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The Haunting of Hill House
The Haunting of Hill House
2018 | Horror
Good but not enough scares or horror
I’ve really struggled rating this show. On the one hand it is a truly fantastic and enthralling character study, but on the other it’s a horror show that has one major flaw; there’s not enough horror.

I’ll start with stating that I’ve never read the book or seen any other films about Hill House (except the 1999 film House on Haunted Hill which I’m pretty sure doesn’t count), so I went into this with a fairly open mind. From a character point of view, this show is truly marvellous. The development and the depth that has gone into each and every member of the Crain family is impressive and choosing to have each episode mainly based around one member of the family was a smart move. Each of these episodes goes into the back story of each character and helps explain how the became who they are, whilst also slowly revealing what happened at Hill House during their childhood. There are some great performances from the cast here, notably Carla Gugino and Michiel Huisman - I’d love to see more of him after this and his turn as Daario Naharis in Game of Thrones. It is this character driven story that kept me watching for the entire series, and also to find out what happened to the family. There was also some very good effects throughout.


The main issue I have with this show is that it’s meant to be a horror show, but for me there just wasn’t enough horror. Don’t get me wrong, there are a few creepy and slightly scary moments but sadly these were few and far between. Whilst I’m glad it didn’t go OTT on the jump scares, it needed a lot more horror. I love scary shows and films, so for me it was a huge disappointment that there wasn’t enough scares and I probably would’ve marked this a lot higher (a 9 maybe?) if they had just thrown a little more horror in.
  
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Assassin's Creed: The Official Movie Novelization
Assassin's Creed: The Official Movie Novelization
Christie Golden | 2017 | Fiction & Poetry, Film & TV, History & Politics
10
10.0 (1 Ratings)
Book Rating
Descriptive Writing brings out so much more information (6 more)
Characters and settings remain true in the adaptation
(Special Edition) Short stories to give more information and characters to the film
Action sequences are beautifully written
(Special Edition) Behind the Scenes stuff
(Special Edition) Beautiful Concept Art
(Special Edition) An overview of the Spanish Inquistion and the historical accuracy of the film
Leaves more questions that will hopefully be answered in the sequels (0 more)
Bringing forth what the movie could not
So, as you all know this film, and this franchise, are my favourites, so my opinion is somewhat bias, but please understand that I know that the movie is in no way perfect or close to perfect of what it could have been, but I love what they have done.

With that said, I turned my attention to the novel, and pre-ordered the special edition because I knew it would make a great addition to my collection of Assassin's Creed novels, and I wanted everything I could possibly get from the novel. I love all the behind the scenes features on a DVD/Blu Ray and when I heard that this book contained some BHS content I wanted it so badly that I made sure I got the special edition despite the addition to the price.

The adaptation of the Film to the novel, is incredible. When Movies are adapted from Books, there will always be the person with you that says "The Book is always better". Sometimes, in the vice versa of this situation, when books are adapted from films, it doesn't always add anything more to make the film's plot better, or give you anything else to think about. This book is something else entirely.

In the movie we are introduced to so many characters, and so many sub plots that just can't be explored in the film itself, because it would be what I and others like to call, a cluster fuck. There would far too much going on, and people already seemed confused by the simple plot of the film, that the addition of these subplots would have given them a headache and everything they needed to see to enjoy the movie would be lost even further, as people would walk out of the cinemas saying "What the heck did I just watch?". Books allow the writer and the reader the freedom to explore these subplots and open up our experience to these other characters such as Moussa, Emir, Nathan, and Lin. If you don't even know these names, that's because the film didn't get the opportunity to express to you the importance of these names, whilst introducing them in a way that you only really remember them as, 'The other assassins in the facility who organize the breakout of Abstergo finale'.

However these characters each have their own Assassin ancestors, at least two of which are heavily connected to the video games. Lin's ancestor, is Shao Jun, the protagonist who you play as in Assassin's Creed Chronicles: China. Emir's ancestor, is a Turkish Assassin named Yusuf, the same Yusuf who you befriend in Assassin's Creed: Revelations, whilst playing as an older Ezio Auditore in his final video game to end the Ezio Trilogy. In the movie's special features, there is a deleted scene in which Cal is able to see these ancestors, during the common room scene as he is trying to eat his steak. However it was taken out due to it not making much sense for him to be able to see other people ancestors via the bleeding effect. The novel on the other hand, doesn't need this scene, and instead the reader is treated to the thoughts and a little backstory to each of these modern day assassins, and how they had felt after being introduced to their ancestors, and how they connected to them through their own lives.

We learn even more about the films central characters as well, mainly Aguilar, Sofia and Callum Lynch, and the novel adaptation gives us a new view on their relationship as a whole. Sofia feels emotions she has never felt with other patients. Callum has a lot running through his mind that just can't be spoken or portrayed in the film. Aguilar's relationship to his fellow Assassin Maria is opened up to us, with us learning that they had been very intimate, and that despite never truly portraying their love for one another, the two assassins knew what the other was thinking and they moved and thought in unison with one another, which makes the final memory sequence, that much more heart breaking, and powerful.

The book grants us access to everything, and this is what makes it such a thrilling read. From start to finish I just wanted to read on and on, despite how heavy my eyes felt at night, tucked up in bed. It grips you and pulls you into the exciting journey of the beautifully written emotional rollercoster. Christie Golden, known for her own literary work and for her work on other franchise based novels, including Star Wars, World of Warcraft and Star Trek, has done a fantastic job at expanded the movie into a new experience, which even I wasn't expecting, and I've watched the film twice in the cinema and about 7 times since the day of it's digital release, March 10, 2017. I really do love this book and everything it has to offer.

My only bad point, which is personal to me, as I have theories about certain points of this movie, and I was hoping it would help answer some of my theories. However, whilst it expanded on them a little, giving more evidence to support one of my theories, it simply left more questions than answers. That is no fault of the writer or her work, but simply to my own inquisitive mind. The book overall has no faults in my opinion.

If you enjoyed the movie, you'll love the book more. If you didn't enjoy the movie, give the book a try. It might surprise you.
  
Mr January (Calendar Men #1)
Mr January (Calendar Men #1)
Bailey Bradford | 2018 | Humor & Comedy, LGBTQ+, Paranormal
8
9.0 (2 Ratings)
Book Rating
really great, cute read
Independent reviewer for Divine Magazine, I was gifted my copy of this book.

I've read a few of Bailey's shifter books before, they tend to be short and sweet, so this one came out of left field and surprised me! And I've no idea WHY it surprised, just that I'm left feeling that and ya'll know I gotta share!

It's sweet, it's funny, (some proper laugh out loud moments!) it is emotional and it's sexy. And I really enjoyed it!

Albert is a geek and proud of it, and there are a few geeky jokes, and some not so funny comments, but they get shot down, right quick! Gregg is a model helping with a charity calendar and Albert has no illusions that he could ever land a guy such as Gregg, but Albert pushing all of Gregg's buttons, and some he didn't know he had so it's a matter of Gregg chasing Albert.

There is an on-going issues (I've already read book 2 when writing this review) with the photo shoot, and I don't know if it will ever get done, based on these two I've read, it might well be December before it gets done!

A thoroughly enjoyable read, some 180 pages,that fit in well on my list between two heavier reads, hence the hang over tag. I look forward to reading more of this series!

4 solid stars

**same worded review will appear elsewhere**
  
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Kristy H (1252 KP) rated Falling in Books

Feb 13, 2018  
F
Falling
4
7.0 (2 Ratings)
Book Rating
Emma Montague is an Englishwoman living in the U.S. She left behind her parents as soon as she could: feeling trapped by her mother's snobbery and outgoing personality, so different from Emma's quiet and introverted self. But life in the high-powered banking world in New York City isn't exactly for Emma either. She finds everyone so false: women who only care about clothes and finding a man, too many nights at bars, and pressure to use dating apps. Her one long-term relationship winds up nowhere, and so Emma finds herself on the move again: this time to the beach town of Westport, CT. She takes a break from banking and finds herself renting a house in this seaside town. Emma quickly finds herself falling for landlord, Dominic, a bartender in Westport. A father to six-year-old Jesse, Dominic seems to be the opposite of Emma in every way. Emma isn't sure that the two could ever really be together, but she can't seem to stop her heart from falling for Dominic. Are they meant to be?

Ugh, this book. Some of it was enjoyable, and yet so much of it was just so damn frustrating. First of all, the entire thing seemed like it was based on just a mountain of stereotypes and tropes. Emma has built-in stereotypes and preconceived notions about Dominic (a bartender can't be anything like a banker, apparently, or share any of the same interests). Every woman in the banking world is a vapid idiot except Emma. All New Yorkers just want to get married and move to the suburbs. And so on and so on. It gets really old after a while.

Then, the whole different worlds thing: Emma versus Dom style. As a moving forward plot device, it just seemed incredibly forced. I understand that the "we're from two different worlds" idea still exists today, but really? It's that hard to overcome that a woman considers just dropping the only guy who has ever made her happy, because he seems beneath her? It would be different if the book put forth some real reasons that their class differences threatened their relationship, but it really doesn't. It's all half developed and mostly based on Emma's speculation.

That brings me to Emma. I wanted to like Emma. I could see a lot of Emma in myself - a quiet introvert who doesn't take well to people, who needs time to warm up. I understand that. But oh my gosh, she drove me crazy. So wishy washy! So indecisive! So unable to just follow her *own* thoughts and feelings. She drove me insane. It's very hard to fully enjoy a novel where you often want to wring the neck of the main character.

All of that, truly, I could have probably forgiven if Green hadn't taken the plot off the deep end near the end of the novel. I was so irritated and so upset: I went through all of the above for THIS? I won't spoil it, but let's just say I didn't sign up for a Nicholas Sparks novel. Any of the novel's redeeming qualities (a cute cat, a somewhat cute kid, Emma's dad) went out the window.

Overall, I just didn't enjoy this one. Too much of the plot devices irritated me, and then-BOOM-the actual plot drove me over the edge.