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Always Be My Maybe (2019)
Always Be My Maybe (2019)
2019 | Comedy
Verdict: Rom Com 101

Story: Always Be My Maybe starts when we get to meet two friends Sasha and Marcus who have grown up as best friends into their high school era where they almost become a couple, only their friendship falls apart. 15 years later Sasha (Wong) has become a major celebrity chef, heading back home for the latest restaurant opening. Marcus (Park) has followed his father Harry (Saito) into the family business, getting high on the side.
When the two reunite they see the changes they have both been through and start looking at what could once have been between the two despite having their own relationships on the side.

Thoughts on Always Be My Maybe

Characters – Sasha was once Marcus best friend before becoming one of the biggest celebrity chefs in America, she has restaurants across America and now looks to return home for the latest one. She starts to see her relationship crumble and with her old best friend walking back into her life, she is left to wonder what if. Marcus was Sasha best friend too, he never made too much of his life, working with his father, getting high and being part of his small band, never leave San Francisco. With Sasha back in his life, he must decide if it is finally time to take a chance on life. Harry is Marcus father that has always let him do his own thing, they both lost his wife and mother to Marcus. Veronica is Sasha best friend who is always there for business and personal issues, she knows about the previous friendship.
Performances – Randall Park and Ali Wong are both fine in the leading roles, they do struggle with balancing the ideas of their stand-up routines, with realistic conversations, which shows through the film. The supporting performers do get the better laughs, with more realistic nature to everything happening.
Story – The story follows two childhood friends that almost became more that have gone onto live very different lives until they get a chance to meet up again 15-years-later to put forward the question once more about what could have been. We do have deeper side to the story, which explores the ideas of not taking chances in life, when you meet somebody who will go everywhere. The idea that the two get a second chance does make most of the story feel like a straight to TV level of storytelling and while it doesn’t completely fall into relying on stand-up jokes, we do get more than we need to. The story does have a proper heart which is the important factor needed, only it just doesn’t do much more outside of this.
Comedy/Romance – The comedy is mostly miss until Keanu Reeves arrives on the scene, where he will give laughs through the scenes with ease, while the romance elements are everything we have seen before.
Settings – The film is mostly set in San Francisco which is always a nice backdrop, it does show the different lifestyles the two are living with where they feel more comfortable.

Scene of the Movie – Double date.
That Moment That Annoyed Me – It offers nothing new to the rom com.
Final Thoughts – This is a by the book rom com that does get saved by an outrageous cameo, which is the clear highlight of the film.

Overall: Simple and Fun.
  
Isle of Dogs (2018)
Isle of Dogs (2018)
2018 | Adventure, Animation
9
7.8 (39 Ratings)
Movie Rating
When an outbreak of “dog-flu” and other dog diseases ravish Japan. Mayor Kobayashi (Kunichi Nomura voice) signs an order to banish all dogs to Trash Island, aka the Isle of Dogs. The island is now home to thousands of dogs who are all scavenging for food. Groups of dogs’ band together to fight for scraps of trash and survive. Then all one day a plane crashes on the island. A boy, Atari (Koyu Rankin voice), has come to the island to find his dog best friend Spots (Liev Schreiber voice). Five dogs find Atari injured buy the crash. The lone stray in the group, Chief (Bryan Cranston voice), has no use for masters and wants to leave the boy. But the rest of the group, Rex (Edward Norton voice), King (Bob Balaban voice), Duke (Jeff Goldblum voice) and Boss (Bill Murray voice) all want help the boy find his best friend. Out voted by the domesticated dogs in the group Chief agrees and they set out on a journey to find Atari’s lost dog on an island full of dogs.

This stop-motion animated film is the latest written and directed film by Wes Anderson (Fantastic Mr. Fox, Moonrise Kingdom, and The Royal Tenenbaums). Anderson’s unique film style and dialog are very present in this Japanese based tale. The stop motion animation is very well done and highlighted throughout the film. From the dogs’ hair moving with the animals to flower petals floating through the air the small details are not missed and expertly done. The dialog was also very much staying with Andersons unique style. It is fast paced and full of subtle comedy. The story is original and fun but also full of meaning and heart. The star studded cast does well in providing their voices to the animated film. The sound track really fits the film well.

The film was not without its struggles. At the beginning of the film it was pointed out that the humans would speak their native language, in most cases Japanese, and the dogs barks had been translated to English. This provides some fun moments throughout the film as there are translators to press conferences and the dog interpreting what the humans say to other dogs. But at times it seemed to me that the humans could understand what the dogs were saying, barking. So it was a little inconsistent. Also one character put into the movie presumably to aid in translation in the film as an American exchange student, Tracy Walker (Greta Gerwig voice). Other than translating parts of the film I don’t know why this character had to be American and could not have been Japanese. It definitely helped the overall theme of the movie to have her there to describe what was happening, given the fact there were no subtitles, but did seem a little forced.

I am definitely a fan of Wes Anderson’s film making and one of a kind style. That comes with certain expectations, which in this case were met. But I also understand that as someone reviewing the film it may make me a little bias. As noted above there a few minor issues I had with the film in general but overall I enjoyed the film and thing fans of Anderson will not be disappointed and neither will those who are just looking for a fun movie. I think overall this is a beautifully made and fun film.
  
The Beginning - Single by The Crab Apples
The Beginning - Single by The Crab Apples
7
7.0 (1 Ratings)
Album Rating
The Crab Apples is an indie pop-rock band based in Barcelona. Not too long ago, they released a wonderful indie-pop tune, entitled, “The Beginning”.

“You’ve already taken all your roots. Planted at least two seeds and you talk about them and I smile and nod my head. Though deep down I feel like dying. ‘Cause I know you have your life across the sea while I’m stuck in here, lost, wondering what I might potentially be.” – lyrics

‘The Beginning’ tells a bittersweet tale of a young woman who wants to travel overseas to visit a special guy in her life, someone who she desires to be with.

While in preparation to depart, she decides not to go and see him anymore. Subsequently, she rejects the idea of traveling on a plane to a far-away land.

Her sudden decision might be based on the fact that she considers herself an easy prey whose heart was effortlessly captured by the above-mentioned individual.

Later, she admits that if he would have opened his hand, she would’ve fallen into his trap like a big dumb fly.

What she wants now is to be free from his enchanting hook, which he uses to catch victims who are attracted to his charm.

But in order to achieve her desired goal, she can’t go to see him because she will fall under his spell once again.

‘The Beginning’ contains a relatable storyline, pleasing vocals, and buoyant instrumentation flavored with guitar products and alternative-pop elements. Also, the likable tune is featured on The Crab Apples’ “More Mistakes” EP.

“‘The End’ and ‘The Beginning’ are two parts of the same song. But in the versions we have made, we understand each part as different entities. Recording ‘The End’ was amazing because we experienced like never before. We went crazy with voice effects and synths. Laia came to the studio when she only needed to record the bass and recorded it in a shot as she listened and discovered how she had mutated the song throughout the process. All this took us away from our habitual ways of doing things and took us to lands we had never explored before.” – The Crab Apples

The Crab Apples consists of Carla Gimeno (vocals, guitar), Laia Alsina (electric guitar), Laia Martí (bass) and Mauro Cavallaro (drums).

What started as a project between four friends from the same town, quickly grew and they became the group we know now.

The release of their EP has led the dynamic foursome to comfortably play on stages all over Spain.

Not too long ago, Laia Alsina mentioned why their custom pedalboards for guitar and bass gives them freedom and peace of mind while on tour.

“I’ve been practically two years with the Evo Track S2 pedalboard and it has certainly been a great change. I find it very comfortable and easy to use to carry my pedals and especially when playing live. The elevation of the second row really helps me to activate and deactivate the effects easily. It prevents me to play accidentally the pedal on the side (common). I’m very happy because I’ve toured a lot and the pedalboard still lasts.” – Laia Alsina

Although they might not look like it at first sight, The Crab Apples considers their mistakes beautiful. Through their scars, what once seemed weak is now attractively strong.
  
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LeftSideCut (3778 KP) rated Doctor Sleep (2019) in Movies

Nov 5, 2019 (Updated Nov 24, 2019)  
Doctor Sleep (2019)
Doctor Sleep (2019)
2019 | Horror
Contains spoilers, click to show
Doctor Sleep certainly has some big footprints to follow. Nearly 40 years after the release of the hugely beloved The Shining, Director Mike Flanagan has the rather complicated task of adapting Stephen King's follow up sequel novel, whilst also attempting to deliver a solid follow up to Stanley Kubrick's original film. And he pulls it off pretty damn well.

The narrative follows a now adult Danny Torrance (Ewan McGregor), as he struggles with alcoholism. As he begins to put his life back together, he is thrown into a friendship with Abra Stone (Kyliegh Curran), a young girl who has similar powers to Danny, and who is being pursued by a cult who feed on the life force of those who possess 'The Shining'.

This new story is a really tight and fantastic thriller story in its own right. Flanagan takes a leaf from Kubrick's book and provides us with and unsettling atmosphere, complete with a Shining-esque creepy string music score, instead of relying on jump scares and other horror tropes.
It's effective, and engaging. A big part of this is down to the cast. Danny and Abra are both very likable protagonists.
The cult is lead by Rose the Hat, played by Rebecca Ferguson, who is both charming and sinister, and a big highlight of Doctor Sleep. Her and her followers fight for survival shows they will not even stop short of child sacrifice to get what they need, and it makes for a band of genuinely scary villains

The scenery is beautiful throughout, the the effects work on some of the more trippy scenes are decent, and the film toes the line in regards to relying on The Shining nostalgia too much, that is until the final act.

HUGE SPOILERS FOR DOCTOR SLEEP INCOMING




The last 30 minutes are undeniably fun, and a genuinely great climax, to a genuinely great film, but it does just about go overboard with it's 'look at this, remember this?' style of nostalgia. The sad thing is, it probably amounts to about 10 seconds of screentime that slightly sours the experience.
 
When Danny is at the bar, it's clear that he is talking to Jack before we even see the side of his face. His side profile is fine - absolutely no need to show his full face. Similarly a bit later, a recreated shot of Jack Torrance walking up the stairs towards his wife, didn't need to be there, nor did the shot of Rose the Hat seeing blood pouring from the elevator doors.
The film stops just short of having Ewan McGregor axe his way through a door panel thankfully, and it's only a small criticism of an otherwise nicely executed sequence.
Elsewhere tells a different story - The opening scene of The Shining is recreated, complete with the same iconic score, as overhead shots show us Danny driving up the mountain, towards the Overlook Hotel. It gave me goosebumps and the
scenes near the start of the film which follow directly on from The Shining are great, especially Carl Lumbly, who plays a spot on Mr. Hallorann.

END OF SPOILERS

All in all though, I thoroughly enjoyed Doctor Sleep. The Shining is not an easy shadow to step out from, but Mike Flanagan has created something here which stands on its own two feet.
It's dark, it's fun, it's unnerving, everything you could want from a horror in this day and age, and I genuinely can't wait to watch it again soon.
  
Glory (1989)
Glory (1989)
1989 | Drama, History, War
Well acted with tense battle scenes
Every now and then, I'll watch a specific scene in a movie and when it is complete, I say to myself - "that person just won the Oscar." Such was the case for a young "up and coming' actor in the 1989 Civil War film GLORY.

Directed by Richard Zwick (LEGENDS OF THE FALL) Glory tells the true story of the 54th Massachusetts Volunteer Infantry of the Union Army in the Civil War - the first all black infantry - and stars Mathew Broderick (FERRIS BUELLER'S DAY OFF), Cary Elwes (THE PRINCESS BRIDE), Morgan Freeman (on his way to becoming well known), Andre Braugher (in one of his first screen appearances) and Denzel Washington (who won an Oscar for his work).

Zwick does a wonderful job putting a unique spin on a standard story - ragtag group of soldiers band together, they go through bootcamp together and shift from a disparate group of individuals to a solid team - and then prove their worth in battle. This could have easily been a "paint by numbers" film but Zwick makes it something more, putting the emphasis on the soldiers and the obstacles they need to overcome and downplaying the danger and the violence. Don't get me wrong - the action sequences are intense and well made, they just aren't the point of the film.

The point of the film are the men who are involved - and the 5 leads are tremendous. Morgan Freeman shows the grace and leadership and authority that he would bring to many, many pictures. Elwes shows that he can command a screen, if given a chance and Denzel sparkles in his scenes. This picture shows a true movie star being born. But the real surprises for me on this viewing is the work of Matthew Broderick, playing a very different character than the light comedy performances we had seen from him in films like FERRIS BUELLER and on the stage that we would come to know him as in such musicals as THE PRODUCERS. This film shows that he has some wonderful acting chops and is just at home with a dramatic role as he is with a light comedic role.

But...the actor that really stood out from the others in this showing is the great Andre Braugher in his first Major Motion Picture appearance. He would go on to shine brightly in such roles as Detective Pembleton in HOMICIDE: LIFE ON THE STREETS and currently is starring as Captain Holt in BROOKLYN 99, but in Glory he was an unknown commodity and his portrayal of free, educated black man Thomas Searles - a childhood friend of both the Broderick and Elwes characters - who must adjust to being one of "the men" with this collection of uneducated former slaves and live in a tiered relationship with 2 men that are his peers and friends is heartbreaking to watch. Even though I was thrilled with Washington's Oscar (he does have the "Oscar scene" in this film), I thought Braugher's performance was just as good - maybe even better.

All of this leads the audience to a finale that is intense - and intensely personal - for you are invested in these men as they face insurmountable odds and most certain death.

I've been re-watching quite a few movies lately, and GLORY is one that hit me harder - and is better - than I remembered. Well worth checking out.

Letter Grade: A

9 stars (out of 10) and you can take that to the Bank(ofMarquis)
  
Dope (2015)
Dope (2015)
2015 | Comedy, Drama
8
6.8 (4 Ratings)
Movie Rating
Dope

A drug taken illegally for recreational purposes, especially marijuana or heroin.
A stupid person
A slang term meaning very good or awesome.
 

That is exactly what this movie is about. All three of those definitions apply equally to this brilliant film. It tells you right up front with definitions very similar to these right on the screen. Though, the application of each definition may surprise you.

Dope centers around Malcom (Shameik Moore) who, along with his friends Jib (Tony Revolori) and Diggy (Kiersey Clemons), found himself in a difficult situation after attending the birthday party for a local drug dealer. You see the trio are your typical geeks, into computers, math, science, games, have their own band (not as glamorous as you would think)… oh, and obsessed with the nineties hip-hop culture. But they live in a not so friendly neighborhood in Inglewood known as “The Bottoms”. Forced to take an alternate route home from school one afternoon, he unwittingly gets invited to a birthday party for Dom (Rakim Mayers, aka A$ap Rocky), but he is really going because of a girl, Nakia (Zoe Kravitz). While at the party, things start to go south, and Dom hides all of the “Molly” he was in the middle of selling in Malcom’s bag, unbeknownst to him. Once he finds it, Dom tells him to deliver it to a man named AJ, and that’s where all the hijinks begin.

I really don’t want to give away any more than this. The trailer only really tells half the story, and I believe that it will have more impact if you discover it yourself. Needless to say, though, it was really a fantastic movie. With Pharrell in charge of music, and Forest Whitaker and Sean Combs on board as well, the film does a great job at keeping things very original. There were many times where I could not hear the next few lines of dialogue, I was laughing so hard. And the soundtrack was incredible.

If I had to give you a frame of reference, though, think of it like this: Friday meets The Girl Next Door, with a little bit of Superbad mixed in. But the film delivers in so many great ways, and was very excellently cast. Moore did a great job of portraying that awkward geek who just got caught up in some very interesting situations. I should know, because I was there once, too. But the film has a powerful message. Showing off his love of nineties hip-hop, the film begins with Malcolm trying to get his Harvard admittance essay past his guidance counselor, but the essay is about the research to find that good day that Ice Cube talks about in his song. He was asked to write something more personal, and boy did he deliver after everything he went through following that birthday party.

I can’t truthfully say that you absolutely need to see this on the big screen. There’s nothing to really promote seeing it in theaters over at home. But, if you are looking for a good date night movie, this might be the one to see this weekend. While there were a few slow parts, the movie did keep up a good pace and was lighthearted enough to be enjoyable by all. Definitely worth checking out, but when is up to you. Know that I would definitely recommend it though, and will absolutely be picking it up for my home collection when it releases in stores.
  
Underwater (2020)
Underwater (2020)
2020 | Horror, Sci-Fi
Under Pressure
Underwater is basically Alien underwater but without a doubt proves that sometimes you just cant go wrong when you just borrow from the best. From the moment it starts the nostalgia that hit me watching this was insane, its like all my favourite scifi movies from growing up got mashed together and came back just to surprise me. In a sense its The Abyss, Alien, Deep Rising, Virus, Prometheus and Doom all rolled into one movie and I just couldnt help but smile as the film played out in front of me. Right off the get go we are thrown straight into the action and ive read so much criticism from people on this part of the movie saying that it doesnt give us time to get to know the characters. Personally I quite liked this approach as I felt we didnt really need to get to know everyone because in a random catastrophic situation such as this it really doesnt matter about who people are, everyone is a blank slate and they must all put aside thier differences and band together to fight solely for survival. Yes it does mean to an extent we aren't as attached to them but when tension and panic is created so well here not knowing these characters adds way more unpredictability and also helps make you the viewer step into thier shoes easier too. While the story is also fairly basic its way of story telling is subtle using the environment or small character actions so you can piece together a deeper story for yourself. Getting a hold on your mind/mental state is a big theme here and I loved the way the film subjects our already unstable characters to extremely traumatic events but forces them to learn how to subdue or tame thier emotions if if they are to maintain focus and survive. Kristen Stewart is fantastic as always and probably could of carried the film on her own if she had to. Her character is clearly already suffering with trauma and anxiety of her own and watching her have to hold together and stay strong to help motivate others is riveting as every now and then we see small glimpses of her cracking under the pressure. What an absolute joy it also is to see Vincent Cassel back in movies again, the guy is just awesome in what ever he is in and its no different here. Oh and TJ Miller isnt anoying and unlikable for once either, how about that. Visualls are also great and combine with nice sets they help create a creepy, claustrophobic, tense and unnerving sence of dread constantly. Creature design is really nice too (reminded me of the creatures from the recent Doom games) and theres some scenes that are absolutely chilling to watch too. Score wise its is also noticeably good really helping to ramp up the dread and fear elements nicely. To sum everything up I found this movie so much fun and while it doesnt do anything new I lost count of the times I just sat there thinking to myself "Daaamn thats so friggin cool". I do miss movies like this and its nice to see Underwater dare to bring back the good old 90s scifi monster movie vibe.
  
Enter the Wu-Tang (36 Chambers) by Wu-Tang Clan
Enter the Wu-Tang (36 Chambers) by Wu-Tang Clan
1993 | Rock
7.0 (3 Ratings)
Album Favorite

"A friend of mine played me the Wu Tang album way before it came out. I was so entrenched and deep into this music shit by then that a lot of music was shared through people I knew and I would subsequently hear a lot of projects in their demo phase. I also got a lot of stuff from attending the underground mix shows: this was one such record. The Friday night mix shows were so special back in the day, especially in breaking new music – and what a record this was to break. It took me multiple listens to realise this was so radically different from anything I'd ever heard previously. Soon enough, I was like 'Yo, this shit is amazing.' Hearing nine different MCs with totally different styles meant that it took a little time for the Wu Tang to settle in: I admit I didn't get it the first time I heard it, but once the record came out and I started hearing it more and more, I knew this was something very special indeed. I had my favourite MCs in the group like everyone did, but as I started to get to know them more and more, I realised this was a group where at least six or seven of the nine MCs could just go off and be platinum selling artists in their own right. How many groups or collectives can you say that of? It wasn't even like a supergroup or something put together specially – these guys just came from the same sort of space as us and they were doing this incredible shit. RZA's production was phenomenal and I admired it so much, especially the concept of the slang, the Kung Fu…it was ridiculous. All the other philosophies behind it too were so special. For me, there was always something for everybody in that band because you have nine entirely different personalities in there and you're going to find something to like out of those nine motherfuckers [laughs]. Everybody had their favourites, me included. The first time I heard it, RZA and GZA were my favourites then as time went on, I liked Raekwon and Ghostface Killah. I saw them a couple of times live, like very early on before they really blew. Their gigs were just pure raw energy and the stage was chaotic and hectic because there's nine people on there with mics doing their own thing. They didn't have the most organised shows but there was this energy that they brought – this wild, fucking crazy ball of energy that they always delivered on the stage. You never really did know what was going to happen next and that was always exciting Ol Dirty Bastard was also one of the most unique characters ever in music. I always look for uniqueness and authenticity in an artist and he just had it in abundance for me. I heard him and thought, 'He's one of a one'. His music had a message of like, 'don't get stuck, free yourself'. It was a powerful message. I don't know if they can ever do something like this again or if something this special will ever exist once more: they had so much powerful energy. It's something very hard to hold together when everyone is going in a bunch of different directions, continually shifting. Yet they did it in that space and in that time: I doubt you can repeat that."

Source
  
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Justin Young recommended track Dancing Queen by ABBA in Gold: Greatest Hits by ABBA in Music (curated)

 
Gold: Greatest Hits by ABBA
Gold: Greatest Hits by ABBA
1993 | Rock

Dancing Queen by ABBA

(0 Ratings)

Track Watch

"I didn’t really know about ABBA when I was growing up, they’re one of those bands you think you’d get into through your parents, but my parents didn’t listen to them. I think the first time I heard them properly was in Muriel’s Wedding, obviously that wasn’t a cool thing so they became a kind of guilty pleasure, but when Mamma Mia! came out in my late teens I was ‘Damn, all of these songs are so fucking good.’ “I have this list of songs in my head that I think are perfect, obviously that’s completely subjective, but they’re untouchable pop masterpieces like ‘God Only Knows’, ‘Bridge Over Troubled Water’, ‘Waterloo Sunset’ and ABBA have so many of them. There’s a humanity in their songs but they also feel like ‘how could anyone have made something so perfect?’ The writing, the production, the arrangements, even the way their voices sound, it has the same effect as when siblings sing. Their voices are unbelievable, sometimes I think ‘is that a weird harmony?’ but it’s just the way their voices sound together, it’s incredible. “This song makes me well up because it’s so perfect, but it’s also so silly, it makes me want to throw my hands in the air, I want to dance when I hear it and I want to smile. You feel silly when you hear it, you feel camp and like a character in Muriel’s Wedding or Mamma Mia! when it comes on. It’s an amazing feeling and that is the power music isn’t it? “The other thing you have to remember is that one of the things that made The Beatles so amazing and such an interesting proposition and a reason why people really like The Velvet Underground as well, is because they changed the way songs were written, they rewrote the rulebook. Before then all music essentially sounded the same, everyone was using the same three or four chords and melodies, that kind of Rockabilly and Rock and Roll, all operating in the same framework, even the blues, The Stones and The Beach Boys, until they started breaking the rules too. But ABBA were making this music only ten or twenty years after pop music as we know it began to exist and it’s so innovative. “You know when people talk about their favourite bands? They’re a band who if you’re in a car, someone could put on an hour of ABBA and I’d like every song and there’s bands who I consider to be my favourite bands who I couldn’t say that about. It’s banger after banger, I guess it depends what mood you’re in, actually I was listening to them in a car the other day and someone told me to turn it off! “It’s mind-bending how good they are when they’re at their best. I think music is more often than not written about as art, but it’s also entertainment and whilst what they do is this incredible art it’s also so entertaining. It’s funny, we’ve been speaking about music for the last half an hour but this is the first time where we’ve talked about music making us happy and that’s really important. Music should make you happy and ‘Dancing Queen’ definitely does that."

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Titanic (1997)
Titanic (1997)
1997 | Drama, Romance
Shame about the romance
Film #13 on the 100 Movies Bucket List: Titanic

Titanic is a rather divisive film. There are many that absolutely love it, the creators of this list among them I don’t doubt. And then there are those that can’t stand it, despite it’s 11 Oscar wins. When it was first released, Titanic’s popularity was immense and it was all the rage at my high school. At that time I loved it like everyone else, but over the years I’ve grown to notice its flaws as well.

Titanic is another epic from the mind of James Cameron and unsurprisingly tells the real life story behind the sinking of the Titanic in 1912. As the true story wasn’t enough, the sinking is shown from the point of view of a love story between Rose Dewitt Bukater (Kate Winslet) and Jack Dawson (Leonardo DiCaprio). In 1996, treasure hunter Brock Lovett (Bill Paxton) and his team are searching the wreckage of the Titanic for a rare diamond and instead come across a preserved drawing of Rose, who meets with Brock and tells the story of her experiences onboard. These experiences involve a class divide, a fiancé with anger management issues (Billy Zane) and some nice (Kathy Bates) and not very nice (Frances Fisher) female aristocrats.

While I can understand why Cameron has intertwined a romance into this real life tragedy, for me it’s this story that lessens the impact of such a horrific tale and makes this into not quite the masterpiece he wanted it to be. There are the obvious plot holes and irrational actions – the hugely memorable water door scene that could blatantly fit more than one person, and the motives for keeping a invaluable diamond hidden for 80+ years only to throw it away in the ocean – are just two of the laughably bad scenes in this. Paired with a sometimes dodgy script (there’s a scene where Rose says “Jack” over half a dozen times in less than a minute) and some cheesy exposition and narration from the older Rose, do not make for an endearing story.

However if you can ignore the romance and poor fictional story, the rest of Titanic is an impressive bit of filmmaking. From the opening shots featuring real life footage of the actual wreckage of the Titanic to the effects used to bring the ship to life, they are truly stunning. You can really appreciate the love and care that has gone in to making this film, and the cinematography is faultless. Water is not an easy element to film yet James Cameron has mastered it with ease and including shots of the real wreckage only adds to the emotions that this evokes, especially as there are a lot of facts interlaced within the romance – the band continuing to play despite impending death is particularly moving. The cast too are strong despite the sometimes questionable material they have to work with. This is undoubtedly the film that made both Leonardo DiCaprio and Kate Winslet megastars in their own rights, although for me I much preferred the more low key performances from the likes of Kathy Bates, Bernard Hill (as Captain Smith) and Victor Garber (as ship builder Thomas Andrews).

Titanic is not perfect. It is a drawn out and overly long romance set aboard a disaster movie and it can’t justify being longer than 3 hours. However despite it’s flaws, it is still a masterpiece in filmmaking and truly an epic film.