Search
Emma @ The Movies (1786 KP) rated Robin Hood (2018) in Movies
Sep 25, 2019
At this point I feel like I've grown u with definitive versions of Robin Hood. Kevin Costner will always be a front runner, and Disney's foxified version brings a smile to my face every time. I was also lucky to have been shown Robin Hood Men In Tights when I was younger and will always appreciate Cary Elwes' rendition. Errol Flynn will always be the high point for class in the role. There's always that one we don't talk about... Russell Crowe, I'm looking at you. We probably should consider the small screen as well, after all should we be excluding Robin from Madi Marian and Her Merry Men?
After the one we don't talk about I had fairly low expectations for this. Did we really need to reboot this icon?
The answer is evidently a resounding yes. No one is more surprised about this than I am. He's still not the best Robin (sorry... Rob) but he's an excellent modern adaptation for those who don't want to go old school with their viewing.
Taron Egerton doesn't quite have the on-screen presence of a lord, he's something or a whipper-snapper in Robin terms. He'd be much more at home in an episode of Arrow. Watch out, Roy. In fact that would be my guess of what happened in the pitching of this one. "Arrow is basically Robin Hood, shall we just do that?"
Ben Mendelsohn proved himself to be an excellent villain in Ready Player One, and he's brought himself back to that high with the Sheriff of Nottingham. Cruel and egotistical he makes an easy focus for everyone's revolutionary efforts.
Friar Tuck... hmm. Tim Minchin was an interesting choice. My main issue is that he basically seems to have played it as Bill Bailey. That was something that stuck out from the very first time we saw him and from that point on all I could think was that they might as well have got Bill Bailey to do it.
I had hoped that like the trailer the film would feature some modern music as well as what turned out to be some very atmospheric background ensemble. Sadly not though. Maybe it's just me pining back to A Knight's Tale.
Round of applause for the cinematography. Everything flowed really well and that opening scene of war (which you can see some of in the trailer above) really drew you in. In fact, the whole scene felt very much more modern than bows and arrows and was a striking moment in the film.
If cinematography is at the top, the writing is somewhere near the bottom. Generally it was passable and I didn't really notice it. That sounds odd, but you know what I mean, sometimes it is just there and doesn't really leave a mark. Every now and then you'd get a curve ball of a line that made me recoil and stopped my enjoyment of the film. Speeches that should have had power in the words didn't, there was no feeling of being roused to action like so many great films are able to do.
As a final comment... why must you mess with the naturally accepted order of characters?
What you should do
Go for the action, not the script. It's quite impressive on the big screen and Jamie Foxx's John holds some quiet moments of humour that are worth seeing.
Movie thing you wish you could take home
I would quite like John's ability to heal and not die. That seems like a massively impressive part of his character.
After the one we don't talk about I had fairly low expectations for this. Did we really need to reboot this icon?
The answer is evidently a resounding yes. No one is more surprised about this than I am. He's still not the best Robin (sorry... Rob) but he's an excellent modern adaptation for those who don't want to go old school with their viewing.
Taron Egerton doesn't quite have the on-screen presence of a lord, he's something or a whipper-snapper in Robin terms. He'd be much more at home in an episode of Arrow. Watch out, Roy. In fact that would be my guess of what happened in the pitching of this one. "Arrow is basically Robin Hood, shall we just do that?"
Ben Mendelsohn proved himself to be an excellent villain in Ready Player One, and he's brought himself back to that high with the Sheriff of Nottingham. Cruel and egotistical he makes an easy focus for everyone's revolutionary efforts.
Friar Tuck... hmm. Tim Minchin was an interesting choice. My main issue is that he basically seems to have played it as Bill Bailey. That was something that stuck out from the very first time we saw him and from that point on all I could think was that they might as well have got Bill Bailey to do it.
I had hoped that like the trailer the film would feature some modern music as well as what turned out to be some very atmospheric background ensemble. Sadly not though. Maybe it's just me pining back to A Knight's Tale.
Round of applause for the cinematography. Everything flowed really well and that opening scene of war (which you can see some of in the trailer above) really drew you in. In fact, the whole scene felt very much more modern than bows and arrows and was a striking moment in the film.
If cinematography is at the top, the writing is somewhere near the bottom. Generally it was passable and I didn't really notice it. That sounds odd, but you know what I mean, sometimes it is just there and doesn't really leave a mark. Every now and then you'd get a curve ball of a line that made me recoil and stopped my enjoyment of the film. Speeches that should have had power in the words didn't, there was no feeling of being roused to action like so many great films are able to do.
As a final comment... why must you mess with the naturally accepted order of characters?
What you should do
Go for the action, not the script. It's quite impressive on the big screen and Jamie Foxx's John holds some quiet moments of humour that are worth seeing.
Movie thing you wish you could take home
I would quite like John's ability to heal and not die. That seems like a massively impressive part of his character.
Kristy H (1252 KP) rated On the Corner of Love and Hate in Books
Sep 2, 2019
Emma Peroni works in the Community Development Office (CDO) in the small town of Hope Lake. She works with her childhood friend Cooper Campbell-Endicott, who is now running for office as mayor of Hope Lake. Cooper has a political pedigree; his mother is governor. He's the beloved golden boy of Hope Lake. But he also has a playboy reputation, and his opponent, Kirby, is capitalizing on it. If Cooper loses, Kirby will set back all the progress of the CDO in Hope Lake. So the current mayor--who just happens to be Emma's father--devises a plan. Emma will manage Cooper's campaign, and he will pretend to settle down with a former girlfriend. Emma and Cooper haven't gotten along since college, but the more time they spend together now, the more feelings get stirred up: anger, resentment, and... lust.
So I think it does a disservice to bill this book as a Christina Lauren-type romance, as I went in expecting a certain type of story and it just didn't deliver. I believe if I just read it as a romance, I might have enjoyed it more. And, please note, that a 3-star review isn't bad (!), I just didn't 4-star love love it.
The book is set up with the "love/hate" premise. We have hard-working Emma, who is scared of commitment and letting down her guard. Meanwhile, Cooper needs to buckle down and get serious about everything in his life. Emma holds a long-standing grudge against Cooper, but, of course, oh there are feelings, right? The problem is that things get repetitive: so much fighting about his bad behavior and then her thinking over and over about her feelings. (Of course she doesn't have feelings for Cooper, she hates him, etc.). We all know they are going to show some spark together, but good grief, it takes forever.
"He might have been the single most irritating person in the world to me, but still, I could appreciate his appearance."
Also, while I liked that there were political things woven into this novel, my goodness, I've never seen such drama over a mayoral race in my life. Is this a small town thing, or something? I have lived in small towns. The attention and drama focused on this race felt like a senatorial campaign and there was little explanation why Cooper's opponent was so bad, except that he was, indeed, really bad and would ruin the whole town, so this portion felt very two-dimensional. (Oh and if Emma called her father "Mayor Dad" one more time, I was going to scream.)
Still, this is a cute read. There are some really fun scenes with Emma's friends--she, Nick, Henry, and Cooper have been pals since they were kids. There is wit and humor throughout the book. I could certainly identify with Emma, being a closed off workaholic myself! The small town vibe in this book is really adorable--Hope Lake practically flies off the page, and it's a very atmospheric setting.
And, let's be honest: a love/hate dynamic is enjoyable. We pick up a romance knowing exactly what we are getting into. Cooper was a bit irritating at times, but it still boils down that I'm a total sucker for a sappy love story and the chosen two getting together. I was rooting for these two, and I liked the end of the book. This was a sweet, funny read overall. 3 stars.
So I think it does a disservice to bill this book as a Christina Lauren-type romance, as I went in expecting a certain type of story and it just didn't deliver. I believe if I just read it as a romance, I might have enjoyed it more. And, please note, that a 3-star review isn't bad (!), I just didn't 4-star love love it.
The book is set up with the "love/hate" premise. We have hard-working Emma, who is scared of commitment and letting down her guard. Meanwhile, Cooper needs to buckle down and get serious about everything in his life. Emma holds a long-standing grudge against Cooper, but, of course, oh there are feelings, right? The problem is that things get repetitive: so much fighting about his bad behavior and then her thinking over and over about her feelings. (Of course she doesn't have feelings for Cooper, she hates him, etc.). We all know they are going to show some spark together, but good grief, it takes forever.
"He might have been the single most irritating person in the world to me, but still, I could appreciate his appearance."
Also, while I liked that there were political things woven into this novel, my goodness, I've never seen such drama over a mayoral race in my life. Is this a small town thing, or something? I have lived in small towns. The attention and drama focused on this race felt like a senatorial campaign and there was little explanation why Cooper's opponent was so bad, except that he was, indeed, really bad and would ruin the whole town, so this portion felt very two-dimensional. (Oh and if Emma called her father "Mayor Dad" one more time, I was going to scream.)
Still, this is a cute read. There are some really fun scenes with Emma's friends--she, Nick, Henry, and Cooper have been pals since they were kids. There is wit and humor throughout the book. I could certainly identify with Emma, being a closed off workaholic myself! The small town vibe in this book is really adorable--Hope Lake practically flies off the page, and it's a very atmospheric setting.
And, let's be honest: a love/hate dynamic is enjoyable. We pick up a romance knowing exactly what we are getting into. Cooper was a bit irritating at times, but it still boils down that I'm a total sucker for a sappy love story and the chosen two getting together. I was rooting for these two, and I liked the end of the book. This was a sweet, funny read overall. 3 stars.
It's A Better Clock Full - Weather forecaster and Lunar Phase calendar
Weather and Education
App
It's a cool, accurate, multifunction clock that is also a Weather Bot forecaster and Lunar Phase...
Toolbox PRO: Smart Meter Tools
Utilities and Productivity
App
The most handy measuring tool kit in the world. Turning your iPhone or iPad into a multi functional...
The Room Two (Asia)
Games
App
[IMPORTANT] The Room Two is more graphically intensive than The Room. The game requires an iPhone 4S...
Real Airplane Pilot Flight Simulator Game for free
Games and Sports
App
You have ever thought of flying an airplane in reality. Now is the chance to full fill your flying...
Fiete Farm
Education and Games
App
Cock-a-doodle-doo! Experience a day on the farm with sailor Fiete: drive a tractor, feed the cats...
3D Classic Literature Collection
Book and Entertainment
App
• Featured by Apple in "Back to School" in the App Store (US/UK and many others...) • Featured...
Fighting Fantasy: The Forest of Doom
Games and Book
App
Nostalgia overload! Fighting Fantasy returns with Ian Livingstone's classic, The Forest of Doom. ...
BankofMarquis (1832 KP) rated The Midnight Sky (2020) in Movies
Dec 26, 2020
Moody and Atmospheric
Ever since his stint on ER, I have been a fan of George Clooney’s - and not just because he is charming and charismatic on film - but because I find that he brings an interesting facet to whatever character he inhabits
.
And with his latest effort THE MIDNIGHT SKY (Directed by Mr. Clooney, as well) he does not disappoint as his performance - and his Direction - are fascinating to watch.
Based upon the novel by Lily Brooks-Dalton, THE MIDNIGHT SKY tells the tale of a lone scientist (Clooney) in a remote, arctic research station, who is one of the few remaining people on an Earth that has become uninhabitable. He rushes to warn some returning astronauts to avoid their home planet.
A thoughtful, moody film. THE MIDNIGHT SKY will not be everyone’s cup of tea - and you have to be in the mood for something somewhat slow and contemplative - but if you are, you will be rewarded with a rich tapestry of visuals and performances that will be, ultimately, fulfilling.
Let’s start with what works - George Clooney. His direction and his performance as Augustine, the scientist, are both sparse and compact. Neither of these facets have an extraneous movement or tone and they work hand-in-hand to deliver the film that Clooney, obviously intends to give us.
Visually, this film is beautiful to look at - inter cutting the vast emptiness of space to the vast, snowy emptiness of the Arctic. The images that Clooney was able to create was well worth watching this film for.
Clooney was also fortunate enough to cast a variety of stellar performers in a film that has very few roles, so the ones that are there better deliver the goods - and they do. From Ethan Peck (Spock in Star Trek:Discovery) who plays the young Clooney in a flashback (I am very glad they chose to do this as opposed to “de-aging” Clooney) to the Astronauts: Felicity Jones, David Oyelowo (who I continue to like more and more every time I see him), Kyle Chandler and Tiffany Boone. All strike the right tone for the moodiness of this film.
Special notice should be made for Damien Bechir’s astronaut, Sanchez. He was terrific in the limited screen time he had and elevated every scene he was in. Bechir has become one of those performers who I get excited about when I see that he is going to be involved in a screen project.
What doesn’t work? Well…as I stated before…the pacing. It is slow (almost coming to a stop) at times. Since this is a film that will be streamed via Netflix, I can see many, many folks grabbing their phones at times, which is too bad, for the moodiness - and pace - worked for me (or at least the for the mood I was in while watching this).
My other issue with this film is the contrived circumstances that both Clooney and the Astronauts find themselves in. It isn’t enough that Clooney has to journey across rugged Arctic terrain to find a more powerful antennae to communicate with the Astronauts, we have to throw in cracking and melting ice to it. And, of course, just as the Astronauts connect with Clooney, a surprise meteor shower damages the communication array. These contrivances just wasn’t need for the type of movie this film was trying to be. It’s almost as if the Studio Heads said “it’s too slow and talky - put some action in this thing”.
But, if you are able to stay with this film, the ending pays off very well, indeed. I found that it earned it’s ending and I walked away moved and satisfied.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(OfMarquis)
.
And with his latest effort THE MIDNIGHT SKY (Directed by Mr. Clooney, as well) he does not disappoint as his performance - and his Direction - are fascinating to watch.
Based upon the novel by Lily Brooks-Dalton, THE MIDNIGHT SKY tells the tale of a lone scientist (Clooney) in a remote, arctic research station, who is one of the few remaining people on an Earth that has become uninhabitable. He rushes to warn some returning astronauts to avoid their home planet.
A thoughtful, moody film. THE MIDNIGHT SKY will not be everyone’s cup of tea - and you have to be in the mood for something somewhat slow and contemplative - but if you are, you will be rewarded with a rich tapestry of visuals and performances that will be, ultimately, fulfilling.
Let’s start with what works - George Clooney. His direction and his performance as Augustine, the scientist, are both sparse and compact. Neither of these facets have an extraneous movement or tone and they work hand-in-hand to deliver the film that Clooney, obviously intends to give us.
Visually, this film is beautiful to look at - inter cutting the vast emptiness of space to the vast, snowy emptiness of the Arctic. The images that Clooney was able to create was well worth watching this film for.
Clooney was also fortunate enough to cast a variety of stellar performers in a film that has very few roles, so the ones that are there better deliver the goods - and they do. From Ethan Peck (Spock in Star Trek:Discovery) who plays the young Clooney in a flashback (I am very glad they chose to do this as opposed to “de-aging” Clooney) to the Astronauts: Felicity Jones, David Oyelowo (who I continue to like more and more every time I see him), Kyle Chandler and Tiffany Boone. All strike the right tone for the moodiness of this film.
Special notice should be made for Damien Bechir’s astronaut, Sanchez. He was terrific in the limited screen time he had and elevated every scene he was in. Bechir has become one of those performers who I get excited about when I see that he is going to be involved in a screen project.
What doesn’t work? Well…as I stated before…the pacing. It is slow (almost coming to a stop) at times. Since this is a film that will be streamed via Netflix, I can see many, many folks grabbing their phones at times, which is too bad, for the moodiness - and pace - worked for me (or at least the for the mood I was in while watching this).
My other issue with this film is the contrived circumstances that both Clooney and the Astronauts find themselves in. It isn’t enough that Clooney has to journey across rugged Arctic terrain to find a more powerful antennae to communicate with the Astronauts, we have to throw in cracking and melting ice to it. And, of course, just as the Astronauts connect with Clooney, a surprise meteor shower damages the communication array. These contrivances just wasn’t need for the type of movie this film was trying to be. It’s almost as if the Studio Heads said “it’s too slow and talky - put some action in this thing”.
But, if you are able to stay with this film, the ending pays off very well, indeed. I found that it earned it’s ending and I walked away moved and satisfied.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(OfMarquis)