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Atom Egoyan recommended 8 1/2 (1963) in Movies (curated)
Whatchareadin (174 KP) rated The House Girl in Books
May 10, 2018
Carolina Sparrow is a first year lawyer working in New York City. She is great at her job and her boss, Dan has told her that she is on track to become an excellent lawyer. Josephine Bell is a slave at the Bell Plantation in southern Virginia. It is the mid-1800's and she is ready to leave the slave life for something better. When a company contacts Lina's law firm to collect reparations for the slaves, Lina is given the task of finding a plaintiff who is a direct descendant of a slave. When Luann Bell's artwork comes into question at a local art exhibit, claiming the work could have been done by her house girl, Josephine, Lina uses this opening to find the plaintiff she may need. The book takes us back and forth between Lina and Josephine. Lina, trying to find a direct descendant of Josephine Bell and Josephine, trying to escape the Bell Plantation.
I'm torn between giving this book 3-4 stars. I was thoroughly intrigued by the subject matter, but didn't find myself running to read/listen to this book. I think part of this was due to the fact that for a few weeks, reading wasn't appealing to me and everything I picked up, I didn't find interesting enough to keep reading.
One really interesting aspect to this book was the racial divide. Lina, is a white girl from New York looking for descendants for a slave who escaped in 1852, shortly after the lady of the house passed away. This discovery takes Lina on a journey through Virginia that she never anticipated. She will uncover things that will turn history on end. This book has been on my TBR list for a while. I wasn't sure what to expect, but I was thoroughly surprised. I recommend this book for anyone who is interested in this subject matter or for a good book, with a deep historical message. I look forward to reading more books by Tara Conklin.
I'm torn between giving this book 3-4 stars. I was thoroughly intrigued by the subject matter, but didn't find myself running to read/listen to this book. I think part of this was due to the fact that for a few weeks, reading wasn't appealing to me and everything I picked up, I didn't find interesting enough to keep reading.
One really interesting aspect to this book was the racial divide. Lina, is a white girl from New York looking for descendants for a slave who escaped in 1852, shortly after the lady of the house passed away. This discovery takes Lina on a journey through Virginia that she never anticipated. She will uncover things that will turn history on end. This book has been on my TBR list for a while. I wasn't sure what to expect, but I was thoroughly surprised. I recommend this book for anyone who is interested in this subject matter or for a good book, with a deep historical message. I look forward to reading more books by Tara Conklin.
Heather Cranmer (2721 KP) created a post
Mar 1, 2023
Gareth von Kallenbach (965 KP) rated Veronica Mars (2014) in Movies
Aug 6, 2019
The incomparable Rob Thomas has delivered a masterpiece of dramatic film that all Veronica Mars fans will thoroughly enjoy.
(Note: I am a rabid fan of the Veronica Mars TV series. Much of the review will be clearly colored by this.)
10 years after the debut of an exceptional TV show, and eight years after it was unceremoniously pulled from the airwaves, Rob Thomas put up a Kickstarter campaign to fund a movie. It had a goal of $2 million, which would get the movie made — but it wouldn’t get us much.
As it turned out, 91,585 people liked his plan to create a film that would wrap up storylines from the series. They liked it enough that rather than pledging just $2 million, the backers generated over $5.7 million.
In the process of doing so, they achieved a number of amazing Kickstarter awards:
Fastest project to reach $1 million.
Fastest project to reach $2 million.
All-time highest-funded project in the FILM category.
Third-highest-funded project in Kickstarter history.
Most project backers of any project in Kickstarter history.
On to the movie itself.
The movies share its title with the TV show: Veronica Mars. It opens with a quick recap of the show’s two-season run before launching forward to a time 10 years after the series ended (intelligently appropriate, Rob).
Veronica (Kristen Bell) is primed to take the bar exam and become a lawyer. For a reason I can’t explain, she is interviewing with a very prestigious law firm in New York City. It’s a firm which, I have to imagine, doesn’t hire people fresh out of school, especially those who haven’t even passed the bar yet.
In the midst of her interviews, she gets a call from an old high school love interest, Logan Echolls (Jason Dohring). He has been accused of murder (again).
Naturally, Veronica decides to pack up, say goodbye to her boyfriend, Stosh “piz” Piznarski (Chris Lowell), and head back to her sunny home town of Neptune, California.
Logan, an Air Force pilot, is relieved to see his friend. He starts bringing her up to speed, and shortly thereafter, the rest of the familiar faces join in: Gia Goodman (Krysten Ritter), Mac (Cindy Majorino), Dick Casablancas (Ryan Hansen), Weevil (Francis Copa), Keith Mars (Enrico Colantoni), Wallace Fennel (Percy Daggs III), and many more that will delight returning viewers.
As you might imagine, a complex series of issues comes to light, creating a symphony of drama, and, in typical Rob-Thomas fashion, some true laugh-out-loud moments.
While this is a great standalone film, it is peppered with many humorous references and nods to the movie’s predecessor. If you are a fan of the series, you won’t be disappointed. There are many giggle-worthy moments: from the guy on the street singing, “we used to be friends,” to Dax Shepard’s appearance, to the mention of Veronica supposedly going to work for the FBI (referring to a potential third season).
My only real note of contention is, admittedly, somewhat petty. Kristen Bell was just recovering from having her child with husband Dax Shepard. The unfortunate (and expected) weight gain from that wonderful life event left her looking very unlike the character we all fell in love with, and distracted from the film. I’m curious to know why they couldn’t have waited a few more months to start filming, to allow Bell to get back into shape for the movie.
Aside from that one tiny note, the film was fantastic. The script was masterfully written, the acting superb, the humor gut-heaving, and the drama well done.
Cinematography for the film was indistinguishable from other high-quality films, and it’s easy to see that a lot of time, effort, and care went into it. Its creators ensured that the $5.7 million of pledges went into a work of art that does not disappoint.
As one of the 91,000+ backers, I am proud to be a part of this community effort. As a huge fan of Thomas, the series, and the mythos, I am ecstatic to report that this is an excellent film.
(Note: I am a rabid fan of the Veronica Mars TV series. Much of the review will be clearly colored by this.)
10 years after the debut of an exceptional TV show, and eight years after it was unceremoniously pulled from the airwaves, Rob Thomas put up a Kickstarter campaign to fund a movie. It had a goal of $2 million, which would get the movie made — but it wouldn’t get us much.
As it turned out, 91,585 people liked his plan to create a film that would wrap up storylines from the series. They liked it enough that rather than pledging just $2 million, the backers generated over $5.7 million.
In the process of doing so, they achieved a number of amazing Kickstarter awards:
Fastest project to reach $1 million.
Fastest project to reach $2 million.
All-time highest-funded project in the FILM category.
Third-highest-funded project in Kickstarter history.
Most project backers of any project in Kickstarter history.
On to the movie itself.
The movies share its title with the TV show: Veronica Mars. It opens with a quick recap of the show’s two-season run before launching forward to a time 10 years after the series ended (intelligently appropriate, Rob).
Veronica (Kristen Bell) is primed to take the bar exam and become a lawyer. For a reason I can’t explain, she is interviewing with a very prestigious law firm in New York City. It’s a firm which, I have to imagine, doesn’t hire people fresh out of school, especially those who haven’t even passed the bar yet.
In the midst of her interviews, she gets a call from an old high school love interest, Logan Echolls (Jason Dohring). He has been accused of murder (again).
Naturally, Veronica decides to pack up, say goodbye to her boyfriend, Stosh “piz” Piznarski (Chris Lowell), and head back to her sunny home town of Neptune, California.
Logan, an Air Force pilot, is relieved to see his friend. He starts bringing her up to speed, and shortly thereafter, the rest of the familiar faces join in: Gia Goodman (Krysten Ritter), Mac (Cindy Majorino), Dick Casablancas (Ryan Hansen), Weevil (Francis Copa), Keith Mars (Enrico Colantoni), Wallace Fennel (Percy Daggs III), and many more that will delight returning viewers.
As you might imagine, a complex series of issues comes to light, creating a symphony of drama, and, in typical Rob-Thomas fashion, some true laugh-out-loud moments.
While this is a great standalone film, it is peppered with many humorous references and nods to the movie’s predecessor. If you are a fan of the series, you won’t be disappointed. There are many giggle-worthy moments: from the guy on the street singing, “we used to be friends,” to Dax Shepard’s appearance, to the mention of Veronica supposedly going to work for the FBI (referring to a potential third season).
My only real note of contention is, admittedly, somewhat petty. Kristen Bell was just recovering from having her child with husband Dax Shepard. The unfortunate (and expected) weight gain from that wonderful life event left her looking very unlike the character we all fell in love with, and distracted from the film. I’m curious to know why they couldn’t have waited a few more months to start filming, to allow Bell to get back into shape for the movie.
Aside from that one tiny note, the film was fantastic. The script was masterfully written, the acting superb, the humor gut-heaving, and the drama well done.
Cinematography for the film was indistinguishable from other high-quality films, and it’s easy to see that a lot of time, effort, and care went into it. Its creators ensured that the $5.7 million of pledges went into a work of art that does not disappoint.
As one of the 91,000+ backers, I am proud to be a part of this community effort. As a huge fan of Thomas, the series, and the mythos, I am ecstatic to report that this is an excellent film.
BankofMarquis (1832 KP) rated At Eternity's Gate (2018) in Movies
Feb 16, 2019
A slow meditation of the last days of a tortured artist
he artist as a tortured soul.
How many films have been made on this subject? Too many to count. Add AT ETERNITY'S GATE to this list as it tells the tale of the tortured final days of Vincent Van Gogh - including cutting his own ear off - so perhaps no one deserves the title of "tortured artist" more than he.
Directed by Julian Schnabel (THE DIVING BELL AND THE BUTTERFLY) and starring Willem DaFoe (AQUAMAN) in an Oscar nominated turn as Van Gogh, AT ETERNITY'S GATE follows Van Gogh in the final weeks of his life. Since it is a film by Schnabel, you get an introspective, languid, haunting, beautifully shot meditation on life, art, madness and misunderstanding. Which, of course, is both the blessing and the curse of the film. Schnabel trains his camera - sometimes for long stretches - on the mundane...Van Gogh walking through a field, Van Gogh looking out at a landscape, Van Gogh thinking and, most importantly. Van Gogh painting...and painting...and painting...
Do you know how exciting it is to WATCH someone paint? About as exciting as watching paint dry.
Thank goodness DaFoe is mesmerizing as Van Gogh, for he really holds the film - and attention - throughout. His Academy Award nomination is justified for he brings a haunted, world weariness quality to his portrayal. - check this film out just for this performance. Rupert Friend, Oscar Isaac, Mads Mikkelson and Mathieu Amalric all show up in glorified cameos to punch a little dialogue and forward momentum into this narrative. But, mostly, we watch DaFoe - as Van Gogh - walk and think and look and paint and paint and paint...
I know I am repeating myself, but I felt the film repeated itself over and over again as well. I think there is about 1/2 of interesting film in this 1 hour 54 minute movie. The rest is just "art" and "artistic expression" of images on the screen by Schnabel. If that sort of thing is up your alley, you'll enjoy this. For the rest , it will just become repetitive and boring.
I will say, however, that after seeing this film, I have a greater appreciation for Van Gogh's work, how he made them and how his style differs from ANYBODY else. I am now going to make it a point to find a museum that shows some of his works and check it out.
So, I guess, that's a good thing.
Letter Grade: B- (it is a well made and acted film)
6 (out of 10) stars and you can take that to the Bank(ofMarquis)
How many films have been made on this subject? Too many to count. Add AT ETERNITY'S GATE to this list as it tells the tale of the tortured final days of Vincent Van Gogh - including cutting his own ear off - so perhaps no one deserves the title of "tortured artist" more than he.
Directed by Julian Schnabel (THE DIVING BELL AND THE BUTTERFLY) and starring Willem DaFoe (AQUAMAN) in an Oscar nominated turn as Van Gogh, AT ETERNITY'S GATE follows Van Gogh in the final weeks of his life. Since it is a film by Schnabel, you get an introspective, languid, haunting, beautifully shot meditation on life, art, madness and misunderstanding. Which, of course, is both the blessing and the curse of the film. Schnabel trains his camera - sometimes for long stretches - on the mundane...Van Gogh walking through a field, Van Gogh looking out at a landscape, Van Gogh thinking and, most importantly. Van Gogh painting...and painting...and painting...
Do you know how exciting it is to WATCH someone paint? About as exciting as watching paint dry.
Thank goodness DaFoe is mesmerizing as Van Gogh, for he really holds the film - and attention - throughout. His Academy Award nomination is justified for he brings a haunted, world weariness quality to his portrayal. - check this film out just for this performance. Rupert Friend, Oscar Isaac, Mads Mikkelson and Mathieu Amalric all show up in glorified cameos to punch a little dialogue and forward momentum into this narrative. But, mostly, we watch DaFoe - as Van Gogh - walk and think and look and paint and paint and paint...
I know I am repeating myself, but I felt the film repeated itself over and over again as well. I think there is about 1/2 of interesting film in this 1 hour 54 minute movie. The rest is just "art" and "artistic expression" of images on the screen by Schnabel. If that sort of thing is up your alley, you'll enjoy this. For the rest , it will just become repetitive and boring.
I will say, however, that after seeing this film, I have a greater appreciation for Van Gogh's work, how he made them and how his style differs from ANYBODY else. I am now going to make it a point to find a museum that shows some of his works and check it out.
So, I guess, that's a good thing.
Letter Grade: B- (it is a well made and acted film)
6 (out of 10) stars and you can take that to the Bank(ofMarquis)
Joe Goodhart (27 KP) rated Dark Nights: Metal in Books
Nov 30, 2020
So, here's how I am gonna open this review.. With a kinda-sorta-but-not-reeeaaallly Spoiler: it's got a scene with <i>frikkin' Batman</i> riding a <b>DINOSAUR</b> (a T-Rex or Allosaurus)! Look, even you are one of those self-proclaimed haters of all things METAL-related, it's <u>the @#$% BATMAN on a #$@ing DINOSAUR</u>! If that ain't enough to get you excited, well, then, go watch an episode of SAVED BY THE BELL! instead, because that's more your speed!
DARK NIGHTS: METAL (as well as the prequel pieces, THE FORGE and THE CASTING) was one hell of an entertaining ride! It was clear that Scott Snyder had a great appreciation for the events of old, offering us a leaner event than Marvel has in the last five years! Sure, there was some hiccups along the way, and that is nearly truly for anything piece of literature. However, the hiccups were not enough to take away from the love and care that Snyder and Capullo put into this decidely scary (in an EVENT HORIZON or HELLRAISER-kinda way) yet highly interesting!
This was a tale spun out of FINAL CRISIS and 52, with ties as far back as CRISIS ON INFINITE EARTH! Yet, it also showed some of the intricacies at play since Dr. Manhattan's "tinkering" (Man, I hope DOOMSDAY CLOCK gets finished before I die)! Yes, sometimes as the adventure unfolds, there may be a moment here or there where you'll be like, "Um, that's just not something that'd happen!". Well, duh, it's a comic book, silly! If you can hit [PAUSE] on the UberCriticalComicFan sub-routine in your brain, you might find that this is actually pretty damned good stuff! You can clearly see the love and attention put into this by both the writer and the artist alike!
Speaking of which..
Greg Capullo was a great choice to partner up with Snyder for this! His art is tight, yet creepy and foreboding! There were several moments throughout where I was just like, "Holy cow!". It honestly felt like a good DC movie (not like BATMAN V. SUPERMAN)!
Look, at the end of the day, here's what you've got: one hell of a good hero story, something any non-Trump supporters could use right about now! It's just Good vs. Evil, plain and simple! If that ain't the basis for a good story, then, heck, I don't know what is!
DARK NIGHTS: METAL (as well as the prequel pieces, THE FORGE and THE CASTING) was one hell of an entertaining ride! It was clear that Scott Snyder had a great appreciation for the events of old, offering us a leaner event than Marvel has in the last five years! Sure, there was some hiccups along the way, and that is nearly truly for anything piece of literature. However, the hiccups were not enough to take away from the love and care that Snyder and Capullo put into this decidely scary (in an EVENT HORIZON or HELLRAISER-kinda way) yet highly interesting!
This was a tale spun out of FINAL CRISIS and 52, with ties as far back as CRISIS ON INFINITE EARTH! Yet, it also showed some of the intricacies at play since Dr. Manhattan's "tinkering" (Man, I hope DOOMSDAY CLOCK gets finished before I die)! Yes, sometimes as the adventure unfolds, there may be a moment here or there where you'll be like, "Um, that's just not something that'd happen!". Well, duh, it's a comic book, silly! If you can hit [PAUSE] on the UberCriticalComicFan sub-routine in your brain, you might find that this is actually pretty damned good stuff! You can clearly see the love and attention put into this by both the writer and the artist alike!
Speaking of which..
Greg Capullo was a great choice to partner up with Snyder for this! His art is tight, yet creepy and foreboding! There were several moments throughout where I was just like, "Holy cow!". It honestly felt like a good DC movie (not like BATMAN V. SUPERMAN)!
Look, at the end of the day, here's what you've got: one hell of a good hero story, something any non-Trump supporters could use right about now! It's just Good vs. Evil, plain and simple! If that ain't the basis for a good story, then, heck, I don't know what is!
Life is not going well for Harley Quinn (Margot Robbie). She has recently
split from the Joker and is wallowing in self-pity and trying to find a
new focus in her life. As a further complication; the protection she
enjoyed under the Joker has vanished and now everyone with a grudge is
gunning for her.
Fate has Harley cross paths with a young Pickpocket named Cassandra (Ella
Jay Basco), who comes into possession of a diamond that happens to hold a
very valuable secret. Before Harley knows what has hit her; she is on the
run not only from all manner of thugs but the very dangerous Roman Siona
(Ewan Mc Gregor) has upped the stakes for their heads and will stop at nothing to get it.
Throw in a disgruntled Detective (Rose Perez) a jaded singer (Jurnee
Smollett-Bell), and a mysterious assassin (Mary Elizabeth Winstead) and
you have a very interesting and dangerous mix.
Sadly the film becomes jumbled at the start as the film will go down certain paths only to abruptly stop, rewind, go down another path, and resume.
This comes off as a disjointed mess at times and while I took it to help symbolize the mental state of Harley; it made connecting with the character and stories difficult.
This combined with the over the top
characters and routine story underminded the potential of the film.
While it entertained in parts, I do have to wonder if Director Cathy Yan
was in over her head. Yan had previously done four shorts and an Art Film
and seemed to be unsure of the pacing, action, and visual effects at times
as it certainally showed.
It is rumored that the head of the John Wick
stunt team was brought in to oversee reshoots for the film but Yan has
claimed this was simply for Second Unit work.
The film does have a strong theme of empowerment and I liked how it
emphasized that a woman does not need anyone to be strong and that they
have limitless potential. This is a very strong message that worked
wiell. Sadly the story offered no real variation from what we have seen
many times before in action and comic films and underscores how DC and
Warner Bros constantly come up lacking in this genrre where Marvel soars
time and again.
There isome entertainment in the film and Robbie is the perfect embodiyment of the character, sadly this Bird never really takes
flight.
2.5 out of 5
split from the Joker and is wallowing in self-pity and trying to find a
new focus in her life. As a further complication; the protection she
enjoyed under the Joker has vanished and now everyone with a grudge is
gunning for her.
Fate has Harley cross paths with a young Pickpocket named Cassandra (Ella
Jay Basco), who comes into possession of a diamond that happens to hold a
very valuable secret. Before Harley knows what has hit her; she is on the
run not only from all manner of thugs but the very dangerous Roman Siona
(Ewan Mc Gregor) has upped the stakes for their heads and will stop at nothing to get it.
Throw in a disgruntled Detective (Rose Perez) a jaded singer (Jurnee
Smollett-Bell), and a mysterious assassin (Mary Elizabeth Winstead) and
you have a very interesting and dangerous mix.
Sadly the film becomes jumbled at the start as the film will go down certain paths only to abruptly stop, rewind, go down another path, and resume.
This comes off as a disjointed mess at times and while I took it to help symbolize the mental state of Harley; it made connecting with the character and stories difficult.
This combined with the over the top
characters and routine story underminded the potential of the film.
While it entertained in parts, I do have to wonder if Director Cathy Yan
was in over her head. Yan had previously done four shorts and an Art Film
and seemed to be unsure of the pacing, action, and visual effects at times
as it certainally showed.
It is rumored that the head of the John Wick
stunt team was brought in to oversee reshoots for the film but Yan has
claimed this was simply for Second Unit work.
The film does have a strong theme of empowerment and I liked how it
emphasized that a woman does not need anyone to be strong and that they
have limitless potential. This is a very strong message that worked
wiell. Sadly the story offered no real variation from what we have seen
many times before in action and comic films and underscores how DC and
Warner Bros constantly come up lacking in this genrre where Marvel soars
time and again.
There isome entertainment in the film and Robbie is the perfect embodiyment of the character, sadly this Bird never really takes
flight.
2.5 out of 5
Ivana A. | Diary of Difference (1171 KP) rated A Single Thread in Books
Feb 3, 2020
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
<img src="https://i1.wp.com/diaryofdifference.com/wp-content/uploads/2019/09/Book-Review-Banner-18.png?resize=1024%2C576&ssl=1"/>;
<i>When the team from LoveReading UK contacted me regarding A Single Thread, all I knew was that I loved Girl With A Pearl Earring by Tracy Chevalier and would therefore read any other book she writes.</i>
A Single Thread follows the life of Violet, during the year 1932, a few years after the First World War. Violet has lost her brother and fiance in the war and is still learning to cope. She is labelled as a ”surplus woman” by the society, a woman that in unlikely to marry.
With the grief, the society label and the suffocation of her mother, Violet starts a journey that will change her life.
She is determined to find where she belongs and who she truly is, in a time where being a woman and succeeding on your own was not praised by others.
Her journey starts with a long walk in a few towns, something she used to do with her late father and brother, and it continues with her learning canvas embroidery (today knows as needlepoint), and the beautiful art of bell ringing (which pleasantly reminded me of The Hunchback of Notre Dame by Victor Hugo, a book I read in high school and one I should re-read).
With Tracy’s writing, it is always so easy to lose yourself in the book and teleport to the past and re-live every scene as if you’re there. It is such a pleasurable experience.
I loved Violet, and I loved how she coped with all challenges of that era. Post First World War times were extremely hard, with too many men dying and too many women not being able to ever marry. Violet’s courage and hope kept moving her forward!
<b><i>This novel yells courage. It yells freedom. It yells independence. And standing along Violet, while she finds courage when you least expect to was a moment I will cherish.</i></b>
I recommend it to you, if you love novels in the war time period, or novels that talk about courage!
Thank you to the team at LoveReading UK, for sending me a copy of this book in exchange for my honest review.
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
<img src="https://i1.wp.com/diaryofdifference.com/wp-content/uploads/2019/09/Book-Review-Banner-18.png?resize=1024%2C576&ssl=1"/>;
<i>When the team from LoveReading UK contacted me regarding A Single Thread, all I knew was that I loved Girl With A Pearl Earring by Tracy Chevalier and would therefore read any other book she writes.</i>
A Single Thread follows the life of Violet, during the year 1932, a few years after the First World War. Violet has lost her brother and fiance in the war and is still learning to cope. She is labelled as a ”surplus woman” by the society, a woman that in unlikely to marry.
With the grief, the society label and the suffocation of her mother, Violet starts a journey that will change her life.
She is determined to find where she belongs and who she truly is, in a time where being a woman and succeeding on your own was not praised by others.
Her journey starts with a long walk in a few towns, something she used to do with her late father and brother, and it continues with her learning canvas embroidery (today knows as needlepoint), and the beautiful art of bell ringing (which pleasantly reminded me of The Hunchback of Notre Dame by Victor Hugo, a book I read in high school and one I should re-read).
With Tracy’s writing, it is always so easy to lose yourself in the book and teleport to the past and re-live every scene as if you’re there. It is such a pleasurable experience.
I loved Violet, and I loved how she coped with all challenges of that era. Post First World War times were extremely hard, with too many men dying and too many women not being able to ever marry. Violet’s courage and hope kept moving her forward!
<b><i>This novel yells courage. It yells freedom. It yells independence. And standing along Violet, while she finds courage when you least expect to was a moment I will cherish.</i></b>
I recommend it to you, if you love novels in the war time period, or novels that talk about courage!
Thank you to the team at LoveReading UK, for sending me a copy of this book in exchange for my honest review.
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
Andy K (10821 KP) rated Vertigo (1958) in Movies
Oct 20, 2019
An ex cop is asked to surveil the wife of a friend who seems to be exhibiting erratic behavior. Unfortunately, Scottie had to retire from active duty after an incident of vertigo caused the death of another officer. He takes the job and wanders with the woman as she visits an art gallery and cemetery among others. She inexplicably one day decides to hurl her body into San Francisco Bay and luckily he is there to retrieve her.
Once revived, Madeleine is no worse for wear, but does not remember the incident or the circumstances of her rescue at the hands of Scottie. They form a quick friendship that turns quickly into lust and a deepening feeling of obsession for Scottie. One day, they take a trip to Mission San Juan Bautista based on a nightmare vision described by Madeleine. She climbs the bell tower, but Scottie is unable to follow restrained by his vertigo and, unfortunately, has to just watch as she plunges to her death.
Afterwards, an investigation reveals Madeleine had been exhibiting irrational behavior which was the cause of her husband's concern in hiring Scottie, so her death is ruled a suicide. Scottie is distraught over the loss and takes consolation in his friend, Midge. On the mend, Scottie frequents locations Madeleine had visited previously hoping this would offer consolation to his grief. He meets a familiar, yet strange woman there.
Vertigo is usually not only considered Hitchcock's best film, but also on many critic lists as the greatest film of all time alongside Citizen Kane and Casablanca.
The movie does have a lot to admire including its complicated, intriguing screenplay which had smart discussions with its characters with lots of exposition given at various points challenging the audience to keep up. The film's situations are interesting and the plot keeps going at a vicious pace through the twists to the end.
I learned recently Hitchcock diva Vera Miles was initially cast for the role of Madeleine, but had to withdraw as she became pregnant before filming so Kim Novak replaced her. Due to several unforeseen delays, Miles had given birth and could've been available; however Hitchcock forged ahead with Novak anyways.
The harrowing initial scene where Scottie chases a random perpetrator across blackened rooftops only to stumble and discover his title affliction really sets the tone for the film both with the cinematography which is stunning and the blistering score at full pace.
Picking an absolute favorite Hitchcock movie has always been difficult for me. Vertigo would probably rank 3rd behind Psycho and The Birds, but still all masterpieces. I love the fact as in other Hitchcock classics, you think you know where the story is going, but he always keeps you guessing.
A magnificent performance by Jimmy Stewart as well. Well deserved of the praise he has gotten over the years for it. He is intense, charming and morose throughout the film which makes him electrifying to watch. His work with Hitchcock including Rope and Rear Window is among his best work.
A masterpiece.
Once revived, Madeleine is no worse for wear, but does not remember the incident or the circumstances of her rescue at the hands of Scottie. They form a quick friendship that turns quickly into lust and a deepening feeling of obsession for Scottie. One day, they take a trip to Mission San Juan Bautista based on a nightmare vision described by Madeleine. She climbs the bell tower, but Scottie is unable to follow restrained by his vertigo and, unfortunately, has to just watch as she plunges to her death.
Afterwards, an investigation reveals Madeleine had been exhibiting irrational behavior which was the cause of her husband's concern in hiring Scottie, so her death is ruled a suicide. Scottie is distraught over the loss and takes consolation in his friend, Midge. On the mend, Scottie frequents locations Madeleine had visited previously hoping this would offer consolation to his grief. He meets a familiar, yet strange woman there.
Vertigo is usually not only considered Hitchcock's best film, but also on many critic lists as the greatest film of all time alongside Citizen Kane and Casablanca.
The movie does have a lot to admire including its complicated, intriguing screenplay which had smart discussions with its characters with lots of exposition given at various points challenging the audience to keep up. The film's situations are interesting and the plot keeps going at a vicious pace through the twists to the end.
I learned recently Hitchcock diva Vera Miles was initially cast for the role of Madeleine, but had to withdraw as she became pregnant before filming so Kim Novak replaced her. Due to several unforeseen delays, Miles had given birth and could've been available; however Hitchcock forged ahead with Novak anyways.
The harrowing initial scene where Scottie chases a random perpetrator across blackened rooftops only to stumble and discover his title affliction really sets the tone for the film both with the cinematography which is stunning and the blistering score at full pace.
Picking an absolute favorite Hitchcock movie has always been difficult for me. Vertigo would probably rank 3rd behind Psycho and The Birds, but still all masterpieces. I love the fact as in other Hitchcock classics, you think you know where the story is going, but he always keeps you guessing.
A magnificent performance by Jimmy Stewart as well. Well deserved of the praise he has gotten over the years for it. He is intense, charming and morose throughout the film which makes him electrifying to watch. His work with Hitchcock including Rope and Rear Window is among his best work.
A masterpiece.
Chris Sawin (602 KP) rated Zombieland (2009) in Movies
Jun 22, 2019
Columbus is a loner in every sense of the word. He usually spent his nights indoors playing World of Warcraft, so it's safe to say he probably didn't get out much. He wasn't even all that close to his family. So when the zombie apocalypse finally began to spread across the globe, Columbus already had an advantage over the majority of the population. In addition to that, Columbus had a lot of weird phobias (like clowns and those wet towels they use to wipe down tables at big restaurants). As his experience with the undead grew, so did his list of rules on how to survive in Zombieland. Columbus is on his way to Ohio, where his parents reside, hoping that by some miracle they're still alive. Before he can get very far, he runs into the first human face he's seen since the outbreak, Tallahassee. Tallahassee seems to be fearless, lives life in the moment, and worries about consequences later. His hatred for zombies bleeds through so much that his zombie killing ways are practically down to a fine art. What starts out as a potential ride to get him to his final destination could wind up being everything Columbus has ever wanted and that's a family that he feels comfortable with.
Zombieland somehow managed to breathe life into an aspect of horror I thought dried up along with George A. Romero's career and that's zombies. What started out as a fairly fresh idea has been milked dry with every situation going in every possibly way you could think of. You know Zombieland is going to be a bit different as soon as the movie begins. Columbus does a rundown of some of the most important rules he's learned while living in Zombieland leading up to the credits playing over slow-motion scenes of people being chased and eaten by zombies with "For Whom the Bell Tolls" by Metallica playing the entire time. The cinematography and the way the characters on screen interact with the letters in the opening credits is incredible. Blood splattering on the screen, glass shattering, and the way everything seems to be jumping out at you. To be honest, it's probably one of my favorite openings to any film ever.
Jesse Eisenberg's character Columbus immediately made me think of Michael Cera when I first saw the trailer. It's a role that's so similar to the roles he's played in the past and I found it kinda funny that a new trailer of Cera's was attached to this film. After that first reaction though, it didn't really bother me. In fact, the entire cast does an incredible job with the roles they play. Woody Harrelson is fantastic and steals a good portion of scenes as Tallahassee. With everything else going on, Tallahassee is on this quest to find a Twinkie and it's pretty hilarious watching him lose it whenever he can't find them. Emma Stone and Abigail Breslin as Wichita and Little Rock add more to the film when they're acting as a sisterly team rather than when they have scenes separately later on. Their cons are pretty spectacular and priceless in execution.
One of the most interesting factors of the film was something that made its way online two weeks before the film was even released. Zombieland originally started as a TV pilot. Before the cast we're familiar with now was set, Patrick Swayze was going to cameo as a zombie and there were several moments paying homage to Ghost that just sounded amazing and comical. They actually had several people in mind to cameo in the film. The actor they wound up going with is wonderful in their own right, gets plenty of screen time, and manages to steal quite a few laughs, but the Patrick Swayze zombie would've been just as good if not a bit better considering the circumstances.
The finale of the film that takes place in an amusement park is one of the best closing sequences to a zombie film ever. It's surprising no other zombie film has gone that route. The way the rides and carnival attractions are incorporated into zombie execution is marvelous in itself.
Zombieland is witty horror entertainment with a great cast and clever cinematography. A roller coaster ride you immediately want to ride again as soon as its over. What's surprising is it might just wind up being the best all around horror film to come out this year. As the tagline says, I strongly urge each and every one of you to "nut up or shut up."
Zombieland somehow managed to breathe life into an aspect of horror I thought dried up along with George A. Romero's career and that's zombies. What started out as a fairly fresh idea has been milked dry with every situation going in every possibly way you could think of. You know Zombieland is going to be a bit different as soon as the movie begins. Columbus does a rundown of some of the most important rules he's learned while living in Zombieland leading up to the credits playing over slow-motion scenes of people being chased and eaten by zombies with "For Whom the Bell Tolls" by Metallica playing the entire time. The cinematography and the way the characters on screen interact with the letters in the opening credits is incredible. Blood splattering on the screen, glass shattering, and the way everything seems to be jumping out at you. To be honest, it's probably one of my favorite openings to any film ever.
Jesse Eisenberg's character Columbus immediately made me think of Michael Cera when I first saw the trailer. It's a role that's so similar to the roles he's played in the past and I found it kinda funny that a new trailer of Cera's was attached to this film. After that first reaction though, it didn't really bother me. In fact, the entire cast does an incredible job with the roles they play. Woody Harrelson is fantastic and steals a good portion of scenes as Tallahassee. With everything else going on, Tallahassee is on this quest to find a Twinkie and it's pretty hilarious watching him lose it whenever he can't find them. Emma Stone and Abigail Breslin as Wichita and Little Rock add more to the film when they're acting as a sisterly team rather than when they have scenes separately later on. Their cons are pretty spectacular and priceless in execution.
One of the most interesting factors of the film was something that made its way online two weeks before the film was even released. Zombieland originally started as a TV pilot. Before the cast we're familiar with now was set, Patrick Swayze was going to cameo as a zombie and there were several moments paying homage to Ghost that just sounded amazing and comical. They actually had several people in mind to cameo in the film. The actor they wound up going with is wonderful in their own right, gets plenty of screen time, and manages to steal quite a few laughs, but the Patrick Swayze zombie would've been just as good if not a bit better considering the circumstances.
The finale of the film that takes place in an amusement park is one of the best closing sequences to a zombie film ever. It's surprising no other zombie film has gone that route. The way the rides and carnival attractions are incorporated into zombie execution is marvelous in itself.
Zombieland is witty horror entertainment with a great cast and clever cinematography. A roller coaster ride you immediately want to ride again as soon as its over. What's surprising is it might just wind up being the best all around horror film to come out this year. As the tagline says, I strongly urge each and every one of you to "nut up or shut up."