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Fun, intriguing novel that keeps you guessing until the end
Jack is eleven when his pregnant mother goes for help after their car breaks down by the side of the road. She leaves him in charge of his two younger sisters. But she's gone too long and Jack and his siblings eventually go in search of her. But they do not find her: just a broken pay phone. Jack never sees his mother again, and it's eventually revealed she's been murdered. Three years later, Jack is doing the best to support his sisters, especially since his dad went out for milk and never came back. Meanwhile, another pregnant woman named Catherine While is startled when her house is broken into--while she's home--and the intruder leaves her a disturbing note. A strange set of occurrences leaves Catherine feeling unsettled and watched. And Jack is starting to wonder if he's getting closer to finding out who killed his mother.
This was a really bizarre book in many ways, but I totally enjoyed it. It's mainly told from the point of view of Jack, Catherine, and two policemen: Reynolds, a fastidious Detective Sergeant and Marvel, a disgruntled DCI. It often quickly changes viewpoints between these characters, but somehow, it all works. In fact, while the novel is compulsively readable in terms of finding out what happened to Jack's mother, it's also oddly funny at times: there's a dry wit running underneath the story.
Even more, the characters are really enjoyable. Catherine, eh, she wasn't my favorite (her decision-making leaves a lot to be desired), but Jack was great: I was rooting for him the entire time, even in cases where I probably shouldn't have been, based on some of his behavior. The poor kid has a lot to deal with, trying to care for his kid sisters. And Marvel and Reynolds: they can be annoying and even spiteful in their actions at times, but they are really fun to read about. The whole combination of this group somehow works, and it kept me flipping the pages, wondering what on earth had transpired and how, when, and why. The novel is creepy at times, funny at times, and sad and heartbreaking at times: impressive.
There are definitely a lot of characters in this book, and sometimes keeping track of them all was a bit of a challenge, but I was impressed at how Bauer connected them all eventually. And, seriously, you get attached to them, or annoyed with them as if they are real people--which I find doesn't always happen to me with a thriller. Some of what the police do seems a little much--part of why I say the book seems a little bizarre, as does some of the plot, but I found myself enjoying the book so much that none of it mattered. Bauer lets us put the pieces together simultaneously as her characters do, and the story in this one was just compelling, fun, and different.
Overall, this was a fun, intriguing novel that keeps you guessing until the end. The characters are interesting and draw you in immediately. There's humor and heartbreak, but also a great puzzle to solve as well.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
This was a really bizarre book in many ways, but I totally enjoyed it. It's mainly told from the point of view of Jack, Catherine, and two policemen: Reynolds, a fastidious Detective Sergeant and Marvel, a disgruntled DCI. It often quickly changes viewpoints between these characters, but somehow, it all works. In fact, while the novel is compulsively readable in terms of finding out what happened to Jack's mother, it's also oddly funny at times: there's a dry wit running underneath the story.
Even more, the characters are really enjoyable. Catherine, eh, she wasn't my favorite (her decision-making leaves a lot to be desired), but Jack was great: I was rooting for him the entire time, even in cases where I probably shouldn't have been, based on some of his behavior. The poor kid has a lot to deal with, trying to care for his kid sisters. And Marvel and Reynolds: they can be annoying and even spiteful in their actions at times, but they are really fun to read about. The whole combination of this group somehow works, and it kept me flipping the pages, wondering what on earth had transpired and how, when, and why. The novel is creepy at times, funny at times, and sad and heartbreaking at times: impressive.
There are definitely a lot of characters in this book, and sometimes keeping track of them all was a bit of a challenge, but I was impressed at how Bauer connected them all eventually. And, seriously, you get attached to them, or annoyed with them as if they are real people--which I find doesn't always happen to me with a thriller. Some of what the police do seems a little much--part of why I say the book seems a little bizarre, as does some of the plot, but I found myself enjoying the book so much that none of it mattered. Bauer lets us put the pieces together simultaneously as her characters do, and the story in this one was just compelling, fun, and different.
Overall, this was a fun, intriguing novel that keeps you guessing until the end. The characters are interesting and draw you in immediately. There's humor and heartbreak, but also a great puzzle to solve as well.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
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Gareth von Kallenbach (980 KP) rated Allegiant (2016) in Movies
Jun 19, 2019
The third film in the popular “Divergent” series is here and will follow the pattern of recent book based films of splitting the finale into two films. In “The Divergent Series: Allegiant Part 1”, we catch up with Tris (Shailene Woodley), and Four (Theo James), shortly after the events of the previous film.
The wall has been opened and residents seek to leave the city and see what lies beyond. This is cut short when a power grab arises as Four’s mother is putting people on trial for supporting the last regime and executions or a common place as mob mentality has arisen.
Risking it all, Tris, Four, and a few companions make a daring brake and discover a wasteland beyond the wall before being taken in by a seemingly ideal community under the leadership of David (Jeff Daniels). It is learned that via sophisticated technology, they have watched Tris and the others as well as their society for ages as they were conducting a social experiment to undo evils of the previous world which lead to war.
Tris is highly prized as she is seen as genetically pure and David hopes to find out why and how so it can be replicated for the betterment of humanity. Naturally things are not always as they appear and before long, Tris, Four, and the others are forced to pick sides especially with a civil war brewing back at home.
The movie has some decent visuals but relies on the characters to carry the film. In many ways this is the downfall of the film as Woodley simply does not emote and James is very one-dimensional. Only Miles Teller and Jeff Daniels show any real or sustained emotion throughout the film.
There is also the matter of plot holes such as a society which amazing surveillance technology but they could not see a fairly obvious and common effort used during the finale of the film.
The movie is setting up the finale which hopefully will bring some advancement and satisfying closure to the series and characters. For now the film is a flawed but at times entertaining entry which should keep fans happy until the final film arrives.
http://sknr.net/2016/03/18/divergent-series-allegiant-part-1/
The wall has been opened and residents seek to leave the city and see what lies beyond. This is cut short when a power grab arises as Four’s mother is putting people on trial for supporting the last regime and executions or a common place as mob mentality has arisen.
Risking it all, Tris, Four, and a few companions make a daring brake and discover a wasteland beyond the wall before being taken in by a seemingly ideal community under the leadership of David (Jeff Daniels). It is learned that via sophisticated technology, they have watched Tris and the others as well as their society for ages as they were conducting a social experiment to undo evils of the previous world which lead to war.
Tris is highly prized as she is seen as genetically pure and David hopes to find out why and how so it can be replicated for the betterment of humanity. Naturally things are not always as they appear and before long, Tris, Four, and the others are forced to pick sides especially with a civil war brewing back at home.
The movie has some decent visuals but relies on the characters to carry the film. In many ways this is the downfall of the film as Woodley simply does not emote and James is very one-dimensional. Only Miles Teller and Jeff Daniels show any real or sustained emotion throughout the film.
There is also the matter of plot holes such as a society which amazing surveillance technology but they could not see a fairly obvious and common effort used during the finale of the film.
The movie is setting up the finale which hopefully will bring some advancement and satisfying closure to the series and characters. For now the film is a flawed but at times entertaining entry which should keep fans happy until the final film arrives.
http://sknr.net/2016/03/18/divergent-series-allegiant-part-1/
Emma @ The Movies (1786 KP) rated Everything, Everything (2017) in Movies
Sep 25, 2019
Eighteen-year-old Maddy's world is small. It's the size of a house.
Maddy has a rare form of SCID, an immuno-deficiency disease that means she can't leave the house because a chance encounter could kill her. The only people she sees are her mother, her nurse Carla, Carla's daughter Rosa and members of an online support group.
When as family move in next door, Maddy is bewitched by the son. He's friendly, he's funny, and he's handsome. Communicating through their bedroom windows, they exchange numbers and start texting. Carla notices the difference in Maddy, and is persuaded to let Olly in the house, but only under her condition that they stay on opposite sides of the room.
Maddy wants to see the ocean more than anything else in the world. She has to see what's out there to truly know she's alive, even if it kills her. But when she buys two plane tickets to Hawaii for herself and Olly, she doesn't realise how much it will change her life.
This one is based on the YA novel Everything, Everything by Nicola Yoon... you guessed it, haven't read this one either. I didn't know anything about it when I went to see it, mainly picked this one up because of the fact it was book related.
This was a beautiful film. (Yes, of course I cried) There's friendship, love, heartache. One of the problems was that there were really only two ways this film was going, and writers/movie makers aren't quite a cynical about things as I am when it comes to endings, so there wasn't really much chance that she was going to die for love.
Amandla Stenberg in the lead also wasn't quite my cup of tea. She played the naive side of the character well, but at the beginning when she was narrating... I just didn't find her a very good orator.
The subject matter was very different, and I really think the diversity in YA books has taken a massive step in that respect. It's touching on topics that very rarely see mainstream attention and that's a great thing. It also does one of my favourite things, which is enticing people to pick up books, so this one is a winner all round for me.
Maddy has a rare form of SCID, an immuno-deficiency disease that means she can't leave the house because a chance encounter could kill her. The only people she sees are her mother, her nurse Carla, Carla's daughter Rosa and members of an online support group.
When as family move in next door, Maddy is bewitched by the son. He's friendly, he's funny, and he's handsome. Communicating through their bedroom windows, they exchange numbers and start texting. Carla notices the difference in Maddy, and is persuaded to let Olly in the house, but only under her condition that they stay on opposite sides of the room.
Maddy wants to see the ocean more than anything else in the world. She has to see what's out there to truly know she's alive, even if it kills her. But when she buys two plane tickets to Hawaii for herself and Olly, she doesn't realise how much it will change her life.
This one is based on the YA novel Everything, Everything by Nicola Yoon... you guessed it, haven't read this one either. I didn't know anything about it when I went to see it, mainly picked this one up because of the fact it was book related.
This was a beautiful film. (Yes, of course I cried) There's friendship, love, heartache. One of the problems was that there were really only two ways this film was going, and writers/movie makers aren't quite a cynical about things as I am when it comes to endings, so there wasn't really much chance that she was going to die for love.
Amandla Stenberg in the lead also wasn't quite my cup of tea. She played the naive side of the character well, but at the beginning when she was narrating... I just didn't find her a very good orator.
The subject matter was very different, and I really think the diversity in YA books has taken a massive step in that respect. It's touching on topics that very rarely see mainstream attention and that's a great thing. It also does one of my favourite things, which is enticing people to pick up books, so this one is a winner all round for me.
Emma @ The Movies (1786 KP) rated Artemis Fowl (2020) in Movies
Jun 13, 2020
Disney: "We're making a film of Artemis Fowl!"
Me: *wildly switches from happiness to devastation about the possibilities*
Artemis Fowl's father, Artemis Fowl Snr., has gone missing, the media is portraying him as a criminal and calling for answers. Shocked and confused by what's happening Artemis Jnr. receives a phone call from his father's kidnapper and must hand over an item to secure his release. But he's no idea what the item is, or where, he's about to learn a great deal about fantastical things in a very short space of time and meet an odd selection of new friends.
So... I'm going to break this down into two parts, the first bit will be just about the film and the second will be me ranting about the film in conjunction with the book... *calm thoughts* Let us begin.
From the very beginning I was thrown, the opening in no way seems like a family film and I was wondering if by avoiding reading about it all beforehand that I'd got the wrong idea about what to expect.
With such a good cast backing up our newcomers I had medium hopes for what was going to hit our screens...
Ferdia Shaw takes on the part of Artemis Fowl Jnr., putting aside the comparison between the two versions until later, the performance isn't bad but it's quite forgettable. The same sadly goes for Lara McDonnell as Holly Short. Neither one has much of a presence on screen and I think that's mostly to do with the fact that Artemis and Holly are both rather bland in the whole story.
There's something oddly appealing about Josh Gad as Mulch but I'm not sure that giving him such a large role as narrator worked. It's never really clear why he's given that role and the scene's where we cut back to him talking are given a strange noir look that doesn't match with the rest of the film. Even so, I'm willing to concede that he's my favourite character as he has just enough humour to carry it.
Judi Dench as Commander Root was a little bit of a challenge to see. Root is a gruff but caring character, the trouble come in the fact that the change comes quite unnaturally at times.
One of the main failings is that there are times when the script feels poor, the dialogue is a little forced and doesn't fit with the characters, couple that with a variety of scenes that don't fit with the style of everything else and the fact that some pieces could be removed without really affecting anything around it and I'm left less than inspired by the film.
I did like the look of Haven City, the animation of the overhead view looked really promising. As we got into the city though I couldn't help but think it looked a little cheap and the aesthetic wasn't great. Effects, in general, were not good if I'm honest, particularly when you get to the siege on Fowl manor, when the siege is ending it comes with some chaos that is a perfect example of this coupled with another example of how the story glosses over an explanation of what's happening that could have offered some extra development for characters. (Specifically in this instance, Foley, who was woefully underused. He might not have been as majestic as a Brosnan centaur but he deserved better than the film gave him.)
By the end a lot of things get resolved seemingly by fairy magic because it's not clear how any of it happens. Potentially it's something that I wouldn't have noticed as there's a certain amount of this kind of wrapping up that you can forgive, but by this point I was so frustrated by everything that I was spotting everything.
I'm aware I'm waffling more than I intended so let me "briefly" mention things regarding the book...
The film is, in my opinion, only vaguely based on the book. It has kept ideas and pieces of story while removing and adding characters to varying degrees. Notably Artemis' mother is gone and his father is there instead. Removing mum makes Juliet's inclusion surplus to requirements, I can understand wanting to keep her for a young female character for viewers to identify with, but the role she ends up with is bland and in no way lives up to the book's version. The blandness also extends to her brother, Butler, and that's partly because of the major change they made...
Artemis. He is barely recognisable in comparison. He's a jeans-wearing, surfing, tween? He's much more casual than the original and this fluffier version doesn't have the same edge that book Artemis does. In their revamp they have changed his story and I very quickly felt like it could have been a sequel to the books, Artemis Snr. felt more like the Artemis from the books grown up and he was teaching his son about all the things he learnt. Part of the thing I enjoyed about the books is that Artemis was always an anti-hero of sorts, he was very difficult to like at times because of his actions, film Artemis is a little bit jumbled in this respect as they give him a very clear reason for the things he does so when he tries to show that tough side it doesn't have any impact.
There are a lot of differences, but I will leave that analysis for someone who is much more thorough at scouring the books and film than I am. I'll be keeping my eye out for other reviews with the comparisons in, if you spot any then please leave a link in the comments below.
When it came to scoring this I thought about it on two levels.
As a film from such a big company I was quite shocked by the quality of script and effects, there was a baddie that didn't really participate in anything and there were scenes and characters which weren't needed... and to finish it off in such an obvious set up for a sequel... I was done. I had marked it down for a generous score of 2 stars, that's normally my "I didn't like it but I can see why other people might" score, but I can't quite see what would appeal to people in it if I'm honest.
As an adaptation of the book I was too frustrated by the changes they made to Artemis, they essentially changed the fundamentals of the character and that had a knock-on effect to other characters as well. No one came out unscathed, but even though Mulch was heavily adapted I was glad that some of his humour was still there. Scoring on this basis I would have given it 1 star, but again, that felt generous to me.
In the end I will always score something on my enjoyment, in this instance it seems fair to even out the two scores. They've taken a great book and removed most of its personality, the final product was not exciting to watch and I don't think I could bring myself to watch a sequel.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/06/artemis-fowl-movie-review.html
Me: *wildly switches from happiness to devastation about the possibilities*
Artemis Fowl's father, Artemis Fowl Snr., has gone missing, the media is portraying him as a criminal and calling for answers. Shocked and confused by what's happening Artemis Jnr. receives a phone call from his father's kidnapper and must hand over an item to secure his release. But he's no idea what the item is, or where, he's about to learn a great deal about fantastical things in a very short space of time and meet an odd selection of new friends.
So... I'm going to break this down into two parts, the first bit will be just about the film and the second will be me ranting about the film in conjunction with the book... *calm thoughts* Let us begin.
From the very beginning I was thrown, the opening in no way seems like a family film and I was wondering if by avoiding reading about it all beforehand that I'd got the wrong idea about what to expect.
With such a good cast backing up our newcomers I had medium hopes for what was going to hit our screens...
Ferdia Shaw takes on the part of Artemis Fowl Jnr., putting aside the comparison between the two versions until later, the performance isn't bad but it's quite forgettable. The same sadly goes for Lara McDonnell as Holly Short. Neither one has much of a presence on screen and I think that's mostly to do with the fact that Artemis and Holly are both rather bland in the whole story.
There's something oddly appealing about Josh Gad as Mulch but I'm not sure that giving him such a large role as narrator worked. It's never really clear why he's given that role and the scene's where we cut back to him talking are given a strange noir look that doesn't match with the rest of the film. Even so, I'm willing to concede that he's my favourite character as he has just enough humour to carry it.
Judi Dench as Commander Root was a little bit of a challenge to see. Root is a gruff but caring character, the trouble come in the fact that the change comes quite unnaturally at times.
One of the main failings is that there are times when the script feels poor, the dialogue is a little forced and doesn't fit with the characters, couple that with a variety of scenes that don't fit with the style of everything else and the fact that some pieces could be removed without really affecting anything around it and I'm left less than inspired by the film.
I did like the look of Haven City, the animation of the overhead view looked really promising. As we got into the city though I couldn't help but think it looked a little cheap and the aesthetic wasn't great. Effects, in general, were not good if I'm honest, particularly when you get to the siege on Fowl manor, when the siege is ending it comes with some chaos that is a perfect example of this coupled with another example of how the story glosses over an explanation of what's happening that could have offered some extra development for characters. (Specifically in this instance, Foley, who was woefully underused. He might not have been as majestic as a Brosnan centaur but he deserved better than the film gave him.)
By the end a lot of things get resolved seemingly by fairy magic because it's not clear how any of it happens. Potentially it's something that I wouldn't have noticed as there's a certain amount of this kind of wrapping up that you can forgive, but by this point I was so frustrated by everything that I was spotting everything.
I'm aware I'm waffling more than I intended so let me "briefly" mention things regarding the book...
The film is, in my opinion, only vaguely based on the book. It has kept ideas and pieces of story while removing and adding characters to varying degrees. Notably Artemis' mother is gone and his father is there instead. Removing mum makes Juliet's inclusion surplus to requirements, I can understand wanting to keep her for a young female character for viewers to identify with, but the role she ends up with is bland and in no way lives up to the book's version. The blandness also extends to her brother, Butler, and that's partly because of the major change they made...
Artemis. He is barely recognisable in comparison. He's a jeans-wearing, surfing, tween? He's much more casual than the original and this fluffier version doesn't have the same edge that book Artemis does. In their revamp they have changed his story and I very quickly felt like it could have been a sequel to the books, Artemis Snr. felt more like the Artemis from the books grown up and he was teaching his son about all the things he learnt. Part of the thing I enjoyed about the books is that Artemis was always an anti-hero of sorts, he was very difficult to like at times because of his actions, film Artemis is a little bit jumbled in this respect as they give him a very clear reason for the things he does so when he tries to show that tough side it doesn't have any impact.
There are a lot of differences, but I will leave that analysis for someone who is much more thorough at scouring the books and film than I am. I'll be keeping my eye out for other reviews with the comparisons in, if you spot any then please leave a link in the comments below.
When it came to scoring this I thought about it on two levels.
As a film from such a big company I was quite shocked by the quality of script and effects, there was a baddie that didn't really participate in anything and there were scenes and characters which weren't needed... and to finish it off in such an obvious set up for a sequel... I was done. I had marked it down for a generous score of 2 stars, that's normally my "I didn't like it but I can see why other people might" score, but I can't quite see what would appeal to people in it if I'm honest.
As an adaptation of the book I was too frustrated by the changes they made to Artemis, they essentially changed the fundamentals of the character and that had a knock-on effect to other characters as well. No one came out unscathed, but even though Mulch was heavily adapted I was glad that some of his humour was still there. Scoring on this basis I would have given it 1 star, but again, that felt generous to me.
In the end I will always score something on my enjoyment, in this instance it seems fair to even out the two scores. They've taken a great book and removed most of its personality, the final product was not exciting to watch and I don't think I could bring myself to watch a sequel.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/06/artemis-fowl-movie-review.html
Lee (2222 KP) rated A Monster Calls (2016) in Movies
Jul 26, 2017
A Monster Calls is based on an idea by writer and activist Siobhan Dowd, who sadly died from cancer in 2007 before she could develop her story to print. Her ideas were developed into a book by Patrick Ness in 2011 and illustrated by Jim Kay where it went on to receive a number of childrens literary awards.
The story is set in a very dreary looking England and features a boy called Conor struggling to cope with his mother’s terminal cancer. His father is divorced from his mother and is living in the States with his new family. He’s bullied at school and he’s troubled by nightmares. And then he starts being visited at night by a monster who tells him 3 stories. It’s a bleak tale about the harshness of life, and I was kind of worried about how my 11 year old daughter might take to it when she said she wanted to see it with me.
J.A.Bayona, director of The Orphanage, handles the subject matter well, showing us how a child’s fantasy can make sense of the world and their feelings. The stories told by the monster occur over a number of days and are beautifully depicted in watercolour animation. Each one providing its own lesson to be learned in life. Liam Neeson is the monster, the large yew tree that Conor can see from his bedroom window, giving his best Aslan voice. Felicity Jones is the mother, gradually dying as each cancer drug fails. Sigourney Weaver is the grandmother who Conor reluctantly goes to stay with while his mother is receiving treatment.
The monster itself, the great yew tree, is a real triumph. Beautifully rendered and realistically interacting with its surroundings. When you consider the films meagre budget of 43 million dollars, it’s breathtaking what they’ve managed to achieve.
As expected, the movie really packs a punch with barely any humour or lightheartedness. There are times it’s a little too slow and gloomy, but it’s hard hitting thought provoking and intense. I don’t mind admitting that both me and my daughter found ourselves in tears towards the end too. Along with most of the cinema!
The story is set in a very dreary looking England and features a boy called Conor struggling to cope with his mother’s terminal cancer. His father is divorced from his mother and is living in the States with his new family. He’s bullied at school and he’s troubled by nightmares. And then he starts being visited at night by a monster who tells him 3 stories. It’s a bleak tale about the harshness of life, and I was kind of worried about how my 11 year old daughter might take to it when she said she wanted to see it with me.
J.A.Bayona, director of The Orphanage, handles the subject matter well, showing us how a child’s fantasy can make sense of the world and their feelings. The stories told by the monster occur over a number of days and are beautifully depicted in watercolour animation. Each one providing its own lesson to be learned in life. Liam Neeson is the monster, the large yew tree that Conor can see from his bedroom window, giving his best Aslan voice. Felicity Jones is the mother, gradually dying as each cancer drug fails. Sigourney Weaver is the grandmother who Conor reluctantly goes to stay with while his mother is receiving treatment.
The monster itself, the great yew tree, is a real triumph. Beautifully rendered and realistically interacting with its surroundings. When you consider the films meagre budget of 43 million dollars, it’s breathtaking what they’ve managed to achieve.
As expected, the movie really packs a punch with barely any humour or lightheartedness. There are times it’s a little too slow and gloomy, but it’s hard hitting thought provoking and intense. I don’t mind admitting that both me and my daughter found ourselves in tears towards the end too. Along with most of the cinema!
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Extensively revised to bring you up to date with new pathologic entities, new treatment methods, and...
Hazel (2934 KP) rated A Child for the Reich in Books
Dec 4, 2022
Inspired by a true story, this book is absolutely gripping and full of tension, heartbreak and the story of one woman's quest to find and rescue her daughter from the Nazi's Lebensborn programme.
Anna Dankova and her family live in Nazi-occupied Prague. Her husband and brother-in-law have joined the Czech Resistance leaving them to try and raise their children with the ever present danger of the Nazi soldiers, the Gestapo and the much feared Brown Sisters; female nurses who were dedicated to the Nazi cause. They worked for the Nazi Welfare Organization and searched through villages and towns for Aryan-looking children.
Anna and her sister's children are blonde-haired and blue-eyed and their fears are only too real but they are powerless against the might of the Nazi regime and one day, Anna's daughter, Ema is literally ripped from her arms in broad daylight leaving Anna, understandably, distraught and determined to get her back whatever the risks before she is lost forever.
Anna uses all her skills, courage and guile to find her daughter, infiltrate the children's home where she has been placed to be indoctrinated into the German way and to figure out a way to get her out of there whilst under the ever present threat of exposure and certain death.
This is a story full of tension and heartbreak and one mother's determination to find her daughter no matter what and it was absolutely gripping and I have no hesitation recommending it to those of you who 'enjoy' reading historical fiction based on true stories and events.
Thank you to HarperCollins UK, One More Chapter and NetGalley for enabling me to read and share my thoughts of A Child for the Reich.
Anna Dankova and her family live in Nazi-occupied Prague. Her husband and brother-in-law have joined the Czech Resistance leaving them to try and raise their children with the ever present danger of the Nazi soldiers, the Gestapo and the much feared Brown Sisters; female nurses who were dedicated to the Nazi cause. They worked for the Nazi Welfare Organization and searched through villages and towns for Aryan-looking children.
Anna and her sister's children are blonde-haired and blue-eyed and their fears are only too real but they are powerless against the might of the Nazi regime and one day, Anna's daughter, Ema is literally ripped from her arms in broad daylight leaving Anna, understandably, distraught and determined to get her back whatever the risks before she is lost forever.
Anna uses all her skills, courage and guile to find her daughter, infiltrate the children's home where she has been placed to be indoctrinated into the German way and to figure out a way to get her out of there whilst under the ever present threat of exposure and certain death.
This is a story full of tension and heartbreak and one mother's determination to find her daughter no matter what and it was absolutely gripping and I have no hesitation recommending it to those of you who 'enjoy' reading historical fiction based on true stories and events.
Thank you to HarperCollins UK, One More Chapter and NetGalley for enabling me to read and share my thoughts of A Child for the Reich.