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Gareth von Kallenbach (980 KP) rated Super (2011) in Movies
Aug 7, 2019
When I first heard about Super, written and directed by James Gunn, my first thought was “Dwight (from The Office) will be a superhero?” However what I saw on the screen was anything but Dwight, it was 75% awesome and 25% “I can’t believe they did that!”
The film begins with Frank (excellently played by Rainn Wilson) happily married to Sarah (Liv Tyler) who is a recovering drug addict. The happiness is shattered when Sarah begins using again, thanks to Jacques the drug dealer (Kevin Bacon) and then one day she disappears. Frank searches for Sarah and eventually finds her under the control of Jacques. Unable to get her away from Jacques, Frank goes to the police for help. Unfortunately because Sarah left on her own accord, no law has been broken (except for the drug stuff) so they are unable to help him.
Frank tries to move on, but without Sarah life seems meaningless. Then in his darkest hour he has a vision of The Holy Avenger (Nathan Fillion). Heeding the vision, Frank becomes The Crimson Bolt, pledges to fight crime and to save Sarah. There is just one small problem – Frank has no idea how to be a superhero. Research is needed, so off to the comic book store he goes, of course, and there he meets Libby (Ellen Page). Libby advises him which comics to read that have superheroes who do not have powers. Armed with this knowledge, The Crimson Bolt officially begins fighting crime in the most unusual of ways and not too long after, Libby becomes Boltie, his trusted, sexy sidekick.
This very entertaining, action-filled, dark comedy has more twists and turns than a game of Chutes and Ladders, and it will keep you glued to the screen until the end. Will they save the city from villainy? Will they save Sarah’s bacon? (Sorry, with Kevin Bacon playing the bad guy I couldn’t resist.)
Super has a different take on the superhero genre than what I’ve seen in past movies. Only Rainn Wilson could have properly portrayed the uniqueness that is Frank/Crimson Bolt and the same goes for Ellen Page in regards to Libby/Boltie (possibly the best sidekick ever). To make a long review short, let me sum up this way, everyone in the movie no matter the length of their part did an amazing job in their role. With that said, my only wish was that the story would have allowed for more screen time for Gregg Henry (Detective John Felkner) and a musical number for Fillion’s Holy Avenger. if you liked Fillion as Captain Hammer in Dr. Horrible’s Singalong Blog, then you’ll love him in this role. But those things would have most likely thrown off the perfect balance of action, humor and character interaction that made this movie so enjoyable.
The film begins with Frank (excellently played by Rainn Wilson) happily married to Sarah (Liv Tyler) who is a recovering drug addict. The happiness is shattered when Sarah begins using again, thanks to Jacques the drug dealer (Kevin Bacon) and then one day she disappears. Frank searches for Sarah and eventually finds her under the control of Jacques. Unable to get her away from Jacques, Frank goes to the police for help. Unfortunately because Sarah left on her own accord, no law has been broken (except for the drug stuff) so they are unable to help him.
Frank tries to move on, but without Sarah life seems meaningless. Then in his darkest hour he has a vision of The Holy Avenger (Nathan Fillion). Heeding the vision, Frank becomes The Crimson Bolt, pledges to fight crime and to save Sarah. There is just one small problem – Frank has no idea how to be a superhero. Research is needed, so off to the comic book store he goes, of course, and there he meets Libby (Ellen Page). Libby advises him which comics to read that have superheroes who do not have powers. Armed with this knowledge, The Crimson Bolt officially begins fighting crime in the most unusual of ways and not too long after, Libby becomes Boltie, his trusted, sexy sidekick.
This very entertaining, action-filled, dark comedy has more twists and turns than a game of Chutes and Ladders, and it will keep you glued to the screen until the end. Will they save the city from villainy? Will they save Sarah’s bacon? (Sorry, with Kevin Bacon playing the bad guy I couldn’t resist.)
Super has a different take on the superhero genre than what I’ve seen in past movies. Only Rainn Wilson could have properly portrayed the uniqueness that is Frank/Crimson Bolt and the same goes for Ellen Page in regards to Libby/Boltie (possibly the best sidekick ever). To make a long review short, let me sum up this way, everyone in the movie no matter the length of their part did an amazing job in their role. With that said, my only wish was that the story would have allowed for more screen time for Gregg Henry (Detective John Felkner) and a musical number for Fillion’s Holy Avenger. if you liked Fillion as Captain Hammer in Dr. Horrible’s Singalong Blog, then you’ll love him in this role. But those things would have most likely thrown off the perfect balance of action, humor and character interaction that made this movie so enjoyable.
LeftSideCut (3776 KP) rated Thor (2011) in Movies
Jul 21, 2020
The first Thor film gets a bad wrap, and I think it's due to a combination of people forgetting just how good it is, and it perhaps being tarnished by it's underwhelming sequel, when in reality, Thor marks Marvel Studios first steps into more cosmic territory, a realm that was once deemed a little too silly for the general public, and pulls it off in style.
Firstly, translating the many characters of the Thor comic series is no easy feat. They all talk in a Shakespearean dialect, and have ridiculous costumes. The script though is fantastic. The Asgardian characters are still very bombastic, but when mixed with humans from Earth, it's becomes naturally comical. It doesn't feel corny, and somehow, it works very well.
As for the costumes, everyone just looks badass truth be told so hats off to the costume department.
Chris Hemsworth is the embodiment of Thor, and it's truly difficult to see anyone else in the role. He's charming, funny, and has just the right amount of god-like angst, and it's easy to see why he's become a firm favourite as the MCU has continued to expand.
The same goes for Tom Hiddleston as Loki. His portrayal of the God of Mischief is equal parts sinister, slimy, and sympathetic. He's the villain that you can't help but love and it's a testament to his performance that Loki has remained a mainstay in the MCU, a franchise that is often guilty of the one-and-done method when it comes to villains.
The cast is rounded out by a stellar lineup, including Natalie Portman, Anthony Hopkins, Rene Russo, Jaime Alexander, Stellan Skaragård, Idris Elba and even includes a bigger role for the always excellent Clark Gregg. This film also serves as the introduction of Jeremy Renner as Hawkeye, another MCU staple. It's a strong cast list without a doubt.
The action set pieces are all pretty fun, and the effects still just about hold up. I'd argue that Thor looks better than the first two Iron Man films in that respect. Asgard looks great as well.
Another thing I absolutely LOVE about Thor is the music score by Patrick Doyle. In terms of original orchestral music, it's probably by favourite within the MCU (possibly on par with Infinity War and Endgame) but it's fantastic, and gives me goosebumps every damn time I watch this movie
Thor is action packed, with a fantastic script and score, and a great cast with well fleshed out characters. Bringing Kenneth Branagh on board as director was a great choice, and overall, the film deserves way more love than it gets.
Ignoring the first Avengers movie, Thor is the crown jewel of phase one!
Firstly, translating the many characters of the Thor comic series is no easy feat. They all talk in a Shakespearean dialect, and have ridiculous costumes. The script though is fantastic. The Asgardian characters are still very bombastic, but when mixed with humans from Earth, it's becomes naturally comical. It doesn't feel corny, and somehow, it works very well.
As for the costumes, everyone just looks badass truth be told so hats off to the costume department.
Chris Hemsworth is the embodiment of Thor, and it's truly difficult to see anyone else in the role. He's charming, funny, and has just the right amount of god-like angst, and it's easy to see why he's become a firm favourite as the MCU has continued to expand.
The same goes for Tom Hiddleston as Loki. His portrayal of the God of Mischief is equal parts sinister, slimy, and sympathetic. He's the villain that you can't help but love and it's a testament to his performance that Loki has remained a mainstay in the MCU, a franchise that is often guilty of the one-and-done method when it comes to villains.
The cast is rounded out by a stellar lineup, including Natalie Portman, Anthony Hopkins, Rene Russo, Jaime Alexander, Stellan Skaragård, Idris Elba and even includes a bigger role for the always excellent Clark Gregg. This film also serves as the introduction of Jeremy Renner as Hawkeye, another MCU staple. It's a strong cast list without a doubt.
The action set pieces are all pretty fun, and the effects still just about hold up. I'd argue that Thor looks better than the first two Iron Man films in that respect. Asgard looks great as well.
Another thing I absolutely LOVE about Thor is the music score by Patrick Doyle. In terms of original orchestral music, it's probably by favourite within the MCU (possibly on par with Infinity War and Endgame) but it's fantastic, and gives me goosebumps every damn time I watch this movie
Thor is action packed, with a fantastic script and score, and a great cast with well fleshed out characters. Bringing Kenneth Branagh on board as director was a great choice, and overall, the film deserves way more love than it gets.
Ignoring the first Avengers movie, Thor is the crown jewel of phase one!
BankofMarquis (1832 KP) rated Renfield (2023) in Movies
Apr 22, 2023
Cage feels Caged-In
Sometime you are in the mood for a drama, sometimes an action flick, other times a romantic comedy.
And then there are times you just want to watch Nicholas Cage camping it up on-screen as Dracula.
If that is the mood you are in, boy do I have a movie for you.
Based (very loosely) on the character created by Bram Stoker (and the classic 1931 film starring Bela Lugosi), RENFIELD tells the tale of an over-the-top Dracula in modern times as seen through his “familiar”, Renfield.
Nicholas Hoult (Beast in the latest series of X-Men films) plays Renfield as a put-upon assistant to Dracula - kind of a comedy/horror version of the relationship of Anne Hathaway and Meryl Streep in THE DEVIL WEARS PRADA - and it works (for the most part). Hoult is a winning (enough) and sympathetic presence on screen and you find yourself rooting for him in the end.
The surprising thing to me in this film is the sub-plot of Renfield finding love with a Police Office portrayed by (of all people) Awkwafina. This comedienne/actress has really grown on the BankofMarquis as a solid and dependable presence on screen and she doesn’t disappoint here. And that’s a good thing for the Renfield/Rebecca the Cop relationship ends up taking center stage during the 2nd act of this film (moving Nic Cage’s Dracula off-screen for a long stretch of time) and it works for Hoult and Awkwafina play off each other very well.
As for Cage, his Dracula is off-center, wacky, frenetic and out-of-this world. A true fish-out-of-water. But…if I’m being honest…his performance feels reigned in and it didn’t go far enough out-of-the-box and didn’t get nearly crazy enough for my tastes.
When something like that happens, one needs to look no further than the Director and Chris McKay (THE LEGO MOVIE, THE TOMORROW WAR) has a track record (at least for the BankofMarquis) of pulling his punches - and he pulls many, many punches in this film. But, he also DOESN’T pull punches at times (like in the scene where one guy gets his arms ripped off and then these arms are used as nunchucks on a bevy of bad guys). He doesn’t really know how far or how outlandish he should go. So he filters in a comedic amount of blood and gore - and then reigns Cage in. It’s an odd choice.
If you decide to watch Renfield, you already know what to expect - and for the most part you get it - except in the one spot that you really need it.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
And then there are times you just want to watch Nicholas Cage camping it up on-screen as Dracula.
If that is the mood you are in, boy do I have a movie for you.
Based (very loosely) on the character created by Bram Stoker (and the classic 1931 film starring Bela Lugosi), RENFIELD tells the tale of an over-the-top Dracula in modern times as seen through his “familiar”, Renfield.
Nicholas Hoult (Beast in the latest series of X-Men films) plays Renfield as a put-upon assistant to Dracula - kind of a comedy/horror version of the relationship of Anne Hathaway and Meryl Streep in THE DEVIL WEARS PRADA - and it works (for the most part). Hoult is a winning (enough) and sympathetic presence on screen and you find yourself rooting for him in the end.
The surprising thing to me in this film is the sub-plot of Renfield finding love with a Police Office portrayed by (of all people) Awkwafina. This comedienne/actress has really grown on the BankofMarquis as a solid and dependable presence on screen and she doesn’t disappoint here. And that’s a good thing for the Renfield/Rebecca the Cop relationship ends up taking center stage during the 2nd act of this film (moving Nic Cage’s Dracula off-screen for a long stretch of time) and it works for Hoult and Awkwafina play off each other very well.
As for Cage, his Dracula is off-center, wacky, frenetic and out-of-this world. A true fish-out-of-water. But…if I’m being honest…his performance feels reigned in and it didn’t go far enough out-of-the-box and didn’t get nearly crazy enough for my tastes.
When something like that happens, one needs to look no further than the Director and Chris McKay (THE LEGO MOVIE, THE TOMORROW WAR) has a track record (at least for the BankofMarquis) of pulling his punches - and he pulls many, many punches in this film. But, he also DOESN’T pull punches at times (like in the scene where one guy gets his arms ripped off and then these arms are used as nunchucks on a bevy of bad guys). He doesn’t really know how far or how outlandish he should go. So he filters in a comedic amount of blood and gore - and then reigns Cage in. It’s an odd choice.
If you decide to watch Renfield, you already know what to expect - and for the most part you get it - except in the one spot that you really need it.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Sensitivemuse (246 KP) rated The Ritual in Books
Nov 17, 2017
Great Horror, Could have been shorter.
So you know when you’re watching a horror movie and there’s an unseen being involved and you only catch little glimpses here and there throughout the film, and when you do actually see it you think (or more likely, scream out) WHAT THE HELL IS THAT?
Yeah that’s basically what you get throughout the book. It could be similar horror elements like Blair Witch Project, only you do find out what it is towards the latter part of the story. (And it’s still pretty creepy to figure out and picture).
I really do enjoy the horror aspects in this book and the feelings it invokes. You can really feel the desperation, frustration, and anguish felt within the characters. Tempers flare and understandably fights happen from within the group. You feel Luke’s anger and his highs and lows as you follow him throughout this horror journey.
There’s not many twists or blindside moments in this book it’s pretty much standard that you would see in horror books but the setting is very well done. A remote forest in Scandinavia while there’s something big and bad out there provides great atmosphere for the dark and scary.
It does drag out through the last third of the novel where you just have to feel for Luke and you wonder how much the human spirit can take. The ending really should have ended about 50 pages ago and there is repetition through the novel that some may find a trial to go through when reading. It’s manageable most of the time but I was close to losing my interest towards the end of the novel but powered through. It was still an enjoyable read, and recommended for those that want a good solid horror.
I’ll be reading more of his books for sure. I enjoyed the thrill and can only imagine what his other books will be like.
Yeah that’s basically what you get throughout the book. It could be similar horror elements like Blair Witch Project, only you do find out what it is towards the latter part of the story. (And it’s still pretty creepy to figure out and picture).
I really do enjoy the horror aspects in this book and the feelings it invokes. You can really feel the desperation, frustration, and anguish felt within the characters. Tempers flare and understandably fights happen from within the group. You feel Luke’s anger and his highs and lows as you follow him throughout this horror journey.
There’s not many twists or blindside moments in this book it’s pretty much standard that you would see in horror books but the setting is very well done. A remote forest in Scandinavia while there’s something big and bad out there provides great atmosphere for the dark and scary.
It does drag out through the last third of the novel where you just have to feel for Luke and you wonder how much the human spirit can take. The ending really should have ended about 50 pages ago and there is repetition through the novel that some may find a trial to go through when reading. It’s manageable most of the time but I was close to losing my interest towards the end of the novel but powered through. It was still an enjoyable read, and recommended for those that want a good solid horror.
I’ll be reading more of his books for sure. I enjoyed the thrill and can only imagine what his other books will be like.
Phillip McSween (751 KP) rated Under the Skin (2014) in Movies
Feb 9, 2018
Hoped For More
Under the Skin was doing just fine...until it took a strange direction that I really couldn't get behind. I can't explain it without ruining the movie so I won't. I'm not saying it's not worth watching at least once. However, even if you end up liking it, your appreciation for the film may not be immediate.
I say that because it took me awhile to digest some of the messages sprinkled throughout the film because I was too busy trying to focus on what was actually happening plot-wise. The film preaches that we are victims of our own desires, the things we should probably stay away from but can't. When we don't get the things that we want, we would rather destroy those things than treat them as a loss and move on. How many times have you heard, "I didn't want that job anyway" or "I hate that team. They win too much"? If we can't have the good thing, then no one should have it.
With strong messages like these, It's a wonder the film wasn't better. Overall, it just felt like a puzzle with missing pieces. You're guessing continuously, expecting things to fall into place at some point, but they never do. Again, not a bad film...it just could have been so much more. I expected more excitement and intrigue from a film about an alien female roaming Scotland streets luring men into her van.
For what it's worth, the film does a great job of grabbing your attention and curiosity immediately, setting a tone that demands your attention. Scarlett Johansson was great in her role as Laura the alien life form. You can't help but relate to her struggle of trying to blend in while trying to complete her mission at the same time. Perhaps that was another message: We shouldn't try and change who we are to fit in with social norms. A few tweaks could have made this film a lot better. Overall I give Under the Skin a 75.
I say that because it took me awhile to digest some of the messages sprinkled throughout the film because I was too busy trying to focus on what was actually happening plot-wise. The film preaches that we are victims of our own desires, the things we should probably stay away from but can't. When we don't get the things that we want, we would rather destroy those things than treat them as a loss and move on. How many times have you heard, "I didn't want that job anyway" or "I hate that team. They win too much"? If we can't have the good thing, then no one should have it.
With strong messages like these, It's a wonder the film wasn't better. Overall, it just felt like a puzzle with missing pieces. You're guessing continuously, expecting things to fall into place at some point, but they never do. Again, not a bad film...it just could have been so much more. I expected more excitement and intrigue from a film about an alien female roaming Scotland streets luring men into her van.
For what it's worth, the film does a great job of grabbing your attention and curiosity immediately, setting a tone that demands your attention. Scarlett Johansson was great in her role as Laura the alien life form. You can't help but relate to her struggle of trying to blend in while trying to complete her mission at the same time. Perhaps that was another message: We shouldn't try and change who we are to fit in with social norms. A few tweaks could have made this film a lot better. Overall I give Under the Skin a 75.
Phillip McSween (751 KP) rated Total Recall (1990) in Movies
Mar 20, 2018
Just Great Sci-Fi
Total Recall is pure 90's action at its best. Cool fight scenes and gun battles are littered throughout, but never forced or never at the sacrifice of pacing. It definitely made up for some of my smaller gripes like having a lame villain. Seriously, Richter (Michael Ironside) was about as terrifying as my obese beagle. And what was up with the cheesy girl fight? Just not needed.
As a whole, though, Total Recall succeeds in a number of ways, some expected, some surprising. The film centers around Arnold Schwarzenegger's character Douglas Quaid who is bored with his life and needs an escape. After visiting a place called Recall where your dreams become reality, Quaid becomes mixed up in the center of a crazy mystery where he is a secret agent.
The film provides a solid mystery that keeps you entertained. The puzzle unravels in layers as you figure out a little bit more with every minute that passes. I appreciated the nice twists that kept things interesting. Director Paul Verhoeven wasn't just satisfied with getting by with swanky visuals and a big budget action star. The story's substance ultimately makes it better than what it could have been.
The twists and turns of the story are set against the backdrop of a creative future world. I liked the small touches like the lady changing her nail color with the touch of a pen and the bland driving robots. One of my favorite scenes, both in this movie and in film period, involves Quaid outsmarting the bad guys with a number of holograms. It was a cool trick that had I been watching in a theater in 1990: Mind blown.
Fun film that hits you with more substance than your run-of-the-mill action-sci-fi flick. I give Total Recall an 83. The film's quality made me hate the 2012 version even more.
As a whole, though, Total Recall succeeds in a number of ways, some expected, some surprising. The film centers around Arnold Schwarzenegger's character Douglas Quaid who is bored with his life and needs an escape. After visiting a place called Recall where your dreams become reality, Quaid becomes mixed up in the center of a crazy mystery where he is a secret agent.
The film provides a solid mystery that keeps you entertained. The puzzle unravels in layers as you figure out a little bit more with every minute that passes. I appreciated the nice twists that kept things interesting. Director Paul Verhoeven wasn't just satisfied with getting by with swanky visuals and a big budget action star. The story's substance ultimately makes it better than what it could have been.
The twists and turns of the story are set against the backdrop of a creative future world. I liked the small touches like the lady changing her nail color with the touch of a pen and the bland driving robots. One of my favorite scenes, both in this movie and in film period, involves Quaid outsmarting the bad guys with a number of holograms. It was a cool trick that had I been watching in a theater in 1990: Mind blown.
Fun film that hits you with more substance than your run-of-the-mill action-sci-fi flick. I give Total Recall an 83. The film's quality made me hate the 2012 version even more.
Gareth von Kallenbach (980 KP) rated The Box (2009) in Movies
Aug 9, 2019
Norma Lewis (Cameron Diaz) and her husband, Arthur Lewis (James Marsden), are having a bad day. She just found out her educational scholarship will be ending and he is not going to become an astronaut even when he fits the bill. It is on this particularly challenging day that a mysterious box arrives on their doorstep. The package contains a button which when pressed is worth a million dollar payout but also will kill a random person unknown to the button pusher. Should they push the button and what happens if they do?
Based on the short story Button, Button by Richard Mathason, “The Box” stays true to Mathason’s one of a kind style. It is an interesting premise, and would make an interesting television episode, but falters as a full-length film.
“The Box” gives almost nothing to viewers, running so far off the original ‘push the button, don’t push the button’ issue as to baffle audiences. The more time goes on the more ridiculous the plot becomes and as a viewer you begin to wonder if the movie will ever end.
Furthering the joylessness of “the Box” is the overabundant use of 1970s décor and objects. Not at all subtle, the film’s need to beat you over the head with the time period is distracting from the plot of this already shaky film. Far to blatant to be unnoticeable, you leave the film not entirely sure what has happened but very sure it happened in the 1970s.
This is not to say that the film doesn’t offer some satisfaction, but the work put into stretching this short story into a full-length feature film leaves many lingering questions for the viewer.
So if you really enjoy a yellowish tint to your film going experience or overly blatant references to the 1970s you should definitely go see “The Box” but if you lack these offbeat qualities I suggest quickly reading the short story.
Based on the short story Button, Button by Richard Mathason, “The Box” stays true to Mathason’s one of a kind style. It is an interesting premise, and would make an interesting television episode, but falters as a full-length film.
“The Box” gives almost nothing to viewers, running so far off the original ‘push the button, don’t push the button’ issue as to baffle audiences. The more time goes on the more ridiculous the plot becomes and as a viewer you begin to wonder if the movie will ever end.
Furthering the joylessness of “the Box” is the overabundant use of 1970s décor and objects. Not at all subtle, the film’s need to beat you over the head with the time period is distracting from the plot of this already shaky film. Far to blatant to be unnoticeable, you leave the film not entirely sure what has happened but very sure it happened in the 1970s.
This is not to say that the film doesn’t offer some satisfaction, but the work put into stretching this short story into a full-length feature film leaves many lingering questions for the viewer.
So if you really enjoy a yellowish tint to your film going experience or overly blatant references to the 1970s you should definitely go see “The Box” but if you lack these offbeat qualities I suggest quickly reading the short story.
LeftSideCut (3776 KP) rated X-Men: First Class (2011) in Movies
Jul 28, 2019
Back on form
Fox made a smart move with First Class. After just four movies, the X-Men movie franchise had already started to feel a bit stale. The solution? Take the story way back for a 60s adventure.
The casting here is pretty strong. James McAvoy is great in the role of a younger and cockier Charles Xavier, and Michael Fassbender seems like perfect casting as Erik Lensher (even if his Irish accent slips into his dialogue now and again!)
The relationship between the two friends, sadly destined to become enemies, is the beating heart of First Class. A lot of the action we've become accustomed too throughout these films is sidelined to explore their friendship, and their conflicting ideologies. As the plot comes to a head, and these two really pull in opposite directions, the emotional impact is well earned and hard hitting.
Elsewhere, we have Nicholas Holt as Beast and Jennifer Lawrence as Mystique. They also fit the billing pretty well, and are a welcome addition to the cast.
As an X-Men comic fan, it's a lovely touch to see less known characters get screen time such as Azazel, Havoc, and finally - Banshee!
We also get an adaption of Emma Frost, although she is criminally underused, merely present as a glorified henchwoman.
Kevin Bacon is the big bad this time round, playing Sebastian Shaw, a relatively minor X-Men villain, who plays his part well in First Class - he never feels like a huge threat, but that works as it doesn't steal the limelight from Erik's descent into Magneto.
The final action scene is enjoyable comic book fun - the small X-Men team clad in yellow and blue outfits (a nod to the original comic costumes), and the setting is full of colour. Its pretty damn glorious.
First Class is a stand out entry into the X-Men franchise, and certainly worth your time, even if you've never seen another X-Men film!
The casting here is pretty strong. James McAvoy is great in the role of a younger and cockier Charles Xavier, and Michael Fassbender seems like perfect casting as Erik Lensher (even if his Irish accent slips into his dialogue now and again!)
The relationship between the two friends, sadly destined to become enemies, is the beating heart of First Class. A lot of the action we've become accustomed too throughout these films is sidelined to explore their friendship, and their conflicting ideologies. As the plot comes to a head, and these two really pull in opposite directions, the emotional impact is well earned and hard hitting.
Elsewhere, we have Nicholas Holt as Beast and Jennifer Lawrence as Mystique. They also fit the billing pretty well, and are a welcome addition to the cast.
As an X-Men comic fan, it's a lovely touch to see less known characters get screen time such as Azazel, Havoc, and finally - Banshee!
We also get an adaption of Emma Frost, although she is criminally underused, merely present as a glorified henchwoman.
Kevin Bacon is the big bad this time round, playing Sebastian Shaw, a relatively minor X-Men villain, who plays his part well in First Class - he never feels like a huge threat, but that works as it doesn't steal the limelight from Erik's descent into Magneto.
The final action scene is enjoyable comic book fun - the small X-Men team clad in yellow and blue outfits (a nod to the original comic costumes), and the setting is full of colour. Its pretty damn glorious.
First Class is a stand out entry into the X-Men franchise, and certainly worth your time, even if you've never seen another X-Men film!
LeftSideCut (3776 KP) rated Curse of Chucky (2013) in Movies
Dec 6, 2019
A horror franchise this many movies in should be on its arse at this point, but the Child's Play series still manages to be entertaining with it's sixth entry.
After the silliness if Bride and Seed, Curse of Chucky steps back in to horror territory a bit more.
The majority of the film takes place in a creepy old house, as Chucky stalks an entirely new set of victims.
The characters this time around aren't hugely likable, except for Nica (played by Fiona Dourif, Brad Dourif's daughter). Not only is she likable and realistic final girl type, but she pretty badass as well. She is also wheelchair bound, which is a refreshing direction to take in this kind of film, and her disability adds a whole new dynamic to the Chucky series and just makes her more badass.
The plot itself is straightforward slasher material, but the last 20 minutes or so, really hammer home the movies connections to the original film, and the rest of the series. The ret con of Charles Lee Ray's origins and work a treat, and learning about more about him is an unexpected highlight.
The Chucky doll this time around looks weird. Really unsettling actually. There's a semi twist halfway through that actually has something to do with the way Chucky looks, and he's still pretty horrible looking.
The effects are mostly passable - there's a kill quite early on involving a car, that boasts some genuinely impressive practical effects, but it does mean towards CGI after that. Not always a bad thing mind, but there's one shit in particular of Chucky walking down a staircase... It's could have been so so good, but the obvious CGI is horrible...bleughh.
Other than that though, Don Mancini throws some decent camera work at us (the title card is an early highlight) and he successfully makes Curse of Chucky into a decent little horror movie.
After the silliness if Bride and Seed, Curse of Chucky steps back in to horror territory a bit more.
The majority of the film takes place in a creepy old house, as Chucky stalks an entirely new set of victims.
The characters this time around aren't hugely likable, except for Nica (played by Fiona Dourif, Brad Dourif's daughter). Not only is she likable and realistic final girl type, but she pretty badass as well. She is also wheelchair bound, which is a refreshing direction to take in this kind of film, and her disability adds a whole new dynamic to the Chucky series and just makes her more badass.
The plot itself is straightforward slasher material, but the last 20 minutes or so, really hammer home the movies connections to the original film, and the rest of the series. The ret con of Charles Lee Ray's origins and work a treat, and learning about more about him is an unexpected highlight.
The Chucky doll this time around looks weird. Really unsettling actually. There's a semi twist halfway through that actually has something to do with the way Chucky looks, and he's still pretty horrible looking.
The effects are mostly passable - there's a kill quite early on involving a car, that boasts some genuinely impressive practical effects, but it does mean towards CGI after that. Not always a bad thing mind, but there's one shit in particular of Chucky walking down a staircase... It's could have been so so good, but the obvious CGI is horrible...bleughh.
Other than that though, Don Mancini throws some decent camera work at us (the title card is an early highlight) and he successfully makes Curse of Chucky into a decent little horror movie.
Matthew Krueger (10051 KP) rated Us (2019) in Movies
Feb 3, 2020 (Updated Feb 3, 2020)
The Upside Down
Us- is Jordan Peele's second film as a director. This film like Get Out, is excellent, phenomenal, horrorfying, suspenseful, terrorfying and overall great.
The Plot: Accompanied by her husband, son and daughter, Adelaide Wilson returns to the beachfront home where she grew up as a child. Haunted by a traumatic experience from the past, Adelaide grows increasingly concerned that something bad is going to happen. Her worst fears soon become a reality when four masked strangers descend upon the house, forcing the Wilsons into a fight for survival. When the masks come off, the family is horrified to learn that each attacker takes the appearance of one of them.
So like Get Out, this movie does have a theme. Lets talk about it...
"One of the central themes in Us is that we can do a good job collectively of ignoring the ramifications of privilege. I think it's the idea that what we feel like we deserve comes, you know, at the expense of someone else's freedom or joy. You know, the biggest disservice we can do as a faction with a collective privilege like the United States is to presume that we deserve it, and that it isn't luck that has us born where we're born. For us to have our privilege, someone suffers. That's where the Tethered connection, I think, resonates the most, is that those who suffer and those who prosper are two sides of the same coin. You can never forget that. We need to fight for the less fortunate." Jordan Peele.
So Once Jordan Peele does a excellent job on his theme. Like Get Out, Jordan Peele does a excellent of this theme, of the world that we live in today and his views on it.
Like Get Out, Us is a must watch film, and if you havent seen it, than you must. Its psychological twisted, horrorfying, twisted, suspenseful, great, phenomenal and excellent until the very end.
The Plot: Accompanied by her husband, son and daughter, Adelaide Wilson returns to the beachfront home where she grew up as a child. Haunted by a traumatic experience from the past, Adelaide grows increasingly concerned that something bad is going to happen. Her worst fears soon become a reality when four masked strangers descend upon the house, forcing the Wilsons into a fight for survival. When the masks come off, the family is horrified to learn that each attacker takes the appearance of one of them.
So like Get Out, this movie does have a theme. Lets talk about it...
"One of the central themes in Us is that we can do a good job collectively of ignoring the ramifications of privilege. I think it's the idea that what we feel like we deserve comes, you know, at the expense of someone else's freedom or joy. You know, the biggest disservice we can do as a faction with a collective privilege like the United States is to presume that we deserve it, and that it isn't luck that has us born where we're born. For us to have our privilege, someone suffers. That's where the Tethered connection, I think, resonates the most, is that those who suffer and those who prosper are two sides of the same coin. You can never forget that. We need to fight for the less fortunate." Jordan Peele.
So Once Jordan Peele does a excellent job on his theme. Like Get Out, Jordan Peele does a excellent of this theme, of the world that we live in today and his views on it.
Like Get Out, Us is a must watch film, and if you havent seen it, than you must. Its psychological twisted, horrorfying, twisted, suspenseful, great, phenomenal and excellent until the very end.