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Nicole Hadley (380 KP) rated Wildflower Harvest: Also Includes Bonus Story of Desert Rose in Books
Jun 18, 2018
Wildflower Harvest by Colleen L. Reece is a Christian novel set in the 1800’s. Thomas and Sadie Brown’s farm, Red Cedars, is nestled in the Allegheny Mountain’s in what has become West Virginia. It escaped detection by both Yankee and Rebel troops during the Civil War. Their twin daughters, Mountain Laurel and Ivy Ann, are very different from each other. Laurel is very quiet and reserved while Ivy is outgoing and flirty. They have recently turned twenty. A week later they are blessed to have the new doctor, Adam Birchfield, arrive.
The story is about two twin sisters Laurel and Ivy Ann who lives with their parents in West Virginian. They meet a handsome doctor, Adam Birchfield who seems to like both of the sisters. There is a rift between the sisters which makes one choose to do something unexpected. Adam leaves West Virginian to joins his older brother Nat in Wyoming who is a preacher. Laurel decides leave and go to Wyoming too.
The Birchfield’s have always made their home in Massachusetts until oldest son, Nathaniel, refuses to fight in the war he doesn’t believe in and leaves home. When he finishes school, Adam also leaves his family home in order to practice medicine where he is desperately needed and to try to find his brother.
The lives of these two families become entwined in some very unexpected ways over the years. I really enjoyed this book and the characters though at times I wanted to yell at them when they made silly decisions. There is always some competition going on between Laurel and Ivy, some expected and some seem silly for adult women. The girls are both strong and adventurous when need be. When their lives take unexpected turns they focus on prayer to see them through. Adam finds Nathaniel is now a preacher in the vast Wyoming where the need for a doctor is great. Adam prayerfully considers whether God is calling him to join his brother.
There are many unexpected turns which kept me very engaged and reading to learn what would happen next. The main characters are all Christians but only share their faith through actions. I recommend this book to all who enjoy a good, Christian based romance novel with some mysteries included.
I received an advance copy of this book from Barbour Publishing, through Netgalley, in exchange for my honest review.
The story is about two twin sisters Laurel and Ivy Ann who lives with their parents in West Virginian. They meet a handsome doctor, Adam Birchfield who seems to like both of the sisters. There is a rift between the sisters which makes one choose to do something unexpected. Adam leaves West Virginian to joins his older brother Nat in Wyoming who is a preacher. Laurel decides leave and go to Wyoming too.
The Birchfield’s have always made their home in Massachusetts until oldest son, Nathaniel, refuses to fight in the war he doesn’t believe in and leaves home. When he finishes school, Adam also leaves his family home in order to practice medicine where he is desperately needed and to try to find his brother.
The lives of these two families become entwined in some very unexpected ways over the years. I really enjoyed this book and the characters though at times I wanted to yell at them when they made silly decisions. There is always some competition going on between Laurel and Ivy, some expected and some seem silly for adult women. The girls are both strong and adventurous when need be. When their lives take unexpected turns they focus on prayer to see them through. Adam finds Nathaniel is now a preacher in the vast Wyoming where the need for a doctor is great. Adam prayerfully considers whether God is calling him to join his brother.
There are many unexpected turns which kept me very engaged and reading to learn what would happen next. The main characters are all Christians but only share their faith through actions. I recommend this book to all who enjoy a good, Christian based romance novel with some mysteries included.
I received an advance copy of this book from Barbour Publishing, through Netgalley, in exchange for my honest review.
BookInspector (124 KP) rated The Starless Sea in Books
Sep 24, 2020 (Updated Jan 26, 2021)
The protagonist of this book is Zachary, a university student, who finds a strange book in the library, which leads him to an underground world full of stories. I really liked Zachary, he is intelligent, nerdy and adventurous, and I really liked him as a protagonist of this story. All the characters in this book were mesmerizing, mystical and magical. The world that the author created was something unbelievably beautiful and surreal. 🙂 I really liked the relationships between the characters, it was interesting to watch their interactions. Another thing that I found great is the diversity of the characters, and I liked that the protagonist was gay. 🙂
The narrative of this book is what left me confused. The narrative is a mess of million stories. It is a story upon a story about a different story that is somehow connected with another story from a different story, and it should make absolute sense. For me sometimes it did and sometimes I had no clue what in a world is going on. 😀 There is so much information in this book, so many different stories that it was hard to grasp it all. This book raised many many questions in my head, and I do not have the answers to them. The book is pretty philosophical, but I liked the balance between the actual adventure that Zachary was on, and all those thoughts about time, space, existence etc.
I simply can not describe the writing style of this book. The author is truly gifted to deliver something like this. I can’t imagine what has been going on in her mind to write something like this. As I mentioned before, to create such a world, where all those stories mentioned in the book makes sense in one way or another, it is just WOW! The chapters have a decent length, and together with constant changes between different stories, this book did not leave me bored. The ending of this book was pretty weird to me, but I liked how this book finished.
So, to conclude, it is hard to describe this novel. It is a very strange book, that is filled to the brim with characters that are incredibly well-crafted and the plot that is truly something special. However, it was way too much stuff going on for my liking. I really would love to see a film based on this book, I think it would be quite amazing to see this world coming to life. 🙂 I think everyone should give this book a go, I can see why people love it so much. But I will remain on the less enthusiastic side for now.
The narrative of this book is what left me confused. The narrative is a mess of million stories. It is a story upon a story about a different story that is somehow connected with another story from a different story, and it should make absolute sense. For me sometimes it did and sometimes I had no clue what in a world is going on. 😀 There is so much information in this book, so many different stories that it was hard to grasp it all. This book raised many many questions in my head, and I do not have the answers to them. The book is pretty philosophical, but I liked the balance between the actual adventure that Zachary was on, and all those thoughts about time, space, existence etc.
I simply can not describe the writing style of this book. The author is truly gifted to deliver something like this. I can’t imagine what has been going on in her mind to write something like this. As I mentioned before, to create such a world, where all those stories mentioned in the book makes sense in one way or another, it is just WOW! The chapters have a decent length, and together with constant changes between different stories, this book did not leave me bored. The ending of this book was pretty weird to me, but I liked how this book finished.
So, to conclude, it is hard to describe this novel. It is a very strange book, that is filled to the brim with characters that are incredibly well-crafted and the plot that is truly something special. However, it was way too much stuff going on for my liking. I really would love to see a film based on this book, I think it would be quite amazing to see this world coming to life. 🙂 I think everyone should give this book a go, I can see why people love it so much. But I will remain on the less enthusiastic side for now.
The kids are amazing (1 more)
So is Pennywise!
If you're of a certain age you'll probably remember the 'It' TV mini series of 1990, based on Stephen Kings classic novel. And you'll also have lasting memories of Tim Curry as Pennywise, the demonic clown who terrorises the town of Derry, Maine. His was the definitive evil clown, the benchmark for all scary movie clowns to come. This big screen version remake had a lot to live up to.
We meet the new Pennywise pretty early on in the movie as young Georgie ventures out into the heavy rain to play with the paper boat that he and older brother Bill just made. Anyone familiar with the story, or the trailer for the movie, knows exactly what's coming, so it's no surprise when Pennywise appears in the drain where Georgie loses his boat. Calmly menacing, and excellently played by Bill Skarsgård, but sounding strangely like Scooby-Doo as he chats away to Georgie, which kind of made him more funny than scary. It's not until he bites off Georgie's arm and drags him down into the sewer that you know he means business.
From there, Pennywise takes a bit of a backseat as we're introduced to our core cast of kids. It's been a while since Georgie disappeared and kids are still going missing around town, meaning there's now a 7pm curfew in effect. Bill is still mourning the loss of younger brother Georgie and his group of friends all have their own personal issues and demons too. These are gradually explored throughout the movie and are in some ways more sad and disturbing than Pennywise. On top of that, the local bully and his gang like to make their lives hell too and all of this is just hugely enjoyable, giving off a wonderful Stand By Me/The Goonies/Stranger Things feel, even more so as the movie is set in the 80s. The kids swear, make jokes together and at the expense of each other. They ride their bikes around town, have rock fights with the bullies and the entire cast is just a joy to watch.
Eventually, Pennywise steps things up a notch as he begins appearing to each of the kids, playing on their fears as he tries to lure them to their deaths. His appearances tend to involve a creepy, chilling build up, followed by a surprisingly effective jump scare (certainly some of the women in nearby seats to me seemed to be constantly on the brink of having a heart attack!). The scares become increasingly inventive and enjoyable as the movie progresses and while not as scary and gory as some might like, they still manage to work well within the whole movie.
I had a lot of fun watching It. And this is only Chapter One of a two part series, with Chapter Two set to focus on the part of the story where the kids are all adults. I can't wait to see what comes next!
We meet the new Pennywise pretty early on in the movie as young Georgie ventures out into the heavy rain to play with the paper boat that he and older brother Bill just made. Anyone familiar with the story, or the trailer for the movie, knows exactly what's coming, so it's no surprise when Pennywise appears in the drain where Georgie loses his boat. Calmly menacing, and excellently played by Bill Skarsgård, but sounding strangely like Scooby-Doo as he chats away to Georgie, which kind of made him more funny than scary. It's not until he bites off Georgie's arm and drags him down into the sewer that you know he means business.
From there, Pennywise takes a bit of a backseat as we're introduced to our core cast of kids. It's been a while since Georgie disappeared and kids are still going missing around town, meaning there's now a 7pm curfew in effect. Bill is still mourning the loss of younger brother Georgie and his group of friends all have their own personal issues and demons too. These are gradually explored throughout the movie and are in some ways more sad and disturbing than Pennywise. On top of that, the local bully and his gang like to make their lives hell too and all of this is just hugely enjoyable, giving off a wonderful Stand By Me/The Goonies/Stranger Things feel, even more so as the movie is set in the 80s. The kids swear, make jokes together and at the expense of each other. They ride their bikes around town, have rock fights with the bullies and the entire cast is just a joy to watch.
Eventually, Pennywise steps things up a notch as he begins appearing to each of the kids, playing on their fears as he tries to lure them to their deaths. His appearances tend to involve a creepy, chilling build up, followed by a surprisingly effective jump scare (certainly some of the women in nearby seats to me seemed to be constantly on the brink of having a heart attack!). The scares become increasingly inventive and enjoyable as the movie progresses and while not as scary and gory as some might like, they still manage to work well within the whole movie.
I had a lot of fun watching It. And this is only Chapter One of a two part series, with Chapter Two set to focus on the part of the story where the kids are all adults. I can't wait to see what comes next!
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Gareth von Kallenbach (980 KP) rated the PC version of The Bureau: XCOM Declassified in Video Games
Jun 19, 2019
Following a path to release that contained delays, revisions, and fan concerns, The Bureau: XCom Declassified has arrived.
As a fan of the first two games in the series which were icons of the 386 and 486 CPU age, I had been horrified about how badly the series had eroded with subsequent released which moved away from the turned based strategy play in favor of all things, flight simulations and run and gun shooters.
When I heard that 2K was taking over the franchise I was excited but to be honest the first look I had at the game during the 2012 E3 Expo had me wondering if I would ever see a return of the classic game series as the new version seemed to be more of a tactical team based game.
Many fans shared this concern and others and XCom: Enemy Unknown appeased many of the fans concerns by giving fans the updated turn based game that they had hoped for.
The Bureau is set in 1962 and is a nice mix of noire meets the X-Files as it explains the early days of the XCom organization in a solid prequel to the events of the subsequent games.
In 1962 Agent William Carter is tasked with delivering a case to his superiors. Ambushed en route and left for dead, Carter awakens to an alien assault and must battle for his life as he attempts to escape the carnage around him.
Armed with his pistol and in time a rifle, Carter meets up with other survivors and is able to escape and soon finds himself recruited in the new and secret organization known as XCom. The new organization is tasked with stopping the alien threat by any means necessary and despite Carter’s past difficulties, his superior Faulke, is convinced that he is the right man for the job.
Carter is able to command three man teams and prior to each mission selects which agents as well as their equipment will accompany him on his missions. Players will also be able to assign power ups along the way and assign them to various agents. The new abilities are vast and range from calling in support drones and air strikes to levitation, cloaking, and numerous other abilities and attacks based on alien technology.
As with prior XCom games players will have the option to select several side missions or they can focus on the main missions to propel the story, Interacting with other characters not only fills in the story but allows players to get a bigger picture thanks to the dialogue options which allows Carter to ask as many or as few questions as he wants.
In combat, Carter and his team work in a third person perspective and travel through towns, countryside, and other locales to meet the alien threat head on. In combat, players can enter a tactical mode to give move and combat commands to other members of their team as well as provide reviving and healing when needed.
Enemies can be tricky but with proper strategy and some well placed shots or grenades they can be taken down. There is a nice variety of enemies and they get harder as the game moves forward. Players can obtain alien weapons at a later state in the game and being able to use energy weapons is a nice touch as is the ability to wander your base in between missions.
The game does offer some branching storylines as actions taken or not taken will give players one of the games various endings.
I enjoyed the graphics and sound of the game as being able to take cover behind a vintage car and then unleash a barrage on a swarm of enemies from a 60s restaurant or radio station was great fun. I also liked seeing various nods to the classic XCom throughout.
While at times it did play as linear I was happy that there was not as much micro-management as I feared there would be and the game is a lot of fun to play. The enemies did seem to become a bit repetitive as the game went along as while the early missions had some challenge, some of the later ones can be frustratingly difficult.
The voice acting in the game is solid and the banter would be worthy for any classic science fiction or hardcore detective film or novel of the time.
I wish that the game offered a multiplay option as being able to co-op missions would have been great fun but for what it is, the game is a satisfying experience.
In the end, it will not be a classic along the lines of the original but it is a very worthy entry into the series and well worth your time to play especially if you’re a fan of the series.
http://sknr.net/2013/10/03/the-bureau-xcom-declassified/
As a fan of the first two games in the series which were icons of the 386 and 486 CPU age, I had been horrified about how badly the series had eroded with subsequent released which moved away from the turned based strategy play in favor of all things, flight simulations and run and gun shooters.
When I heard that 2K was taking over the franchise I was excited but to be honest the first look I had at the game during the 2012 E3 Expo had me wondering if I would ever see a return of the classic game series as the new version seemed to be more of a tactical team based game.
Many fans shared this concern and others and XCom: Enemy Unknown appeased many of the fans concerns by giving fans the updated turn based game that they had hoped for.
The Bureau is set in 1962 and is a nice mix of noire meets the X-Files as it explains the early days of the XCom organization in a solid prequel to the events of the subsequent games.
In 1962 Agent William Carter is tasked with delivering a case to his superiors. Ambushed en route and left for dead, Carter awakens to an alien assault and must battle for his life as he attempts to escape the carnage around him.
Armed with his pistol and in time a rifle, Carter meets up with other survivors and is able to escape and soon finds himself recruited in the new and secret organization known as XCom. The new organization is tasked with stopping the alien threat by any means necessary and despite Carter’s past difficulties, his superior Faulke, is convinced that he is the right man for the job.
Carter is able to command three man teams and prior to each mission selects which agents as well as their equipment will accompany him on his missions. Players will also be able to assign power ups along the way and assign them to various agents. The new abilities are vast and range from calling in support drones and air strikes to levitation, cloaking, and numerous other abilities and attacks based on alien technology.
As with prior XCom games players will have the option to select several side missions or they can focus on the main missions to propel the story, Interacting with other characters not only fills in the story but allows players to get a bigger picture thanks to the dialogue options which allows Carter to ask as many or as few questions as he wants.
In combat, Carter and his team work in a third person perspective and travel through towns, countryside, and other locales to meet the alien threat head on. In combat, players can enter a tactical mode to give move and combat commands to other members of their team as well as provide reviving and healing when needed.
Enemies can be tricky but with proper strategy and some well placed shots or grenades they can be taken down. There is a nice variety of enemies and they get harder as the game moves forward. Players can obtain alien weapons at a later state in the game and being able to use energy weapons is a nice touch as is the ability to wander your base in between missions.
The game does offer some branching storylines as actions taken or not taken will give players one of the games various endings.
I enjoyed the graphics and sound of the game as being able to take cover behind a vintage car and then unleash a barrage on a swarm of enemies from a 60s restaurant or radio station was great fun. I also liked seeing various nods to the classic XCom throughout.
While at times it did play as linear I was happy that there was not as much micro-management as I feared there would be and the game is a lot of fun to play. The enemies did seem to become a bit repetitive as the game went along as while the early missions had some challenge, some of the later ones can be frustratingly difficult.
The voice acting in the game is solid and the banter would be worthy for any classic science fiction or hardcore detective film or novel of the time.
I wish that the game offered a multiplay option as being able to co-op missions would have been great fun but for what it is, the game is a satisfying experience.
In the end, it will not be a classic along the lines of the original but it is a very worthy entry into the series and well worth your time to play especially if you’re a fan of the series.
http://sknr.net/2013/10/03/the-bureau-xcom-declassified/
Chris Sawin (602 KP) rated Death on the Nile (2022) in Movies
Feb 10, 2022
Most of the female cast. (2 more)
Poirot's backstory.
Kenneth Branagh's mustache.
Slow-moving with little payoff. (2 more)
Nothing substantial happens for the first hour.
Not entertaining. Perfect example of first world problems.
A Drowzy Whodunit Loaded with Mediocrity
Death on the Nile is the sequel to 2017’s Murder on the Orient Express with director and lead actor Kenneth Branagh returning. The mystery thriller is based on the 1937 novel of the same name by Agatha Christie. Death on the Nile has been adapted before as a 1978 film and as a 2004 episode of the Poirot television series starring David Suchet.
The 2022 film has been completed since December of 2019. The film was moved around several times due to COVID and was pushed back even further after Armie Hammer’s abuse allegations.
Mostly occurring shortly after the events of Murder on the Orient Express, Death on the Nile offers a bit of a look into the past of Hercule Poirot (Branagh). Taking place on the Yser Bridge in Belgium In 1914, a young Poirot advises his Belgian captain to attack the Germans spontaneously without warning. The attack is a success, but Poirot’s captain triggers an explosive after their victory. The explosion leaves Poirot’s face heavily scarred and offers an explanation as to why he always has a mustache.
Poirot reunites with his friend Bouc (Tom Bateman, who also returns from Murder on the Orient Express) in Egypt. Bouc is traveling with his mother Euphemia (Annette Bening) and their friends as they celebrate the marriage of Linnet Ridgeway (Gal Gadot) and Simon Doyle (Armie Hammer). To make matters more complicated, Simon was originally romantically involved with Jaqueline (Emma Mackey) who was also a former friend of Linnet. She now scornfully follows Simon and Linnet around Egypt.
The party travels on the S. S. Karnak, a steamship, along the river Nile. A murder eventually takes place on the steamship, which ignites a desire within Poirot to discover who the killer is before more suffer the same fate.
CGI and visual effects are used to make Kenneth Branagh look younger in the opening sequence of the film. The issue is he looks almost as bad as Henry Cavill did as Superman during the reshoots for Justice League. Branagh’s upper lip is almost nonexistent during this sequence and his philtrum seems to barely move when he speaks. It’s a visual nightmare and a terrible way to jump start a murder mystery.
Poirot travels to a Jazz nightclub where he’s first introduced to Simon, Jacqueline, and Linnet. Poirot spends much of the film embracing his OCD habits and people watching. This first nightclub sequence is about ten minutes long and you’re basically forced to watch people do nothing but dance for that entire time. Armie Hammer’s overly sexual dancing combined with his heavy breathing and constant sweating with both Gal Gadot and Emma Mackey is nauseating even without taking his sexual allegations into consideration.
Nothing really happens in the film for the first hour. Death on the Nile takes its time getting to the murder as little things begin to disappear (like a tube of paint) and Simon and Linnet are nearly crushed to death by a falling rock as they’re practically mid-coitus while sightseeing some pyramids. Emma Mackey gives a particularly strong performance. She is blinded by one-sided love in the film and her performance is a combination of passion, borderline insanity, and a broken heart.
Annette Bening is so cynical that it’s humorous and Jennifer Saunders adds just enough sarcastic bite to remind us ever so slightly of Absolutely Fabulous. Letitia Wright portrays business manager Rosalie Otterbourne. Her performance is intriguing because she’s always fighting for what she feels like she’s rightfully owed; whether it’s the right amount of money for her services or her happiness away from the limelight.
Like Murder on the Orient Express and other Agatha Christie adaptations, the enticing aspect of Death on the Nile is not only its massive and recognizable cast but also the fact that the story is written in a way that everyone is a suspect. The film’s nonchalant way of meandering towards that first murder is frustrating. A deliberate pace is one thing, but Death on the Nile is boring for the most part. Poirot is asked to take a case involving Jacqueline and the safety of Simon and Linnet, but is then mocked for being heartless and not being able to solve the case sooner. The people on board are likely meant to be scared, but come off as rich people not getting what they want the instant they want it.
Death on the Nile crawls towards a resolution you don’t feel invested in. Poirot’s backstory is interesting and there are some solid performances especially from the female cast, but the film otherwise feels like an unwanted game of Guess Who after you unwillingly chug two bottles of NyQuil and are asked to predict who the killer is after two long hours of tediousness.
The 2022 film has been completed since December of 2019. The film was moved around several times due to COVID and was pushed back even further after Armie Hammer’s abuse allegations.
Mostly occurring shortly after the events of Murder on the Orient Express, Death on the Nile offers a bit of a look into the past of Hercule Poirot (Branagh). Taking place on the Yser Bridge in Belgium In 1914, a young Poirot advises his Belgian captain to attack the Germans spontaneously without warning. The attack is a success, but Poirot’s captain triggers an explosive after their victory. The explosion leaves Poirot’s face heavily scarred and offers an explanation as to why he always has a mustache.
Poirot reunites with his friend Bouc (Tom Bateman, who also returns from Murder on the Orient Express) in Egypt. Bouc is traveling with his mother Euphemia (Annette Bening) and their friends as they celebrate the marriage of Linnet Ridgeway (Gal Gadot) and Simon Doyle (Armie Hammer). To make matters more complicated, Simon was originally romantically involved with Jaqueline (Emma Mackey) who was also a former friend of Linnet. She now scornfully follows Simon and Linnet around Egypt.
The party travels on the S. S. Karnak, a steamship, along the river Nile. A murder eventually takes place on the steamship, which ignites a desire within Poirot to discover who the killer is before more suffer the same fate.
CGI and visual effects are used to make Kenneth Branagh look younger in the opening sequence of the film. The issue is he looks almost as bad as Henry Cavill did as Superman during the reshoots for Justice League. Branagh’s upper lip is almost nonexistent during this sequence and his philtrum seems to barely move when he speaks. It’s a visual nightmare and a terrible way to jump start a murder mystery.
Poirot travels to a Jazz nightclub where he’s first introduced to Simon, Jacqueline, and Linnet. Poirot spends much of the film embracing his OCD habits and people watching. This first nightclub sequence is about ten minutes long and you’re basically forced to watch people do nothing but dance for that entire time. Armie Hammer’s overly sexual dancing combined with his heavy breathing and constant sweating with both Gal Gadot and Emma Mackey is nauseating even without taking his sexual allegations into consideration.
Nothing really happens in the film for the first hour. Death on the Nile takes its time getting to the murder as little things begin to disappear (like a tube of paint) and Simon and Linnet are nearly crushed to death by a falling rock as they’re practically mid-coitus while sightseeing some pyramids. Emma Mackey gives a particularly strong performance. She is blinded by one-sided love in the film and her performance is a combination of passion, borderline insanity, and a broken heart.
Annette Bening is so cynical that it’s humorous and Jennifer Saunders adds just enough sarcastic bite to remind us ever so slightly of Absolutely Fabulous. Letitia Wright portrays business manager Rosalie Otterbourne. Her performance is intriguing because she’s always fighting for what she feels like she’s rightfully owed; whether it’s the right amount of money for her services or her happiness away from the limelight.
Like Murder on the Orient Express and other Agatha Christie adaptations, the enticing aspect of Death on the Nile is not only its massive and recognizable cast but also the fact that the story is written in a way that everyone is a suspect. The film’s nonchalant way of meandering towards that first murder is frustrating. A deliberate pace is one thing, but Death on the Nile is boring for the most part. Poirot is asked to take a case involving Jacqueline and the safety of Simon and Linnet, but is then mocked for being heartless and not being able to solve the case sooner. The people on board are likely meant to be scared, but come off as rich people not getting what they want the instant they want it.
Death on the Nile crawls towards a resolution you don’t feel invested in. Poirot’s backstory is interesting and there are some solid performances especially from the female cast, but the film otherwise feels like an unwanted game of Guess Who after you unwillingly chug two bottles of NyQuil and are asked to predict who the killer is after two long hours of tediousness.