Search
Bob Mann (459 KP) rated King Arthur: Legend Of The Sword (2017) in Movies
Sep 29, 2021
The Arthurian legend: but with Cockneys.
So, bit difficult to describe this one… so I asked my bloke Alfie from Londinium to explain what’s it all about…
“‘Ere, OK bruv. So this is dun by that geezer Guy Ritchie – yer know, the one that dun that Sherlock Holmes with the Iron Man geezer Robert Junior Downey, that one. His new film is a rip-roarin’ acshun movie what retells da Arfurian legend in a novel new way.
That Hulk bloke Eric Bana is Arfur’s farfer an’ ‘e’s ‘avin’ a few problems wiv ‘is bruvver Vortigern (Jude Law, who’s a bi’ ov a cockney ‘imself, but ‘ere speaks like a posh bloke. Know what I mean?) So ‘e (Vortigern dat is) gets some magical ‘elp from some slippery watery bints in a puddle and so ‘is dad puts ‘is God Forbid in a boat an’ sends ‘im down da river ter The Smoke ter live wiv some prozzies.
But ‘e grows up big an’ strong an’ ‘andy wiv a sword. His friends tell ‘im ter get aaaht ov town as da King’s blokes are lookin’ fer da young geezer who would be king. An’ e says like “Scapa Flow sowf ov da river at dis time ov night. Are yew mad?”. So e gets caught like an’ gets tested by some famous football bloke ter pull a big sword aaaht ov just a random bi’ ov stone (nod, nod, wink wink, nice twist – ssshhh!).
The Vortigern bloke is very cross an’ tries to kill ‘im but ‘e gets rescued by some bird who can make birds, lol, an’ other fings do what she wants. So can Arfur beat ‘is uncle? Gawdon Bennet, I’m not gon’a tell yew da whole darn fing! Yer’ll ‘ave ter go an’ watch i’ ter find out.”
Thanks Alfie. Couldn’t have said it better myself!
The quirky style of Guy Ritchie isn’t one that you would think would translate well to the Arthurian setting, and as the film starts you tend to think you were right! But if you give it a chance it wears you down into acceptance and then – ultimately – a lot of enjoyment.
Jude Law is deliciously evil mixed with a heavy dose of mad, and delivers the goods.
Charlie Hunnam who plays Arthur (no, I hadn’t heard of him either but he was in the “Lost City of Z”) does a decent job as the medieval hunk, although he seems at time to have taken voice coaching in ‘Olde-English’ from Russell Crowe, since the lad’s Geordie accent seems to wander from Cockney through central southern England to Liverpudlian at one point (definitely channelling a young John Lennon)! Relative newcomer, the Spanish actress Astrid Bergès-Frisbey is effectively weird as the mage.
Particularly noteworthy (no pun intended) is the superb action soundtrack by Daniel Pemberton (“Steve Jobs“, “The Man from U.N.C.L.E.“) which propels the action really well and contains some standout moments.
Also a standout in the technical categories is the editing by James Herbert, who did both of Downey Junior’s “Sherlock Holmes” films (in a similar style) and also “Edge of Tomorrow“. The style is typified with Arthur’s growth to manhood in the streets of London which is stylishly done.
I saw the film in 3D – not a particularly favourite format – but quite well done, although falls into the “trying too hard” category at times with lots of drifting embers… you know the sort.
It’s not bloody Shakespeare. It’s not even the bloody Arthurian legend as you know it. But it is bloody good fun if you let it in.
“‘Ere, OK bruv. So this is dun by that geezer Guy Ritchie – yer know, the one that dun that Sherlock Holmes with the Iron Man geezer Robert Junior Downey, that one. His new film is a rip-roarin’ acshun movie what retells da Arfurian legend in a novel new way.
That Hulk bloke Eric Bana is Arfur’s farfer an’ ‘e’s ‘avin’ a few problems wiv ‘is bruvver Vortigern (Jude Law, who’s a bi’ ov a cockney ‘imself, but ‘ere speaks like a posh bloke. Know what I mean?) So ‘e (Vortigern dat is) gets some magical ‘elp from some slippery watery bints in a puddle and so ‘is dad puts ‘is God Forbid in a boat an’ sends ‘im down da river ter The Smoke ter live wiv some prozzies.
But ‘e grows up big an’ strong an’ ‘andy wiv a sword. His friends tell ‘im ter get aaaht ov town as da King’s blokes are lookin’ fer da young geezer who would be king. An’ e says like “Scapa Flow sowf ov da river at dis time ov night. Are yew mad?”. So e gets caught like an’ gets tested by some famous football bloke ter pull a big sword aaaht ov just a random bi’ ov stone (nod, nod, wink wink, nice twist – ssshhh!).
The Vortigern bloke is very cross an’ tries to kill ‘im but ‘e gets rescued by some bird who can make birds, lol, an’ other fings do what she wants. So can Arfur beat ‘is uncle? Gawdon Bennet, I’m not gon’a tell yew da whole darn fing! Yer’ll ‘ave ter go an’ watch i’ ter find out.”
Thanks Alfie. Couldn’t have said it better myself!
The quirky style of Guy Ritchie isn’t one that you would think would translate well to the Arthurian setting, and as the film starts you tend to think you were right! But if you give it a chance it wears you down into acceptance and then – ultimately – a lot of enjoyment.
Jude Law is deliciously evil mixed with a heavy dose of mad, and delivers the goods.
Charlie Hunnam who plays Arthur (no, I hadn’t heard of him either but he was in the “Lost City of Z”) does a decent job as the medieval hunk, although he seems at time to have taken voice coaching in ‘Olde-English’ from Russell Crowe, since the lad’s Geordie accent seems to wander from Cockney through central southern England to Liverpudlian at one point (definitely channelling a young John Lennon)! Relative newcomer, the Spanish actress Astrid Bergès-Frisbey is effectively weird as the mage.
Particularly noteworthy (no pun intended) is the superb action soundtrack by Daniel Pemberton (“Steve Jobs“, “The Man from U.N.C.L.E.“) which propels the action really well and contains some standout moments.
Also a standout in the technical categories is the editing by James Herbert, who did both of Downey Junior’s “Sherlock Holmes” films (in a similar style) and also “Edge of Tomorrow“. The style is typified with Arthur’s growth to manhood in the streets of London which is stylishly done.
I saw the film in 3D – not a particularly favourite format – but quite well done, although falls into the “trying too hard” category at times with lots of drifting embers… you know the sort.
It’s not bloody Shakespeare. It’s not even the bloody Arthurian legend as you know it. But it is bloody good fun if you let it in.
Suswatibasu (1703 KP) rated The Buried Giant in Books
Jan 3, 2018
An unusual melancholic adventure
Beautifully written with a typical Kazuo Ishiguro unreliable narrator, this novel however, is not about self-delusion this time. It's a collective memory loss, a post-Arthurian quest that questions the value of remembering. It is written as a fable so the style may appear stilted and formal, and it may not be everyone's cup of tea, but I found the plot beguiling.
Ishiguro ventures in the Tolkien-world of medieval fantasy in which an elderly couple, who seem to be suffering a fog of memory loss, attempt to reconnect with their son by journeying across the lands. On their way, they face dangers from opposing forces, that try to hinder their progress.
This is a powerful treatment of memories, the passage of time and the enduring love of a couple living many years together. Nothing is over-stated, even the moments of high drama. A strange collection of characters but all of them wholly believable. Overall, this book rewards patience and reflection, a devastating portrayal of love in old age and it's a fantastic metaphor for the way nations forget/remember traumatic events.
Ishiguro ventures in the Tolkien-world of medieval fantasy in which an elderly couple, who seem to be suffering a fog of memory loss, attempt to reconnect with their son by journeying across the lands. On their way, they face dangers from opposing forces, that try to hinder their progress.
This is a powerful treatment of memories, the passage of time and the enduring love of a couple living many years together. Nothing is over-stated, even the moments of high drama. A strange collection of characters but all of them wholly believable. Overall, this book rewards patience and reflection, a devastating portrayal of love in old age and it's a fantastic metaphor for the way nations forget/remember traumatic events.
Knights of the Round Table Puzzle Quest
Book
The legend of King Arthur the Knights of the Round Table - there is no more evocative source for...
Edward Burne-Jones
Penelope Fitzgerald and Frances Spalding
Book
Penelope Fitzgerald, the Booker Prize-winning author of 'Offshore' and 'The Blue Flower', turns her...
Born of No Man (Once and Future Hearts Book 1)
Book
A LEGEND BEGINS… Can love triumph despite duty? Lynette, companion to Princess Vivian, has...
series fiction Britain historical fiction historical romance romantic fantasy
The Table of Less Valued Knights
Book
This book is longlisted for the 2015 Baileys Women's Prize for Fiction. Sir Humphrey du Val of the...
"Camelot!"
"Camelot!"
"It's only a model"
"Shhh"
…
"On second thoughts, let's not go there. 'Tis a silly place"
With that out of the way, this is a sequel - or, as the author (Giles Kristian) himself puts it - more of a companion piece to his earlier (and originally conceived as being standalone) novel Lancelot, although I feel that he REALLY should have stuck with his original name for the novel: Galahad.
Calling it Camelot, to me, does the novel a bit of a disservice, with that location not really a key factor in the story. What is, however, is the central character (and first person narrator) of Galahad himself: Lancelot's son, raised by Christian monks following his fathers death in the climax of the previous, who (here) is not as pure and devout and, well, 'holy' as he is otherwise sometimes depicted, and who is still haunted by his legacy.
Various other characters from Arthurian legend themselves make an appearance, most notably (on the character front) Gawain, Merlin and Iselle whilst (on the 'Quest'/story front) we have a reimagining of The Green Knight, and the Search for The Holy Grail.
Like "Lancelot" before it, this is well worth a read.
"Camelot!"
"It's only a model"
"Shhh"
…
"On second thoughts, let's not go there. 'Tis a silly place"
With that out of the way, this is a sequel - or, as the author (Giles Kristian) himself puts it - more of a companion piece to his earlier (and originally conceived as being standalone) novel Lancelot, although I feel that he REALLY should have stuck with his original name for the novel: Galahad.
Calling it Camelot, to me, does the novel a bit of a disservice, with that location not really a key factor in the story. What is, however, is the central character (and first person narrator) of Galahad himself: Lancelot's son, raised by Christian monks following his fathers death in the climax of the previous, who (here) is not as pure and devout and, well, 'holy' as he is otherwise sometimes depicted, and who is still haunted by his legacy.
Various other characters from Arthurian legend themselves make an appearance, most notably (on the character front) Gawain, Merlin and Iselle whilst (on the 'Quest'/story front) we have a reimagining of The Green Knight, and the Search for The Holy Grail.
Like "Lancelot" before it, this is well worth a read.
War Duke of Britain (Once And Future Hearts Book 4)
Book
He is not the enemy she came to fight. Idris the Slayer is the champion of the northern kings....
adult fiction series War Duke of Britain romance historical
ClareR (6054 KP) rated Morgan is my Name in Books
Jul 5, 2023
Morgan is My Name is a fantastic retelling of the Arthurian legend from Morgan’s (or as we’re most likely to know her, Morgana) perspective.
Morgan le Fey is the daughter of the Lord that King Uther Pendragon vanquished. Uther then goes on to claim her mother, the Lady Igraine - and in the most underhand way possible with the help of the equally unpleasant Merlin.
Actually, the men don’t do well out of this retelling. Even the lover that a young Morgan takes, abandons her when she is found out and sent to a convent.
This book had me in its grip within minutes of pressing ‘play’. Vanessa Kirby’s narration was wonderful, and she made a convincing Morgan. She built on the book, making the reader/ listener really believe in the duality of Morgan. Not the evil woman we’ve been led to believe in (not in this first instalment, anyway!), but a young woman with a thirst for knowledge, who wants the freedom to pursue it. But it’s always the men who put a stop to her ambitions: whether it’s Uther, Merlin or her feckless husband (whatever happens to him, he deserves it!).
Oh, and the magic! Just the icing on the cake!
I can’t wait for the next book in this trilogy to come out!
Morgan le Fey is the daughter of the Lord that King Uther Pendragon vanquished. Uther then goes on to claim her mother, the Lady Igraine - and in the most underhand way possible with the help of the equally unpleasant Merlin.
Actually, the men don’t do well out of this retelling. Even the lover that a young Morgan takes, abandons her when she is found out and sent to a convent.
This book had me in its grip within minutes of pressing ‘play’. Vanessa Kirby’s narration was wonderful, and she made a convincing Morgan. She built on the book, making the reader/ listener really believe in the duality of Morgan. Not the evil woman we’ve been led to believe in (not in this first instalment, anyway!), but a young woman with a thirst for knowledge, who wants the freedom to pursue it. But it’s always the men who put a stop to her ambitions: whether it’s Uther, Merlin or her feckless husband (whatever happens to him, he deserves it!).
Oh, and the magic! Just the icing on the cake!
I can’t wait for the next book in this trilogy to come out!
Le Morte Darthur: Selections
Thomas Malory and Maureen Okun
5.3
Rate It
Book
Arguably no medieval English literary work has had as far and wide a reach as Sir Thomas Malory's Le...