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Whatchareadin (174 KP) rated Vengeance in Books
May 10, 2018
Wicket is a world famous performer. She dazzles crowds wherever she goes and she's sold more albums than most artists. She is known to her friends, which are very few as Ladonna Sterling and even fewer know her as Caprice Tatum. When Caprice was 15 years old, she was brutally attacked by the people she trusted. Having been cut as a young girl by her mother her life hadn't been the easiest, but she never thought anything like that would happen. Now as she approaches her fortieth birthday she hopes to get vengeance against those who wronged her.
It has been a while since I've read one of Zane's books. I used to read her books a lot when I was in my early twenties. This book took quite a different turn that I wasn't expecting. There is always sex involved in her books, but this one was not the same.
Wicket has a lot of issues that have stemmed from her childhood. She has never gotten the kind of therapy necessary for the type of trauma she has experienced in her life. Now she has issues with intimacy and finds it difficult to connect with people in general. Sure her fame as a little to do with it, but trust is not something that comes easily.
The book started out slowly for me. But once Wicket made her big move, it started to pick up. This young lady had been through a lot of hardship in her life. Without those things, she may not have made it this far in her life, but no one should have to go through all of that to find happiness. Zane always made me look at events in my life to know that things can be much worse and for a lot of people out there they are.
Zane had a new book released earlier this year that I can't wait to read [b:Three-Piece Meal: A Novel|32920252|Three-Piece Meal A Novel|Zane|https://images.gr-assets.com/books/1482355789s/32920252.jpg|53537928]
It has been a while since I've read one of Zane's books. I used to read her books a lot when I was in my early twenties. This book took quite a different turn that I wasn't expecting. There is always sex involved in her books, but this one was not the same.
Wicket has a lot of issues that have stemmed from her childhood. She has never gotten the kind of therapy necessary for the type of trauma she has experienced in her life. Now she has issues with intimacy and finds it difficult to connect with people in general. Sure her fame as a little to do with it, but trust is not something that comes easily.
The book started out slowly for me. But once Wicket made her big move, it started to pick up. This young lady had been through a lot of hardship in her life. Without those things, she may not have made it this far in her life, but no one should have to go through all of that to find happiness. Zane always made me look at events in my life to know that things can be much worse and for a lot of people out there they are.
Zane had a new book released earlier this year that I can't wait to read [b:Three-Piece Meal: A Novel|32920252|Three-Piece Meal A Novel|Zane|https://images.gr-assets.com/books/1482355789s/32920252.jpg|53537928]
Neon's Nerd Nexus (360 KP) rated The Festival (2018) in Movies
May 14, 2019
Mud spelt backwards
#thefestival #thefestivalmovie is overlong, overstuffed, unfunny, repetitive and out dated dribble. After enjoying all 3 seasons of #theInbetweeners I found by the time the films were released the formula was starting to become tiresome and predictable. So now along comes The #Festival and I'm sad to say nothing has changed at all. Within the first ten minutes I found myself exhausted by its relentless #humour and its need to shock, its all just far to simple/predictable and tries nothing new at all going for cheap #laughs over quality every time. Acting is also at times borderline atrocious with most scenes feeling far too scripted and forced. I found none of the characters likable and even during the standard ups and downs of the story you can see things coming from a mile off so I just couldnt sympathise or warm to any of them. Considering they are at a festival #music is not integrated well here, there's #famous hits blasted out over montages but very rarely are we treated to artists blaring from stages or shown bands on stage. This is #teenage humour at its most garish with no jokes hitting their mark/done better in other films and most out stay their welcome. Not many people were laughing in my screening either except one teen who was roaring from start to finish. I appreciate I may not be the target audience for this type of film any more but I cant help but feel with this kind of film now days once you've seen one you've seen them all. Overall it does nail the shit side of attending a festival extremely well but it lacks so much in atmosphere that its almost impossible to enjoy the cliched barebones story or care for its dull characters. A complete waste of my time and I just cant recommend it to anyone accept giggly #teens. #odeon #odeonlimitless #funny #silly #sex #camping #dj #joethomas #drunk #jermaineclement #noelfielding
#filmreview #filmbuff #filmcritic #inbetweeners #uk #british #joke #party #drinking
#filmreview #filmbuff #filmcritic #inbetweeners #uk #british #joke #party #drinking
Bong Mines Entertainment (15 KP) rated Hopeless Romantics - Single by Lexi Scatena in Music
Jun 18, 2019
Lexi Scatena is a 20-year-old singer-songwriter based in Reno, Nevada. Not too long ago, she released a lovely debut single, entitled, “Hopeless Romantics”, produced by Toronto-based producer Vibeslow.
“‘Hopeless Romantics’ focuses on the naive, ‘honeymoon phase’ of love. Also, it brings back the sultry sound of old-school R&B while maintaining mainstream appeal. I wrote the song after traveling to New York for the first time with my boyfriend. Not only did I fall in love with the city, but I also fell in love with my boyfriend all over again. Literally, each word in the song was a part of the internal monologue I had while exploring the city.” – Lexi Scatena
‘Hopeless Romantics’ tells a passionate tale of a young woman who is head-over-heels in love with her significant other. Apparently, she wants to stay in her partner’s arms till death do them part.
Later, she admits that Cupid should get a raise for bringing them together, not only for this moment but for eternity.
‘Hopeless Romantics’ contains a relatable storyline and ear-welcoming vocals. Also, the likable tune possesses soothing instrumentation flavored with contemporary R&B and neo-soul elements.
“‘Hopeless Romantics’ is a dive into a sound that I never knew I was capable of doing, but always loved. Working with Vibeslow really opened my eyes to a genre that embodied everything I admire musically. With modern music focusing heavily on hip-hop-infused R&B, I wanted to do something different and incorporate old school RnB into my music, but with my own personal touch. I think that the current music industry is lacking valuable elements of old-school R&B, and I’m hoping to help bring those back.” – Lexi Scatena
During the day, Lexi Scatena is an ordinary college student, pursuing a bachelor’s degree in Journalism and Spanish at the University of Nevada, Reno.
At night, she’s serenading fans at live shows, posting covers of her favorite artists, and preparing for upcoming, original releases.
https://www.bongminesentertainment.com/lexi-scatena-hopeless-romantics/
“‘Hopeless Romantics’ focuses on the naive, ‘honeymoon phase’ of love. Also, it brings back the sultry sound of old-school R&B while maintaining mainstream appeal. I wrote the song after traveling to New York for the first time with my boyfriend. Not only did I fall in love with the city, but I also fell in love with my boyfriend all over again. Literally, each word in the song was a part of the internal monologue I had while exploring the city.” – Lexi Scatena
‘Hopeless Romantics’ tells a passionate tale of a young woman who is head-over-heels in love with her significant other. Apparently, she wants to stay in her partner’s arms till death do them part.
Later, she admits that Cupid should get a raise for bringing them together, not only for this moment but for eternity.
‘Hopeless Romantics’ contains a relatable storyline and ear-welcoming vocals. Also, the likable tune possesses soothing instrumentation flavored with contemporary R&B and neo-soul elements.
“‘Hopeless Romantics’ is a dive into a sound that I never knew I was capable of doing, but always loved. Working with Vibeslow really opened my eyes to a genre that embodied everything I admire musically. With modern music focusing heavily on hip-hop-infused R&B, I wanted to do something different and incorporate old school RnB into my music, but with my own personal touch. I think that the current music industry is lacking valuable elements of old-school R&B, and I’m hoping to help bring those back.” – Lexi Scatena
During the day, Lexi Scatena is an ordinary college student, pursuing a bachelor’s degree in Journalism and Spanish at the University of Nevada, Reno.
At night, she’s serenading fans at live shows, posting covers of her favorite artists, and preparing for upcoming, original releases.
https://www.bongminesentertainment.com/lexi-scatena-hopeless-romantics/
Gene Simmons recommended Electric Ladyland by Jimi Hendrix / Jimi Experience Hendrix in Music (curated)
Rick Astley recommended Under the Pink by Tori Amos in Music (curated)
Woody Woodmansey recommended track Always Crashing in the Same Car by David Bowie in Low by David Bowie in Music (curated)
Thundercat recommended Gist of the Gemini by Gino Vannelli in Music (curated)
Joe Goodhart (27 KP) rated Rocket: The Blue River Score in Books
Nov 30, 2020
I have to confess: I went into this one with low expectations, largely due to trying to read the previous Rocket outing, Matthew Rosenberg's ROCKET RACCOON: GROUNDED! That book was just depressing as hell, and every character in it just felt wholly out-of-character, as if Rosenberg no flarking clue as to who the characters actually were and how they were SUPPOSED to behave! Fortunately, my pre-"low expectations" were ill-placed, as Trash Panda's outing was as far from the depressing wreck that Rosenberg churned out!
Yes, first and foremost, it was a Rocket Raccoon story, but it was also so much more. It felt not unlike SMOKIN' ACES or SNATCH...only on another planet, with aliens and an augmented raccoon! Writer Al Ewing is clearly a fan of pulp noir novels, and it shows throughout. Ah, if only Marvel would realize what a great film this mini would make!
If you like the wise-cracking, sometimes edgy wit of RR - basically, the RR of the MCU - then this is a book for you! Rocket has a great scheme in here, as well as some good intentions, all of which amounts to a double-cross and an ending that effectively resolves everything with a somewhat bittersweet ending. Bravo, Mr. Ewing! I truly hope Marvel lets him helm another RR solo mini!
And, if that does happen, allowed for another Ewing-helmed outing with RR, I hope that brings along artist Adam Gorham and colorist Michael Garland. Those two brought this fun li'l space heist to life ever so well! I was a big fan of Sara Pichelli's GOTG art for Rocket, but as good as she was, I feel these two were just as good, if not better! Definitely artists (and colorists) to keep an eye out for!
End of the day, you could do a whole lot worse that reading ROCKET: THE BLUE RIVE SCORE. *cough* CIVIL WAR II *cough* Bendis' ALL-NEW X-MEN run *cough cough*
Yes, first and foremost, it was a Rocket Raccoon story, but it was also so much more. It felt not unlike SMOKIN' ACES or SNATCH...only on another planet, with aliens and an augmented raccoon! Writer Al Ewing is clearly a fan of pulp noir novels, and it shows throughout. Ah, if only Marvel would realize what a great film this mini would make!
If you like the wise-cracking, sometimes edgy wit of RR - basically, the RR of the MCU - then this is a book for you! Rocket has a great scheme in here, as well as some good intentions, all of which amounts to a double-cross and an ending that effectively resolves everything with a somewhat bittersweet ending. Bravo, Mr. Ewing! I truly hope Marvel lets him helm another RR solo mini!
And, if that does happen, allowed for another Ewing-helmed outing with RR, I hope that brings along artist Adam Gorham and colorist Michael Garland. Those two brought this fun li'l space heist to life ever so well! I was a big fan of Sara Pichelli's GOTG art for Rocket, but as good as she was, I feel these two were just as good, if not better! Definitely artists (and colorists) to keep an eye out for!
End of the day, you could do a whole lot worse that reading ROCKET: THE BLUE RIVE SCORE. *cough* CIVIL WAR II *cough* Bendis' ALL-NEW X-MEN run *cough cough*
Joe Goodhart (27 KP) rated Batman: Detective Comics, Volume 6: Fall of the Batmen in Books
Nov 30, 2020
<b>OMG!</b> Seriously?!? <i>* one more time *</i> <b>OMG!</b> That volume's ending was off the ever-lovin' Feels scale! I knew it was coming (Yaay! Browsin' on the interwebs!), but still, the death of [Spoiler] packed a lot of emotion as well as distaste towards [Spoiler - Part Deux] for not following B-Man's direction or that of the team as a whole!
And, I would like to correct my statement in the other two reviews, that this was the final book of Tynion's 'TEC run. There is, in fact, one last volume, VOL. 8: BATMAN ETERNAL, which I bought digitally the night before, and I will be tackling that one tonight in what has been a great ride, full of fun and excitement, helping to remind that Batman is still cool (despite all of Tom King's efforts)!
In my reviews, I always try to acknowledge the artist(s), whether good or not so good. In this case, there were two Joe Bennett (did the first couple of the arc), followed by Miguel Mendonça, winding down with Jesus Merina (he was on the finale issue of "Fall of the Batmen"), and finishing up with Philippe Briones (handled the epilogue issue, "Knights Fall"). Oh, and Eddy Barrows worked on the last book in this volume, DETECTIVE ANNUAL #2, which I skimmed over, as it was a retread of Clayface's origin/beginnings. But, yeah, those artists were on fire! Such grand attention to detail, facial expressions, and brilliant use of shadows! They are all names I will be keeping an eye out for going forward!
All in all, this was a truly memorable, and emotional, story arc. It was another winner for James Tynion IV, but come on, they were all winning arcs, as far as I'm concerned! And that, my loyal readers (are there really that many who genuinely follow my reviews? I dunno, but I am still going to go that phrasing), is that! Peace!
And, I would like to correct my statement in the other two reviews, that this was the final book of Tynion's 'TEC run. There is, in fact, one last volume, VOL. 8: BATMAN ETERNAL, which I bought digitally the night before, and I will be tackling that one tonight in what has been a great ride, full of fun and excitement, helping to remind that Batman is still cool (despite all of Tom King's efforts)!
In my reviews, I always try to acknowledge the artist(s), whether good or not so good. In this case, there were two Joe Bennett (did the first couple of the arc), followed by Miguel Mendonça, winding down with Jesus Merina (he was on the finale issue of "Fall of the Batmen"), and finishing up with Philippe Briones (handled the epilogue issue, "Knights Fall"). Oh, and Eddy Barrows worked on the last book in this volume, DETECTIVE ANNUAL #2, which I skimmed over, as it was a retread of Clayface's origin/beginnings. But, yeah, those artists were on fire! Such grand attention to detail, facial expressions, and brilliant use of shadows! They are all names I will be keeping an eye out for going forward!
All in all, this was a truly memorable, and emotional, story arc. It was another winner for James Tynion IV, but come on, they were all winning arcs, as far as I'm concerned! And that, my loyal readers (are there really that many who genuinely follow my reviews? I dunno, but I am still going to go that phrasing), is that! Peace!
Joe Goodhart (27 KP) rated New Mutants by Zeb Wells: The Complete Collection in Books
Nov 30, 2020
So, thanks to recent good deals on Comixology, as well as mandated COVID-19 stay-@-home in NC (it's the same elsewhere in the U.S., but I just felt like throwing out where I am in the mess), I have taken it upon myself to catch up with some classic Marvel mutant madness that I had missed first time around. For this week's excursion, I took on Zeb Wells' NEW MUTANTS run.
First, let me say that I had never read anything Wells had written before this. That being said, I would agree with what I saw a number of people saying in their reviews: that Zeb Wells does a bang-up job of writing for X-youngins! The dialogue and characterization never felt off or just plain badly written. It felt like he had a genuine fondness for the characters, and it was reflected in the way he treated them in the stories.
The only thing that prevented me from giving it four Stars was the art. I felt the stories detailed were interesting and several towards the end were very tense and exciting to me. However, that art? Not so much.
It started out great in the beginning w/the art by Dio Neves during "Return of the Legion". However, it just became a sea of inconsistency, as just too many artists of varied styles made for a mess that kept it from being a four Star book!
Final conclusion.. The art, while severely conflicting with the differences in styles, was not a high point of the book. Zeb Wells' writing? So, so good! Made me remember that not all the X-books at that point in time were angst-y and full of internalized self-conflicts!
Next on my list? I have the two volumes of Dan Abnett and Andy Lanning's run of NEW MUTANTS, which picks up after Wells' run. To coin a phrase from comedian John Mulaney's act, "This oughta be good!". See y'all when I am finished with that one.
First, let me say that I had never read anything Wells had written before this. That being said, I would agree with what I saw a number of people saying in their reviews: that Zeb Wells does a bang-up job of writing for X-youngins! The dialogue and characterization never felt off or just plain badly written. It felt like he had a genuine fondness for the characters, and it was reflected in the way he treated them in the stories.
The only thing that prevented me from giving it four Stars was the art. I felt the stories detailed were interesting and several towards the end were very tense and exciting to me. However, that art? Not so much.
It started out great in the beginning w/the art by Dio Neves during "Return of the Legion". However, it just became a sea of inconsistency, as just too many artists of varied styles made for a mess that kept it from being a four Star book!
Final conclusion.. The art, while severely conflicting with the differences in styles, was not a high point of the book. Zeb Wells' writing? So, so good! Made me remember that not all the X-books at that point in time were angst-y and full of internalized self-conflicts!
Next on my list? I have the two volumes of Dan Abnett and Andy Lanning's run of NEW MUTANTS, which picks up after Wells' run. To coin a phrase from comedian John Mulaney's act, "This oughta be good!". See y'all when I am finished with that one.