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Matthew Krueger (10051 KP) created a post
Dec 20, 2019 (Updated Dec 29, 2019)
Festive Wit: Humorous Quotes About the Silly Season
8.0
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Mum's forgotten to defrost the turkey, Dad's fused the fairy lights, the kids are singing rude words...
Ladyhawke (1985)
8.1
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In medieval times, a youthful pickpocket befriends a strange knight who is on a mysterious quest....
Liên Quân Mobile eSports - Garena
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Garena Liên Quân Mobile là game mobile eSports đỉnh cao của dòng game MOBA 5v5 phổ biến...
David McK (3372 KP) rated Man of Steel (2013) in Movies
Sep 26, 2021
"KNEEL BEFORE ZOD!"
Oh, wait, wrong version of that character!
This is Zack Snyders reboot of the Superman story; basically an origin story for The Man of Steel and setting out is stall pretty early with the absolutely bonkers scene where Russell Crowe's Jor-El rides a dragon as the planet Krypton (a very different take on said planet than in the Christopher Reeve films) begins to die.
It also ends with the massive destruction in Metropolis - to be fair, a consequence of which is shown in the following DC film Batman Vs Superman - and with a shocking scene where this version of Superman commits an action it is almost impossible to imagine his Silver Age counterpoint to do.
Michael Shannon's Zod comes across as less campy than Terence Stamps, while - in this version, at least - the reason Lois Lane is a Pulitzer Prize winning journalist *is* actually shown.
Oh, wait, wrong version of that character!
This is Zack Snyders reboot of the Superman story; basically an origin story for The Man of Steel and setting out is stall pretty early with the absolutely bonkers scene where Russell Crowe's Jor-El rides a dragon as the planet Krypton (a very different take on said planet than in the Christopher Reeve films) begins to die.
It also ends with the massive destruction in Metropolis - to be fair, a consequence of which is shown in the following DC film Batman Vs Superman - and with a shocking scene where this version of Superman commits an action it is almost impossible to imagine his Silver Age counterpoint to do.
Michael Shannon's Zod comes across as less campy than Terence Stamps, while - in this version, at least - the reason Lois Lane is a Pulitzer Prize winning journalist *is* actually shown.
David McK (3372 KP) rated The Suicide Squad (2021) in Movies
May 27, 2023
Hmmm ... not Suicide Squad, but 'The Suicide Squad'.
Like Aliens and not Alien.
A sort-of sequel to the earlier movie (here, Suicide Squad), with some of the same characters - most noticeably, Margot Robbie's Harley Quinn - although it is by no means necessary to have watched that earlier movie.
This is also a fair bit bloodier/messier than I remember said earlier movie being, and has absolutely no mention of either Batman or the Joker (unless you count Quinn's aversion to personalised number plates? See The Jokers car ...) to distract from the plot here, which sees the group of super-villains (all with a tracker and bomb implanted in their head) all sent on a mission to the island of Corto Maltese to destroy a Nazi-era prison and laboratory.
Of the 2 movies, I think this is the better.
It's definitely a James Gunn film through and through!
Like Aliens and not Alien.
A sort-of sequel to the earlier movie (here, Suicide Squad), with some of the same characters - most noticeably, Margot Robbie's Harley Quinn - although it is by no means necessary to have watched that earlier movie.
This is also a fair bit bloodier/messier than I remember said earlier movie being, and has absolutely no mention of either Batman or the Joker (unless you count Quinn's aversion to personalised number plates? See The Jokers car ...) to distract from the plot here, which sees the group of super-villains (all with a tracker and bomb implanted in their head) all sent on a mission to the island of Corto Maltese to destroy a Nazi-era prison and laboratory.
Of the 2 movies, I think this is the better.
It's definitely a James Gunn film through and through!
Nick Beaty (70 KP) rated Joker (2019) in Movies
Nov 25, 2019 (Updated Nov 26, 2019)
And the Oscar goes to...
First things first, you can not start a review of Joker without mentioning the lead performance from Joaquin Phoenix as Arthur Fleck. I would say he is probably an evens favourite to take home the best actor Oscar at next years ceremony.
As for the movie itself, Tod Phillips take on Joker almost feels like a tribute to early Martin Scorsese movies, with the most obvious being Taxi Driver & The King of Comedy, both starring Robert De Niro who also appears here. This is certainly not a bad thing as they are brilliant pieces of cinema, that will stand the test of time. As will Joker in my opinion for it's excellent cinematography & gritty authenticity, I think people will still be talking about this movie for many years to come.
There are a few very slight flaws that I could point out. The first being that because it is so Scorsese like, for me it loses the feeling of being set in Gotham city and just feels very much like we are in New York city. Secondly the Wayne's and Alfred are very much portrayed as the bad guys in this movie, in my opinion I felt myself siding with Arthur/Joker a little too much maybe, which makes you lose all sympathy for the reason Batman became the Dark Knight in the first place. Last but not least the very controversial choice of adding a Gary Glitter song at a pivotal point of the movie, is a strange choice to say the least.
Overall Joker is an exceptional character study of a very disturbed individual with many mental health issues, add to that a superb performance by Joaquin Phoenix and I think you have a movie that will only get better with time and become a genre classic. With the huge box office success, I just hope DC keep this grim, very true to life approach for their future Batman projects.
As for the movie itself, Tod Phillips take on Joker almost feels like a tribute to early Martin Scorsese movies, with the most obvious being Taxi Driver & The King of Comedy, both starring Robert De Niro who also appears here. This is certainly not a bad thing as they are brilliant pieces of cinema, that will stand the test of time. As will Joker in my opinion for it's excellent cinematography & gritty authenticity, I think people will still be talking about this movie for many years to come.
There are a few very slight flaws that I could point out. The first being that because it is so Scorsese like, for me it loses the feeling of being set in Gotham city and just feels very much like we are in New York city. Secondly the Wayne's and Alfred are very much portrayed as the bad guys in this movie, in my opinion I felt myself siding with Arthur/Joker a little too much maybe, which makes you lose all sympathy for the reason Batman became the Dark Knight in the first place. Last but not least the very controversial choice of adding a Gary Glitter song at a pivotal point of the movie, is a strange choice to say the least.
Overall Joker is an exceptional character study of a very disturbed individual with many mental health issues, add to that a superb performance by Joaquin Phoenix and I think you have a movie that will only get better with time and become a genre classic. With the huge box office success, I just hope DC keep this grim, very true to life approach for their future Batman projects.
Joe Goodhart (27 KP) rated Batman: Detective Comics, Volume 6: Fall of the Batmen in Books
Nov 30, 2020
<b>OMG!</b> Seriously?!? <i>* one more time *</i> <b>OMG!</b> That volume's ending was off the ever-lovin' Feels scale! I knew it was coming (Yaay! Browsin' on the interwebs!), but still, the death of [Spoiler] packed a lot of emotion as well as distaste towards [Spoiler - Part Deux] for not following B-Man's direction or that of the team as a whole!
And, I would like to correct my statement in the other two reviews, that this was the final book of Tynion's 'TEC run. There is, in fact, one last volume, VOL. 8: BATMAN ETERNAL, which I bought digitally the night before, and I will be tackling that one tonight in what has been a great ride, full of fun and excitement, helping to remind that Batman is still cool (despite all of Tom King's efforts)!
In my reviews, I always try to acknowledge the artist(s), whether good or not so good. In this case, there were two Joe Bennett (did the first couple of the arc), followed by Miguel Mendonça, winding down with Jesus Merina (he was on the finale issue of "Fall of the Batmen"), and finishing up with Philippe Briones (handled the epilogue issue, "Knights Fall"). Oh, and Eddy Barrows worked on the last book in this volume, DETECTIVE ANNUAL #2, which I skimmed over, as it was a retread of Clayface's origin/beginnings. But, yeah, those artists were on fire! Such grand attention to detail, facial expressions, and brilliant use of shadows! They are all names I will be keeping an eye out for going forward!
All in all, this was a truly memorable, and emotional, story arc. It was another winner for James Tynion IV, but come on, they were all winning arcs, as far as I'm concerned! And that, my loyal readers (are there really that many who genuinely follow my reviews? I dunno, but I am still going to go that phrasing), is that! Peace!
And, I would like to correct my statement in the other two reviews, that this was the final book of Tynion's 'TEC run. There is, in fact, one last volume, VOL. 8: BATMAN ETERNAL, which I bought digitally the night before, and I will be tackling that one tonight in what has been a great ride, full of fun and excitement, helping to remind that Batman is still cool (despite all of Tom King's efforts)!
In my reviews, I always try to acknowledge the artist(s), whether good or not so good. In this case, there were two Joe Bennett (did the first couple of the arc), followed by Miguel Mendonça, winding down with Jesus Merina (he was on the finale issue of "Fall of the Batmen"), and finishing up with Philippe Briones (handled the epilogue issue, "Knights Fall"). Oh, and Eddy Barrows worked on the last book in this volume, DETECTIVE ANNUAL #2, which I skimmed over, as it was a retread of Clayface's origin/beginnings. But, yeah, those artists were on fire! Such grand attention to detail, facial expressions, and brilliant use of shadows! They are all names I will be keeping an eye out for going forward!
All in all, this was a truly memorable, and emotional, story arc. It was another winner for James Tynion IV, but come on, they were all winning arcs, as far as I'm concerned! And that, my loyal readers (are there really that many who genuinely follow my reviews? I dunno, but I am still going to go that phrasing), is that! Peace!
Nick Friesen (96 KP) rated Wonder Woman (2017) in Movies
Jul 11, 2017
Strong female characters (3 more)
Love Interest without a "damsel in distress"
Not too dark, and not too happy either
The most cohesive DCEU film to date
A Triumph for Women Everywhere (and the DCEU)
Gal Gadot is perfect. She kicks ass and looks great doing it, dominating every frame she inhabits. Thanks to Patty Jenkin's guiding hand, Gadot's iteration of Wonder Woman does so without becoming yet another one-dimensional sex symbol. The movie itself is the most cohesive and fun segment the DCEU has offered yet. Free of the glowering and overbearing lens Zack Snyder has placed over Superman and Batman, Wonder Woman touches on themes of hope and discovered humanity that were yet to be seen in DC's fledgling movie universe. Even if the story is a little basic, and a little reminiscent of Captain America: The First Avenger, it stands on its own two feet and puts up a good fight for two hours and twenty minutes.
Awix (3310 KP) rated The Lighthouse (2019) in Movies
Jan 31, 2020
Distinctively weird period horror movie. Two men are posted to operate a remote lighthouse off the New England coast. One of them is young and inexperienced; the other is old and annoying. Isolation, terrible weather, and perhaps something else all take their toll; there is madness in the air.
Another one of those really peculiar art-house takes on a genre movie that Robert Pattinson seems to enjoy doing: God knows what his take on Batman is going to end up like. I imagine that not many stranger films than this will get a major release this year, but it is still an impressive piece of film-making: well-played, very atmospheric, with strong performances. In the end it's kind of up to the viewer to work out what's really going on in this movie, but the challenge is worth the effort. In the end this resembles Steptoe and Son as written by H. P. Lovecraft; not quite as awesome as that sounds, but still very watchable.
Another one of those really peculiar art-house takes on a genre movie that Robert Pattinson seems to enjoy doing: God knows what his take on Batman is going to end up like. I imagine that not many stranger films than this will get a major release this year, but it is still an impressive piece of film-making: well-played, very atmospheric, with strong performances. In the end it's kind of up to the viewer to work out what's really going on in this movie, but the challenge is worth the effort. In the end this resembles Steptoe and Son as written by H. P. Lovecraft; not quite as awesome as that sounds, but still very watchable.
Diva (60 KP) Dec 20, 2019
Matthew Krueger (10051 KP) Dec 26, 2019