"It’s a newer one, but John Wick or John Wick 2. I’m obsessed. I’m obsessed. I grew up doing martial arts, and I know that Keanu did all of his own fight scenes in it, and then I was working on Predator when I watched John Wick 2, and… I have a gun in Predator, and they were teaching me how to do certain things, and I’m like, “Oh my gosh! Keanu did this really cool thing. Teach me how to do it!” I love… Like, back in the day in kung fu movies, they filmed the fight scenes in wide angles so you get to see everybody doing it, but nowadays, everything’s like cut, cut, edit, edit, close-up of this, close-up of that. But we actually got to see Keanu in these wide shots because he’s doing his own stunts, and he’s kicking ass, and he’s amazing in it. I just love that, and I feel like we don’t get enough of that in American cinema anymore, or actually ever. You have to go back to, like, old kung fu movies and stuff. I just love watching that movie and the action of that. It’s a good one."

"Hair is a really cool musical. It's about the late 60s’ hippie movement in America - tribal love, peace 'n' love 'n' rock 'n' roll, people tripping on LSD and expanding their consciousness, all of these concepts that came about in the late 60s’. It's one of my favourite periods in music and in the arts, it was sort of our American renaissance right around then and lot of incredible music came from that time. “I'm an Aquarius; that's my zodiac sign. I think the song is talking about the Age of Aquarius, which was starting around that time, which was said to be a time of enlightenment. It's such a cool song, it has a great melody and I've always loved it. “I ended up doing a production of Hair out in Germany when I was about 22. Personally, it was such an eye opener, I was pretty green when I went out there, but not so green when I left. I was doing a lot of things for the first time and experiencing a lot of things for the first time. “It was a bit of an awakening for me - artistically and personally - with fashion and with sexuality and with all these different things. It was a big transformative moment for me and this song always reminds me of that time.”"

"This reshaped music and the way I wanted to approach it. You wouldn't think it because it had been out 10 years when I got into it in 2003. I was working in this warehouse and this guy used to bring loads of hip hop in and stick it on. And after a while it's like, this is really good, you know. They didn't even rap on some tracks, it's just shouting. And all the martial arts stuff. The chaos of it and the intermissions of, ""Some blokes got shot round the corner, I'm not joking!"" It's really funny. I found I really connected to it because at the time I had no money. I was a bit of a shit-kicker. You got the impression that these were people at the end of their tether. Not in a good position. Just chaotic. It didn't adhere to this idea of hip hop, hippety hop. It made no sense as well, especially people like Ol' Dirty Bastard, I was just like, ""What the fuck are you on about?"" That really influenced me. I realised you could marry words that don't make sense. They gave across this humanist thing, they weren't just intimidating, or playing up to this image. I found that quite endearing. I like the dusty drum beat, the production is great."