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Mark @ Carstairs Considers (2357 KP) rated Hired Guns in Books

Jan 11, 2025  
Hired Guns
Hired Guns
Steve Hockensmith | 2024 | Fiction & Poetry
8
8.0 (1 Ratings)
Book Rating
Spinoff Series Starts with a Bang
This book finds a trio of Army friends turned adventurers heading to the Arizona Territory to help out a struggling copper mine. No, it’s not to help them with the mining. The conglomerate Consolidated American Mining Corporation has decided it wants to buy this particular mine, and they are doing all they can to convince the owners to sell. There’s just one major problem – the owners don’t want to sell. And our trio of heroes have been hired to help protect the mine. But against the overwhelming odds, can they do it?

These characters began life in the author’s Holmes on the Range series, and I was happy to follow them over here. The story started a bit slowly, but it isn’t long before the action heats up as the characters find themselves facing overwhelming odds. Yet, I found myself cheering at the end. To be clear, this is more of an action story than a mystery. The characters are a bit thin, but they do have their moments to shine. The reality of racial relations in 1894 is part of the backdrop of the book, and it’s sad to think we ever treated each other this badly. The book is a bit more violent than I normally like, but only a little bit. It is softened some by the humor. If you are looking for an action book set in the old west, you’ll find this the perfect book to pick up.
  
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Bob Mann (459 KP) rated The Death Of Stalin (2017) in Movies

Sep 29, 2021  
The Death Of Stalin (2017)
The Death Of Stalin (2017)
2017 | Comedy
8
7.6 (13 Ratings)
Movie Rating Watch
Death…. Torture…. Child Abuse…. LOL??
Armando Iannucci is most familiar to TV audiences on both sides of the pond for his cutting political satire of the likes of “Veep” and “The Thick of It”, with his only previous foray into directing movies being “In the Loop”: a spin-off of the latter series. Lovers of his work will know that he sails very close to the wind on many occasions, such that watching can be more of a squirm-fest than enjoyment.

Rupert Friend (centre) tries to deliver a eulogy to his father against winged opposition. With (from left to right) Michael Palin, Jeffrey Tambor, Steve Buscemi and Simon Russell Beale.

It should come as no surprise then that his new film – “The Death of Stalin” – follows that same pattern, but transposed into the anarchic and violent world of 1950’s Russia. Based on a French comic strip, the film tells the farcical goings on surrounding the last days of the great dictator in 1953. Stalin keeps distributing his “lists” of undesirables, most of who will meet unpleasant ends before the end of the night. But as Stalin suddenly shuffles off his mortal coil, the race is on among his fellow commissariat members as to who will ultimately succeed him.

Stalin…. Going… but not forgotten.

The constitution dictates that Georgy Malenkov (an excellently vacillating Jeffrey Tambor) secedes but, as a weak man, the job is clearly soon going to become vacant again and spy-chief Lavrentiy Beria (Simon Russell Beale) and Nikita Khrushchev (Steve Buscemi) are jostling for position. (No spoilers, but you’ll never guess who wins!). Colleagues including Molotov (Michael Palin) and Mikoyan (Paul Whitehouse) need to decide who to side with as the machinations around Stalin’s funeral become more and more desperate.
The film starts extremely strongly with the ever-excellent Paddy Considine (“Pride”) playing a Radio Russia producer tasked with recording a classical concert, featuring piano virtuoso Maria Yudina (Olga Kurylenko, “Quantum of Solace”). A definition of paranoia in action!

Great fingering. Olga Kurylenko as Yudina, with more than a hand in the way the evening’s events will unfold.

We then descend into the chaos of Stalin’s Russia, with mass torture and execution colouring the comedy from dark-grey to charcoal-black in turns. There is definitely comedy gold in there: Khrushchev’s translation of his drunken scribblings from the night before (of things that Stalin found funny and – more importantly – things he didn’t) being a high point for me. Stalin’s children Svetlana (Andrea Riseborough, “Nocturnal Animals”) and Vasily (Rupert Friend, “Homeland”) add knockabout humour to offset the darker elements, and army chief Georgy Zhukov (Jason Isaacs, “Harry Potter”) is a riot with a no-nonsense North-of-England accent.

Brass Eye: Jason Isaacs as the army chief from somewhere just north of Wigan.

Production values are universally excellent, with great locations, great sets and a screen populated with enough extras to make the crowd scenes all appear realistic.

Another broad Yorkshire accent: (the almost unknown) Adrian McLoughlin delivers an hysterical speaking voice as Stalin.

The film absolutely held my interest and was thorougly entertaining, but the comedy is just so dark in places it leaves you on edge throughout. The writing is also patchy at times, with some of the lines falling to the ground as heavily as the dispatched Gulag residents.
It’s not going to be for everyone, with significant violence and gruesome scenes, but go along with the black comic theme and this is a film that delivers rewards.