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The Lovely Bones (2009)
The Lovely Bones (2009)
2009 | Drama, Horror, Mystery
6
6.8 (8 Ratings)
Movie Rating
Life is just beginning to blossom for Suzie Salmon (Saoirse Ronan) who has her first date with the boy she’s been dying to kiss, when she is unexpectedly murdered. Her mother can’t deal, her father becomes obsessed and her chain-smoking grandma becomes the most stable force in the family. But Suzie refuses to cross the border between heaven and earth with her killer still on the loose and distressingly interested in her younger sister.

“The Lovely Bones” is a prime example of a good film based on an acclaimed book that could have been great given thirty more minutes. The characters were engaging but less than ideally developed, case in point would be the mother whose sudden flee from her home only to appear picking oranges on a farm left the audience collectively confused.

Still the use of perspective and sound are undeniably captivating. From the graphically delightful and horrific imagery that is the world between heaven and our own to the use of color to establish the time period.

The heroine and villain are equally engrossing yet most of the film’s seasoned actors have performed better. The least developed characters were Suzie’s parents played by Mark Wahlberg and Rachael Weisz. But Susan Sarandon as Grandma Lynn left Wahlberg and Weisz in the dust creating a delightfully flawed character in her supporting role.

Both a drama and a thriller, there were moments during “The Lovely Bones” which captivated the entire theater making it a film that will provide great images for fans of the book. Yet while it will be a delight for those familiar with the book, the plot holes that “The Lovely Bones” leaves for the non-literary crowd are staggering.

In the end “The Lovely Bones” was a good enough film that attempted to stay true to the book but really could have been lovelier.
  
Death on the Nile (2022)
Death on the Nile (2022)
2022 | Mystery
The second of Kenneth Branagh's outing as Agatha Christie's sleuth Poirot, apparently much delayed by the Covid-19 pandemic, and set after The Murder on the Orient Express.

I've never seen that movie.

I have read the book on which it (Murder on Orient Express) is based, though.

As I'm not that big a fan of murder mysteries, I hadn't, however, read the story on which this is based.

Why does that matter?

Simply because it meant I was going into this with no preconceptions; no real idea of what would happen (other than there would be a murder which Poirot has to solve)!

I'm not sure whether the rest of Agatha Christie's Poirot novels are all like this or not - I've only read Murder on Orient Express and Murder of Roger Ackroyd, but I did find heavy similarities between the plots, with both Orient Express and is film largely taking place in a confined location, where there is a limited pool of suspects and where Poirot has to sit down and methodically think his way through.

This movie takes a while to get going, with the first hour or so in particular - I found - dragging quite a bit. I've also heard that there was extensive use of Green screen throughout, which might also explain why some of the Nile scenes just didn't sit quite right.

On the other hand, there is a veritable list of who's who acting talent on the screen: aside from Branagh himself, we have Gal Gadot (as the key victim), Emma Mackey, Arnie Hammer, Russel Brand (surprisingly understated), Annette Benning, Dawn French, Jennifer Saunders (yes, that French and Saunders!), Letitia Wright and Sophie Okonedo - nearly all of whom would have their own motives for the murder.
  
The Change 2: New York: The Queen of Coney Island
The Change 2: New York: The Queen of Coney Island
Guy Adams | 2017 | Science Fiction/Fantasy, Young Adult (YA)
6
6.0 (1 Ratings)
Book Rating
Very odd
The second book adds no real substance to what exactly happened in "The Change", I think I am just going to have to accept that "things changed".
In the first New York book, we meet Grace, who is trying to reunite with her brother, an inmate of Rikers before The Change. Trying to get safe passage up the Hudson river, she has to ask the Queen of Coney Island for a boat and permission. On the way to do so, she meets up with God (as you do), and enters the former Coney Island amusement park. It is populated with odd people and creatures, some of whom are real, some of whom are formerly real and brought back to life due to the change, others are physical embodiments of ideas and film characters.
Grace and God are given a seemingly simple task to achieve before being given safe passage, but it inevitably turns out to be a very difficult and dangerous one.
The book has a very different feel to the first, London-based one, with a very odd Alice in Wonderland feel to it, with crazy characters helping the one seemingly normal one to her goal.
The one thing that is consistent with the London book is the feeling of wanting more at the end. This time the character had a goal and (spoiler alert) she didn't achieve it by the end of the book.