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Phillip McSween (751 KP) rated How To Train Your Dragon: The Hidden World (2019) in Movies
Mar 3, 2019
Solid Film For a Solid Trilogy
In this third installment, Hiccup is trying to find a home for all the dragons the community keeps bringing in while Toothless come across a dragon that he can’t seem to stay away from.
Acting: 10
Beginning: 10
Characters: 5
It wasn’t like I didn’t like the characters as I would probably score this category for the previous two films much higher. I think my biggest concern was the cohesiveness between the characters. It felt like everyone was off doing their own thing and there wasn’t much of a connection like there was in the past two films. Maybe I was missing something, but I didn’t feel the connection I was hoping to between Hiccup and his mom. Sure she had been missing from his life for the majority of his childhood, but I feel like an opportunity was missed here to bring them closer.
Cinematography/Visuals: 10
This series has been known for its stunning visuals to date and the third installment doesn’t disappoint. There’s so much attention to detail, especially as it pertains to the dragons. There are a countless number of dragons, each with their own abilities, size, and strength. it’s cool watching them take flight in numbers through the clouds and over the ocean.
Conflict: 10
Those who are coming to be entertained won’t be disappointed with the amount of action in the movie. From its hot start and onwards, you can expect plenty of hand-to-hand combat, dragon battles, and narrow getaways. The way the air dynamics are used is something that has been perfected since the first movie and keeps getting better. The conflict was aided greatly by a solid villain with some pretty creepy dragons.
Genre: 8
It’s hard for the third movie in a trilogy to receive a perfect score from a genre standpoint. While this movie does bring some of its own flare to the animated genre, there is a bit of it that feels like more of the same. Not a bad thing, but I would be looking for a little bit more to score this higher.
Memorability: 9
Pace: 10
Never really a dull moment as the story is handled consistently and properly throughout. My nephew needed to go to the bathroom somewhere in the middle of the film and there was action happening even as I was walking him down and back up the stairs. The plot development is not overdone and cuts right back into conflict when necessary.
Plot: 10
No issues here. Basic and straightforward, but enough to build a story on. They found a way to bring the series to a fitting ending.
Resolution: 10
Very fitting and touching ending for this series. It was exactly what I could have hoped for and then some. The type of ending (a la Toy Story 3) that made me sorry to see the series go.
Overall: 92
How to Train Your Dragon: The Hidden World gets off to a decent start then does nothing but build momentum throughout. While it didn’t wow me with originality, it most certainly entertained me and that, to me, is largely what a good movie is all about. You and your kids wlll love it.
Acting: 10
Beginning: 10
Characters: 5
It wasn’t like I didn’t like the characters as I would probably score this category for the previous two films much higher. I think my biggest concern was the cohesiveness between the characters. It felt like everyone was off doing their own thing and there wasn’t much of a connection like there was in the past two films. Maybe I was missing something, but I didn’t feel the connection I was hoping to between Hiccup and his mom. Sure she had been missing from his life for the majority of his childhood, but I feel like an opportunity was missed here to bring them closer.
Cinematography/Visuals: 10
This series has been known for its stunning visuals to date and the third installment doesn’t disappoint. There’s so much attention to detail, especially as it pertains to the dragons. There are a countless number of dragons, each with their own abilities, size, and strength. it’s cool watching them take flight in numbers through the clouds and over the ocean.
Conflict: 10
Those who are coming to be entertained won’t be disappointed with the amount of action in the movie. From its hot start and onwards, you can expect plenty of hand-to-hand combat, dragon battles, and narrow getaways. The way the air dynamics are used is something that has been perfected since the first movie and keeps getting better. The conflict was aided greatly by a solid villain with some pretty creepy dragons.
Genre: 8
It’s hard for the third movie in a trilogy to receive a perfect score from a genre standpoint. While this movie does bring some of its own flare to the animated genre, there is a bit of it that feels like more of the same. Not a bad thing, but I would be looking for a little bit more to score this higher.
Memorability: 9
Pace: 10
Never really a dull moment as the story is handled consistently and properly throughout. My nephew needed to go to the bathroom somewhere in the middle of the film and there was action happening even as I was walking him down and back up the stairs. The plot development is not overdone and cuts right back into conflict when necessary.
Plot: 10
No issues here. Basic and straightforward, but enough to build a story on. They found a way to bring the series to a fitting ending.
Resolution: 10
Very fitting and touching ending for this series. It was exactly what I could have hoped for and then some. The type of ending (a la Toy Story 3) that made me sorry to see the series go.
Overall: 92
How to Train Your Dragon: The Hidden World gets off to a decent start then does nothing but build momentum throughout. While it didn’t wow me with originality, it most certainly entertained me and that, to me, is largely what a good movie is all about. You and your kids wlll love it.
Lucy Buglass (45 KP) rated The Lego Movie 2: The Second Part (2019) in Movies
Jun 20, 2019
5 years after the release of the first Lego Movie, these lovable characters are back with a brand new adventure. I had such a blast with the original so I was interested to see how they’d continue the story.
In The Lego Movie 2 the residents of Bricksburg are faced with a new threat, soon seeing the city they love destroyed by aliens from Duplo. This leaves them living in a wasteland with a brand new name; Apocalypseburg. Self explanatory really. Everyone was subsequently forced to toughen up and get on with it, except for Emmet (Chris Pratt) of course. He’s still his adorable, optimistic self, with hilarious results.
Emmet’s world is turned upside down when his friends are abducted, including Lucy/Wyldstyle (Elizabeth Banks), whom he cares about very deeply and everyone’s favourite broody superhero, Batman (Will Arnett). When the rest of the city refuses to help, Emmet embarks on a dangerous quest to rescue them and stop another apocalypse. As if one wasn’t bad enough.
Whilst not as strong as its predecessor, I still had a good time with The Lego Movie 2. The soundtrack in particular stood out to me, and I thought it really added to the overall narrative. New character Queen Watevra Wa’Nabi (Tiffany Haddish) stole the show for me, with her song ‘Not Evil’ being my favourite one. The lyrics are hilarious as she desperately tries to convince Lucy and the gang that she’s a kind, trustworthy person. Considering she kidnapped people, Lucy is certainly not convinced by this.
On his journey to save his friends, Emmet encounters a rugged, charming adventurer named Rex Dangervest (also voiced by Chris Pratt) and the two team up. Hilariously, Rex has pet velociraptors which is an obvious reference to Jurassic World, and something that tickled me throughout the film.
I was surprised at how well-written and clever the script was. Because of this, I believe audiences of all ages can enjoy it due to the array of cultural references and adult humour. It may be easy to write this off as ‘just a kid’s film’, but to me, it’s more than that. It’s a joy to watch with some genuine messages about self-reflection and the importance of friendship.
Much like the first film, The Lego Movie 2 also utilises visual gags where characters build things to escape sticky situations. I always admire the creative process behind this and it never fails to make me laugh, reminding me of all the crazy things I used to build when I still had my Lego sets. The film’s imagination knows no bounds, reinforcing the versatile nature of these toys. You can build anything if you put your mind to it.
Overall, I would recommend this film if you’re looking to switch off and be transported to a crazy world where Lego characters unite and get into adventures. It’s not a well polished, award-winning film, but that doesn’t matter. It’s a solid couple of hours worth of entertainment and fun for all the family. Sometimes that’s all that matters.
https://lucygoestohollywood.com/2019/02/28/%E2%99%AB-this-reviews-gonna-get-stuck-inside-your-%E2%99%AB-my-thoughts-on-the-lego-movie-2/
In The Lego Movie 2 the residents of Bricksburg are faced with a new threat, soon seeing the city they love destroyed by aliens from Duplo. This leaves them living in a wasteland with a brand new name; Apocalypseburg. Self explanatory really. Everyone was subsequently forced to toughen up and get on with it, except for Emmet (Chris Pratt) of course. He’s still his adorable, optimistic self, with hilarious results.
Emmet’s world is turned upside down when his friends are abducted, including Lucy/Wyldstyle (Elizabeth Banks), whom he cares about very deeply and everyone’s favourite broody superhero, Batman (Will Arnett). When the rest of the city refuses to help, Emmet embarks on a dangerous quest to rescue them and stop another apocalypse. As if one wasn’t bad enough.
Whilst not as strong as its predecessor, I still had a good time with The Lego Movie 2. The soundtrack in particular stood out to me, and I thought it really added to the overall narrative. New character Queen Watevra Wa’Nabi (Tiffany Haddish) stole the show for me, with her song ‘Not Evil’ being my favourite one. The lyrics are hilarious as she desperately tries to convince Lucy and the gang that she’s a kind, trustworthy person. Considering she kidnapped people, Lucy is certainly not convinced by this.
On his journey to save his friends, Emmet encounters a rugged, charming adventurer named Rex Dangervest (also voiced by Chris Pratt) and the two team up. Hilariously, Rex has pet velociraptors which is an obvious reference to Jurassic World, and something that tickled me throughout the film.
I was surprised at how well-written and clever the script was. Because of this, I believe audiences of all ages can enjoy it due to the array of cultural references and adult humour. It may be easy to write this off as ‘just a kid’s film’, but to me, it’s more than that. It’s a joy to watch with some genuine messages about self-reflection and the importance of friendship.
Much like the first film, The Lego Movie 2 also utilises visual gags where characters build things to escape sticky situations. I always admire the creative process behind this and it never fails to make me laugh, reminding me of all the crazy things I used to build when I still had my Lego sets. The film’s imagination knows no bounds, reinforcing the versatile nature of these toys. You can build anything if you put your mind to it.
Overall, I would recommend this film if you’re looking to switch off and be transported to a crazy world where Lego characters unite and get into adventures. It’s not a well polished, award-winning film, but that doesn’t matter. It’s a solid couple of hours worth of entertainment and fun for all the family. Sometimes that’s all that matters.
https://lucygoestohollywood.com/2019/02/28/%E2%99%AB-this-reviews-gonna-get-stuck-inside-your-%E2%99%AB-my-thoughts-on-the-lego-movie-2/
Phillip McSween (751 KP) rated Jurassic World (2015) in Movies
Sep 23, 2019
Take the Movie, Leave the Villain
It’s been some time since the catastrophe at the original Jurassic Park. Despite all of that, the powers that be have decided to monetize the dinosaurs and move forward with a plan to open the amusement park Jurassic World. Spoiler Alert: Chaos ensues. I was so excited when I learned the Jurassic Park franchise was being revitalized. I think that excitement may have turned into a bit of bias my first go round with Jurassic World as the second trip was a little more bumpy.
Acting: 10
A lot of times I will watch a movie and say, “This movie wouldn’t have been the same without X”. Chris Pratt was hands-down that actor. He plays Owen Grady, raptor trainer and overall badass. He offers some hilarity to a situation so crazy you kind of have to laugh at it. Speaking of comedic performances, Jake Johnson and Lauren Lapkus had me all the way cracking up. Their chemistry throughout was perfect.
Beginning: 3
This is the first point where this movie failed me a bit. This series has been known for its strong beginnings up to this point. It was almost as if the scriptwriters expected us to be entertained off of the series name alone. Wish there had been a little more “try” here.
Characters: 8
While I appreciated Owen’s character, there were a couple that just didn’t do it for me. Vic Hoskins (Vincent D’Onofrio) is the villain of the film. You know the type, someone that’s basically just there to be a roadblock. He was over-the-top aggressive and made the movie a bit of a nuisance at times.
Cinematography/Visuals: 10
Always a shining spot in this franchise. The park is captured magically from its rollercoasters to its extravagant hotel, the kind of place you would want to visit. I particularly love when they feed a shark on a stick to a titanic water dino who splashes just about everyone in the audience when he returns to the water. The final fight between the T-Rex and the “new breed” is fun to watch unfold.
Conflict: 8
Entertainment Value: 9
Memorability: 6
Pace: 7
The pace is somewhat slower than what I’m accustomed to with these movies. There is a lot of talking and walking around and you can’t help but wonder when the action is going to kick in again. Even when shit finally does hit the fan, there were a few moments of exposition I wish they would have done without.
Plot: 5
I can’t, for the life of me, begin to understand just why the hell anyone would think creating a park was a good idea. Then you had the military wanting to weaponize dinosaurs and some creature they made in a lab? Pick a lane, please! It’s a wonder I still managed to have a good time despite the craziness of the story.
Resolution: 8
Overall: 74
Jurassic World isn’t bad by any means. I do feel that it had great potential to do more and ultimately mean more. It’s merely satisfied with being a summer blockbuster which is fine. Just don’t expect it to go down as an all-time great.
Acting: 10
A lot of times I will watch a movie and say, “This movie wouldn’t have been the same without X”. Chris Pratt was hands-down that actor. He plays Owen Grady, raptor trainer and overall badass. He offers some hilarity to a situation so crazy you kind of have to laugh at it. Speaking of comedic performances, Jake Johnson and Lauren Lapkus had me all the way cracking up. Their chemistry throughout was perfect.
Beginning: 3
This is the first point where this movie failed me a bit. This series has been known for its strong beginnings up to this point. It was almost as if the scriptwriters expected us to be entertained off of the series name alone. Wish there had been a little more “try” here.
Characters: 8
While I appreciated Owen’s character, there were a couple that just didn’t do it for me. Vic Hoskins (Vincent D’Onofrio) is the villain of the film. You know the type, someone that’s basically just there to be a roadblock. He was over-the-top aggressive and made the movie a bit of a nuisance at times.
Cinematography/Visuals: 10
Always a shining spot in this franchise. The park is captured magically from its rollercoasters to its extravagant hotel, the kind of place you would want to visit. I particularly love when they feed a shark on a stick to a titanic water dino who splashes just about everyone in the audience when he returns to the water. The final fight between the T-Rex and the “new breed” is fun to watch unfold.
Conflict: 8
Entertainment Value: 9
Memorability: 6
Pace: 7
The pace is somewhat slower than what I’m accustomed to with these movies. There is a lot of talking and walking around and you can’t help but wonder when the action is going to kick in again. Even when shit finally does hit the fan, there were a few moments of exposition I wish they would have done without.
Plot: 5
I can’t, for the life of me, begin to understand just why the hell anyone would think creating a park was a good idea. Then you had the military wanting to weaponize dinosaurs and some creature they made in a lab? Pick a lane, please! It’s a wonder I still managed to have a good time despite the craziness of the story.
Resolution: 8
Overall: 74
Jurassic World isn’t bad by any means. I do feel that it had great potential to do more and ultimately mean more. It’s merely satisfied with being a summer blockbuster which is fine. Just don’t expect it to go down as an all-time great.
James P. Sumner (65 KP) rated Fast & Furious Presents: Hobbs & Shaw (2019) in Movies
Aug 1, 2019
A surprisingly pleasant thrill-ride!
The Fast & The Furious franchise paused to allow two of it's most memorable, larger-than-life characters to branch out on their own with this action-packed offering of explosions and humour.
I have to admit, I had my reservations about this one. Firstly, it's basically a F&F movie... we all know what they are and what to expect, which is why we love them. Except it's not a proper F&F movie, and I was worried labelling it as part of that story universe would burden it with unrealistic expectations. Secondly, I've spent the last few months trying to avoid trailers for it, when I realised they were basically showing the entire film in them. After the first three or four, I was left genuinely concerned they had nothing left to show me. I thought there was no way they could have any eye candy that I hadn't at least seen a snapshot of.
So, I entered the cinema expecting very little. Which is probably why I left the cinema feeling very happy and satisfied.
Saying this is a F&F movie is like saying Captain America and Guardians of the Galaxy are Marvel movies. Yes, they technically are, but they are two hugely different types of movie. The similarities are obviously more prevalent here, along with the formulaic and predictable buddy-cop routine, but this film manages to confidently and successfully stand on its own two feet, and not in the shadow of Vin Diesel as I first feared.
And yes, the trailers showed snippets of pretty much every major action sequence, but weirdly, they didn't give away as much you would think. There are also some nice surprises in there. I won't spoil them, but let's just say I'm very impressed at how they managed to keep the cameos under wraps!
Okay, let's get into it. The plot (such as it is) revolves around a mysterious tech firm trying to get a hold of a deadly virus, using Idris Elba's enjoyable villain, Brixton to track it down. It takes all of five minutes for things to go sideways, leaving Hattie Shaw on the run from the bad guys. The Powers That Be (the CIA and MI6) decide they need the best bad guy trackers in the business to hunt down Brixton and retrieve this virus, and the girl... thus saving the world. The former recruits Mr. Johnson; the latter, Mr. Statham. As we know from the trailers, Vanessa Kirby portrays Shaw's sister - it becomes a family affair and we're off to the races.
The on-screen chemistry between Statham and Johnson is clear to see. The comedic dialogue they have lands a lot more than it misses. There's perhaps a bit too much gung-ho stereotyping and fan-service catchphrases, but again, you have to expect that kind of thing from a film like this.
What I liked about it was that whilst they didn't re-invent the wheel, it didn't feel like a carbon-copy of every other action film, like so many others do. It had heart. It had character. Yes, some of the stunts were silly. Yes, the bad guy being genetically-enhanced was a bit weird - blending sci-fi with real-world action whilst never actually acknowledging it took some getting used to. But the film just kinda worked. It was very good without being great. It was predictable but still managed to be enjoyable. It's a good two-hour investment of your time for an afternoon/evening out with the family.
Hobbs and Shaw is proof that whatever your criticisms, whatever your reservations, anything Dwayne Johnson touches turns to gold right now. It's also what a potential future Expendables reboot will probably look like.
Meanwhile F&F9 is now filming (sans Statham and Johnson, apparently) and with an inevitable H&S sequel surely not too far away, you can't help but wonder if they're gearing this all up to be a super-charged, car-based competitor to the MCU. The ending, two mid-credits and one post-credits scene in this film clearly set up another outing and tease a sinister, overarching enemy with ties to the character's pasts... could this be a way to link it all back to Vin Diesel and Co? Could a crossover Summer blockbuster be the only way to tell this story? If early box office figures are anything to go by here, the smart money would say yes.
Go, enjoy, eat popcorn and leave your brain and the real world in the car.
I have to admit, I had my reservations about this one. Firstly, it's basically a F&F movie... we all know what they are and what to expect, which is why we love them. Except it's not a proper F&F movie, and I was worried labelling it as part of that story universe would burden it with unrealistic expectations. Secondly, I've spent the last few months trying to avoid trailers for it, when I realised they were basically showing the entire film in them. After the first three or four, I was left genuinely concerned they had nothing left to show me. I thought there was no way they could have any eye candy that I hadn't at least seen a snapshot of.
So, I entered the cinema expecting very little. Which is probably why I left the cinema feeling very happy and satisfied.
Saying this is a F&F movie is like saying Captain America and Guardians of the Galaxy are Marvel movies. Yes, they technically are, but they are two hugely different types of movie. The similarities are obviously more prevalent here, along with the formulaic and predictable buddy-cop routine, but this film manages to confidently and successfully stand on its own two feet, and not in the shadow of Vin Diesel as I first feared.
And yes, the trailers showed snippets of pretty much every major action sequence, but weirdly, they didn't give away as much you would think. There are also some nice surprises in there. I won't spoil them, but let's just say I'm very impressed at how they managed to keep the cameos under wraps!
Okay, let's get into it. The plot (such as it is) revolves around a mysterious tech firm trying to get a hold of a deadly virus, using Idris Elba's enjoyable villain, Brixton to track it down. It takes all of five minutes for things to go sideways, leaving Hattie Shaw on the run from the bad guys. The Powers That Be (the CIA and MI6) decide they need the best bad guy trackers in the business to hunt down Brixton and retrieve this virus, and the girl... thus saving the world. The former recruits Mr. Johnson; the latter, Mr. Statham. As we know from the trailers, Vanessa Kirby portrays Shaw's sister - it becomes a family affair and we're off to the races.
The on-screen chemistry between Statham and Johnson is clear to see. The comedic dialogue they have lands a lot more than it misses. There's perhaps a bit too much gung-ho stereotyping and fan-service catchphrases, but again, you have to expect that kind of thing from a film like this.
What I liked about it was that whilst they didn't re-invent the wheel, it didn't feel like a carbon-copy of every other action film, like so many others do. It had heart. It had character. Yes, some of the stunts were silly. Yes, the bad guy being genetically-enhanced was a bit weird - blending sci-fi with real-world action whilst never actually acknowledging it took some getting used to. But the film just kinda worked. It was very good without being great. It was predictable but still managed to be enjoyable. It's a good two-hour investment of your time for an afternoon/evening out with the family.
Hobbs and Shaw is proof that whatever your criticisms, whatever your reservations, anything Dwayne Johnson touches turns to gold right now. It's also what a potential future Expendables reboot will probably look like.
Meanwhile F&F9 is now filming (sans Statham and Johnson, apparently) and with an inevitable H&S sequel surely not too far away, you can't help but wonder if they're gearing this all up to be a super-charged, car-based competitor to the MCU. The ending, two mid-credits and one post-credits scene in this film clearly set up another outing and tease a sinister, overarching enemy with ties to the character's pasts... could this be a way to link it all back to Vin Diesel and Co? Could a crossover Summer blockbuster be the only way to tell this story? If early box office figures are anything to go by here, the smart money would say yes.
Go, enjoy, eat popcorn and leave your brain and the real world in the car.
Fred (860 KP) rated the PlayStation 4 version of LEGO Marvel Super Heroes 2 in Video Games
Jul 12, 2018
Tons of characters from the Marvel comics (2 more)
Cool story
Cool locales
Voice acting is meh (1 more)
Lots of glitches
More of the same, but different & glitchy
I've played all of the Lego games & I've seen some good ones, like the Star Wars one & I've seen some bad ones. (Looking at you Indiana Jones) I'm a fan of these games, as they're mindless fun, plus they're easy platinum trophies.
Lego Marvel Superheroes 2 is one of those good ones, although it does have some problems.
Let's start with the good. There are tons & I mean TONS of characters to unlock in this one. Mostly based on the comic book versions of the characters, with some from the MCU of course. It was so fun to play some of my favorite lesser-known characters, like the Spider-Man Noir version or the Kronan in the Planet Hulk arena.
The story is an original, with Kang the Conqueror as the main villain of the story. Because he's altering lime-lines, along with different dimensions, we have a world mixed with different worlds. We have Asgard, Manhattan Noir (a 30s-40s version of New York), Wild West Town, Avenger's Mansion, & many many more. Just like the mall in the movie The Blues Brothers, this place has got everything. It's so much fun jumping around from place to place.
Now the bad. Let's start with the voice acting. There are no famous voices in the game & it shows. Supposedly, the game was made during an actor's strike & so we got what they can get. Now, not saying the voice acting is bad, but it's just so-so. Some voices seem out of place for some characters. Captain America doesn't sound like he should. Doctor Strange doesn't sound like he should. Now, I may be ruined by the actors from the movies, but if you hear them in the game, you'll agree. It has less to do with their live-action counterparts & more of "Yeah, I never pictured Tony Stark sounding like...that."
And now my main complaint. Lots of glitches. Even after the update, I find lots of glitches in the game. The most annoying one is finding one of your characters stuck in a spot, dying over & over in an endless loop, such as falling off a platform to his/her death or stuck on some radioactive material. I found myself more than a few times having to exit the level & start all over due to this happening. Another glitch was in the arena, where Hulk turned himself back to Bruce Banner & would not turn back into the Hulk. Now maybe this was meant to happen, like in the Infinity War movie, when he was scared to turn to the Hulk, but I don't think so. Reason being towards the end of the fight, they have Hulk talking, while he was still as Bruce Banner. Luckily I didn't need Hulk to beat the level, as I would have had to start over. Other glitches include characters switching by themselves & audio cutting out.
This being said, I still want to play this game. While not one of the best Lego games, it's still fun & it's very cool, especially if you're a comic book fan.
Lego Marvel Superheroes 2 is one of those good ones, although it does have some problems.
Let's start with the good. There are tons & I mean TONS of characters to unlock in this one. Mostly based on the comic book versions of the characters, with some from the MCU of course. It was so fun to play some of my favorite lesser-known characters, like the Spider-Man Noir version or the Kronan in the Planet Hulk arena.
The story is an original, with Kang the Conqueror as the main villain of the story. Because he's altering lime-lines, along with different dimensions, we have a world mixed with different worlds. We have Asgard, Manhattan Noir (a 30s-40s version of New York), Wild West Town, Avenger's Mansion, & many many more. Just like the mall in the movie The Blues Brothers, this place has got everything. It's so much fun jumping around from place to place.
Now the bad. Let's start with the voice acting. There are no famous voices in the game & it shows. Supposedly, the game was made during an actor's strike & so we got what they can get. Now, not saying the voice acting is bad, but it's just so-so. Some voices seem out of place for some characters. Captain America doesn't sound like he should. Doctor Strange doesn't sound like he should. Now, I may be ruined by the actors from the movies, but if you hear them in the game, you'll agree. It has less to do with their live-action counterparts & more of "Yeah, I never pictured Tony Stark sounding like...that."
And now my main complaint. Lots of glitches. Even after the update, I find lots of glitches in the game. The most annoying one is finding one of your characters stuck in a spot, dying over & over in an endless loop, such as falling off a platform to his/her death or stuck on some radioactive material. I found myself more than a few times having to exit the level & start all over due to this happening. Another glitch was in the arena, where Hulk turned himself back to Bruce Banner & would not turn back into the Hulk. Now maybe this was meant to happen, like in the Infinity War movie, when he was scared to turn to the Hulk, but I don't think so. Reason being towards the end of the fight, they have Hulk talking, while he was still as Bruce Banner. Luckily I didn't need Hulk to beat the level, as I would have had to start over. Other glitches include characters switching by themselves & audio cutting out.
This being said, I still want to play this game. While not one of the best Lego games, it's still fun & it's very cool, especially if you're a comic book fan.
Emma @ The Movies (1786 KP) rated Cold Pursuit (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
What can I say about Cold Pursuit? It's bad. Unfortunately it's not in the "so bad it's good" category.
From its opening with an Oscar Wilde quote and music that sounds like a mix of the 80s and Sherlock Holmes I was intrigued. I knew I wasn't expecting a masterpiece but I had hoped for something entertaining at the very least.
One thing that I was quickly baffled by was the between scene captions, a terrible font pops up with the relevant information and then it blows away as if made by snow... but not every time. I did wonder if even the graphics people got bored of doing it.
SOP for me and new movie releases is that I make 2 A5 sides of notes, for Cold Pursuit I made 7... SEVEN... and the general consensus of most of them was "WTF", "ridiculous" and "why?!" In fact those were probably the most used words on all the pages.
The characters are all over the place. Viking's relationship with his son, the token gay relationship that felt like it had just been wedged in and White Bull's gang dubious frolicking... I just don't even know what to say about it.
I can't sit here and list all the bizarre things, neither of us have the time for that so let's skip to the things I enjoyed. There are just three things, much quicker than covering the other stuff!
Wingman's wife was a star for me, and that nail sharpening technique was inspired... totally stealing that.
One of the scenes has Coxman chasing his next target with his snowplow. He comes up on him quite menacingly and then the film did a great job of fooling me, I was expecting one thing and given another. That part of the scene came together quite well, it's just a shame about what followed.
Viking's son was surprisingly wise in almost all of his scenes, very laid back, just going with the flow. Out of all of it though I loved the scene about fantasy football when he's talking with Mustang. It was was a nice little addition.
That's it, I'm done with the things I liked.
The cinema was "full" when I saw it. There were 30-40 people, which for our cinema and this type of film on opening night in a small screen, wasn't bad at all. There were old and young, there were people who snored and people who laughed, I fell into neither of those last categories. Honestly I was in too much shock to do anything other than pick my jaw up off the floor.
Ultimately Cold Pursuit is another prime example of why you shouldn't put some of your best scenes in the trailers. The whole thing could probably have been sold on lesser scenes in the trailer and then the impact of the bigger ones would have potentially given it a few more stars.
What you should do
I can't in good conscience recommend this to anyone, Neeson has performed much better acts of revenge in many of his other films... just watch one of those... perhaps from behind a snow globe to make it seem like you're watching Cold Pursuit.
Movie thing you wish you could take home
Please could I have Coxman's ability to get into places where he clearly doesn't meet the dress code.
From its opening with an Oscar Wilde quote and music that sounds like a mix of the 80s and Sherlock Holmes I was intrigued. I knew I wasn't expecting a masterpiece but I had hoped for something entertaining at the very least.
One thing that I was quickly baffled by was the between scene captions, a terrible font pops up with the relevant information and then it blows away as if made by snow... but not every time. I did wonder if even the graphics people got bored of doing it.
SOP for me and new movie releases is that I make 2 A5 sides of notes, for Cold Pursuit I made 7... SEVEN... and the general consensus of most of them was "WTF", "ridiculous" and "why?!" In fact those were probably the most used words on all the pages.
The characters are all over the place. Viking's relationship with his son, the token gay relationship that felt like it had just been wedged in and White Bull's gang dubious frolicking... I just don't even know what to say about it.
I can't sit here and list all the bizarre things, neither of us have the time for that so let's skip to the things I enjoyed. There are just three things, much quicker than covering the other stuff!
Wingman's wife was a star for me, and that nail sharpening technique was inspired... totally stealing that.
One of the scenes has Coxman chasing his next target with his snowplow. He comes up on him quite menacingly and then the film did a great job of fooling me, I was expecting one thing and given another. That part of the scene came together quite well, it's just a shame about what followed.
Viking's son was surprisingly wise in almost all of his scenes, very laid back, just going with the flow. Out of all of it though I loved the scene about fantasy football when he's talking with Mustang. It was was a nice little addition.
That's it, I'm done with the things I liked.
The cinema was "full" when I saw it. There were 30-40 people, which for our cinema and this type of film on opening night in a small screen, wasn't bad at all. There were old and young, there were people who snored and people who laughed, I fell into neither of those last categories. Honestly I was in too much shock to do anything other than pick my jaw up off the floor.
Ultimately Cold Pursuit is another prime example of why you shouldn't put some of your best scenes in the trailers. The whole thing could probably have been sold on lesser scenes in the trailer and then the impact of the bigger ones would have potentially given it a few more stars.
What you should do
I can't in good conscience recommend this to anyone, Neeson has performed much better acts of revenge in many of his other films... just watch one of those... perhaps from behind a snow globe to make it seem like you're watching Cold Pursuit.
Movie thing you wish you could take home
Please could I have Coxman's ability to get into places where he clearly doesn't meet the dress code.
Emma @ The Movies (1786 KP) rated Sonic the Hedgehog (2020) in Movies
Mar 1, 2020
Growing up I wasn't a Sonic gamer but even I was majorly sceptical when they released the first trailer, that wasn't a look that worked for me.
Sonic is an excitable little fellow and he can't help but zip around his planet constantly against orders, when his speedy secret is uncovered he's sent to Earth and told to find a safe place to hide. He eventually finds a town to settle in and makes himself at home in the woods away from the people, but it's lonely watching the locals without being able to make friends with them.
When Sonic accidentally exposes his existence he enlists the help of the local sheriff so he might have a chance of evading a government scientist sent to track him down.
Simply said, this is an enjoyable film and it certainly went down well with the kids in the audience... but I'm not sure it would hold up to repeated viewings.
For all the moments I enjoyed there were moments that made my eyes roll. You remember in X-Men where Quicksilver runs fast and moves everything around in an action sequence? Well, you'll be wondering if Sonic happened to watch that one movie night. Sure it's cute, but I don't think it's cute enough to see it more than once in the same film.
Despite that, the effects themselves aren't bad, there are a few moments where real life and animation look a little off together but on the whole it works.
Sonic is an adorable hyperactive kid and he manages to experience a lot of things in the space of the film, they play out well and not at all like he's been stalking an entire town for years.
James Marsden plays Sheriff Tom. Watching him in any film after X-Men is extremely strange to me, and none of the roles seem quite right, potentially I just don't appreciate his comedic value. Tom's character is and a little average, it wasn't bad but at no point did I make a note about something that stood out.
And so to Jim Carrey... I enjoy Carrey as an actor but I'd like to seem him in more things that weren't "90s him". Every scene with Robotnik is classic Carrey, the character is that crazed scientist stereotype but it just never seemed to let up. It feels like they just brought him in to do what everyone expects him to do, and for a while I was okay with that... until that one point. As Robotnik searches for Sonic he waits for some analysis from the computer and he puts on his playlist. Then, for an inexplicably long time, he dances for absolutely no reason. It's not funny, it's just completely irrelevant and excessive. Rather than a subtle bit of nostalgia for the adults and some funny physical comedy for the kids every scene was taken just that step too far and turned into an awkward slapstick moment.
The story isn't bad, but perhaps it would have been slightly more interesting if Sonic had to rescue Tom from Robotnik or something similar. The middle of the film could have had some sort of purpose instead of a road trip... which, no matter how you look at it, was not necessary and could have been replaced with a minute of footage of Sonic running.
But... as I said at the beginning, this IS enjoyable, but once you start thinking about things it starts to unravel.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/sonic-hedgehog-movie-review.html
Sonic is an excitable little fellow and he can't help but zip around his planet constantly against orders, when his speedy secret is uncovered he's sent to Earth and told to find a safe place to hide. He eventually finds a town to settle in and makes himself at home in the woods away from the people, but it's lonely watching the locals without being able to make friends with them.
When Sonic accidentally exposes his existence he enlists the help of the local sheriff so he might have a chance of evading a government scientist sent to track him down.
Simply said, this is an enjoyable film and it certainly went down well with the kids in the audience... but I'm not sure it would hold up to repeated viewings.
For all the moments I enjoyed there were moments that made my eyes roll. You remember in X-Men where Quicksilver runs fast and moves everything around in an action sequence? Well, you'll be wondering if Sonic happened to watch that one movie night. Sure it's cute, but I don't think it's cute enough to see it more than once in the same film.
Despite that, the effects themselves aren't bad, there are a few moments where real life and animation look a little off together but on the whole it works.
Sonic is an adorable hyperactive kid and he manages to experience a lot of things in the space of the film, they play out well and not at all like he's been stalking an entire town for years.
James Marsden plays Sheriff Tom. Watching him in any film after X-Men is extremely strange to me, and none of the roles seem quite right, potentially I just don't appreciate his comedic value. Tom's character is and a little average, it wasn't bad but at no point did I make a note about something that stood out.
And so to Jim Carrey... I enjoy Carrey as an actor but I'd like to seem him in more things that weren't "90s him". Every scene with Robotnik is classic Carrey, the character is that crazed scientist stereotype but it just never seemed to let up. It feels like they just brought him in to do what everyone expects him to do, and for a while I was okay with that... until that one point. As Robotnik searches for Sonic he waits for some analysis from the computer and he puts on his playlist. Then, for an inexplicably long time, he dances for absolutely no reason. It's not funny, it's just completely irrelevant and excessive. Rather than a subtle bit of nostalgia for the adults and some funny physical comedy for the kids every scene was taken just that step too far and turned into an awkward slapstick moment.
The story isn't bad, but perhaps it would have been slightly more interesting if Sonic had to rescue Tom from Robotnik or something similar. The middle of the film could have had some sort of purpose instead of a road trip... which, no matter how you look at it, was not necessary and could have been replaced with a minute of footage of Sonic running.
But... as I said at the beginning, this IS enjoyable, but once you start thinking about things it starts to unravel.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/sonic-hedgehog-movie-review.html
BankofMarquis (1832 KP) rated The Little Things (2021) in Movies
Feb 1, 2021
3 Strong Actors Elevate This Above Mediocrity
Generally, when a movie is “dumped” in January, it is a sure sign of a bad film, filled with Liam Neeson kicking butt or CGI monsters attacking a small group of survivors in an isolated location, but these being times that they are, Warner Brothers release of THE LITTLE THINGS simultaneously in Movie Theaters and on HBO MAX gave me reason to change my thinking.
And…I’m glad I did for THE LITTLE THINGS is an intriguing mystery with 3 very strong actors going toe-to-toe with each other.
Written and Directed by John Lee Hancock (THE BLIND SIDE), THE LITTLE THINGS stars the great Denzel Washington as a former L.A. Detective (now a Sherriff in some small town) who returns to L.A. and teams up with his hot shot replacement (Rami Malek) to track down a serial killer (the main suspect being Jared Leto).
It is a moody, atmospheric piece with Hancock taking his time telling the story he wants to tell in the way he wants to tell it, letting this trio of Oscar winning actors take over the story while he creates interesting, moody pictures/scenarios/scenes.
And…this approach mostly works. 2 time Oscar winner Denzel Washington, as you can imagine, is terrific as Joe “Deke” Deacon a cracker-jack Detective that is living with some demons from his last case in L.A.. He is in 90% of the scenes in this film and he is more than capable of carrying this film through some pretty slow and sloggy scenes.
I would love to say that Oscar winner Rami Malek is equal to the task of playing against Washington and keeping the middle part of this film interesting - but he just isn’t. Not to say that Malek is bad - he is very good. He just isn’t as good as Washington and the chemistry between these two characters was just not all that strong.
That said…without spoiling anything…Malek has a scene at the end of this film where he is TERRIFIC and shows that he is a VERY, VERY good actor.
The wild card in this film is Oscar winner Jared Leto as the prime suspect in this case - and he is more than up to the task. As is often the case in these sorts of film (think David Fincher’s SEVEN), Leto does not show up in full force until about 2/3 of the way through the film and that is too bad for he creates sparks on the screen the moment he enters the proceedings and the 3 way interrogation scene between these 3 Oscar winners is, I’m sure, what drew all 3 of these performers to this project and is the best thing in the film.
The praise and the criticism of this film must fall on Writer/Director Hancock, for he was smart enough to cast these 3 actors and direct them well while also falling prey to falling in love too much with the script and atmosphere he created to the detriment of the film. He could have used someone telling him to speed things up.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank (ofMarquis)
And…I’m glad I did for THE LITTLE THINGS is an intriguing mystery with 3 very strong actors going toe-to-toe with each other.
Written and Directed by John Lee Hancock (THE BLIND SIDE), THE LITTLE THINGS stars the great Denzel Washington as a former L.A. Detective (now a Sherriff in some small town) who returns to L.A. and teams up with his hot shot replacement (Rami Malek) to track down a serial killer (the main suspect being Jared Leto).
It is a moody, atmospheric piece with Hancock taking his time telling the story he wants to tell in the way he wants to tell it, letting this trio of Oscar winning actors take over the story while he creates interesting, moody pictures/scenarios/scenes.
And…this approach mostly works. 2 time Oscar winner Denzel Washington, as you can imagine, is terrific as Joe “Deke” Deacon a cracker-jack Detective that is living with some demons from his last case in L.A.. He is in 90% of the scenes in this film and he is more than capable of carrying this film through some pretty slow and sloggy scenes.
I would love to say that Oscar winner Rami Malek is equal to the task of playing against Washington and keeping the middle part of this film interesting - but he just isn’t. Not to say that Malek is bad - he is very good. He just isn’t as good as Washington and the chemistry between these two characters was just not all that strong.
That said…without spoiling anything…Malek has a scene at the end of this film where he is TERRIFIC and shows that he is a VERY, VERY good actor.
The wild card in this film is Oscar winner Jared Leto as the prime suspect in this case - and he is more than up to the task. As is often the case in these sorts of film (think David Fincher’s SEVEN), Leto does not show up in full force until about 2/3 of the way through the film and that is too bad for he creates sparks on the screen the moment he enters the proceedings and the 3 way interrogation scene between these 3 Oscar winners is, I’m sure, what drew all 3 of these performers to this project and is the best thing in the film.
The praise and the criticism of this film must fall on Writer/Director Hancock, for he was smart enough to cast these 3 actors and direct them well while also falling prey to falling in love too much with the script and atmosphere he created to the detriment of the film. He could have used someone telling him to speed things up.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank (ofMarquis)
BankofMarquis (1832 KP) rated House of Gucci (2021) in Movies
May 14, 2022
Not As Bad As You Heard
“It’s Not As Bad As You Heard” is the very definition of damning with faint praise, but that phrase accurately describes one of the highest profile film failures of 2021 - HOUSE OF GUCCI.
Directed by Ridley Scott with a screenplay by Becky Johnson and Roberto Bentivegna (based on the book by Sara Gay Forden), HOUSE OF GUCCI tells the tale of the Gucci family and their fashion empire as the family sees a transition from the older generation to the new - and the outsider who stirred the pot.
This film is filled with stars - Lady Gaga, Adam Driver, Al Pacino, Jeremy Irons and Jared Leto - and is Directed by the great Ridley Scott, so why didn’t this film work?
Ultimately, films rise and fall with the script and the direction thereof, and unfortunately, both of these fall well short of good…but above bad.
Ridley Scott seemed to direct this film with the attitude of “the actors will fill out the thinness of the script, so I’ll just leave them to their own devices”, and this approach just doesn’t work.
Lady Gaga, so good in A STAR IS BORN, is just a little lost as Patricia Reggiani - the outsider (some would say Gold Digger) who digs her claws into a hapless Maurizio Gucci (Adam Driver). The first part of this film is mostly interesting as we watch Patricia manipulate Maurizio into marrying her - much to the dismay of his unapproving father, Rodolfo Gucci (Jeremy Irons, in the only characterization of this film that works from beginning to end). Driver is mostly good as the milquetoast heir who grows into a Business Mogul, but his character is mostly dealing with internal turmoil that turns into blank expressions on screen - NOT a good move for a movie.
And then the film takes a turn into burlesque with the introduction of Rodolfo’s brother and business partner, Aldo Gucci (Al Pacino) and his “idiot son”, Paolo Gucci (Jared Leto, unrecognizable under his make-up). It’s not often that you can say that Pacino is “out-over-acted” by another performer, but Leto mops the floor with him. While Pacino, actually, dials back his usual tendency to over-act, Leto goes all in on the over-acting front - so much so that one has to wonder what type of film that Leto thought he was acting in.
Ultimately, the film falls short because of a lack of focus. The movie (kind of) tries to tell the story from every characters’ point of view and in that attempt, fails, and ends up telling the story from no one’s point of view. The film starts with Gaga’s character being the entry point into the story for the viewer, but then we kareem off into Driver’s story, somewhat, and them (maybe) Pacino and Leto’s before coming back to Gaga (for a small bit) and then jumping over to Driver’s…
Well, you get the point. House of Gucci loses it’s focus along the way so you are left wishing you could get more from these characters - except for Leto’s - you wish there was a lot less.
Letter Grade: C+
5 stars (out of 10) and you can take that to the Bank(ofMarquis)
Directed by Ridley Scott with a screenplay by Becky Johnson and Roberto Bentivegna (based on the book by Sara Gay Forden), HOUSE OF GUCCI tells the tale of the Gucci family and their fashion empire as the family sees a transition from the older generation to the new - and the outsider who stirred the pot.
This film is filled with stars - Lady Gaga, Adam Driver, Al Pacino, Jeremy Irons and Jared Leto - and is Directed by the great Ridley Scott, so why didn’t this film work?
Ultimately, films rise and fall with the script and the direction thereof, and unfortunately, both of these fall well short of good…but above bad.
Ridley Scott seemed to direct this film with the attitude of “the actors will fill out the thinness of the script, so I’ll just leave them to their own devices”, and this approach just doesn’t work.
Lady Gaga, so good in A STAR IS BORN, is just a little lost as Patricia Reggiani - the outsider (some would say Gold Digger) who digs her claws into a hapless Maurizio Gucci (Adam Driver). The first part of this film is mostly interesting as we watch Patricia manipulate Maurizio into marrying her - much to the dismay of his unapproving father, Rodolfo Gucci (Jeremy Irons, in the only characterization of this film that works from beginning to end). Driver is mostly good as the milquetoast heir who grows into a Business Mogul, but his character is mostly dealing with internal turmoil that turns into blank expressions on screen - NOT a good move for a movie.
And then the film takes a turn into burlesque with the introduction of Rodolfo’s brother and business partner, Aldo Gucci (Al Pacino) and his “idiot son”, Paolo Gucci (Jared Leto, unrecognizable under his make-up). It’s not often that you can say that Pacino is “out-over-acted” by another performer, but Leto mops the floor with him. While Pacino, actually, dials back his usual tendency to over-act, Leto goes all in on the over-acting front - so much so that one has to wonder what type of film that Leto thought he was acting in.
Ultimately, the film falls short because of a lack of focus. The movie (kind of) tries to tell the story from every characters’ point of view and in that attempt, fails, and ends up telling the story from no one’s point of view. The film starts with Gaga’s character being the entry point into the story for the viewer, but then we kareem off into Driver’s story, somewhat, and them (maybe) Pacino and Leto’s before coming back to Gaga (for a small bit) and then jumping over to Driver’s…
Well, you get the point. House of Gucci loses it’s focus along the way so you are left wishing you could get more from these characters - except for Leto’s - you wish there was a lot less.
Letter Grade: C+
5 stars (out of 10) and you can take that to the Bank(ofMarquis)
Emma @ The Movies (1786 KP) rated Red Joan (2018) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
There are some films that just stop me in my tracks, not because they're good or bad, but because they're so mediocre. I watched this two weeks ago and I've sat down to try and write this review about 8 times, each time I've ended up barely writing a sentence before giving up.
The film is split between present and past, this means that there's very little Dench despite what we're led to believe in the trailer. Old Joan doesn't get much of a chance to do anything other than be old, when she does get the chance to do something else it is effective but far too rare.
When the whole story relies so heavily on stories from the past I was surprised that they didn't use more of a storytelling idea. You don't see any of the evidence that they have in the modern case, we're just propelled back into Joan's memories. This made for a very easy leap from the interview room to the past. Joan was there telling her story so the fact they didn't use this opportunity to have her telling a story that spills over into the flashbacks as a voiceover seems like a rather large missed opportunity. It also might have helped form a bigger connection between the two versions of the main character and allowed us a better connection with her.
Dench was definitely not used to the best effect. I'd expect Joan in her old age to still have some of the pep from her youth about her, but there seemed to be few similarities between the two incarnations. I think I enjoyed Sophie Cookson as young Joan, but again, it wasn't something I was wowed about.
The whole production erred too much on the side of relationships rather than the espionage. I certainly think it could have stood up to having something a bit grittier in it. As it was it felt very much like a TV movie, and I possibly would have been more interested in it had it been a TV movie rather than a general release. Now I said that I feel it's completely mad that I have different expectations from the two areas for film releases.
Red Joan had very little that stood out for me, there were only two moments that shone. Tom Hughes as Leo giving his speech before meeting Joan, the reaction of the crowd to him was tremendous and overall the scene worked well. Then there's Ben Miles as Joan's son, Nick. He isn't bad in any of his scenes but right at the end of the film when he stands with his mother I was actually moved. The first of these scenes made me think there was hope for the film, the second sadly came too late to make a difference to the whole thing.
Everything about Red Joan was just okay in the end. When someone asked me about it my response was a shrug and the comment "it was a film". Coming from me that generally means the film will be forgotten very quickly.
I wish there was more to say about it. Ultimately I think I would have had more enjoyment out of researching the story this was loosely based on.
What you should do
This isn't one I'd recommend, the moments that are interesting and satisfying to watch do not outweigh the mediocre. Red Joan is something I would say is more interesting as non-fiction than fiction.
Movie thing you wish you could take home
One thing from the movie that I feel we should all take as a top life tip is that men are easily scared by sanitary products, a very handy thing to remember.
The film is split between present and past, this means that there's very little Dench despite what we're led to believe in the trailer. Old Joan doesn't get much of a chance to do anything other than be old, when she does get the chance to do something else it is effective but far too rare.
When the whole story relies so heavily on stories from the past I was surprised that they didn't use more of a storytelling idea. You don't see any of the evidence that they have in the modern case, we're just propelled back into Joan's memories. This made for a very easy leap from the interview room to the past. Joan was there telling her story so the fact they didn't use this opportunity to have her telling a story that spills over into the flashbacks as a voiceover seems like a rather large missed opportunity. It also might have helped form a bigger connection between the two versions of the main character and allowed us a better connection with her.
Dench was definitely not used to the best effect. I'd expect Joan in her old age to still have some of the pep from her youth about her, but there seemed to be few similarities between the two incarnations. I think I enjoyed Sophie Cookson as young Joan, but again, it wasn't something I was wowed about.
The whole production erred too much on the side of relationships rather than the espionage. I certainly think it could have stood up to having something a bit grittier in it. As it was it felt very much like a TV movie, and I possibly would have been more interested in it had it been a TV movie rather than a general release. Now I said that I feel it's completely mad that I have different expectations from the two areas for film releases.
Red Joan had very little that stood out for me, there were only two moments that shone. Tom Hughes as Leo giving his speech before meeting Joan, the reaction of the crowd to him was tremendous and overall the scene worked well. Then there's Ben Miles as Joan's son, Nick. He isn't bad in any of his scenes but right at the end of the film when he stands with his mother I was actually moved. The first of these scenes made me think there was hope for the film, the second sadly came too late to make a difference to the whole thing.
Everything about Red Joan was just okay in the end. When someone asked me about it my response was a shrug and the comment "it was a film". Coming from me that generally means the film will be forgotten very quickly.
I wish there was more to say about it. Ultimately I think I would have had more enjoyment out of researching the story this was loosely based on.
What you should do
This isn't one I'd recommend, the moments that are interesting and satisfying to watch do not outweigh the mediocre. Red Joan is something I would say is more interesting as non-fiction than fiction.
Movie thing you wish you could take home
One thing from the movie that I feel we should all take as a top life tip is that men are easily scared by sanitary products, a very handy thing to remember.