Smashbomb

I am so torn on this book. I'm really tired of the trope of "batch of girls competing to win a dude" that seems to be so popular lately. But this is an Asian take on the trope, so I don't want to come down too hard on it for that. I attended a panel at the last Baltimore Book Festival about old tropes being resurrected by minority authors, and I agree that just because a trope might seem old and played out, putting a new spin on it with minority characters and themes deserves its own time. That is definitely valid. But they were talking about tropes like vampires and zombies and retold classics like Pride and Prejudice and Alice in Wonderland. I'm not sure the trope of "girls competing to win a dude" deserves more time in any form. (To be fair, I kind of equally hate guys competing to win the hand of the princess. No one should be obligated to marry someone just because they won an arbitrary competition. There are all kinds of consent issues there.)

Despite that, I really enjoyed this book. I loved the characters, the variety of yõkai, the bits of myth interspersed throughout the book. I do question Akira being trained to be a master of shuriken in a matter of days - like, really? And I wish instead of summarizing a ton in the epilogue, she'd just written a sequel, because I think there's enough material to do it. You'd think, with so much I didn't like about the book, that my overall opinion would be negative - but it's not. Even with all of those bad points, this book was enthralling and kept me reading right to the end.

Empress of all Seasons is a great Japanese-inspired fantasy that relies a little too much on old tropes. Set your inner critic to the side and just enjoy the ride, because the story is fantastic.

You can find all my reviews at http://goddessinthestacks.com

Kudos

Kyera (8 KP) rated Forest of a Thousand Lanterns in Books

Jan 31, 2018

Forest of a Thousand Lanterns

Julie C. Dao | 2017 | Science Fiction/Fantasy

7.5

(4 Ratings)

Book Rating

Forest of a Thousand Lanterns is a fantasy inspired by East-Asian culture and the Evil Queen's story. We are drawn into a complex world and watch the main character as she develops into someone who is willing to do anything to achieve her goals. Not for a man, but for the power she has been promised is rightfully hers for her entire life.

I don't normally enjoy books as much when they have an anti-hero that I don't like or connect with, but this book was so fantastic that it didn't bother me. Xifeng is complex and we watch her evolve over the course of the novel. I kept hoping that she would choose the right path, but couldn't help but watch in fascination as she dove further into the darkness. I loved getting to experience a villain's origin story and can't wait to see where the plot goes in future books.

The supporting characters were also well developed and some were characters that you could relate to (if that's something that you prefer in your books). You could see their hearts breaking as the anti-heroine's story played out.

The world was so beautifully developed and richly described. You could visualize each element and it was so lovely. I cannot wait to see more of this world. There were a few times when I felt that there was a jump in the plot that was not adequately explained, but overall the pacing was steady. It built slowly at the beginning and is definitely more of a character-driven story than one of fast-paced action. I kept being drawn back to the book as I wondered what would happen next. The end was a little more rushed to me, but you could see all of the threads being woven into the story to set up the next book.

I would definitely recommend this book and can't wait until the sequel is released!

Kudos

Dianne Robbins (1738 KP) rated 9-1-1 in TV

Jul 8, 2019 (Updated Apr 4, 2021)

9-1-1

2018 | Drama

8.5

(25 Ratings)

TV Show Rating Watch

Racially-diverse cast (0 more)

Stiff acting (4 more)

Fake fake fake fake fake

Scenarios no professional first responder would ever get into.

Terrible writing

Are there no medical director/firefighter/police officer technical advisers to tell them the correct way to do ALL OF THIS?

I like Connie Britton, who was a cast member during the first season of this show. However, she is no longer there and there is nothing to hold my interest and many, many things to make me lose interest. 911 has stiff acting and outrageously fake scenarios. She was replaced by Jennifer Love Hewitt, whom I'm neutral on for the most part, but I don't like her character, the scenarios she gets into, or her lines. Her acting isn't that great in this show, either, come to think of it. The manufactured drama is too forced. I've seen her do a better job with drama so I don't know if it's the director's choice or if she's taking dramatic license, but either way, her character isn't great. The characters, for the most part, are not believable or likable. It's just not a good cast. I like the diversity of the cast. There are several black cast members, an Asian cast member, and at least one Latinx cast member, which is so much better than most other shows, and let's face it than most of society. Come on, people, Let's mingle and mix things up.

I recently tried to watch 911 due to a draught of medical dramas and I ended up yelling at the tv about all the technical mistakes the EMTs and firefighters were making. I mean, they took an elevator up to an upper floor when the building was unstable and at risk of collapse or having a power outage. It was ridiculous. Who does that? If you are good at suspending belief, maybe you can tolerate this show. But as a hard-core medical freak, I cannot.

Kudos

Gareth von Kallenbach (980 KP) rated Lucy (2014) in Movies

Aug 6, 2019

Lucy (2014)

2014 | Action

7.5

(30 Ratings)

Movie Rating Watch

Luc Besson’s latest film will leave you impressed, and possibly a little confused.

Lucy, starring Scarlett Johansson and Morgan Freeman, comes out this Friday and is Besson’s (Fifth Element, The Professional) most recent stab at something a little bit different.

The film opens with Johansson’s character, Lucy, having an argument with her boyfriend about dropping off a case with unknown contents. After a lot of arguing (and having it handcuffed to her), Lucy is forced into going inside to make the delivery.

As she does, the director takes us on an interesting visual representation of her feelings using scenes similar to what most people recognize from National Geographic, complete with a cheetah hunting a gazelle. The scenes are punctuated by her cheetah-print jacket.

As the story continues, an Asian drug lord uses her as a mule for the substance inside the case. The bag breaks and the chemical starts changing Lucy, evolving her into something… different.

It’s been a long time since I’ve seen cinematography of this unique nature, where scenes were spliced in to express the character’s feelings. It’s unusual for a serious film (but still often done in a humorous way). Besson has done a masterful job of integrating serious moments, compelling action, and humor in a Fifth-Element-style to make a fluid, dynamic film. That said, it can feel slightly awkward at times.

I found myself laughing at the humor and engaged by the action, but most of all I was confused as to what I was watching.

This film seems very much akin to an episode of Cosmos. It’s interlaced with a story and some action, but purposefully meant to make a statement about human evolution.

Overall, I’d say this is a film well worth seeing. The acting was great, the cinematography was fantastic, and the direction was beautifully done. The main reason I feel it’s worth spending your money to see on the big screen is because of the gorgeous special effects, which were integrated in a captivating manner.