so you can play with others and pool together treasure, resources, and rewards from adventuring together.
That isn't to say that there aren't any problems. There are a few. At times, there are loading time issues with the load screen as you enter a new area. There are also little graphic errors here and there where you're holding an npc's hand for a quest and as you are running, it looks like they're not holding hands with you, or they end up stopping and standing there so you have to come back to get them. Even with the world map and fast travel, there still seems to be a loading issue.
However, you forget all that as you play Fable 3 immersed in fun quests, planning a revolution, and deciding if you will be a hero or a villain. Who knew revolution could be so much fun?
Once you have your army, the revolution can begin and Fable 3 becomes a tactician strategy game where the tough decisions you make actually have an impact in the story. Interaction with others is one on one now making it easier to recruit followers or woo a spouse. Another thing that I loved is the solution to the clunky menu system. That is gone and you now have the sanctuary where you can organize weapons, costumes, and your full magic arsenal. There is also an offline and online co-op feature that works really well so you can play with others and pool together treasure, resources, and rewards from adventuring together.
That isn't to say that there aren't any problems. There are a few. At times, there are loading time issues with the load screen as you enter a new area. There are also little graphic errors here and there where you're holding an npc's hand for a quest and as you are running, it looks like they're not holding hands with you, or they end up stopping and standing there so you have to come back to get them. Even with the world map and fast travel, there still seems to be a loading issue.
However, you forget all that as you play Fable 3 immersed in fun quests, planning a revolution, and deciding if you will be a hero or a villain. Who knew revolution could be so much fun?

Ivana A. | Diary of Difference (1171 KP) rated Some Sunny Day in Books
Nov 27, 2018
Full review on www.diaryofdifference.com
Some Sunny Day was one of those books that go slowly, and tell a story of another times, reviving memories and emotions. A story of a lady that is sent to India to take care for the British Soldiers in the Second World War.
A beautiful memoir, full of lively descriptions that make the scenes more realistic. A powerful story of love, bravery, tragedy, sacrifices and hope.
Madge is a character that all people can relate to. Even though a nurse, and sent to another country, Madge is also a lady just like any other, capable of making decisions, mistakes, fall in love, lose the people she loves and hope for a better future.
A very relatable and non-distant character, too realistic for our own good. I loved her so much, and I was eager to know her story.
The pace, however, for me, was too slow. It took me a while to finish this book, and I stopped reading it two times before I finally finished it. The line between this being a great read and a DNF was very thick. That is why a few of my stars have to go away.
I love memoirs, I love stories behind the scenes of wars. Being born and growing up in the Balkans, this is something that triggers us very close to the heart. Being taught in school to protect each other, and living with our father’s stories of how they went and served in the army is something we can all relate to, and respect all these people that are ready to give their lives for a country.
Those were times when I couldn’t have been easy at all, being away from your family, your loved ones. Hard times not only for the people serving the army, but also the people at home, that miss them and pray for them every single day.
What are we all fighting for? How can war bring peace?
Thank you to NetGalley and Pan Macmillan, for providing me an e-copy of this book in exchange for an honest review. All opinions in this review are my own and completely unbiased.
Some Sunny Day was one of those books that go slowly, and tell a story of another times, reviving memories and emotions. A story of a lady that is sent to India to take care for the British Soldiers in the Second World War.
A beautiful memoir, full of lively descriptions that make the scenes more realistic. A powerful story of love, bravery, tragedy, sacrifices and hope.
Madge is a character that all people can relate to. Even though a nurse, and sent to another country, Madge is also a lady just like any other, capable of making decisions, mistakes, fall in love, lose the people she loves and hope for a better future.
A very relatable and non-distant character, too realistic for our own good. I loved her so much, and I was eager to know her story.
The pace, however, for me, was too slow. It took me a while to finish this book, and I stopped reading it two times before I finally finished it. The line between this being a great read and a DNF was very thick. That is why a few of my stars have to go away.
I love memoirs, I love stories behind the scenes of wars. Being born and growing up in the Balkans, this is something that triggers us very close to the heart. Being taught in school to protect each other, and living with our father’s stories of how they went and served in the army is something we can all relate to, and respect all these people that are ready to give their lives for a country.
Those were times when I couldn’t have been easy at all, being away from your family, your loved ones. Hard times not only for the people serving the army, but also the people at home, that miss them and pray for them every single day.
What are we all fighting for? How can war bring peace?
Thank you to NetGalley and Pan Macmillan, for providing me an e-copy of this book in exchange for an honest review. All opinions in this review are my own and completely unbiased.

RavenclawPrincess913 (253 KP) created a post
Jan 31, 2019

Gareth von Kallenbach (980 KP) rated The Kid Who Would Be King (2019) in Movies
Jul 2, 2019
Alex Elliott (Louis Ashbourne Serkis), is a 12 year old boy that isn’t afraid to stand up to bullies and defend his friends. As noble as his deeds are, he ends up becoming the school bullies Lance (Tom Taylor) and Kaye’s (Rhianna Dorris) target. They chase him to an abandoned construction site where he falls off a ledge and encounters the notorious sword in the stone. As many are aware of King Arthur’s sword in the stone story, the person that pulls the sword from the stone shall become King of England. To his and his best friend Bedders’s (Dean Chaumoo) surprise, Alex draws the sword (aka Excalibur) from the stone and moments later Merlin appears (Angus Imrie) and warns Alex and Bedders of the danger that lies ahead. Morgana (Rebecca Ferguson), King Arthur’s half-sister, and her army of fire burning dead soldiers are on a mission to get Excalibur and take over Earth. Merlin encourages Alex, Bedders and the two bullies, they must put their differences aside to beat Morgana and save the world.
A clever modern day continuation to the story of the Sword in the Stone with a Lord of the Rings spin to it that’s appropriate for kids. All our main characters are children/teenagers, including Merlin, who at random climactic moments in the film transforms into an elder version of himself and is played by the legendary Patrick Stewart. Bedders’s role is similar to that of loyal and dopey, but brave Samwise Gamgee. He helps Alex recruit soldiers to help fight Morgana’s army and never leaves his best friend’s side.
A unique story about loyalty and working together to do what’s best to defeat evil and save Earth. Glad to see family friendly movies dabbling into the genre of medieval fantasy again. There are moments in the film that drag on. They should have omitted several scenes and the long run time of 2 hours and 12 minutes could have been shortened. Very much geared towards kids ages 8 and up, there are some dark moments that may not be suitable for the younger ages. Prepare for lots of adventure, laughter, and good vs evil story, one the whole family can enjoy.
A clever modern day continuation to the story of the Sword in the Stone with a Lord of the Rings spin to it that’s appropriate for kids. All our main characters are children/teenagers, including Merlin, who at random climactic moments in the film transforms into an elder version of himself and is played by the legendary Patrick Stewart. Bedders’s role is similar to that of loyal and dopey, but brave Samwise Gamgee. He helps Alex recruit soldiers to help fight Morgana’s army and never leaves his best friend’s side.
A unique story about loyalty and working together to do what’s best to defeat evil and save Earth. Glad to see family friendly movies dabbling into the genre of medieval fantasy again. There are moments in the film that drag on. They should have omitted several scenes and the long run time of 2 hours and 12 minutes could have been shortened. Very much geared towards kids ages 8 and up, there are some dark moments that may not be suitable for the younger ages. Prepare for lots of adventure, laughter, and good vs evil story, one the whole family can enjoy.

Phil Leader (619 KP) rated King of Thorns in Books
Nov 18, 2019
It won't be a surprise that in this book we find Jorg installed as king in his own right. It is also his wedding day. Rather inconventiently his castle is also about to be attacked by a huge army and he just doesn't have the troops to stop them.
The main story thread takes place over the day of the wedding and the battle to save his castle and kingdom. Any worries that Jorg has become soft in the years since the first book are swifly put aside as it's clear that with a proper army he can simply cause mayhem on a larger scale.
Like the first book there is also a 'flashback' story, again taking place four years previously, a year after he declared himself king. In this his journey takes him to other parts of the broken empire, showing more variety than the first book. There is also more use of arcane powers - for good and evil - and other adversaries join the story.
I thought the first book was excellent, if a little light on plot. This follow up is another notch up on the scale. The battle scenes are tenser, the plans even more desperate. The plot is now in full swing and moves nicely between the two story threads, events from four years previously having direct impact on the present.
We also find out more about The Builders and the world that Jorg inhabits, all of it totally fascinating, and once again Jorg is not above using the 'ancient' technology to further his ends.
The characterisation is better in this book, simply because more time is taken to flesh them out, but not at the expense of the speed of the story. Lawrence really is a natural story teller.
The plot twists and turns, and the reader is left guessing at each turn of the battle at what Jorg is going to do next and how he is going to win through the insurmountable odds stacked against him.
This really is an amazing book. I cannot recommend it highly enough.
The main story thread takes place over the day of the wedding and the battle to save his castle and kingdom. Any worries that Jorg has become soft in the years since the first book are swifly put aside as it's clear that with a proper army he can simply cause mayhem on a larger scale.
Like the first book there is also a 'flashback' story, again taking place four years previously, a year after he declared himself king. In this his journey takes him to other parts of the broken empire, showing more variety than the first book. There is also more use of arcane powers - for good and evil - and other adversaries join the story.
I thought the first book was excellent, if a little light on plot. This follow up is another notch up on the scale. The battle scenes are tenser, the plans even more desperate. The plot is now in full swing and moves nicely between the two story threads, events from four years previously having direct impact on the present.
We also find out more about The Builders and the world that Jorg inhabits, all of it totally fascinating, and once again Jorg is not above using the 'ancient' technology to further his ends.
The characterisation is better in this book, simply because more time is taken to flesh them out, but not at the expense of the speed of the story. Lawrence really is a natural story teller.
The plot twists and turns, and the reader is left guessing at each turn of the battle at what Jorg is going to do next and how he is going to win through the insurmountable odds stacked against him.
This really is an amazing book. I cannot recommend it highly enough.

Phil Leader (619 KP) rated Kings or Pawns (Steps of Power #1) in Books
Nov 18, 2019
This book contains the usual staple fantasy races: elves, humans, dwarves, centaurs. There are epic battles and bold heroes, princesses in peril and magic. There is even a map at the front.
But that is where any similarity between this book and most other epic fantasy novels ends. Sherwood tells the tale of an elven country that has become corrupt with a ruling council who make decisions for reasons of profit, driving the rightful kings away and installing a puppet regime. Meanwhile the country is facing a war led by a brilliant defector.
When his father, the king, dies young Prince Hairem is determined to stand up to the council and stop the rot. But the council has ruled for hundreds of years, how can he possibly change things? Meanwhile Jikun, the general of the army must obey the council's wishes, even if the orders will only lead to destruction.
Sherwood starts with a few scenes and set pieces and gradually introduces the key players; Jikun is bold and brilliant but has a lot of inner demons which threaten to destroy him. Hairem is idealistic but naive.
The machinations of the council are real House of Cards type stuff, every way that Hairem tries to exert his authority blunted and diverted by the wily council members, who simultaneously try to make out they are on his side. As a political thriller this works amazingly well despite being set in a fantasy world; the descriptions and characters are perfectly pitched. It seems that pretty much everybody has dark secrets which everybody else is either trying to discover or use to their advantage.
There are scenes of action too, with Jikun and the army and also Sellemar mounting a daring raid into enemy territory plus duels and assasination attempts. This book really does have everything packed into it and the ending is both shocking and perfectly balanced to allow for further books in the series while satisfyingly closing a number of plot threads.
I was expecting a fairly standard fantasy book when I started this; what I got was an absolute gem that just begged to be read. A total masterpiece.
But that is where any similarity between this book and most other epic fantasy novels ends. Sherwood tells the tale of an elven country that has become corrupt with a ruling council who make decisions for reasons of profit, driving the rightful kings away and installing a puppet regime. Meanwhile the country is facing a war led by a brilliant defector.
When his father, the king, dies young Prince Hairem is determined to stand up to the council and stop the rot. But the council has ruled for hundreds of years, how can he possibly change things? Meanwhile Jikun, the general of the army must obey the council's wishes, even if the orders will only lead to destruction.
Sherwood starts with a few scenes and set pieces and gradually introduces the key players; Jikun is bold and brilliant but has a lot of inner demons which threaten to destroy him. Hairem is idealistic but naive.
The machinations of the council are real House of Cards type stuff, every way that Hairem tries to exert his authority blunted and diverted by the wily council members, who simultaneously try to make out they are on his side. As a political thriller this works amazingly well despite being set in a fantasy world; the descriptions and characters are perfectly pitched. It seems that pretty much everybody has dark secrets which everybody else is either trying to discover or use to their advantage.
There are scenes of action too, with Jikun and the army and also Sellemar mounting a daring raid into enemy territory plus duels and assasination attempts. This book really does have everything packed into it and the ending is both shocking and perfectly balanced to allow for further books in the series while satisfyingly closing a number of plot threads.
I was expecting a fairly standard fantasy book when I started this; what I got was an absolute gem that just begged to be read. A total masterpiece.

Phil Leader (619 KP) rated The Midas Code (Tyler Locke #2) in Books
Nov 20, 2019
The story of King Midas is a Greek Legend warning on the folly of greed where everything the king touches turns to gold - including his daughter. But at the heart of every story is a grain of truth. What if King Midas was real and there really was a Midas Touch that could turn other things into gold? How much would it be worth? And more importantly how far would some people go in order to secure it?
Jordan Orr is in a race against time to secure this ancient and valuable artifact but he is missing two important pieces - an expert in ancient civilisations and an engineer able to decode centuries old mechanisms. He therefore puts Stacy Benedict, scholar and presenter of a popular TV show on ancient cultures, and Tyler Locke into a situation where they have no choice but to help him. Can Locke outsmart Orr? And does the Midas Touch really exist?
The second of the Tyler Locke thrillers sees Morrison once again explore the theme of an old story and imagining a what if situation of there being some truth to it. He then adds Tyler Locke - ex army engineer, mechanism and explosives expert and Grant Westfield, ex pro-wrestler and ex Army Ranger to the mix. As Benedict, Locke and Westfield move around Europe following the instructions laid down in a codex written Archimedes it seems Orr is always one step ahead of them. Locke must use all of his ingenuity to try to thwart Orr in his plans.
As with his other novels Morrison doesn't let up for one second and he relishes pushing his heroes to the limit. 'Out of the frying pan and into the fire' has nothing on this.
It would be easy to write a thriller of this sort and be sloppy with the details but Morrison is as always well-researched and keen to show off Locke's scientific and engineering credentials and is effortless at making ancient stories seem like they could - just about - be true.
Overall another absolutely brilliant book. Could Morrison be the best thriller writer working today? It's not something I'd discount.
Jordan Orr is in a race against time to secure this ancient and valuable artifact but he is missing two important pieces - an expert in ancient civilisations and an engineer able to decode centuries old mechanisms. He therefore puts Stacy Benedict, scholar and presenter of a popular TV show on ancient cultures, and Tyler Locke into a situation where they have no choice but to help him. Can Locke outsmart Orr? And does the Midas Touch really exist?
The second of the Tyler Locke thrillers sees Morrison once again explore the theme of an old story and imagining a what if situation of there being some truth to it. He then adds Tyler Locke - ex army engineer, mechanism and explosives expert and Grant Westfield, ex pro-wrestler and ex Army Ranger to the mix. As Benedict, Locke and Westfield move around Europe following the instructions laid down in a codex written Archimedes it seems Orr is always one step ahead of them. Locke must use all of his ingenuity to try to thwart Orr in his plans.
As with his other novels Morrison doesn't let up for one second and he relishes pushing his heroes to the limit. 'Out of the frying pan and into the fire' has nothing on this.
It would be easy to write a thriller of this sort and be sloppy with the details but Morrison is as always well-researched and keen to show off Locke's scientific and engineering credentials and is effortless at making ancient stories seem like they could - just about - be true.
Overall another absolutely brilliant book. Could Morrison be the best thriller writer working today? It's not something I'd discount.

LeftSideCut (3776 KP) rated Game Of Thrones - Season 7 in TV
Jul 29, 2019
The start of the mad rush to the finish line
Contains spoilers, click to show
Season 7 of Game of Thrones for me, is where the show went from the most finely and carefully crafted show of all time, to dumb hollywood-esque blockbuster.
The slow burning plot of the earlier seasons have all but gone, after it was announced that season 8 would be the last, causing long gestating plotlines to be rushed towards a conclusion, and causing the show to suffer for it. It's a real shame.
Season 7 is by no means bad though, once I had swallowed my bitterness and accepted that this was how it was going to be, there was still plenty to enjoy.
The intricate character arcs may have taken a huge blow, but when Game of Thrones decides to throw out an epic set piece, it's still the undisputed king.
Danaerys has (finally!) landed in Westeros, and begins her campaign to take the Iron Throne for herself. Characters that have been embroiled in politics for seven seasons are suddenly faced with seeing dragons for the first time, and that's a pretty satisfying moment for anyone who has been watching for years.
Episode 4 in particular serves as a highlight, as Danaerys unleashes the power of her dragons on the Lannister army. It's truly a spectacle.
The same episode however unfortunately confirms that certain characters are covered in plot-armour. Last minute life saving heroics replace the once sudden brutality of beloved characters being offed (obviously referring to Bring saving Jaime here), and for the first time since this show started, everyone just sort of feels safe. It's weird.
Elsewhere, Jon Snow leads a team north of the wall to acquire proof of the White Walkers in an attempt to sway Cersei onto his side of the upcoming war.
This episode was particularly dumb, but again, a huge spectacle. Seeing Viserion plummet to the ground was a pretty epic moment, and the season of course culminates in a moment all of us had been waiting for, as a huge chunk of The Wall falls, and the Night King leads his undead army into Westeros.
It's all very stylish, but unfortunately a lot of the substance gets left by the wayside.
The slow burning plot of the earlier seasons have all but gone, after it was announced that season 8 would be the last, causing long gestating plotlines to be rushed towards a conclusion, and causing the show to suffer for it. It's a real shame.
Season 7 is by no means bad though, once I had swallowed my bitterness and accepted that this was how it was going to be, there was still plenty to enjoy.
The intricate character arcs may have taken a huge blow, but when Game of Thrones decides to throw out an epic set piece, it's still the undisputed king.
Danaerys has (finally!) landed in Westeros, and begins her campaign to take the Iron Throne for herself. Characters that have been embroiled in politics for seven seasons are suddenly faced with seeing dragons for the first time, and that's a pretty satisfying moment for anyone who has been watching for years.
Episode 4 in particular serves as a highlight, as Danaerys unleashes the power of her dragons on the Lannister army. It's truly a spectacle.
The same episode however unfortunately confirms that certain characters are covered in plot-armour. Last minute life saving heroics replace the once sudden brutality of beloved characters being offed (obviously referring to Bring saving Jaime here), and for the first time since this show started, everyone just sort of feels safe. It's weird.
Elsewhere, Jon Snow leads a team north of the wall to acquire proof of the White Walkers in an attempt to sway Cersei onto his side of the upcoming war.
This episode was particularly dumb, but again, a huge spectacle. Seeing Viserion plummet to the ground was a pretty epic moment, and the season of course culminates in a moment all of us had been waiting for, as a huge chunk of The Wall falls, and the Night King leads his undead army into Westeros.
It's all very stylish, but unfortunately a lot of the substance gets left by the wayside.