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The Bandersnatch (199 KP) rated Memoirs of a Geisha in Books
Nov 7, 2019
Memoirs of a Geisha is a historical fiction book published on September 27th 1997. Told in the first person Viewpoint of Geisha Sayuri (Original name Chiyo), It follows her journey from her childhood in a fishing village on the coast of Japan, forcibly taken to a Hanamachi in Gion Kyoto and raised to become a Geisha before experiencing the horrors of WW2 and being a Geisha during the hard work of rebuilding after a harrowing defeat.
My opinion of the book is one of both curiosity and interest. Japan is one of those countries where its history and culture is both unusual and mysterious. The book gives a brief glimpse into the hidden world of the Geisha which are a prominent spot in Japanese culture but are relatively unknown world wide. I believe that the story of Sayuri is one of personal travel and evolution. Since we see Sayuri';s experience as a child before becoming a Geisha, experiencing the horror of war and eventually finding love with the Chairman.
Arthur Golden was born on December 6th 1956 in Chattanooga, Tennessee. When he was eight years old his parents divorced with his father dying five years later. He spent most of his childhood living in lookout mountain, Georgia before graduating from the Baylor school in Chattanooga in 1974. After earning a degree in Fine art (Specifically Japanese art), an M. A. in Japanese history, Golden spent a summer at the Peking University in Beijing and spent some time working in Tokyo. When he returned to the states he earned an M. A. in English at Boston University. Golden married Trudi Legge and they went on to have two children Hays and Tess.
After getting the initial idea for Memoirs of a Geisha Golden spent six years over the story rewriting it at least three times, changing the view point until settling on the viewpoint of Sayuri. Golden had spent time interviewing several Geisha including Mineko Iwasaki (who ended up suing Golden when the Japanese version of the book came out for breach of contract.....the case was settled out of court in 2003) all of whom provided information about the world of the Geisha. After its release Memoirs of a Geisha spent two years on the New York Times bestseller list, its sold more than four million copies in English alone and has been translated into thirty-two languages around the world. In 2005 the book was made into a movie garnering three academy awards.
My opinion of Arthur Golden is very small and somewhat limited.......I believe he is a fantastic writer and very knowledgeable about Japanese history and art....Much more so than I am but hearing he faced being sued because of citing who his sources were when he was contracted not to has put something of a dampener on his character in my eyes.
Memoirs of a Geisha was released as a Movie on December 9th 2005 under director Rob Marshall and Produced by Steven Spielberg's production Company Amblin Entertainment and Spyglass Entertainment. With its production from pre- to post-production taking place mainly in California US, with a few spots filmed in Kyoto Japan. The movie received mixed reviews in the western world and received somewhat negative reviews in Japan due to its mixed casting of Chinese and Japanese actors and actresses and its relationship to history. Despite the chaos they won three Academy Awards (Best Art Direction, Best Cinematography and Best Costume Design), a Golden Globe (Best Original Score), A national Board of review (Best Supporting Actress), a satellite award (Outstanding screenplay) and three BAFTA's (Cinematography, Costume design and the Anthony Asquith award for Achievement in film music).
Whilst I quite like the movie I definitely feel that if more effort was put into tying more of both Japanese and Geisha history was some how tied into the movie. As well as using more Japanese Actors and actresses in the roles......despite that I believe the actors and actresses did a very good job in brining the script to life and keep a layer of mystery and fluidity to their roles.
And there you have it a book for all the ages, its definitely under the banner of AWESOME!!!.
My opinion of the book is one of both curiosity and interest. Japan is one of those countries where its history and culture is both unusual and mysterious. The book gives a brief glimpse into the hidden world of the Geisha which are a prominent spot in Japanese culture but are relatively unknown world wide. I believe that the story of Sayuri is one of personal travel and evolution. Since we see Sayuri';s experience as a child before becoming a Geisha, experiencing the horror of war and eventually finding love with the Chairman.
Arthur Golden was born on December 6th 1956 in Chattanooga, Tennessee. When he was eight years old his parents divorced with his father dying five years later. He spent most of his childhood living in lookout mountain, Georgia before graduating from the Baylor school in Chattanooga in 1974. After earning a degree in Fine art (Specifically Japanese art), an M. A. in Japanese history, Golden spent a summer at the Peking University in Beijing and spent some time working in Tokyo. When he returned to the states he earned an M. A. in English at Boston University. Golden married Trudi Legge and they went on to have two children Hays and Tess.
After getting the initial idea for Memoirs of a Geisha Golden spent six years over the story rewriting it at least three times, changing the view point until settling on the viewpoint of Sayuri. Golden had spent time interviewing several Geisha including Mineko Iwasaki (who ended up suing Golden when the Japanese version of the book came out for breach of contract.....the case was settled out of court in 2003) all of whom provided information about the world of the Geisha. After its release Memoirs of a Geisha spent two years on the New York Times bestseller list, its sold more than four million copies in English alone and has been translated into thirty-two languages around the world. In 2005 the book was made into a movie garnering three academy awards.
My opinion of Arthur Golden is very small and somewhat limited.......I believe he is a fantastic writer and very knowledgeable about Japanese history and art....Much more so than I am but hearing he faced being sued because of citing who his sources were when he was contracted not to has put something of a dampener on his character in my eyes.
Memoirs of a Geisha was released as a Movie on December 9th 2005 under director Rob Marshall and Produced by Steven Spielberg's production Company Amblin Entertainment and Spyglass Entertainment. With its production from pre- to post-production taking place mainly in California US, with a few spots filmed in Kyoto Japan. The movie received mixed reviews in the western world and received somewhat negative reviews in Japan due to its mixed casting of Chinese and Japanese actors and actresses and its relationship to history. Despite the chaos they won three Academy Awards (Best Art Direction, Best Cinematography and Best Costume Design), a Golden Globe (Best Original Score), A national Board of review (Best Supporting Actress), a satellite award (Outstanding screenplay) and three BAFTA's (Cinematography, Costume design and the Anthony Asquith award for Achievement in film music).
Whilst I quite like the movie I definitely feel that if more effort was put into tying more of both Japanese and Geisha history was some how tied into the movie. As well as using more Japanese Actors and actresses in the roles......despite that I believe the actors and actresses did a very good job in brining the script to life and keep a layer of mystery and fluidity to their roles.
And there you have it a book for all the ages, its definitely under the banner of AWESOME!!!.
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BankofMarquis (1832 KP) rated Everything Everywhere All At Once (2022) in Movies
Apr 15, 2022
A fun ride - with heart
The first recommendation when watching EVERYTHING EVERYWHERE ALL AT ONCE is to not try to figure out what is going on in this movie during the first 1/2 hour to 45 minutes. This will drive you mad. Just sit back and enjoy the mind-bending experience you are having.
After that point, either it will click in your brain…or it won’t. If it does - great! If not…continue to sit back and enjoy the mind-bending experience you are having.
For…EVERYTHING EVERYWHERE ALL AT ONCE is a trippy head-trip of a film that is certainly unique - but it also has something going for it that all good films do - characters that you will care about in a story that will touch your heart.
Written and Directed by Dan Kwan and Daniel Scheinert (SWISS ARMY MAN), EVERYTHING…tells the tale of unhappily married couple Evelyn Wang (Michelle Yeoh) and Waymond Wang (Ke Huy Quan), her father Gong Gong (the great James Hong) and their daughter, Joy (Stephanie Hsu). When interdimensional travel interrupts their mundane life, things get much, much more than mundane.
Yes, folks, you read that right INTERDIMENSIONAL TRAVEL - and this is not a Marvel movie! Evelyn and family start jumping to parallel dimensions, experiencing everything, everywhere…all at once (hence, the name of the film).
This is a smart, unique and visually interesting film and credit for this must go to Wang and Scheinert. They have come up with something unusual. However, they don’t just do “unusual for unusual sake” they wrap this film up - and connect the dots - in a satisfying way in the end. Oh…and they also build in some incredibly impressive fight scenes along the way. To not hype them too much, but these are the best fight scenes that have been on film in quite some time - certainly the most interesting and unique since the JOHN WICK films.
The duo, smartly, enlisted the aid of the underappreciated - but very talented - Michelle Yeoh (CRAZY RICH ASIANS) as the protagonist of this piece. It is a wise choice for she must go from mousey housewife to kick-butt SuperHero (and everywhere in between) throughout the course of this film and her Martial Arts background comes in very, very handy. It is a bravura performance by Yeoh and it would be TERRIFIC if her name is called come awards season next year (yes, it is that good of a performance).
She is ably assisted by Hong (a veteran character actor with more than 450 credits to his name), Hsu (known for her role as Mei in THE MARVELOUS MRS. MAISEL) and, especially Quan (the kid “Short Round” who assists the hero in INDIANA JONES AND THE TEMPLE OF DOOM) - it was good to see Quan back on the big screen.
The filmmakers also sprinkle some very strong character actors/actresses in the mix here. Both Jenny Slate (Mona-Lisa Saperstein in PARKS & REC) and Harry Shum, Jr. (GLEE, CRAZY RICH ASIANS) are fun in small roles as is the aforementioned James Hong as Gong Gong (the Grandfather).
But…the person who ALMOST steals this film from Ms. Yeoh is the incomparable Jamie Lee Curtis as the somewhat overweight and out of shape IRS Agent who plays a pivotal role in Evelyn’s life across the Dimensions. It is a fun role for Curtis who is not afraid to look physically bad. Again, I would LOVE IT if she got some love come awards time next year (she won’t, but maybe in some other parallel Universe she would).
Not for everyone - the multi-dimensional travel is going to give some folks a headache as they try to figure things out - but if you surrender yourself to the wildness that is going on, and embrace the spirit and the heart of this film, you will be rewarded with a very rich film going experience.
Letter Grade: A-
8 Stars out of 10 (might move up to 9 on a rewatch) and you can take that to the Bank(ofMarquis)
After that point, either it will click in your brain…or it won’t. If it does - great! If not…continue to sit back and enjoy the mind-bending experience you are having.
For…EVERYTHING EVERYWHERE ALL AT ONCE is a trippy head-trip of a film that is certainly unique - but it also has something going for it that all good films do - characters that you will care about in a story that will touch your heart.
Written and Directed by Dan Kwan and Daniel Scheinert (SWISS ARMY MAN), EVERYTHING…tells the tale of unhappily married couple Evelyn Wang (Michelle Yeoh) and Waymond Wang (Ke Huy Quan), her father Gong Gong (the great James Hong) and their daughter, Joy (Stephanie Hsu). When interdimensional travel interrupts their mundane life, things get much, much more than mundane.
Yes, folks, you read that right INTERDIMENSIONAL TRAVEL - and this is not a Marvel movie! Evelyn and family start jumping to parallel dimensions, experiencing everything, everywhere…all at once (hence, the name of the film).
This is a smart, unique and visually interesting film and credit for this must go to Wang and Scheinert. They have come up with something unusual. However, they don’t just do “unusual for unusual sake” they wrap this film up - and connect the dots - in a satisfying way in the end. Oh…and they also build in some incredibly impressive fight scenes along the way. To not hype them too much, but these are the best fight scenes that have been on film in quite some time - certainly the most interesting and unique since the JOHN WICK films.
The duo, smartly, enlisted the aid of the underappreciated - but very talented - Michelle Yeoh (CRAZY RICH ASIANS) as the protagonist of this piece. It is a wise choice for she must go from mousey housewife to kick-butt SuperHero (and everywhere in between) throughout the course of this film and her Martial Arts background comes in very, very handy. It is a bravura performance by Yeoh and it would be TERRIFIC if her name is called come awards season next year (yes, it is that good of a performance).
She is ably assisted by Hong (a veteran character actor with more than 450 credits to his name), Hsu (known for her role as Mei in THE MARVELOUS MRS. MAISEL) and, especially Quan (the kid “Short Round” who assists the hero in INDIANA JONES AND THE TEMPLE OF DOOM) - it was good to see Quan back on the big screen.
The filmmakers also sprinkle some very strong character actors/actresses in the mix here. Both Jenny Slate (Mona-Lisa Saperstein in PARKS & REC) and Harry Shum, Jr. (GLEE, CRAZY RICH ASIANS) are fun in small roles as is the aforementioned James Hong as Gong Gong (the Grandfather).
But…the person who ALMOST steals this film from Ms. Yeoh is the incomparable Jamie Lee Curtis as the somewhat overweight and out of shape IRS Agent who plays a pivotal role in Evelyn’s life across the Dimensions. It is a fun role for Curtis who is not afraid to look physically bad. Again, I would LOVE IT if she got some love come awards time next year (she won’t, but maybe in some other parallel Universe she would).
Not for everyone - the multi-dimensional travel is going to give some folks a headache as they try to figure things out - but if you surrender yourself to the wildness that is going on, and embrace the spirit and the heart of this film, you will be rewarded with a very rich film going experience.
Letter Grade: A-
8 Stars out of 10 (might move up to 9 on a rewatch) and you can take that to the Bank(ofMarquis)
Lee (2222 KP) rated A Monster Calls (2016) in Movies
Jul 26, 2017
A Monster Calls is based on an idea by writer and activist Siobhan Dowd, who sadly died from cancer in 2007 before she could develop her story to print. Her ideas were developed into a book by Patrick Ness in 2011 and illustrated by Jim Kay where it went on to receive a number of childrens literary awards.
The story is set in a very dreary looking England and features a boy called Conor struggling to cope with his mother’s terminal cancer. His father is divorced from his mother and is living in the States with his new family. He’s bullied at school and he’s troubled by nightmares. And then he starts being visited at night by a monster who tells him 3 stories. It’s a bleak tale about the harshness of life, and I was kind of worried about how my 11 year old daughter might take to it when she said she wanted to see it with me.
J.A.Bayona, director of The Orphanage, handles the subject matter well, showing us how a child’s fantasy can make sense of the world and their feelings. The stories told by the monster occur over a number of days and are beautifully depicted in watercolour animation. Each one providing its own lesson to be learned in life. Liam Neeson is the monster, the large yew tree that Conor can see from his bedroom window, giving his best Aslan voice. Felicity Jones is the mother, gradually dying as each cancer drug fails. Sigourney Weaver is the grandmother who Conor reluctantly goes to stay with while his mother is receiving treatment.
The monster itself, the great yew tree, is a real triumph. Beautifully rendered and realistically interacting with its surroundings. When you consider the films meagre budget of 43 million dollars, it’s breathtaking what they’ve managed to achieve.
As expected, the movie really packs a punch with barely any humour or lightheartedness. There are times it’s a little too slow and gloomy, but it’s hard hitting thought provoking and intense. I don’t mind admitting that both me and my daughter found ourselves in tears towards the end too. Along with most of the cinema!
The story is set in a very dreary looking England and features a boy called Conor struggling to cope with his mother’s terminal cancer. His father is divorced from his mother and is living in the States with his new family. He’s bullied at school and he’s troubled by nightmares. And then he starts being visited at night by a monster who tells him 3 stories. It’s a bleak tale about the harshness of life, and I was kind of worried about how my 11 year old daughter might take to it when she said she wanted to see it with me.
J.A.Bayona, director of The Orphanage, handles the subject matter well, showing us how a child’s fantasy can make sense of the world and their feelings. The stories told by the monster occur over a number of days and are beautifully depicted in watercolour animation. Each one providing its own lesson to be learned in life. Liam Neeson is the monster, the large yew tree that Conor can see from his bedroom window, giving his best Aslan voice. Felicity Jones is the mother, gradually dying as each cancer drug fails. Sigourney Weaver is the grandmother who Conor reluctantly goes to stay with while his mother is receiving treatment.
The monster itself, the great yew tree, is a real triumph. Beautifully rendered and realistically interacting with its surroundings. When you consider the films meagre budget of 43 million dollars, it’s breathtaking what they’ve managed to achieve.
As expected, the movie really packs a punch with barely any humour or lightheartedness. There are times it’s a little too slow and gloomy, but it’s hard hitting thought provoking and intense. I don’t mind admitting that both me and my daughter found ourselves in tears towards the end too. Along with most of the cinema!
Akward (448 KP) rated Terraforming Mars in Tabletop Games
May 24, 2018 (Updated May 27, 2018)
Theme (1 more)
Mechanics
The Hottest Game of The Year
Terraforming Mars is one of the most refined games that our group has ever played. One of the problems that plagues so many games is that once you find a winning strategy, you basically just play that strategy until you get bored of the game and movie on. In Terraforming Mars, there are a significant number of strategies that can win the game. We have had people win by focusing on playing the board, building up actions, focusing on production, or focusing on money. There does not appear to be one central strategy that trumps the others. A lot of people will complain about the randomness of the cards that you receive, but this helps guide you in to a strategy that you may not otherwise play.
There are enough mechanics to keep the game interesting. But all of the mechanics are simple enough that explaining the game to new people is not challenging. You would also expect a game of this type to take a long time to play, but once everyone is familiar with the rules, games can be as short as an hour.
I will agree with other reviewers that the default mats to manage resources do not do a good job, and aftermarket solutions make life easier (although not required). The expansions are also nice, after you've played a few games. Hallas & Elysium adds two additional boards that change the game slightly, and also provide different awards that keep you on your toes. Venus Next adds a few additional mechanics, and also introduces the World Government rule, making games faster.
Other people have mentioned that they do not like the artwork, and that they have had issues with the resource cubes wearing out. I don't really have a problem with either one of those things, but I may just be lucky. My cubes still look great after 50+ games.
There is a reason that Terraforming Mars has exploded in the last year. I would highly recommend everyone try it. Even my wife, who isn't traditionally a fan of more complicated games, likes it.
There are enough mechanics to keep the game interesting. But all of the mechanics are simple enough that explaining the game to new people is not challenging. You would also expect a game of this type to take a long time to play, but once everyone is familiar with the rules, games can be as short as an hour.
I will agree with other reviewers that the default mats to manage resources do not do a good job, and aftermarket solutions make life easier (although not required). The expansions are also nice, after you've played a few games. Hallas & Elysium adds two additional boards that change the game slightly, and also provide different awards that keep you on your toes. Venus Next adds a few additional mechanics, and also introduces the World Government rule, making games faster.
Other people have mentioned that they do not like the artwork, and that they have had issues with the resource cubes wearing out. I don't really have a problem with either one of those things, but I may just be lucky. My cubes still look great after 50+ games.
There is a reason that Terraforming Mars has exploded in the last year. I would highly recommend everyone try it. Even my wife, who isn't traditionally a fan of more complicated games, likes it.
TRUE_REVIEW (8 KP) rated Horizon Zero Dawn: Complete Edition in Video Games
Feb 19, 2018
Amazing Graphics (2 more)
Captivating Storyline
Repeat Playability
A Visually Epic Tale of a Future Dominated By Machines
Horizon Zero Dawn tells the tale of Aloy, an outsider in a future ruled by machines who needs to find her place in the world. A story which reaches from her younger years to adulthood and leads us through interweaving story arch from tribe acceptance to standing side by side with royalty.
Take down an array of machines with just a bow and arrow or create multiple strategies using an armoury of inventive weapons. The combat is sleek, often offering multiple ways of achieving your goal. The storytelling is deep and rich with a cast of hundreds of characters, each with their own interesting backstory to be discovered. Controls are superb, rarely limiting your ability to interact with the environment. Graphically stunning (I played this on a standard PS4 but there are significant improvements to be had if you own a PS4 Pro).
For the collector in you there is plenty to find here albeit easy enough to complete with the maps available for purchase.
This version of the game comes complete with The Frozen Wilds DLC which opens up an additional region to the north of the map with new, deadlier enemies to tackle as well as an entirely new story arch to discover. You can also unlock New Game + which (once the base game is complete) allows you to restart the game with all the weapons, armour and collectibles you have found already. New Game + increases the difficulty significantly bringing new challenges to an already discovered map (which in itself is vast to say the least).
All in all, Horizon Zero Dawn: Complete Edition is an incredible story of survival in a hostile world. One of the top games of 2017 for me (if not the best). Certainly deserves all the awards it received and thankfully paves the way for a sequel through multiple unanswered questions. I award Horizon Zero Dawn: Complete Edition 9/10 and a must have for any PS4 owner (exclusive to PS4).
Review Setup Used:
PS4: Standard 500 gig base model
TV: LG 50PZ570T
Audio (interchanged): LG 5.1 Surround BH7440 OR Turtle Beach Wireless PX4 Headphones
Take down an array of machines with just a bow and arrow or create multiple strategies using an armoury of inventive weapons. The combat is sleek, often offering multiple ways of achieving your goal. The storytelling is deep and rich with a cast of hundreds of characters, each with their own interesting backstory to be discovered. Controls are superb, rarely limiting your ability to interact with the environment. Graphically stunning (I played this on a standard PS4 but there are significant improvements to be had if you own a PS4 Pro).
For the collector in you there is plenty to find here albeit easy enough to complete with the maps available for purchase.
This version of the game comes complete with The Frozen Wilds DLC which opens up an additional region to the north of the map with new, deadlier enemies to tackle as well as an entirely new story arch to discover. You can also unlock New Game + which (once the base game is complete) allows you to restart the game with all the weapons, armour and collectibles you have found already. New Game + increases the difficulty significantly bringing new challenges to an already discovered map (which in itself is vast to say the least).
All in all, Horizon Zero Dawn: Complete Edition is an incredible story of survival in a hostile world. One of the top games of 2017 for me (if not the best). Certainly deserves all the awards it received and thankfully paves the way for a sequel through multiple unanswered questions. I award Horizon Zero Dawn: Complete Edition 9/10 and a must have for any PS4 owner (exclusive to PS4).
Review Setup Used:
PS4: Standard 500 gig base model
TV: LG 50PZ570T
Audio (interchanged): LG 5.1 Surround BH7440 OR Turtle Beach Wireless PX4 Headphones
Mike Wilder (20 KP) rated True Romance (1993) in Movies
May 30, 2018
I know people that hate this film, but I know far more that love it.
Contains spoilers, click to show
The film was written by Quentin Tarantino, and it really shows with the sharp dialogue and crazy plot. The film centres around Clarence (Christian Slater) who meets and marries Alabama (Patricia Arquette). After Clarence goes to get Alabama's belongings, through a series of mishaps, he ends up with suitcase of coke and they decide to sell it. This leads to a wild adventure involving drug dealers, police and movie executives.
The casting in this film is amazing with Hollywood greats turning up and each one adds something special to the film. But by far the best performance is by Brad Pitt as the roommate of Clarence's friend Dick. He is on screen for a total of about 5 minutes but steals every scene he is in. However every one of the characters in the film brings something special. The performances by Hollywood greats, including Dennis Hopper, Christopher Walken and Gary Oldman all come so close to being over the top, but the incredible script and brilliant directing manage to hold back just enough to stop it going too far.
This film is a true masterpiece where everything just falls in to place. The film is not for the faint of heart though. There are very graphic scenes of violence. One particular scene involving a woman getting severely beaten. The perpetrator definitely gets his comeuppance though. While the violence is very graphic, as with most of Tarantino's films, it is very bloody but also portrayed in a realistic manor. This adds to the shock and also to bring you closer to the victims.
I cannot praise this film enough. It is one of the greats that has been overlooked by many including Hollywood. Almost all of the performances are worthy of Oscar nomination, as with the script. But this film was overlooked by all the major awards.
If you are a fan of Tarantino films, or films with a good cast and great story give this film a try. I know people that hate this film, but I know far more that love it.
The casting in this film is amazing with Hollywood greats turning up and each one adds something special to the film. But by far the best performance is by Brad Pitt as the roommate of Clarence's friend Dick. He is on screen for a total of about 5 minutes but steals every scene he is in. However every one of the characters in the film brings something special. The performances by Hollywood greats, including Dennis Hopper, Christopher Walken and Gary Oldman all come so close to being over the top, but the incredible script and brilliant directing manage to hold back just enough to stop it going too far.
This film is a true masterpiece where everything just falls in to place. The film is not for the faint of heart though. There are very graphic scenes of violence. One particular scene involving a woman getting severely beaten. The perpetrator definitely gets his comeuppance though. While the violence is very graphic, as with most of Tarantino's films, it is very bloody but also portrayed in a realistic manor. This adds to the shock and also to bring you closer to the victims.
I cannot praise this film enough. It is one of the greats that has been overlooked by many including Hollywood. Almost all of the performances are worthy of Oscar nomination, as with the script. But this film was overlooked by all the major awards.
If you are a fan of Tarantino films, or films with a good cast and great story give this film a try. I know people that hate this film, but I know far more that love it.
Sam (74 KP) rated The Hate u Give in Books
Nov 30, 2018
Problematic
I was so excited to start reading this one. Because of how popular it had been, I'd put off buying it for ages. Waterstones had a special edition in and that was as much of an excuse as I needed to buy it.
It's got five-star reviews everywhere, has won so many awards, and literally, everyone is talking about it. So, of course, it's worth a try.
Only I didn't enjoy it to the point where I got halfway through and couldn't finish it. I wasn't even sure whether to post the review because I know that lots of people will disagree with me over this.
I was so excited for a book to be out that's about police brutality in America towards black teenagers, and was surprised, to begin with, that something as serious as this was in a YA book, but also happy that it was being told to teenagers. It sounded like my ideal book.
But I just couldn't get along with it at all. The whole idea with the book is to show what casual racism is doing to America, but at the same time on every few pages, there's another part talking about how horrible and funny and evil white people are. If a book wants to make a stand against racism, make a stand against it from both sides, not just one. You cannot end racism by calling the other race.
I just found it really one-sided in its battle against racism. I am definitely not saying that the police shooting was right, let me just say that, and Starr has every right to hate the police for shooting her best friend. However, this does not mean that every few pages there needs to be a comment about how awful white people are.
A much healthier focus for the book would have been equality, not switching the racism to the other side in a 'how-do-you-like-it-now' move.
Read the full review at https://ohbookit.blog
Read the full review at https://ohbookit.blog
Emma @ The Movies (1786 KP) rated If Beale Street Could Talk (2018) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Oh man, here's another one where I wonder what I missed. I just don't see what a lot of other people see in this one.
Fairly early on I thought to myself that there seems to be a lot going on but nothing happening. My opinion didn't waver much from there.
The music was wonderful but even so it felt like it was oddly misplaced in here. I found myself actively nothing it because it didn't feel right for the setting.
When we come to the acting I found it a bit hit and miss. The only performance that really blew me away was Regina King, she's a consistently good actress and this role has already won her a lot of supporting actress critics awards. I honestly think she's very deserving of the Oscar too. I haven't seen Roma yet (it's on the list, I'm getting to it!) to compare, but Vice and The Favourite don't hold up to the standard of King's acting in this.
A lot of If Beale Street Could Talk felt like it was being artsy for the sake of it. There was a fairly long scene where we see Fonny working a bit of wood. I really couldn't see any need for it to be there, certainly not in that form. It was one of many bits that didn't seem to have much relevance. I'm a little undecided on... well... a lot of things. The voiceovers, the characters that pop up outside the main cast...
All in all it felt like there were too many things it was trying to be. A romance, a crime drama, a discourse on racial inequality? It left me with more questions than answers.
What you should do
Here we are again. I probably wouldn't recommend this to anyone, but yet again I'm in the minority.
Movie thing you wish you could take home
I'm afraid that I was too bewildered by what was going on to pay attention to any of the things I might want... if invisible fridges really are functional though I'd be interested in one.
Fairly early on I thought to myself that there seems to be a lot going on but nothing happening. My opinion didn't waver much from there.
The music was wonderful but even so it felt like it was oddly misplaced in here. I found myself actively nothing it because it didn't feel right for the setting.
When we come to the acting I found it a bit hit and miss. The only performance that really blew me away was Regina King, she's a consistently good actress and this role has already won her a lot of supporting actress critics awards. I honestly think she's very deserving of the Oscar too. I haven't seen Roma yet (it's on the list, I'm getting to it!) to compare, but Vice and The Favourite don't hold up to the standard of King's acting in this.
A lot of If Beale Street Could Talk felt like it was being artsy for the sake of it. There was a fairly long scene where we see Fonny working a bit of wood. I really couldn't see any need for it to be there, certainly not in that form. It was one of many bits that didn't seem to have much relevance. I'm a little undecided on... well... a lot of things. The voiceovers, the characters that pop up outside the main cast...
All in all it felt like there were too many things it was trying to be. A romance, a crime drama, a discourse on racial inequality? It left me with more questions than answers.
What you should do
Here we are again. I probably wouldn't recommend this to anyone, but yet again I'm in the minority.
Movie thing you wish you could take home
I'm afraid that I was too bewildered by what was going on to pay attention to any of the things I might want... if invisible fridges really are functional though I'd be interested in one.
Gareth von Kallenbach (980 KP) rated Dark Waters (2019) in Movies
Nov 28, 2019
Dark Waters, the screenplay developed from the New York Times Magazine article: The Lawyer Who Became DuPont’s Worst Nightmare. The article tells of Robert Bilott (Mark Ruffalo), a corporate environmental lawyer, who headed the years long battle against DuPont in one of the landmark cases that held the company accountable for their actions.
Bilott, is visited by a farmer, Wilbur Tennant (Jim Azelvandre), who was an acquaintance of his Grandmother. As a child, he visited her home in West Virginia during the summers and had fond memories of that farm. Robert, having worked with DuPont on many cases, felt confident that he would be able to sort out the situation for Tennant. What he does not realize until he visits Wilbur’s farm is that the situation is more dire than he had known.
Wilbur had arrived with multiple VHS tapes recording the various issues that were happening to his farm animals. Bilott witnesses the mass graves that littered Tennant’s farm from his herd that had died from various illnesses. Wilbur is convinced that the reason is the dump that DuPont has created next to his property.
Mark Ruffalo’s portrayal of Bilott is an exercise in subtlety. He becomes more purpose driven once his investigation and research in the information that DuPont had sent due to discovery. Anne Hathaway plays Sarah Bilott, Robert’s wife and steadfast partner. Over the years, Sarah had been supportive, however as the case drags on and Rob’s pay gets cut repeatedly, the strain begins to show.
This film has a stellar cast. From Tim Robbins, as Tom Terp, the managing partner at the firm, Victor Garber as DuPont’s in-house counsel. Mare Winningham as Darlene Kiger, a lead plaintiff in the class action suit and Bill Pullman as Harry Dietzler, lead counsel for the plaintiffs.
This movie has the quality that awards season loves. It is a David vs. Goliath, under dog wins story. Mark Ruffalo does a great portrayal of a man who initially does not want to pursue the case, then shifts to the defender of the people.
This movie is along the lines of Erin Brockovich and Norma Rae.
4.5 out of 5 Stars
Bilott, is visited by a farmer, Wilbur Tennant (Jim Azelvandre), who was an acquaintance of his Grandmother. As a child, he visited her home in West Virginia during the summers and had fond memories of that farm. Robert, having worked with DuPont on many cases, felt confident that he would be able to sort out the situation for Tennant. What he does not realize until he visits Wilbur’s farm is that the situation is more dire than he had known.
Wilbur had arrived with multiple VHS tapes recording the various issues that were happening to his farm animals. Bilott witnesses the mass graves that littered Tennant’s farm from his herd that had died from various illnesses. Wilbur is convinced that the reason is the dump that DuPont has created next to his property.
Mark Ruffalo’s portrayal of Bilott is an exercise in subtlety. He becomes more purpose driven once his investigation and research in the information that DuPont had sent due to discovery. Anne Hathaway plays Sarah Bilott, Robert’s wife and steadfast partner. Over the years, Sarah had been supportive, however as the case drags on and Rob’s pay gets cut repeatedly, the strain begins to show.
This film has a stellar cast. From Tim Robbins, as Tom Terp, the managing partner at the firm, Victor Garber as DuPont’s in-house counsel. Mare Winningham as Darlene Kiger, a lead plaintiff in the class action suit and Bill Pullman as Harry Dietzler, lead counsel for the plaintiffs.
This movie has the quality that awards season loves. It is a David vs. Goliath, under dog wins story. Mark Ruffalo does a great portrayal of a man who initially does not want to pursue the case, then shifts to the defender of the people.
This movie is along the lines of Erin Brockovich and Norma Rae.
4.5 out of 5 Stars