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Rachel Weisz recommended What's Up, Doc? (1972) in Movies (curated)
Will Young recommended Guilty by Barbra Streisand in Music (curated)
RəX Regent (349 KP) rated Meet the Fockers (2004) in Movies
Mar 7, 2019
Better than the first...
Contains spoilers, click to show
Well, simply put, this was slightly better than the first. Following the exploits of the previous film, "Meet The Parents", Gaylord Focker, Ben Stiller, introduces his fiancée's parents, excellently portrayed by Robert De Niro and Blythe Danner to his family, with the obvious humorous consequences.
Dustin Hoffman is on form and Barbra Streisand, who I honestly cannot recall seeing in anything but this franchise in the last twenty years, is not bad either as the laid-back titular Fockers. Stiller's and his lies are sidelined here, as the focus is on the conflict between the parents themselves, but all is resolved by the end, obviously and even though Owen Wilson's cameo is pretty contrived and we could have done without it, it had its moments.
"Meet The Fockers" is marginally better than "Meet The Parents", I think because the characters boundaries were more clearly defined, the jokes were funnier and tended to be less reliant on the awkwardness. This lighter offering was more than worth the watch and made me laugh which all you can ask from a comedy.
Dustin Hoffman is on form and Barbra Streisand, who I honestly cannot recall seeing in anything but this franchise in the last twenty years, is not bad either as the laid-back titular Fockers. Stiller's and his lies are sidelined here, as the focus is on the conflict between the parents themselves, but all is resolved by the end, obviously and even though Owen Wilson's cameo is pretty contrived and we could have done without it, it had its moments.
"Meet The Fockers" is marginally better than "Meet The Parents", I think because the characters boundaries were more clearly defined, the jokes were funnier and tended to be less reliant on the awkwardness. This lighter offering was more than worth the watch and made me laugh which all you can ask from a comedy.
Gareth von Kallenbach (965 KP) rated The Guilt Trip (2012) in Movies
Aug 7, 2019
If you’re like me, as soon as you saw Seth Rogan was the lead in a road trip movie you probably billed it as another one of his comedies and put it on the eventually-will-see list. That was me, I would not have bought tickets to see this in the theater and I probably wouldn’t have rented it either until much later after a Blu-Ray/DVD release (I still haven’t seen Knocked Up). After watching this though I’ve changed my mind.
We start with Andy Brewster, Seth Rogan, getting many voicemails from his mother Joyce Brewster, Barbra Streisand. It starts earlier than he gets up in the morning and continues on into the evening. They’re to show she cares but she nags, a lot. making sure he’s ready for his meeting with Kmart. He’s an organic chemist trying to sell his all natural, safe, cleaning product. He is trying to sell his product to a big name distributor and after this meeting he’s planned a road trip to get as many distributors as he can. His trip starts by flying to the east coast and driving back; his mother lives on the east coast and when he flies in she picks him up for a little visit.
While visiting with her before she tells him something about her past she’s never told him. It affected her deeply and he decides to help her with this situation by inviting her on the trip with him. I’d like to say here, the title of this movie is misleading. As you can imagine comedy ensues but there’s very little if any guilt involved, at least I didn’t really see it. There’s a range of emotions too and you really feel them. Mostly due to the play between Seth Rogan and Barbra Streisand they both did great and really suck you in.
Obviously they learn things about each other and themselves on this road trip, but it’s not over the top, either in its emotional moments or its happy moments. The ending is a very nice heartwarming surprise that goes with the tone of the movie. It was extremely enjoyable and I would recommend this movie to anyone. It’s definitely a renter and I will be buying it but if you want to wait until it’s released on Blu-Ray/DVD I don’t believe anything will be lost in waiting. If you see it in theaters you won’t feel like you’ve wasted your time or money.
We start with Andy Brewster, Seth Rogan, getting many voicemails from his mother Joyce Brewster, Barbra Streisand. It starts earlier than he gets up in the morning and continues on into the evening. They’re to show she cares but she nags, a lot. making sure he’s ready for his meeting with Kmart. He’s an organic chemist trying to sell his all natural, safe, cleaning product. He is trying to sell his product to a big name distributor and after this meeting he’s planned a road trip to get as many distributors as he can. His trip starts by flying to the east coast and driving back; his mother lives on the east coast and when he flies in she picks him up for a little visit.
While visiting with her before she tells him something about her past she’s never told him. It affected her deeply and he decides to help her with this situation by inviting her on the trip with him. I’d like to say here, the title of this movie is misleading. As you can imagine comedy ensues but there’s very little if any guilt involved, at least I didn’t really see it. There’s a range of emotions too and you really feel them. Mostly due to the play between Seth Rogan and Barbra Streisand they both did great and really suck you in.
Obviously they learn things about each other and themselves on this road trip, but it’s not over the top, either in its emotional moments or its happy moments. The ending is a very nice heartwarming surprise that goes with the tone of the movie. It was extremely enjoyable and I would recommend this movie to anyone. It’s definitely a renter and I will be buying it but if you want to wait until it’s released on Blu-Ray/DVD I don’t believe anything will be lost in waiting. If you see it in theaters you won’t feel like you’ve wasted your time or money.
Bob Mann (459 KP) rated A Star Is Born (2018) in Movies
Sep 28, 2021
Dullsville Arizona.
It’s unusual for the illustrious Mrs. Movie-Man and I to disagree over our opinion of a movie. Sure, she doesn’t like some genres like horror and sci-fi that I do, and I will often go to them alone. But in the main if we sit there together then we tend to have the same general view as to whether we liked it or not. (I guess that’s why we’ve been such a good match for nearly 40 years!). Not so though with this film.
The story has been filmed three times before: in 1937 (with Janet Gaynor and Fredric March); 1954 (with Judy Garland and James Mason) and 1976 (with Barbra Streisand and Kris Kristofferson). In all of these films the story has been the same: an alcoholic and over-the-hill actor (or with Kris Kristofferson, rock star) finds a young talented ingenue to love and develop into a superstar.
The modern day remake is a little different in that Jackson Maine, our older star (now played by Bradley Cooper), is a stadium-filling mega-rock-star, recognised and idolised in every bar he goes into…. and he frequents a LOT of bars. Maine mixes the cocktail with drugs in this version meaning that as one star is ascending, his seems destined to be heading into a black hole.
At its heart, this is a good story of having self-confidence in your own abilities, no matter how people around you try to put you down. Gaga’s Ally is one such person; a waitress who is constantly being told, especially by her blue-collar dad and his boozy friends, that although she has a great voice she’s “never going to make it” because of the way she looks. In chilled fashion she meets Jackson Maine, who hears her sing and thinks she might be on the edge of glory. Not worried about her big nose, he appreciates she was born that way: in fact he likes her so much he wants to poke her face. (Sorry… couldn’t resist it).
I appreciate from the IMDB rating that I am probably in a minority here. (At the time of writing this – pre-general release – it is a ridiculously high – and I suspect artificially pumped up – 8.8). But for me, I found the whole thing a dull affair. I can’t remember the last time I went to a film when I actively looked at my watch… but 1 hour 45 into this, I did (it had another 30 minutes to run).
For one thing, I just didn’t believe Bradley Cooper as the rock star character. He just came across as totally false and unbelievable to me. I had more resonance with Gaga’s Ally. Even though she is a novice actor (and it showed at times) in general I thought she did a creditable job. But given these two factors together, there are long and indulgent exchanges between the pair that seemed to me to go on in–ter–min–ably. Best actor in the film for me was Sam Elliott as Jackson’s brother Bobby. The mellowing of the brothers is a scene that I found genuinely touching.
I’d also like a glance at the original script, since there are some passages (the “boyfriend/husband” lines is a case in point) where it felt like one of them made an script mistake and, instead of Cooper (as director) shouting “cut”, they kept it going as some sort of half-arsed improv.
What is impressive is that they got to film at live concerts (including at Glastonbury), although most of this footage is of the hand-held nausea-inducing variety. There is zero doubt that Gaga can belt out a song better than anyone. But I didn’t get that same feeling about Bradley Cooper’s singing: like a lot of this film (with Cooper as co-producer, co-screenwriter AND director) it felt to me like a self-indulgent piece of casting.
I know music is extremely subjective, and “country” isnt really my think anyway. But the songs by Gaga and Lukas Nelson were – “Shallow” aside – for me rather forgetable.
Overall, in a couple of years that have brought us some great musicals – “La La Land“; “Sing Street“; “The Greatest Showman” – here’s a film about the music industry that did nothing for me I’m afraid.
But with my new user-rating system (this is the first post on the new web site) you have a chance to have YOUR say, so vote away!
The story has been filmed three times before: in 1937 (with Janet Gaynor and Fredric March); 1954 (with Judy Garland and James Mason) and 1976 (with Barbra Streisand and Kris Kristofferson). In all of these films the story has been the same: an alcoholic and over-the-hill actor (or with Kris Kristofferson, rock star) finds a young talented ingenue to love and develop into a superstar.
The modern day remake is a little different in that Jackson Maine, our older star (now played by Bradley Cooper), is a stadium-filling mega-rock-star, recognised and idolised in every bar he goes into…. and he frequents a LOT of bars. Maine mixes the cocktail with drugs in this version meaning that as one star is ascending, his seems destined to be heading into a black hole.
At its heart, this is a good story of having self-confidence in your own abilities, no matter how people around you try to put you down. Gaga’s Ally is one such person; a waitress who is constantly being told, especially by her blue-collar dad and his boozy friends, that although she has a great voice she’s “never going to make it” because of the way she looks. In chilled fashion she meets Jackson Maine, who hears her sing and thinks she might be on the edge of glory. Not worried about her big nose, he appreciates she was born that way: in fact he likes her so much he wants to poke her face. (Sorry… couldn’t resist it).
I appreciate from the IMDB rating that I am probably in a minority here. (At the time of writing this – pre-general release – it is a ridiculously high – and I suspect artificially pumped up – 8.8). But for me, I found the whole thing a dull affair. I can’t remember the last time I went to a film when I actively looked at my watch… but 1 hour 45 into this, I did (it had another 30 minutes to run).
For one thing, I just didn’t believe Bradley Cooper as the rock star character. He just came across as totally false and unbelievable to me. I had more resonance with Gaga’s Ally. Even though she is a novice actor (and it showed at times) in general I thought she did a creditable job. But given these two factors together, there are long and indulgent exchanges between the pair that seemed to me to go on in–ter–min–ably. Best actor in the film for me was Sam Elliott as Jackson’s brother Bobby. The mellowing of the brothers is a scene that I found genuinely touching.
I’d also like a glance at the original script, since there are some passages (the “boyfriend/husband” lines is a case in point) where it felt like one of them made an script mistake and, instead of Cooper (as director) shouting “cut”, they kept it going as some sort of half-arsed improv.
What is impressive is that they got to film at live concerts (including at Glastonbury), although most of this footage is of the hand-held nausea-inducing variety. There is zero doubt that Gaga can belt out a song better than anyone. But I didn’t get that same feeling about Bradley Cooper’s singing: like a lot of this film (with Cooper as co-producer, co-screenwriter AND director) it felt to me like a self-indulgent piece of casting.
I know music is extremely subjective, and “country” isnt really my think anyway. But the songs by Gaga and Lukas Nelson were – “Shallow” aside – for me rather forgetable.
Overall, in a couple of years that have brought us some great musicals – “La La Land“; “Sing Street“; “The Greatest Showman” – here’s a film about the music industry that did nothing for me I’m afraid.
But with my new user-rating system (this is the first post on the new web site) you have a chance to have YOUR say, so vote away!